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everyday encounters with the world. And at this point, it is this art that seems to define him as a person who relates to his surroundings as well. Jumalon finds inspiration in anything and everything-—a candy wrapper, a moment, debris. He takes much from the past and speaks of it in the present, where nostalgia doesn’t necessarily mean memory as it does an assertion of what remains relevant and real across time. Jumalon begins with ideas and challenges himself to transform them into a visual form-—the only one he feels is powerful enough to carry his message. The materials to use, and the ways in which they will be utilized, are all part of the concept. They enjoin together after the decision is made that an idea is worth its value in paint and hard work. And then
Jumalon, apparently, flies with it. The challenge to him has been the creation of something powerful and interesting. This beauty can represent the kind of life he sees and loves and knows. Jumalon finds solace in the urban spaces he occupies and imagines this space as distinctly pregnant with meaning and ideas and visual possibilities. It’s an interesting view of the contemporary fast-paced city life that we all are part of. At most, it is a powerful rendering of the lives we live by someone who now knows the identity and the owning of his space(s), and has chosen to live among us. He thus can speak for us, and in that sense, his art is ours as well.
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Juamlon said that these spaces seem to be about his identity as well. Art cohabits a relation with spaces, and people as well, including teachers and friends who have allowed him to evolve, and share the life he has lived with them. He talks about his art as a matter of ideas that come from these
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with consecutively increasing valuations in the secondary market. Jumalon has denied that economic success informs his paintings, and states that his works are instead antagonistic to the dictatorship and reification of the market. His projects seek a re-evaluation of some of the most fundamental
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Now, he lives alone, playing with wide spaces and abstract figures, graffiti, and black scratches on white background. He sees blunt black and white, anonymous, animosity, bare, his insight of urbanity. Random and varied images are his confidant to fit and sustain in his necessary evolution.
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A winner was fondling for an identity, painting self-portraits. It came to pass, he started using a layering technique, and drawing faces over faces, an observation perhaps, watching fellow students with their diverse individuality go under guises just to create that harmony.
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Spending his high school life in Laguna has been still artistically inclined having visual arts as his major. His paintings were done in subdued earth colors. He was then living in a mountain where his school is located, learning the rigors of the academic world.
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masterpieces marred by illogical marks, haze, and aggregations of reality that not only displaces portraiture as the totemic symbols of power and status but questions the formation of identity itself as the trap where a man cannot go forward".
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A Part, Winner
Jumalon Solo Exhibit runs from 6 to 30 June at Pinto Art Gallery, #1 Sierra Madre Heights, Grandheights, Antipolo City.
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Back in his native land, he painted mostly colorful self-portraits. Whimsical and carefree are the auras that describe his works.
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553:, his childhood home; Laguna, where he was a Philippine government scholar; and Quezon City, where he studied fine arts in
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the United Arab
Emirates >ART Singapore, The Drawing Room, Level 6, Suntec Building, Singapore
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New
Directions, The Rotunda Gallery, Neilson Hays Library, 195 Surawong Road, Bangkok, Thailand
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The dialogue of
Jumalon's work features spaces he inhabits or inhabited. These spaces include
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Metrobank Art
Competition Metrobank Plaza, Makati Avenue, Makati, Philippines
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Pachingguel “Pach” Hortillanos, Winner
JumalonRecent Find, Manila Contemporary
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http://www.manilaartblogger.com/2010/06/07/winner-jumalons-unusual-portraits/
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Asian Art
Contemporary Singapore The Drawing Room, Suntec Building, Singapore
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The
Drawing Room @Dubai Art Fair International Exhibitions & Conferences
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35th Shell Art
Competition SM Megamall, Artwalk, Mandaluyong, Philippines
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Top 50 Finalists Metropolitan Museum, Roxas Blvd., Manila, Philippines
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Finalist (oil/acrylic category) in 35th National Shell Art Competition
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Art Singapore, The Drawing Room, Level 4, Suntec Building, Singapore
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Art Singapore 2005 The Drawing Room, Suntec Building, Singapore
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Utterly Art & The Drawing Room South Bridge Road, Singapore
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from the article and its talk page, especially if potentially
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34th Shell Art Competition Greenhills, San Juan, Philippines
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Art Rush Metrobank Plaza, Makati Avenue, Makati, Philippines
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http://www.artslant.com/ew/events/show/248275-recent-find
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http://angfierranijuana.wordpress.com/tag/winner-jumalon/
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Honorable Mention in 34th National Shell Art Competition
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Semi-Finalist (Oil on Canvas) Metrobank Art Competition
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Scope Miami, The Drawing Room @ Miami, Florida, U.S.A.
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About Face, The Drawing Room in Makati, Philippines
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Best Editorial Cartoon for the Philippine Collegian
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517:positions that art has assumed in the past.
504:Jumalon was awarded the Artist Award of the
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50:Learn how and when to remove these messages
751:Bridge Art Fair New York, New York, U.S.A.
748:CIGE 2008 Beijing Art Fair, Beijing, China
508:in 2009, and has been represented by both
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1012:: CS1 maint: archived copy as title (
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968:2023-05-16
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920:References
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498:capitalist
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551:Zamboanga
521:Biography
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