255:'s hand is cut off. Lindholm was upset by the story and wrote to Leiber, an author she had admired, asking him how he could be so harsh to a hero he had written frequently about. Leiber replied with a handwritten letter. Stating his view that characters could not be static, but had to face challenges and evolve, he questioned if there could be any point in happy endings if stories simply ended the same way they began. Lindholm felt this was a wake-up call and found that in her own writing, she had been overly protective of her protagonists. She then reworked an unfinished story and "finally allowed life to happen to some of my characters", which developed into
221:. While the book focused on women warriors who were independent of men, Salmonson wanted to include in it an example of male–female friendship. For this theme, she selected the story "Bones for Dulath" by Margaret Astrid Lindholm Ogden, an American author who wrote as M. Lindholm. Feeling that that women writers should not need to mask their identity to be successful, Salmonson asked Lindholm to use her full name for the story. Lindholm replied that she was not fond of her first name Margaret, and that while "Megan's not too bad", she preferred the initial "M.". Salmonson instead credited her in the anthology as Megan Lindholm.
322:. He is promised treatment if he steals a treasure from the Windsingers, beings with the ability to control the weather through songs. He hides this quest from Ki, who accepts a job from Dresh, a wizard who is in conflict with the Windsingers. Wishing to obtain the treasure for himself, Dresh tricks Ki into entering the world where the Windsingers live; he is opposed by a Windsinger called Rebekeh. A battle ensues between them, which Ki enters to ensure that Rebekah wins. Vandien ends the story retaining his scar as Ki tells him that she likes him regardless of his disfigurement.
329:, Ki is manipulated by a faction of the Windsingers into walking through the Limbreth Gate, on the other side of which she finds a strange world. People are lulled into a peaceful, dream-like state while a being called the Limbreth consumes their humanity. Vandien breaks through the Gate and attempts to free Ki, but she refuses to leave, believing that she no longer likes Ki and has found happiness with the Limbreth. Vandien is conflicted and does not want to act against her wishes, but his companion Brujan frees Ki with the help of the Windsinger Rebekah.
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worshipped as gods by a section of human society, including the family of Ki's husband Sven. Ki tries to prevent Sven's family from learning of his death and her actions against the harpies, but she fails. Fleeing, she takes up a job to transport jewels across a mountain. There she meets
Vandien, a starving swordsman who tries to steal her horse. Ki and Vandien become friends. They are betrayed by Sven's family to the surviving male harpy, who attacks them and wounds Vandien before being defeated.
200:
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such characters were "larger-than-life" heroines, according to Storm this is not the case with Ki, who is more down-to-earth. Storm writes that the dynamic between Ki and
Vandien, a man and woman portrayed as equals, is gentle and centers on the principle of "never giving anything that is not freely given and never taking what is not freely offered". In a similar view, scholar
373:, according to Lindholm. She described its sales as "mediocre" and as "a nice little addendum to your income, but don't quit your day job". Two decades after its publication, in the wake of the author's commercial success as Robin Hobb, publishers in France began to be interested in her Lindholm backlist and a translation of the
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under her pen name Megan
Lindholm, published between 1983 and 1989. It follows a woman named Ki as she recovers from the death of her family and forms a companionship with a man called Vandien. Over the course of four books, the duo face fictional creatures including harpies, who can grant visions of
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series, Ki comes to terms with her grief at the loss of her family through her companionship with
Vandien. In a 1996 reference work on science fiction and fantasy, contributor Sue Storm positions the series within the emergence of female heroes in the fantasy genre in the 1970s and 1980s. While most
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was published by Ace Books in 1983. Since its protagonists Ki and
Vandien had appeared earlier in "Bones for Dulath", the book was released under the same byline as the short story, Megan Lindholm. The author said she had "mixed feelings" about her new byline, under which she would continue to
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begins with a woman named Ki scaling a mountain to reach a harpy's nest. Seeking to avenge her husband and children who were killed by harpies, Ki battles and slays a female harpy and its eggs. A male is burned but survives. Since harpies have the power to grant visions of the dead, they are
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Critics regard Ki and
Vandien as a man and woman portrayed as equals, in both the series and the preceding short story. Through their companionship, Ki comes to terms with her grief at the loss of her family. Lindholm's characterization of Ki and Vandien received praise, as did as her
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of the time. Describing their companionship as warm and filled with "life-affirming banter", she wrote that they made the series "come alive". de Lint similarly remarked on
Lindholm's "gift for characterization" in the first three volumes. In a review of the fourth book
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found the protagonists multifaceted and felt that they had a "real, palpable friendship" that grew as the narrative progressed. Storm argued that as a man and woman who lived as equals, their dynamic was "more human-to-human" than could be found in most
259:. At the time she wrote the book, Lindholm was aged thirty and worked as a waitress. She balanced between writing and raising children while her husband, a commercial fisherman, worked offshore for seven to eight months of the year.
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remarked on
Lindholm's "tremendous talent for creating truly strange, alien worlds", writing that the harpies' ability to allow communion with the dead made their relationship with human society "terrible, almost heartbreaking".
33:
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commented that
Vandien was "very dashing, a bit devil-may-care", while Ki was "very common-sensical, very independent", and that they were well-constructed, with personalities that evolved over the course of the story.
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praised the way in which
Lindholm interspersed Ki's flashbacks about her husband's family with her trek through the mountains in the first volume. While agreeing that the structure of the book was clever,
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described the books as pleasurable reads but found them lacking in creativity, in contrast to Lindholm's later writings. Agreeing that the series was not as original as Lindholm's later works,
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as lacking tension, feeling that the most exciting part of the story, the encounter with the harpies, occurred at the beginning. The reviewer found its ending to be an anticlimax.
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a promising debut, others described it as a conventional fantasy that lacked the creativity of Lindholm's later writings. Sales of the first book made it a
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Several reviewers found the plot fast-paced and filled with action, and the preceding short story "Bones for Dulath" was well-received as a work of
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states that the focus of the series is on "essentially, married life, the role of freedom and attachment in a mature love-relationship." Author
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the dead, and Windsingers, beings who can control the weather through music. The characters Ki and Vandien first appeared in a short story in
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Lindholm's portrayal of the characters Ki and Vandien received critical praise. In a review of the first novel,
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quartet. According to Lindholm, all four novels can be read independently. The next two books followed in 1984:
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publish novels for the next decade. Ki and Vandien featured in three further books that are known along with
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themes are explored through the two characters in the preceding short story "Bones for Dulath".
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agreed that the setting was interesting, but he found the story as a whole to be unremarkable.
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conventional, scholar Darren Harris-Fain wrote that it was a promising debut, and author
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Vandien is left with a scar on his face that he seeks to heal in the second volume,
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835:"Robin Hobb: 'Fantasy Has Become Something You Don't Have to Be Embarrassed About'"
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felt the series made Lindholm "a bright new talent in the fantasy field" in 1986.
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is also the title of a UK omnibus of the first three books, published in 1985 by
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Wright, Jonathan (September 2014). "The SFX Writer Interview: Robin Hobb".
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added that the fourth volume had a well-portrayed nomadic society. Critic
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referred to it as "stereotypical commodified fantasy". While terming
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of the series was described by Kondratiev as one of its strengths.
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also praised the depiction of the side-characters Willow and Goat.
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was released by Ace in 1989, with a cover drawn by Richard Hescox.
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series was released in 2004. In a review of the French editions,
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in 1980, and Lindholm's story drew the interest of an editor at
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Voices of Vision: Creators of Science Fiction and Fantasy Speak
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in 1980, and Lindholm's story attracted the attention of
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Magill's Guide to Science Fiction and Fantasy Literature
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876:"Find Out How Robin Hobb Became Two Different People"
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809:(25th anniversary ed.). Del Rey. p. xi.
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1036:[The Sudden Success of Megan Lindholm].
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619:. Vol. 4. Salem Press. pp. 1052–1054.
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247:The novel was influenced by a short story from
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901:[Robin Hobb: 'Fantasy, Virgin Land'].
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1305:The Locus Index to Science Fiction: 1984–1998
1278:. No. 223. p. 25 – via Fanac.
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1016:. No. 101. p. 35 – via Fanac.
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1143:. No. 59. p. 61 – via Fanac.
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937:. University of Nebraska Press. p. 57.
369:in the United States and did not recoup its
171:, leading to the development of the series.
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1161:Vredenburgh, Fletcher (December 24, 2013).
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211:sought to highlight female protagonists in
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1301:"Books, Listed by Author: Lindholm, Megan"
1215:Encyclopedia of Fantasy and Horror Fiction
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1005:"Jessica Amanda Salmonson (Ed) – Amazons!"
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655:. Vol. 1, no. 7. pp. 14–15.
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1132:"Wizard of the Pigeons by Megan Lindholm"
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898:"Robin Hobb: 'La Fantasy, Terre Vierge'"
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776:[A Storyteller from the Cold].
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1242:"Luck of the Wheels by Megan Lindholm"
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1327:Internet Speculative Fiction Database
1240:McMillar, Sharon (January 28, 1990).
1033:"Le Soudain Succès de Megan Lindholm"
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37:1985 omnibus of the first three books
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1219:. Infobase Publishing. p. 161.
1030:Baudou, Jacques (November 4, 2004).
237:, leading to the publication of her
1187:Speer, Cindy Lynn (November 2002).
725:The Encyclopedia of Science Fiction
681:St. James Guide to Fantasy Writers
152:fantasy series of American author
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1267:"Megan Lindholm – Harpy's Flight"
1092:"Contemporary Fantasy, 1957–1998"
895:Pavlenko, Marie (June 11, 2015).
1103:. Scarecrow Press. p. 388.
1068:. Scarecrow Press. p. 249.
1066:The A to Z of Fantasy Literature
770:Baudou, Jacques (July 4, 2003).
683:. St. James Press. p. 510.
16:Fantasy series by Megan Lindholm
1299:; Contento, William G. (2010).
1265:Browne, N. M. (May–June 2002).
833:Flood, Alison (July 28, 2017).
1807:Book series introduced in 1983
1:
1797:American fantasy novel series
773:"Une Conteuse Venue du Froid"
98:United States, United Kingdom
1089:Harris-Fain, Darren (1999).
564:. Ace Books. December 1989.
860:. No. 251. p. 82.
672:"Salmonson, Jessica Amanda"
643:Feder, Moshe (April 1980).
498:. Ace Books. January 1984.
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1250:. p. 55 – via
652:Science Fiction Chronicle
251:in which his protagonist
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30:
1042:(in French). p. 6.
782:(in French). p. 6.
516:. Ace Books. July 1984.
209:Jessica Amanda Salmonson
748:"Interview: Robin Hobb"
608:"The Windsinger Series"
337:Over the course of the
275:series and also as the
1325:series listing at the
1140:Science Fiction Review
714:(September 12, 2022).
546:). Corgi Books. 1985.
287:, both illustrated by
204:
1487:Assassin's Apprentice
1417:Wizard of the Pigeons
807:Assassin's Apprentice
202:
1802:1980s fantasy novels
1792:Novels by Robin Hobb
1704:"Her Father's Sword"
1595:Rain Wild Chronicles
1189:"Luck of the Wheels"
1062:Stableford, Brian M.
927:Blaschke, Jayme Lynn
872:Anders, Charlie Jane
803:"Closing the Circle"
801:Hobb, Robin (2019).
299:. The fourth volume
1247:The Macon Telegraph
744:Kirtley, David Barr
605:Storm, Sue (1996).
480:. Ace Books. 1983.
407:speculative fiction
227:World Fantasy Award
165:World Fantasy Award
27:
1101:Fantasy and Horror
966:"Tales Newly Told"
962:Kondratiev, Alexei
874:(April 14, 2011).
740:Adams, John Joseph
718:. In Clute, John;
562:Luck of the Wheels
412:Luck of the Wheels
301:Luck of the Wheels
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816:978-1-9848-1785-3
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626:978-0-89356-907-5
571:978-0-441-50436-7
553:978-0-55-299182-7
523:978-0-441-48358-7
514:The Limbreth Gate
505:978-0-441-89248-8
487:978-0-441-31746-2
450:sword and sorcery
344:Alexei Kondratiev
327:The Limbreth Gate
285:The Limbreth Gate
225:went on to win a
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79:as Megan Lindholm
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1696:"Blue Boots"
1694:
1688:"Homecoming"
1686:
1667:
1661:Fool's Quest
1659:
1651:
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1627:
1619:
1613:Dragon Haven
1611:
1603:
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1534:The Mad Ship
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1138:
1130:(May 1986).
1100:
1097:Barron, Neil
1084:
1065:
1056:
1037:
1011:
1001:Gentle, Mary
978:(4): 30–31.
975:
969:
932:
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840:The Guardian
838:
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734:
723:
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667:Ashley, Mike
661:
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534:(omnibus of
531:
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23:
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18:
1740:Forest Mage
1721:Soldier Son
1582:Fool's Fate
1441:Alien Earth
1393:(1983–1989)
1389:Windsingers
1322:Windsingers
712:Clute, John
463:criticized
375:Windsingers
348:Mary Gentle
339:Windsingers
297:Corgi Books
273:Windsingers
262:In the US,
239:debut novel
181:Windsingers
145:Windsingers
127:Corgi Books
84:Illustrator
24:Windsingers
1786:Categories
1466:Elderlings
1367:Robin Hobb
1168:Black Gate
1048:2518409372
913:2672836624
788:2520043853
753:Lightspeed
580:References
434:Black Gate
401:Black Gate
350:adds that
195:Background
154:Robin Hobb
77:Robin Hobb
1555:Tawny Man
1433:The Gypsy
646:"Reviews"
358:Reception
235:Ace Books
169:Ace Books
136:1983–1989
133:Published
123:Ace Books
119:Publisher
1307:. Locus.
1211:(2006).
1064:(2009).
1044:ProQuest
1039:Le Monde
984:26812997
971:Mythlore
964:(1986).
929:(2005).
909:ProQuest
904:Le Monde
784:ProQuest
779:Le Monde
722:(eds.).
669:(1996).
471:Editions
454:Le Monde
380:Le Monde
352:feminist
223:Amazons!
218:Amazons!
160:Amazons!
103:Language
1723:trilogy
1644:trilogy
1557:trilogy
1478:trilogy
1476:Farseer
1194:SF Site
1099:(ed.).
679:(ed.).
615:(ed.).
439:SF Site
423:SF Site
417:SF Site
271:as the
148:is the
114:Fantasy
106:English
95:Country
1768:(2005)
1751:(2007)
1743:(2006)
1735:(2005)
1707:(2017)
1699:(2010)
1691:(2003)
1672:(2017)
1664:(2015)
1656:(2014)
1632:(2013)
1624:(2011)
1616:(2010)
1608:(2009)
1585:(2003)
1577:(2002)
1569:(2001)
1545:(2000)
1537:(1999)
1529:(1998)
1506:(1997)
1498:(1996)
1490:(1995)
1444:(1992)
1436:(1992)
1428:(1991)
1420:(1985)
1401:(1988)
1391:series
1381:Series
1275:Vector
1223:
1107:
1072:
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1013:Vector
982:
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911:
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786:
687:
623:
568:
550:
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484:
460:Vector
365:was a
333:Themes
253:Fafhrd
73:Author
1363:Works
1270:(PDF)
1135:(PDF)
1095:. In
1008:(PDF)
980:JSTOR
675:. In
611:. In
150:debut
111:Genre
1221:ISBN
1105:ISBN
1070:ISBN
939:ISBN
811:ISBN
685:ISBN
621:ISBN
566:ISBN
548:ISBN
542:and
518:ISBN
500:ISBN
482:ISBN
428:The
307:Plot
283:and
142:The
1365:by
881:io9
857:SFX
325:In
244:.
1788::
1303:.
1284:^
1272:.
1244:.
1191:.
1177:^
1165:.
1149:^
1137:.
1119:^
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992:^
976:12
974:.
968:.
953:^
878:.
837:.
825:^
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762:^
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742:;
699:^
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635:^
587:^
538:,
452:.
414:,
291:.
191:.
125:,
1355:e
1348:t
1341:v
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915:.
884:.
843:.
819:.
790:.
693:.
629:.
574:.
556:.
526:.
508:.
490:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
