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Wings on Her Shoulder

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352:. "During the early years of the NFB, its creative output was largely informed by the turbulent political and social climate the world was facing. World War II, Communism, unemployment, the role of labour unions, and working conditions were all subjects featured by the NFB during the period from 1939 to 1946". 359:
also showed an acceptance of a new role to come in postwar years. In an examination of the role of the NFB in wartime, historian George Evans observed: "If contemporary feminists sense omissions and patronizing in the film, one must at least acknowledge that expressed a positive attitude to working
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After the six-month theatrical tour ended, individual films were made available on 16 mm, to schools, libraries, churches and factories, extending the life of these films for another year or two. They were also made available to film libraries operated by university and provincial authorities.
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relied heavily on military assistance in obtaining footage. The film incorporated stock footage shot over a period of time from 1941 to 1943. While the aerial sequences were limited to available footage, some of the aerial scenes were shot in Canada and carefully edited with other footage obtained
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Women in the RCAF, or WDs as they were called, were clerks, drivers, photographers, air photo interpreters, weather observers, instrument mechanics, parachute riggers as well as many administrative and technical positions in the RCAF. While most WDs were located at
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was produced for both the military and the theatrical market. Each film was shown over a six-month period as part of the shorts or newsreel segments in approximately 800 theatres across Canada. The NFB also had an arrangement with
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in England. The skills they learned would also serve the women well as they would eventually enter a postwar world.
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Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46.
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women and was conditioning audiences to become accustomed to new and permanent women's roles in the workplace."
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bombing campaign over occupied Europe requires more aviators. The government responds by creating the
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in 1941. By 1943, 9,000 recruits, women from all backgrounds, are taking over a wide range of jobs.
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Goetz, William. "The Canadian Wartime Documentary: 'Canada Carries on' and 'The World in Action'.
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We Serve That Men May Fly: The Story of the Women's Division of the Royal Canadian Air Force
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Historian Malek Khouri analyzed the role of the NFB wartime documentaries with
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John Grierson and the National Film Board: The Politics of Wartime Propaganda
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is one of the few wartime NFB films that explored the role of women at war.
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to ensure that newsreels would get a wider release in North America.
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As the Second World War continues, the Canadian contribution to the
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Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2011.
563:. Hamilton, Ontario, Canada: RCAF (WD) Association, 1973. No ISBN. 337:
Available from the National Film Board either online or as a DVD,
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Typical of the NFB's wartime series of documentary short films,
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Calgary, Alberta, Canada: University of Calgary Press, 2007.
503:. London: Continuum International Publishing Group, 2005. 546:
Making it Like a Man: Canadian Masculinities in Practice.
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stations across Canada, many others served overseas with
148: 140: 130: 107: 95: 79: 69: 59: 49: 32: 518:. Toronto: University of Toronto Press, 1984. 355:The "destabilizing" role of women depicted in 651:Documentary films about women in World War II 381:Their motto was: "We serve that men may fly." 8: 455:, July 13, 2009. Retrieved: October 4, 2014. 636:National Film Board of Canada documentaries 38: 29: 681:National Film Board of Canada short films 626:Documentary films about military aviation 207:Royal Canadian Air Force Women's Division 393: 374: 661:Films directed by Jane Marsh Beveridge 254:encompassed many of the types used in 215:British Commonwealth Air Training Plan 193:, who freed up men for flying duties. 7: 666:Women in the Canadian armed services 499:Ellis, Jack C. and Betsy A. McLane. 408:, 1943. Retrieved: October 4, 2014. 262:, by the RCAF in 1943, including: 25: 646:Black-and-white documentary films 348:characterized as an example of a 621:Canadian short documentary films 631:English-language Canadian films 501:New History of Documentary Film 450:"Propaganda cinema at the NFB". 439:Ellis and McLane 2005, p. 122. 656:Films scored by Lucio Agostini 616:Canadian black-and-white films 177:series. The film, directed by 1: 453:National Film Board of Canada 169:National Film Board of Canada 163:is a 10-minute 1943 Canadian 103:National Film Board of Canada 89:National Film Board of Canada 299:medium bomber/coastal patrol 171:(NFB) as part of the NFB's 702: 219:RCAF Overseas Headquarters 181:, depicts the role of the 37: 401:"Wings on her Shoulder." 187:Royal Canadian Air Force 611:Canadian aviation films 544:Ramsay, Christine, ed. 430:, 16 (1977), pp. 59–80. 240:Ministry of Information 641:1943 documentary films 305:fighter/fighter-bomber 136:10 minutes, 47 seconds 588:Wings on Her Shoulder 576:Wings on Her Shoulder 357:Wings on Her Shoulder 346:Wings on her Shoulder 339:Wings on her Shoulder 326:Wings on Her Shoulder 320:As part of the NFB's 252:Wings on her Shoulder 250:The RCAF aircraft in 235:Wings on Her Shoulder 160:Wings on Her Shoulder 33:Wings on Her Shoulder 18:Wings on her Shoulder 686:1940s Canadian films 279:Boeing Fortress Mk I 246:Aircraft in the film 223:No. 6 (Bomber) Group 671:The World in Action 486:Evans 1984, p. 185. 477:Ramsay 2011, p. 40. 417:Ziegler 1973, p. 6. 405:National Film Board 322:The World in Action 285:Bristol Beaufighter 174:The World in Action 189:(RCAF) during the 27:1943 Canadian film 554:978-1-55458-327-0 539:978-1-55238-199-1 524:978-0-80202-519-7 324:newsreel series, 238:from the British 156: 155: 44:Theatrical poster 16:(Redirected from 693: 487: 484: 478: 475: 469: 462: 456: 448:Ohayon, Albert. 446: 440: 437: 431: 424: 418: 415: 409: 398: 382: 379: 303:Hawker Hurricane 291:Bristol Blenheim 260:Fighter Commands 191:Second World War 183:Woman's Division 165:documentary film 123: 121: 42: 30: 21: 701: 700: 696: 695: 694: 692: 691: 690: 596: 595: 571: 566: 559:Ziegler, Mary. 529:Khouri, Malek. 495: 490: 485: 481: 476: 472: 463: 459: 447: 443: 438: 434: 425: 421: 416: 412: 399: 395: 391: 386: 385: 380: 376: 371: 366: 350:propaganda film 318: 267:Avro Manchester 248: 231: 199: 133: 126: 119: 117: 110: 102: 91: 84: 82: 45: 28: 23: 22: 15: 12: 11: 5: 699: 697: 689: 688: 683: 678: 673: 668: 663: 658: 653: 648: 643: 638: 633: 628: 623: 618: 613: 608: 598: 597: 594: 593: 583: 570: 569:External links 567: 565: 564: 557: 542: 527: 512: 496: 494: 491: 489: 488: 479: 470: 457: 441: 432: 428:Cinema Journal 419: 410: 392: 390: 387: 384: 383: 373: 372: 370: 367: 365: 362: 331:United Artists 317: 314: 313: 312: 309:Short Stirling 306: 300: 294: 288: 282: 276: 273:Avro Lancaster 270: 247: 244: 230: 227: 198: 195: 167:, made by the 154: 153: 150: 146: 145: 142: 138: 137: 134: 131: 128: 127: 125: 124: 113: 111: 108: 105: 104: 100:United Artists 97: 96:Distributed by 93: 92: 87: 85: 80: 77: 76: 74:Lucio Agostini 71: 67: 66: 61: 57: 56: 51: 47: 46: 43: 35: 34: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 698: 687: 684: 682: 679: 677: 674: 672: 669: 667: 664: 662: 659: 657: 654: 652: 649: 647: 644: 642: 639: 637: 634: 632: 629: 627: 624: 622: 619: 617: 614: 612: 609: 607: 604: 603: 601: 591: 589: 584: 582: 578: 577: 573: 572: 568: 562: 558: 555: 551: 547: 543: 540: 536: 532: 528: 525: 521: 517: 514:Evans, Gary. 513: 510: 509:0-8264-1750-7 506: 502: 498: 497: 492: 483: 480: 474: 471: 467: 464:Khouri 2007, 461: 458: 454: 451: 445: 442: 436: 433: 429: 423: 420: 414: 411: 407: 406: 402: 397: 394: 388: 378: 375: 368: 363: 361: 358: 353: 351: 347: 342: 340: 334: 332: 327: 323: 315: 310: 307: 304: 301: 298: 297:Douglas Digby 295: 292: 289: 286: 283: 280: 277: 274: 271: 269:medium bomber 268: 265: 264: 263: 261: 257: 253: 245: 243: 241: 236: 228: 226: 224: 220: 216: 210: 208: 204: 196: 194: 192: 188: 184: 180: 176: 175: 170: 166: 162: 161: 151: 147: 143: 139: 135: 129: 115: 114: 112: 106: 101: 98: 94: 90: 86: 78: 75: 72: 68: 65: 62: 58: 55: 52: 48: 41: 36: 31: 19: 676:Quebec films 587: 575: 560: 545: 530: 515: 500: 493:Bibliography 482: 473: 460: 452: 444: 435: 427: 422: 413: 403: 396: 377: 356: 354: 345: 343: 338: 335: 325: 321: 319: 311:heavy bomber 293:light bomber 281:heavy bomber 275:heavy bomber 251: 249: 234: 232: 211: 200: 172: 159: 158: 157: 132:Running time 109:Release date 64:Lorne Greene 60:Narrated by 50:Directed by 606:1943 films 600:Categories 466:back cover 364:References 229:Production 179:Jane Marsh 81:Production 54:Jane Marsh 590:at NFB.ca 389:Citations 316:Reception 197:Synopsis 149:Language 70:Music by 287:fighter 185:in the 152:English 141:Country 118: ( 83:company 586:Watch 552:  537:  522:  507:  256:Bomber 203:Allied 144:Canada 369:Notes 581:IMDb 550:ISBN 535:ISBN 520:ISBN 505:ISBN 258:and 221:and 120:1943 116:1943 579:at 602:: 242:. 592:. 556:. 541:. 526:. 511:. 468:. 122:) 20:)

Index

Wings on her Shoulder

Jane Marsh
Lorne Greene
Lucio Agostini
National Film Board of Canada
United Artists
documentary film
National Film Board of Canada
The World in Action
Jane Marsh
Woman's Division
Royal Canadian Air Force
Second World War
Allied
Royal Canadian Air Force Women's Division
British Commonwealth Air Training Plan
RCAF Overseas Headquarters
No. 6 (Bomber) Group
Ministry of Information
Bomber
Fighter Commands
Avro Manchester
Avro Lancaster
Boeing Fortress Mk I
Bristol Beaufighter
Bristol Blenheim
Douglas Digby
Hawker Hurricane
Short Stirling

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