Knowledge (XXG)

Wim Vandekeybus

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Vandekeybus’ search for novelty and innovation is a constant in his work, but throughout his very different productions he has always remained true to the idiom of movement. Key elements of his oeuvre are tension and conflict, the body/mind dichotomy, risks and impulses as well as physicality,
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Although Vandekeybus' signature resides first and foremost in the physical material, Ultima Vez’ early shows already reveal the rudimentary outlines of a narrative, for example in the opposition between men and women. How people react in unfamiliar situations or marginal positions has always
76:’s The Power of Theatrical Madness in 1985, Wim Vandekeybus spent two years travelling the world as one of the play’s two naked kings. In 1986 he withdrew to Madrid for several months with a group of novice dancers to work on his first show and to launch his company Ultima Vez. 69:. But later on, however, he decided to pursue a different path. After a workshop with Paul Peyskens he came in contact with theater. He followed through with various dance workshops (including tango and contemporary dance) and focused on film and photography. 45:, Wim Vandekeybus has been responsible for the Flemish Wave in contemporary dance in the 80's. He made over thirty international dance and theater productions and almost as many movies and video works. 119:
fascinated Vandekeybus. He has often sought to collaborate with other artists but also to work with non-artists as well as with dancers and performers of all ages and from a range of backgrounds.
827: 812: 817: 29:(Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer. His company Ultima Vez is located in 774: 42: 698: 822: 753:"An independent jury decided to award the Evens Arts Prize 2013 to Wim Vandekeybus and his company Ultima Vez" 643: 807: 628: 802: 30: 752: 123:
passion, intuition and instinct. However, each element is tackled differently in his shows.
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A residency in 1989 at the Centre National de Danse Contemporaine d'Angers resulted in
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in Haarlem (the Netherlands). The music driving the dancers was composed by
73: 58: 34: 734: 769: 716: 66: 735:"Canvas: (her)bekijk je favoriete programma's: actua, docu en series" 62: 15: 668: 613: 782: 53:After graduating high school, he briefly studied 568:of the Directors Guild of America in Los Angeles 8: 425: 130: 583: 384:Mockumentary of a Contemporary Saviour 699:"Wim Vandekeybus, The Rage of Living" 564:In 2007 Wim Vandekeybus receives the 7: 663: 661: 659: 657: 614:"The Flemish wave: myth and reality" 589: 587: 560:Les Porteuses de mauvaises nouvelles 144:Les porteuses de mauvaises nouvelles 106:, which earned Vandekeybus a second 104:Les porteuses de mauvaises nouvelles 554:In 1990 Wim Vandekeybus receives a 544:In 1988 Wim Vandekeybus receives a 14: 644:"The Power of Theatrical Madness" 768: 612:Gielen, Pascal; Laermans, Rudi. 697:Guzzo Vaccarino, Elisa (2016). 550:What the Body Does Not Remember 501:In Spite of Wishing and Wanting 214:In Spite of Wishing and Wanting 192:7 for a Secret never to be told 138:What the Body Does Not Remember 81:What the Body Does Not Remember 595:"Ultima Vez / Wim Vandekeybus" 83:premiered in June 1987 at the 1: 378:Speak low if you speak love … 220:Inasmuch as Life is borrowed… 162:Her Body Doesn't Fit Her Soul 226:Scratching the Inner Fields 186:Exhaustion from Dreamt love 174:Alle Grössen decken sich zu 844: 461:Bereft of a Blissful Union 208:The Day of Heaven and Hell 180:Bereft of a Blissful Union 43:Anne Teresa De Keersmaeker 33:(Brussels). Together with 682:'T Jonck, Pieter (2016). 571:Keizer Karel prize (2012) 451:Mountains Made of Barking 168:Mountains Made of Barking 642:Fabre, Troubleyn / Jan. 566:Choreography Media Honor 272:Rent a kid, no bullshit! 238:Bericht aan de Bevolking 113: 95:. The performance won a 629:"About Wim Vandekeybus" 574:Evens Arts Prize (2013) 473:Body, Body on the wall… 202:Body, body on the wall… 156:Immer das Selbe gelogen 828:Belgian film directors 813:Belgian choreographers 390:Go Figure Out Yourself 114:Vandekeybus' signature 72:After auditioning for 23: 627:Dreyfus, Emmanuelle. 99:in 1988 in New York. 22:(Photo Danny Willems) 19: 818:Belgian male dancers 777:at Wikimedia Commons 150:The Weight of a Hand 684:The Rage of Staging 31:Sint-Jans-Molenbeek 717:"Awards / History" 348:Oedipus / bêt noir 24: 773:Media related to 536: 535: 445:Elba and Federico 419: 418: 372:Talk to the Demon 835: 786: 785: 783:Official website 772: 757: 756: 749: 743: 742: 731: 725: 724: 713: 707: 706: 694: 688: 687: 679: 673: 672: 665: 652: 651: 648:www.troubleyn.be 639: 633: 632: 624: 618: 617: 609: 603: 602: 591: 426: 131: 93:Peter Vermeersch 843: 842: 838: 837: 836: 834: 833: 832: 823:Belgian dancers 793: 792: 790: 781: 780: 775:Wim Vandekeybus 765: 760: 751: 750: 746: 733: 732: 728: 715: 714: 710: 696: 695: 691: 681: 680: 676: 669:"Award Archive" 667: 666: 655: 641: 640: 636: 626: 625: 621: 611: 610: 606: 593: 592: 585: 581: 541: 523:Monkey Sandwich 424: 366:Spiritual Unity 330:Monkey Sandwich 129: 116: 79:His first show 51: 27:Wim Vandekeybus 21: 20:Wim Vandekeybus 12: 11: 5: 841: 839: 831: 830: 825: 820: 815: 810: 805: 795: 794: 788: 787: 778: 764: 763:External links 761: 759: 758: 744: 726: 708: 689: 674: 653: 634: 619: 604: 582: 580: 577: 576: 575: 572: 569: 562: 552: 540: 537: 534: 533: 532: 531: 529:Galloping Mind 525: 519: 511: 510: 509: 503: 497: 491: 483: 482: 481: 479:The Last Words 475: 469: 463: 455: 454: 453: 447: 441: 435: 423: 420: 417: 416: 415: 414: 408: 400: 399: 398: 392: 386: 380: 374: 368: 362: 356: 350: 344: 338: 332: 324: 323: 322: 316: 310: 304: 298: 292: 286: 280: 274: 268: 260: 259: 258: 252: 246: 240: 234: 228: 222: 216: 210: 204: 196: 195: 194: 188: 182: 176: 170: 164: 158: 152: 146: 140: 128: 125: 115: 112: 89:Thierry De Mey 50: 47: 13: 10: 9: 6: 4: 3: 2: 840: 829: 826: 824: 821: 819: 816: 814: 811: 809: 808:Living people 806: 804: 801: 800: 798: 791: 784: 779: 776: 771: 767: 766: 762: 754: 748: 745: 740: 736: 730: 727: 722: 718: 712: 709: 704: 700: 693: 690: 685: 678: 675: 670: 664: 662: 660: 658: 654: 649: 645: 638: 635: 630: 623: 620: 615: 608: 605: 600: 596: 590: 588: 584: 578: 573: 570: 567: 563: 561: 557: 553: 551: 547: 543: 542: 538: 530: 526: 524: 520: 518: 514: 513: 512: 508: 504: 502: 498: 496: 492: 490: 486: 485: 484: 480: 476: 474: 470: 468: 464: 462: 458: 457: 456: 452: 448: 446: 442: 440: 436: 434: 430: 429: 428: 427: 421: 413: 409: 407: 403: 402: 401: 397: 393: 391: 387: 385: 381: 379: 375: 373: 369: 367: 363: 361: 360:booty Looting 357: 355: 351: 349: 345: 343: 339: 337: 336:Radical Wrong 333: 331: 327: 326: 325: 321: 317: 315: 311: 309: 305: 303: 299: 297: 293: 291: 287: 285: 281: 279: 275: 273: 269: 267: 263: 262: 261: 257: 253: 251: 247: 245: 241: 239: 235: 233: 229: 227: 223: 221: 217: 215: 211: 209: 205: 203: 199: 198: 197: 193: 189: 187: 183: 181: 177: 175: 171: 169: 165: 163: 159: 157: 153: 151: 147: 145: 141: 139: 135: 134: 133: 132: 126: 124: 120: 111: 109: 105: 100: 98: 94: 90: 86: 82: 77: 75: 70: 68: 64: 60: 56: 48: 46: 44: 40: 36: 32: 28: 18: 789: 747: 738: 729: 720: 711: 702: 692: 683: 677: 647: 637: 622: 607: 598: 565: 559: 556:Bessie Award 549: 546:Bessie Award 528: 522: 516: 506: 500: 494: 488: 478: 472: 466: 460: 450: 444: 438: 432: 411: 405: 395: 389: 383: 377: 371: 365: 359: 353: 347: 341: 335: 329: 319: 313: 307: 301: 295: 289: 283: 277: 271: 265: 255: 249: 243: 237: 231: 225: 219: 213: 207: 201: 191: 185: 179: 173: 167: 161: 155: 149: 143: 137: 127:Performances 121: 117: 108:Bessie Award 103: 101: 97:Bessie Award 85:Toneelschuur 80: 78: 71: 52: 49:Breakthrough 39:Alain Platel 26: 25: 803:1963 births 721:www.dga.org 703:Ballet 2000 422:Filmography 406:Die Bakchen 314:Black Biist 296:Nachtschade 797:Categories 739:www.vrt.be 599:Ultima Vez 579:References 517:Here After 439:La Mentira 320:nieuwZwart 308:Lichtnacht 256:Sonic Boom 55:Psychology 686:. Lannoo. 232:’s NACHTs 74:Jan Fabre 59:KU Leuven 35:Jan Fabre 616:. SARMA. 489:Inasmuch 433:Roseland 396:TrapTown 354:FEAR NOT 284:Bêt noir 290:Spiegel 67:Belgium 539:Awards 495:Silver 412:TRACES 342:IT 3.0 302:MENSKE 63:Leuven 527:2015 521:2011 515:2007 507:Blush 505:2005 499:2002 493:2001 487:2000 477:1999 471:1997 465:1996 459:1996 449:1994 443:1993 437:1992 431:1990 410:2019 404:2019 394:2018 388:2018 382:2017 376:2015 370:2014 364:2013 358:2012 352:2012 346:2001 340:2011 334:2011 328:2010 318:2009 312:2009 306:2008 300:2007 294:2007 288:2007 282:2006 276:2005 270:2004 266:Viva! 264:2004 254:2003 250:Blush 248:2002 242:2002 236:2002 230:2002 224:2001 218:2000 212:1999 206:1998 200:1998 190:1997 184:1996 178:1996 172:1995 166:1994 160:1993 154:1991 148:1990 142:1989 136:1987 558:for 548:for 467:Dust 278:Puur 91:and 41:and 61:in 57:in 799:: 737:. 719:. 701:. 656:^ 646:. 597:. 586:^ 244:it 110:. 65:, 37:, 755:. 741:. 723:. 705:. 671:. 650:. 631:. 601:.

Index


Sint-Jans-Molenbeek
Jan Fabre
Alain Platel
Anne Teresa De Keersmaeker
Psychology
KU Leuven
Leuven
Belgium
Jan Fabre
Toneelschuur
Thierry De Mey
Peter Vermeersch
Bessie Award
Bessie Award
Bessie Award
Bessie Award


"Ultima Vez / Wim Vandekeybus"
"The Flemish wave: myth and reality"
"About Wim Vandekeybus"
"The Power of Theatrical Madness"




"Award Archive"
"Wim Vandekeybus, The Rage of Living"
"Awards / History"

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