Knowledge (XXG)

Willie Birch

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to present stereotypical characters." Birch explained that the rest of the city was very different, concluding, "These two contradictory images of New Orleans offered me the opportunity to visualize a body of work that addressed the idea of perception and how we as human beings continue to create,
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as "a storytelling art carried out with immense visual expertise." Birch moved back to New Orleans in 1994, and in 1997 he began working on a series of
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in 2015. His work featured images of the plants that took over his yard while the city was closed down after the storm, as well as
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Birch started working exclusively in black and white after 2000. The resulting large-scale drawings were featured in
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perpetuate, and define peoples as the 'other,' and what that implies in a changing society." The resulting
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who works in a variety of mediums including drawing, painting, and sculpture. Birch was born in
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mounds, the mud dwellings built by crawfish that had been displaced to his yard by the storm.
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Birch's work appears in several collections, including Civil Rights Museum, Memphis, TN;
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in 2008, the triennial exhibition of contemporary art in New Orleans organized by
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sculptures. While in New York, during the years 1978 and 1979, he was part of the
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Southern University New Orleans, Maryland Institute College of Art
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Birch's work has been exhibited across the US, including
381:"Review/Art; Social Commentary in Works by Willie Birch" 277:, The Joan Mitchell Foundation, Cue Art Foundation, the 269:
Birch has served as the James Baldwin Fellow for the
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Birch 7: 243:New Orleans Center for Creative Arts 529:Artist page at Arthur Roger Gallery 283:New York State Council on the Arts 14: 519:Interview with Satellite magazine 137:the project as a protest against 83:Maryland Institute College of Art 524:Feature in the Bitter Southerner 125:described his 1990s work in the 287:National Endowment for the Arts 97:Birch lived in New York after 1: 569:20th-century American artists 549:21st-century American artists 379:Smith, Roberta (1992-04-10). 113:. Reviewing an exhibition at 335:Prudential Insurance Company 327:Ogden Museum of Southern Art 101:, where he became known for 52:Drawing, Painting, Sculpture 35:New Orleans, Louisiana, U.S. 595: 311:Metropolitan Museum of Art 275:Pollock Krasner Foundation 323:New Orleans Museum of Art 307:Miami-Dade Public Library 225:, Winston-Salem, NC; and 187:New Orleans Museum of Art 559:Artists from New Orleans 485:Reynolds, Rebecca Lee. 255:Henry Street Settlement 16:African American artist 265:Grants and fellowships 221:, Wilmington, DE; and 63: 315:Microsoft Corporation 279:Guggenheim Foundation 271:United States Artists 61: 359:www.brooklynrail.org 333:, Philadelphia, PA; 175:Prospect New Orleans 162:were printed at the 329:, New Orleans, LA; 325:, New Orleans, LA; 253:, Albuquerque, NM; 145:that he saw in the 87:Baltimore, Maryland 79:Southern University 385:The New York Times 301:, Wilmington, DE; 251:Tamarind Institute 164:Tamarind Institute 64: 361:. 4 November 2007 319:Mobil Corporation 259:The Studio Museum 239:RedLine Milwaukee 229:, New York City. 191:Hurricane Katrina 143:African-Americans 62:135 Street art vc 56: 55: 586: 501: 500: 498: 497: 482: 476: 475: 473: 472: 457: 451: 450: 448: 447: 441:tamarind.unm.edu 433: 427: 426: 424: 423: 417:tamarind.unm.edu 409: 403: 402: 400: 399: 376: 370: 369: 367: 366: 351: 313:, New York, NY; 305:, New York, NY; 257:, New York; and 227:Sculpture Center 109:, funded by the 19: 594: 593: 589: 588: 587: 585: 584: 583: 534: 533: 510: 505: 504: 495: 493: 484: 483: 479: 470: 468: 460:Lash, Miranda. 459: 458: 454: 445: 443: 435: 434: 430: 421: 419: 411: 410: 406: 397: 395: 378: 377: 373: 364: 362: 353: 352: 348: 343: 321:, Fairfax, VA; 317:, Seattle, WA; 303:Harlem Hospital 295: 267: 261:in Harlem, NY. 235: 207: 179:Trombone Shorty 99:graduate school 95: 69:is an American 36: 33: 24: 17: 12: 11: 5: 592: 590: 582: 581: 576: 571: 566: 561: 556: 551: 546: 536: 535: 532: 531: 526: 521: 516: 514:Artist webpage 509: 508:External links 506: 503: 502: 477: 466:www.knowla.org 452: 428: 404: 371: 345: 344: 342: 339: 294: 291: 266: 263: 234: 231: 206: 203: 183:Ten Years Gone 147:French Quarter 135:conceptualized 127:New York Times 94: 91: 54: 53: 50: 49:Known for 46: 45: 42: 38: 37: 34: 30: 26: 25: 22: 15: 13: 10: 9: 6: 4: 3: 2: 591: 580: 577: 575: 572: 570: 567: 565: 562: 560: 557: 555: 554:Living people 552: 550: 547: 545: 542: 541: 539: 530: 527: 525: 522: 520: 517: 515: 512: 511: 507: 492: 488: 481: 478: 467: 463: 456: 453: 442: 438: 432: 429: 418: 414: 408: 405: 394: 390: 386: 382: 375: 372: 360: 356: 350: 347: 340: 338: 336: 332: 328: 324: 320: 316: 312: 309:, Miami, FL; 308: 304: 300: 292: 290: 288: 284: 280: 276: 272: 264: 262: 260: 256: 252: 248: 244: 240: 232: 230: 228: 224: 220: 216: 212: 204: 202: 200: 196: 192: 188: 184: 180: 176: 172: 167: 165: 161: 156: 152: 148: 144: 140: 139:stereotypical 136: 132: 128: 124: 123:Roberta Smith 120: 119:New York City 116: 112: 108: 104: 100: 92: 90: 88: 84: 80: 76: 72: 71:visual artist 68: 60: 51: 47: 43: 39: 31: 27: 20: 494:. Retrieved 490: 480: 469:. Retrieved 465: 455: 444:. Retrieved 440: 431: 420:. Retrieved 416: 407: 396:. Retrieved 384: 374: 363:. Retrieved 358: 349: 296: 268: 236: 208: 195:bronze casts 168: 103:papier-mâché 96: 67:Willie Birch 66: 65: 23:Willie Birch 544:1942 births 293:Collections 233:Residencies 217:in Dallas; 205:Exhibitions 75:New Orleans 538:Categories 496:2015-11-22 471:2015-11-22 446:2015-11-22 422:2015-11-22 398:2015-11-22 365:2015-11-22 341:References 285:, and the 171:Prospect.1 155:buffoonery 141:images of 393:0362-4331 185:" at the 160:monotypes 151:figurines 131:portraits 41:Education 491:BURNAWAY 199:crawfish 115:Exit Art 391:  389:ISSN 93:Work 32:1942 29:Born 197:of 117:in 85:in 540:: 489:. 464:. 439:. 415:. 387:. 383:. 357:. 281:, 249:; 241:; 213:; 166:. 121:, 89:. 499:. 474:. 449:. 425:. 401:. 368:.

Index


visual artist
New Orleans
Southern University
Maryland Institute College of Art
Baltimore, Maryland
graduate school
papier-mâché
Cultural Council Foundation Artists Project
Comprehensive Employment and Training Act (CETA)
Exit Art
New York City
Roberta Smith
New York Times
portraits
conceptualized
stereotypical
African-Americans
French Quarter
figurines
buffoonery
monotypes
Tamarind Institute
Prospect.1
Prospect New Orleans
Trombone Shorty
Ten Years Gone
New Orleans Museum of Art
Hurricane Katrina
bronze casts

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