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He is noted for attempting to create a more natural, but non-indigenous system of music notation to the study of
African music. Anku's circular notation shows the various "combinatoric aspects of pattern relative to different metrical positions, based on how the rhythmic pattern is aligned with
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Agawu described his approach to West-African music theory as "structural set analysis," the title of two of his short books. He defended the analytical approach to
African music in a 2007 interview on Ghanaian
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Kofi
Anyidoho, Helen Lauer, eds. Reclaiming the Human Sciences and Humanities Through African Perspectives, Volume 2 (Legon-Accara: Sub-Saharan Publishers, 2011), "Willie Anku" pp. 1470–72.
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traditions to create a comprehensive theory of
African rhythm. He was "unique among Africa-based music theorists in attracting the attention of the US-based
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Bode
Omojola lists Anku among five contemporary scholars most influencing ideas of African Rhythm. His work was cited as influential on
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He received his Master of Music
Education from the University of Montana, Missoula in 1976; MA and PhD in
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In addition to its impact on understanding
African music, Anku's theories have been cited in the study of
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Professor Anku was involved in a motor accident on 20 January 2010 and died 2 weeks later at the
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Anku rejected the relevance of simple concepts of polymeter in understanding West
African music.
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256:, (Psychology Press, 2003), p. 85 (on polymeter) pp. 194–96 (a section titled "Anku").
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with computer programming and experience in working with performers of various West
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in 1986 and 1988 respectively. He was head of the School of
Performing Arts at the
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Yorůbá Music in the
Twentieth Century: Identity, Agency, and Performance
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Willie Anku came from Gbadzeme in the Avatime Traditional Area of the
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Musical Sense and Musical Meaning: An Indigenous African Perception
217:. He is survived by his wife, Madam Eva Ebeli, and three children.
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Representing African Music: Postcolonial Notes, Queries, Positions
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394:"Legon to host musical performance in memory of Professor Anku"
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Carlos Sakyi meets Dr. Willie Anku on music and copyright
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Ligeti's Laments: Nostalgia, Exoticism and the Absolute,
133:, composer, and performer. His work combined Western
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282:(Oxford: Oxford University Press, 2012), pp. 81–82
164:'s general geometric theory of musical timelines.
239:, "In memoriam William Oscar Anku (1949–2010),"
125:(25 July 1949 – 1 February 2010) was a Ghanaian
269:(Amsterdam: Rozenberg Publishers, 2008), p. 213
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295:(University Rochester Press, 2012), p. 5
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241:Journal of Musical Arts in Africa
210:until just prior to his death.
310:The Geometry of Musical Rhythm
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446:Road incident deaths in Ghana
451:University of Montana alumni
157:regulative metric pattern."
25:William Oscar "Willie" Anku
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215:Korle Bu Teaching Hospital
54:Korle-Bu Teaching Hospital
357:Willie Anku Laid To Rest
314:(CRC Press, 2013), p. xv
200:University of Pittsburgh
143:Society for Music Theory
88:University of Pittsburgh
373:music-research-inst.org
347:(Ashgate, 2011), p. 152
16:Ghanaian music theorist
305:Godfried T. Toussaint
105:Musician, professor,
80:University of Montana
204:University of Ghana
92:University of Ghana
431:Ghanaian musicians
183:Life and education
162:Godfried Toussaint
343:Amy Marie Bauer,
131:ethnomusicologist
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397:. Retrieved
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189:Volta Region
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149:Music theory
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39:Volta Region
34:25 July 1949
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426:2010 deaths
421:1949 births
66:Nationality
415:Categories
237:Kofi Agawu
221:References
191:of Ghana.
135:set theory
37:Gbadzeme,
198:from the
76:Education
399:23 April
378:23 April
84:Missoula
70:Ghanaian
170:MetroTV
60:, Ghana
41:, Ghana
243:(2010)
119:Willie
208:Legon
96:Legon
58:Accra
401:2018
380:2018
123:Anku
47:Died
31:Born
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