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83:. There is no record of van der Gouwen registering as a master in the Antwerp Guild. He left Antwerp and is recorded in Amsterdam where in June 1680 he started taking drawing classes with the German painter Pieter Rodingh. During the period of 14 months that the took the classes, Rodingh also helped him out with two of his engravings. Later a dispute arose between van der Gouwen and Rodingh over payment for the classes as well as for s portrait of van der Gouwen and his wife painted by Rodingh. The matter was amicably settled.
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De
Liggeren en andere Historische Archieven der Antwerpsche Sint Lucasgilde, onder Zinkspreuk: "Wy Jonsten Versaemt" afgeschreven en bemerkt door Ph. Rombouts en Th. Van Lerius, Advokaet, onder de bescherming van den raed van bestuer der koninklyke Akademie van beeldende Kunsten, van gezegde
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He married twice. He married Maria
Willems in Amsterdam on 8 September 1679. Their daughter Lysbet was born in 1688. His first wife died and was buried in Amsterdam on 29 July 1700. He married Anna Gerrits in Amsterdam on 19 October 1703.
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369:, in: E. Buijsen e.a. (red.), Kunst op papier in de achttiende eeuw/Art on Paper in the Eighteenth Century. Liber Amicorum aangeboden aan Charles Dumas ter gelegenheid van zijn 65ste verjaardag, Zoetermeer 2014, p. 48-61; p. 51
104:("Great Book of Painting"), published in 1710 for which he made the title page and various illustrations. He worked as an assistant in the workshop of the engraver and publisher
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171:. The latter publication was a picture bible comprising 214 large engravings of which van der Gouwen had engraved 41.
327:"Corelli's Contract: Notes on the Publication History of the "Concerti Grossi... Opera Sesta" [1714]"
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He was born in
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385:, 1598, Gilliam van der Gouwen, after Jacob Matham, after Hendrick Goltzius, 1730
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Tijdschrift van de
Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis
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De ontstaansgeschiedenis van de prentenbijbel van Hoet, Houbraken en Picart
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He is known for portraits, allegorical scenes and biblical illustrations.
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Taferelen der voornaamste geschiedenissen van het Oude en Nieuwe
Testament
143:'s designs for title pages and book illustrations. He was the teacher of
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Allegory of the
History of Britain with the Portrait of Isaac de Larrey
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various title pages for musical publications. An example is the
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published by Roger in
Amsterdam in 1714. The print represents
147:. He worked on a series of biblical prints after designs of
159:. These were used in various publications including the
197:, published in Amsterdam in 1681. An example is the
122:and was made after a design by the Italian painter
201:. The print was made after an engraving made by
115:title page of Arcangelo Corelli's Concerti Grossi
178:He was buried in Amsterdam on 15 March 1716.
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91:Putto blowing bubbles, allegory of Vanitas
108:. He made for the sheet music publisher
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267:Ph. Rombouts and Th. van Lerius (ed.),
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134:Title page of Corelli's Concerti Grossi
195:Nederlandtsche jaerboeken en historien
256:Netherlands Institute for Art History
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43:, first name also transcribed as
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383:Gestrande walvis bij Berckhey
139:He further engraved many of
199:Beached whale near Berckhey
55:— buried on 15 March 1716,
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167:published in the Hague by
163:published in 1720 and the
120:St. Cecilia Playing a Lute
304:10.1163/187501737X00056
102:Het groot schilderboeck
410:Gilliam van der Gouwen
325:Rasch, Rudolf (1996).
288:"Archiefsprokkelingen"
252:Gilliam van der Gouwen
233:Gilliam van der Gouwen
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41:Gilliam van der Gouwen
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18:William van der Gouwen
446:Painters from Antwerp
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81:Pieter van Lisebetten
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441:Artists from Antwerp
412:at Wikimedia Commons
286:Bredius, A. (1937).
436:Flemish printmakers
387:at the Rijksmuseum
364:P. van der Coelen,
161:Figures de la Bible
124:Francesco Trevisani
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205:after a design by
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207:Hendrick Goltzius
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292:Oud Holland
235:at Ecartico
149:Gerard Hoet
51:(ca. 1657,
420:Categories
389:(in Dutch)
371:(in Dutch)
275:(in Dutch)
213:References
57:Amsterdam
312:42717275
61:engraver
45:Guilliam
254:at the
53:Antwerp
351:939219
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49:Willem
347:JSTOR
308:JSTOR
270:Stad
182:Work
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71:Life
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