Knowledge (XXG)

Witch Hunt (song)

Source πŸ“

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distorting the features of the "twisted and grotesque" faces: "The righteous rise / With burning eyes / Of hatred and ill-will / Madmen fed on fear and lies / To beat and burn and kill". The lyrics do not explain what the mob intends to do, but in the second set of stanzas indicate that the mob feeds on xenophobia and religious zealotry: "They say there are strangers who threaten us / Our immigrants and infidels / They say there is strangeness too dangerous / In our theaters and bookstore shelves".
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Neil Peart explained later that the song was done as "a studio production number", as opposed to most other songs, which were done as a three-piece band. It features a broad array of percussive instruments: "gong bass drums, wind chimes, glockenspiel, tubular bells, conga, cowbell, vibraslap, various
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The song opens with the sounds of a mob, which Lifeson explained was recorded outside Le Studio on a cold December day, with the band and others shouting, warmed by a bottle of Scotch whisky; they recorded a dozen tracks of this. The lyrics describe how a vigilante mob gathers under torch light,
1994: 299:, 2002), although this song is the third part of the series in order, and went on reverse chronological order by the album (except the "Freeze" is the exact fourth part like normal chronological order). 392:
has a "more elaborate" solo: "Rush practices Benjaminian translation in homage to its own originals, plausibly knowing that interest can lie as much in variation as in fidelity".
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of the late 1970s and early 1980s, when "those who know what's best for us" were invited to "rise and save us from ourselves". Max Mobley, writing in 2014, recognized themes from
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used it) the originalβ€”the guitar "embellishing, nay, translating Geddy's flangey breakout bass part from the studio cut". The 1989 version on
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in the song and remarked that the "song seems incredibly relevant today", "given how intolerant and angry we are today".
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The "foreboding" song's lyrics are written by Neil Peart, and they "criticize intolerance", according to
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tour, the song had acquired an additional lengthy guitar solo at the end, as can be seen on
83: 1656: 1603: 1498: 1219: 1152: 1029: 898: 866: 388: 383: 317: 156: 518:. Popular culture and philosophy. Vol. 57. Open Court Publishing. pp. 189–200. 692:. Popular culture and philosophy. Vol. 57. Open Court Publishing. pp. 255–72. 363:. After this, it disappeared from the regular live setlist, until its return during the 1747: 1726: 1684: 1477: 954: 946: 938: 754:. Popular culture and philosophy. Vol. 57. Open Court Publishing. pp. 75–86. 598: 583: 344: 340: 111: 1963: 1844: 1663: 1470: 1435: 1324: 970: 779: 628: 437: 348: 321: 208: 1568: 1456: 978: 874: 818: 423: 409: 295: 127: 106: 1802: 1628: 1621: 1259: 1045: 823: 802: 403: 328: 278: 268: 78: 38: 1698: 1670: 833: 574: 399: 264: 148: 1916: 1505: 828: 313: 132: 1184: 1093: 142: 119: 324:
described it as "the most reworked and fretted-over song of the album".
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Rush FAQ: All That's Left to Know About Rock's Greatest Power Trio
34: 775: 371:, and was removed from the band's following final two tours. 660:"Exploring the Touring History of Rush: Exclusive Interview" 634:
Contents Under Pressure: 30 Years of Rush at Home and Away
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Song recordings produced by Terry Brown (record producer)
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electronic effects", according to Peart. Cover designer
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contributed synthesizer and in one verse the drums are
603:(Media notes). Rush. Anthem Records. 1981. ANR-1-1030. 484:"The Rush song recorded the same day John Lennon died" 327:
The song was recorded on the same day as the death of
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It was released on their 1981 album 748:"Can't Hear the Forest for the Cave?" 7: 1169:Time Machine 2011: Live in Cleveland 1078:Time Machine 2011: Live in Cleveland 658:Wardlaw, Matt (January 17, 2020). 287:, 1982), "The Enemy Within" (from 14: 2010:Songs about racism and xenophobia 1944: 1943: 1145:R30: 30th Anniversary World Tour 1054:R30: 30th Anniversary World Tour 444: 430: 416: 402: 1930:Working Man – A Tribute to Rush 303:Content, lyrics, and production 1923:Rush: Beyond the Lighted Stage 482:Starkey, Arun (May 16, 2023). 1: 1980:Songs written by Alex Lifeson 1252:Retrospective III: 1989–2008 293:, 1984), and "Freeze" (from 1990:Songs written by Neil Peart 1762:The Larger Bowl (A Pantoum) 1306:The Studio Albums 1989–2007 549:In the Studio with Redbeard 58:February 12, 1981 2031: 1985:Songs written by Geddy Lee 18: 1939: 1121:Grace Under Pressure Tour 1070:Grace Under Pressure Tour 809: 637:. ECW Press. p. 92. 510:Biamonte, Nicole (2011). 187: 1827:Snakes & Arrows Tour 1161:Snakes & Arrows Live 1062:Snakes & Arrows Live 684:Horwitz, Steven (2011). 365:Snakes & Arrows Tour 263:" is a song by Canadian 1791:Exit... Stage Left Tour 1014:All the World's a Stage 1904:Anatomy of a Drum Solo 1279:Through the Camera Eye 1890:My Favourite Headache 1839:Clockwork Angels Tour 1177:Clockwork Angels Tour 1086:Clockwork Angels Tour 746:Cole, Andrew (2011). 664:Ultimate Classic Rock 1785:Moving Pictures Tour 1636:A Passage to Bangkok 923:Grace Under Pressure 716:Mobley, Max (2014). 376:Grace Under Pressure 335:Critical evaluations 290:Grace Under Pressure 2005:Songs about witches 1809:Roll the Bones Tour 1401:The Spirit of Radio 1380:Closer to the Heart 987:Snakes & Arrows 883:A Farewell to Kings 609:cite AV media notes 374:By the time of the 2000:Songs about Canada 1897:A Work in Progress 1821:Test for Echo Tour 1797:Power Windows Tour 1692:Between the Wheels 1562:One Little Victory 1271:Video compilations 1113:Exit... Stage Left 1022:Exit... 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Index

Witch hunt (disambiguation) Β§ Music
Song
Rush
Moving Pictures
Genre
Progressive rock
Label
Anthem
Composer(s)
Alex Lifeson
Geddy Lee
Lyricist(s)
Neil Peart
Producer(s)
Terry Brown
Moving Pictures
Tom Sawyer
Red Barchetta
YYZ
Limelight
Vital Signs
rock
Rush
Moving Pictures
overdubs
Signals
Grace Under Pressure
Vapor Trails
Hugh Syme
double-tracked

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