Knowledge (XXG)

Wolfstein (book)

Source 📝

502: 185: 380:. Chicago and London: University of Chicago Press, 1982, Introduction, p. xviii, Note on the Text, xliv. Rieger concluded that Percy Bysshe Shelley's contributions are significant enough to regard him as a "minor collaborator": "His assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator. ... Percy Bysshe Shelley worked on 19: 30: 102:
The chapbook had a folding, engraved hand-colored frontispiece with the caption: "Deeper grew the gloom of the cavern, darkness seemed to press around them. Suddenly a flash of lightning burst through the abyss followed by thunder that seemed to convulse the universal fabric of nature; & borne on
147:
A rivalry develops between Wolfstein and Stiletto, the leader of the bandits, over Serena. Wolfstein attempts to poison Stiletto after persuading him that he has no claims on Serena. Barozzi smashes the poisoned goblet to the floor. Pietro reads a story. Wolfstein manages to poison the leader of the
79:
and was published and printed by John Bailey at 116, Chancery Lane in London in 1822. The chapbook was a condensed version of the novel in 20 pages. The total length was 28 pages including the second story. Chapbooks were meant for popular consumption, serving the same function as a paperback would.
170:
Barozzi returned to Wolfstein's apartment. He reveals to him that his identity and background will remain a mystery or secret. He has followed Wolfstein and has sought to influence his life. Under the title "Barozzi's Narrative" he recounts his career as an alchemist seeking to find the secrets to
119:
is the name of a German town in southwestern Germany in the Rhine Palatinate district. Just as there is a Frankenstein Castle, there is also a Wolfstein Castle in Germany. "Frankenstein" in German means "Stone of the Franks", a Germanic tribe. "Wolfstein" means "Stone of the Wolf". German names,
205:
Wolfstein goes to the abandoned abbey and enters the vaults. He stumbles over the lifeless body of Serena. "The laugh of anguish which had convulsed her expiring frame still played around her lips in a smile of horror and despair; her hair was loose and wild, seemingly gathered in knots by the
103:
the sulpherous blasts, the prince of terror stood before him. --- page 19." This was a depiction of the final scene: a giant skeleton, a lightning bolt, the corpse of Serena, and the terrified Wolfstein. Under the engraving was the notation: "Pubd. by J. Bailey, 116 Chancery Lane, London."
199:"To one man alone may I communicate the secret of immortal life, then must I forego my claim to it." He gladly will relinquish the secret to Wolfstein. "To you I bequeath the secret" he tells Wolfstein but he must never divulge the secret of immortality to anyone. Wolfstein agrees. 140:
The opening scene is of a raging thunderstorm. Wolfstein is a wanderer in the Swiss Alps who seeks cover from the storm. He is a distraught outcast who plans to commit suicide. A group of monks carrying a body for burial in a torch-light procession runs into him and saves his life.
166:
Wolfstein then has a dream. He is at the edge of a precipice when a gigantic figure approaches him to push him off the cliff. Barozzi dashed forward and "rescued him from the monster". The figure then grabbed Barozzi and threw him from the cliff. Barozzi fell with groans.
192:
He was seized by a figure "more hideous that the imagination of man can pourtray." The figure then demanded that he relent. He was taken to the precipice and was to be thrown off of it. Wolfstein then exclaimed: "I am thine!" Then he awoke from his dream.
212:
Barozzi threw his mantle on the floor when he saw Wolstein. A lightning flash rushed through the vaults followed by thunder "that appeared to convulse the universal fabric of nature". Then borne on sulphurous blasts the "prince of terror" appeared.
180:
He then fell asleep and dreamed that he was on a precipice where a phantom appeared who asked him: "Wilt thou come with me --- wilt thou be mine?" Wolfstein refused. Then he heard voices that were like "the dissolution of nature".
174:"From my earliest youth, (before it was quenched by complete satiation), curiosity inspired me with the desire of unveiling the latent mysteries of nature." He departed on a "precarious journey" from his home in Salamanca, Spain. 384:
at every stage, from the earliest drafts through the printer's proofs, with Mary's final 'carte blanche to make what alterations you please.' ... We know that he was more than an editor. Should we grant him the status of minor
136:
The name of Cavigni, leader of the bandits, is changed to Stiletto. The name of Megalena is changed to Serena. The name of Ginotti, the Rosicrucian alchemist seeking to find the secret of eternal life, is changed to Barozzi.
243:‘’Wolfstein: Or, the Mysterious Bandit. A Terrific Romance ... To Which Is Added, the Bronze Statue, a Pathetic Tale.’’ The University of Virginia Library. Charlottesville, Virginia. Bibliographic record. 148:
bandits, Stiletto, in a second attempt. Suspicion falls on Barozzi. Wolfstein declines the invitation to be the new leader. Instead, Rodolph is the leader. His name was Ardolph in the novel.
926: 196:"I dived deeper into philosophical enquiries, and finally obtained the method by which man might exist forever." "A tale of too much horror" would follow if he explained it in detail. 219:
They were the victims of the "delusions of the passions" in attempting to seek eternal life. "Let endless life be sought from Him who alone can give an eternity of happiness."
151:
Rodolph demands that everyone be searched. Wolfstein confesses. The bandits want to kill him but Barozzi intervenes. He persuades them to banish Wolfstein instead.
133:
The chapbook follows the plot closely of the first section of the novel on the bandits but omits the second pastoral section featuring Frederic Nempere in Geneva.
551: 449: 343:
edited by Alan M. Weinberg and Timothy Webb.London and New York: Routledge, 2015, pp. 117-136. Percy Bysshe Shelley wrote the Preface to the 1818 edition of
622: 144:
Bandits attack them and take Wolfstein to an underground hideout. He meets Serena, whom the bandits have abducted after killing her father in an ambush.
216:
Barozzi's body "mouldered to a gigantic skeleton". Two flames burned in his empty eye sockets. His body blackened, Wolfstein fell over him in spasms.
206:
convulsive grasp of dissolution." He dashes it to the floor. He rushed into the vaults and sat on a slab of stone waiting for the bell to ring.
95:
by another author, Anna Jane Vardill. "The Bronze Statue" had appeared for the first time in print as part of the "Annals of Public Justice" in
1210: 157:
He finds lodging in an inn. A man of "a gigantic stature and masked" seeks to see him. It is Barozzi. Wolfstein is shocked to meet him again.
209:
When the bell struck midnight Barozzi appeared emaciated almost to a skeleton with hollow and sunken cheeks but still had a lofty demeanor.
1215: 614: 324: 72:
in 1822 following Shelley’s death. Two chapbooks were also published based on the novel. No publication date appeared on the title page.
895: 1225: 759: 442: 202:
Barozzi will reveal the secret at their next meeting at midnight at the ruined Abbey of St. Pietro, which is St. Irvyne in the novel.
112: 921: 160:
Barozzi explains to him that he had saved him from certain death. In return, he wants to obtain a favor or promise from Wolfstein.
1067: 964: 1008: 844: 573: 116: 52: 1220: 1200: 996: 973: 712: 588: 1147: 565: 558: 435: 1195: 1190: 481: 408:
The English Novel, 1740-1850: A Catalogue Including Prose Romances, Short Stories, and Translations of Foreign Fiction.
298:
The English Novel, 1740-1850: A Catalogue Including Prose Romances, Short Stories, and Translations of Foreign Fiction.
719: 663: 1074: 1205: 163:
He asks Wolfstein to promise to protect him and to bury him after his death. Wolfstein agrees. Barozzi departs.
120:
locations, and characters are a central theme of Gothic horror literature. The Goths were a Germanic tribe. Sir
544: 177:
He faced self-destruction when engulfed by a tide but was saved when a nearby bell from a convent roused him.
29: 887: 1081: 1164: 501: 154:
As Wolfstein is leaving, he sees Serena whom he blames for the murder. He stabs and kills her then flees.
403:
Peterborough, ON, Canada: Broadview Press, 2002. Behrendt gives a publication date between 1815 and 1818.
1099: 1030: 823: 126: 69: 253: 184: 1131: 1050: 938: 903: 860: 691: 684: 458: 47: 1139: 1045: 815: 767: 649: 596: 309: 1185: 807: 799: 775: 852: 670: 656: 1019: 943: 751: 705: 630: 18: 1002: 932: 733: 581: 413:
O’Neill, Michael, and Anthony Howe, edited by, with the assistance of Madeleine Callahan.
424:
London: The Fortune Press, 1940, p. 561. A publication date of circa 1800 is given.
1123: 1024: 356: 258:
London: The Fortune Press, 1940, p. 561. No date of publication. Circa 1800. No author.
121: 335:
Robinson, Charles E. "Percy Bysshe Shelley's Text(s) in Mary Wollstonecraft Shelley's
1179: 1114: 1107: 1040: 948: 783: 489: 83:
The story is described on the title page as "A Terrific Romance" with an epigraph by
990: 698: 242: 375: 268: 347:
and worked on and contributed to the novel during its composition in 1816-1817.
1035: 1014: 791: 677: 525: 376:
Rieger, James, edited, with variant readings, an Introduction, and, Notes by.
517: 473: 410:
London: Grafton, 1939, p. 266. Block gives a publication date of 1820.
87:: "A tale of horror, of murder, and of deeds done in darkness." Added to 43: 325:
Pforzheimer Collection, Shelley and His Circle. New York Public Library.
282: 726: 427: 312:
The London Book Trades, 1775-1800: A Preliminary Checklist of Members.
300:
London: Grafton, 1939, p. 266. Block gives a publication date of 1820.
84: 124:
developed the Gothic horror story with the publication of his novel
183: 28: 17: 431: 399:
Behrendt, Stephen C. Edited by, with Introduction, and notes.
226:, seeking to obtain the secrets of nature leads to disaster. 888:
Wolfstein, The Murderer; or, The Secrets of a Robber's Cave
927:
Carl H. Pforzheimer Collection of Shelley and His Circle
417:
Oxford, UK: Oxford University Press, 2013, p. 199.
378:
Frankenstein, Or the Modern Prometheus: The 1818 Text
1157: 1091: 1059: 983: 957: 914: 871: 834: 743: 641: 606: 536: 509: 465: 99:of May, 1820, signed "V", i.e., Anna Jane Vardill. 25:, chapbook, title page, London, John Bailey, 1822. 357:Murray, E.B. "Shelley's Contribution to Mary's 552:Poetical Essay on the Existing State of Things 443: 8: 415:The Oxford Handbook of Percy Bysshe Shelley. 623:Posthumous Fragments of Margaret Nicholson 450: 436: 428: 75:The first chapbook version was entitled 235: 284:Wolfstein; or, The Mysterious Bandit. 270:Wolfstein; Or, The Mysterious Bandit. 7: 880:Wolfstein; or, The Mysterious Bandit 776:Rosalind and Helen, A Modern Eclogue 615:Original Poetry by Victor and Cazire 77:Wolfstein; or, The Mysterious Bandit 39:Wolfstein; or, The Mysterious Bandit 23:Wolfstein; or, The Mysterious Bandit 896:Zastrozzi, The Master of Discipline 760:Alastor, or The Spirit of Solitude 93:The Bronze Statue, A Pathetic Tale 14: 1068:The Life of Percy Bysshe Shelley 599:" (published posthumously, 1840) 500: 80:The chapbook sold for sixpence. 363:Keats-Shelley Memorial Bulletin 66:St. Irvyne, or, The Rosicrucian 53:St. Irvyne; or, The Rosicrucian 997:Sir Percy Shelley, 3rd Baronet 974:The Man Who Wrote Frankenstein 713:One Word is Too Often Profaned 589:A Philosophical View of Reform 1: 1211:Works by Percy Bysshe Shelley 1148:The Haunting of Villa Diodati 566:A Vindication of Natural Diet 559:A Letter to Lord Ellenborough 314:Folkestone, UK: Dawson, 1977. 922:Keats–Shelley Memorial House 845:History of a Six Weeks' Tour 574:History of a Six Weeks' Tour 50:’s 1811 Gothic horror novel 1216:Works published anonymously 720:Music, When Soft Voices Die 664:Hymn to Intellectual Beauty 1242: 498: 1226:Fiction about immortality 592:(1819–20, published 1920) 401:Zastrozzi and St. Irvyne. 584:" (1817, published 1832) 545:The Necessity of Atheism 171:nature and immortality. 1075:Shelley's Vegetarianism 188:Frontispiece engraving. 1165:Shelley Memorial Award 422:A Gothic Bibliography. 256:A Gothic Bibliography. 189: 34: 26: 1221:British Gothic novels 1201:British horror novels 1100:Bride of Frankenstein 1082:Shelley: A Life Story 1031:Thomas Jefferson Hogg 824:The Masque of Anarchy 341:The Neglected Shelley 187: 127:The Castle of Otranto 97:The European Magazine 70:John Joseph Stockdale 32: 21: 1132:Rowing with the Wind 1051:Edward John Trelawny 904:Zastrozzi, A Romance 692:Ode to the West Wind 459:Percy Bysshe Shelley 272:John Bailey, London. 48:Percy Bysshe Shelley 1196:1822 British novels 1191:1811 British novels 1150:" (2020 TV episode) 1046:Thomas Love Peacock 968:authorship question 835:Collaborations with 816:The Triumph of Life 768:The Revolt of Islam 597:A Defence of Poetry 420:Summers, Montague. 365:, 29 (1978), 50-68. 254:Summers, Montague. 68:was republished by 1009:Sir Bysshe Shelley 958:Authorship debates 808:The Witch of Atlas 800:Julian and Maddalo 607:Poetry collections 482:Prometheus Unbound 190: 35: 27: 1173: 1172: 939:Shelley's Cottage 685:Love's Philosophy 1233: 1206:British novellas 1020:Claire Clairmont 944:Shelley Memorial 650:The Devil's Walk 631:Posthumous Poems 504: 452: 445: 438: 429: 387: 373: 367: 354: 348: 333: 327: 322: 316: 307: 301: 294: 288: 280: 274: 266: 260: 251: 245: 240: 1241: 1240: 1236: 1235: 1234: 1232: 1231: 1230: 1176: 1175: 1174: 1169: 1153: 1087: 1055: 1027:(father-in-law) 1003:Timothy Shelley 979: 953: 933:Rising Universe 910: 867: 836: 830: 739: 734:England in 1819 637: 602: 582:On Frankenstein 532: 505: 496: 461: 456: 406:Block, Andrew. 396: 391: 390: 374: 370: 355: 351: 334: 330: 323: 319: 308: 304: 296:Block, Andrew. 295: 291: 281: 277: 267: 263: 252: 248: 241: 237: 232: 109: 64:The 1811 novel 62: 33:The first page. 12: 11: 5: 1239: 1237: 1229: 1228: 1223: 1218: 1213: 1208: 1203: 1198: 1193: 1188: 1178: 1177: 1171: 1170: 1168: 1167: 1161: 1159: 1155: 1154: 1152: 1151: 1144: 1136: 1128: 1124:Haunted Summer 1120: 1112: 1104: 1095: 1093: 1089: 1088: 1086: 1085: 1078: 1071: 1063: 1061: 1057: 1056: 1054: 1053: 1048: 1043: 1038: 1033: 1028: 1025:William Godwin 1022: 1017: 1012: 1006: 1000: 994: 987: 985: 981: 980: 978: 977: 970: 961: 959: 955: 954: 952: 951: 946: 941: 936: 929: 924: 918: 916: 912: 911: 909: 908: 900: 892: 884: 875: 873: 869: 868: 866: 865: 857: 849: 840: 838: 832: 831: 829: 828: 820: 812: 804: 796: 788: 780: 772: 764: 756: 747: 745: 741: 740: 738: 737: 730: 723: 716: 709: 702: 695: 688: 681: 674: 667: 660: 653: 645: 643: 639: 638: 636: 635: 627: 619: 610: 608: 604: 603: 601: 600: 593: 585: 578: 570: 562: 555: 548: 540: 538: 534: 533: 531: 530: 522: 513: 511: 507: 506: 499: 497: 495: 494: 486: 478: 469: 467: 463: 462: 457: 455: 454: 447: 440: 432: 426: 425: 418: 411: 404: 395: 392: 389: 388: 385:collaborator?" 368: 349: 328: 317: 302: 289: 275: 261: 246: 234: 233: 231: 228: 122:Horace Walpole 108: 105: 91:was the story 61: 58: 13: 10: 9: 6: 4: 3: 2: 1238: 1227: 1224: 1222: 1219: 1217: 1214: 1212: 1209: 1207: 1204: 1202: 1199: 1197: 1194: 1192: 1189: 1187: 1184: 1183: 1181: 1166: 1163: 1162: 1160: 1156: 1149: 1145: 1142: 1141: 1137: 1134: 1133: 1129: 1126: 1125: 1121: 1118: 1117: 1113: 1110: 1109: 1108:Bloody Poetry 1105: 1102: 1101: 1097: 1096: 1094: 1090: 1084: 1083: 1079: 1077: 1076: 1072: 1070: 1069: 1065: 1064: 1062: 1058: 1052: 1049: 1047: 1044: 1042: 1041:Thomas Medwin 1039: 1037: 1034: 1032: 1029: 1026: 1023: 1021: 1018: 1016: 1013: 1011:(grandfather) 1010: 1007: 1004: 1001: 998: 995: 992: 989: 988: 986: 982: 976: 975: 971: 969: 967: 963: 962: 960: 956: 950: 949:Villa Diodati 947: 945: 942: 940: 937: 935: 934: 930: 928: 925: 923: 920: 919: 917: 913: 906: 905: 901: 898: 897: 893: 890: 889: 885: 882: 881: 877: 876: 874: 870: 863: 862: 858: 855: 854: 850: 847: 846: 842: 841: 839: 833: 826: 825: 821: 818: 817: 813: 810: 809: 805: 802: 801: 797: 794: 793: 789: 786: 785: 784:Epipsychidion 781: 778: 777: 773: 770: 769: 765: 762: 761: 757: 754: 753: 749: 748: 746: 742: 735: 731: 728: 724: 721: 717: 714: 710: 707: 703: 700: 696: 693: 689: 686: 682: 679: 675: 672: 668: 665: 661: 658: 654: 651: 647: 646: 644: 640: 633: 632: 628: 625: 624: 620: 617: 616: 612: 611: 609: 605: 598: 594: 591: 590: 586: 583: 579: 576: 575: 571: 568: 567: 563: 560: 556: 553: 549: 546: 542: 541: 539: 535: 528: 527: 523: 520: 519: 515: 514: 512: 508: 503: 492: 491: 487: 484: 483: 479: 476: 475: 471: 470: 468: 464: 460: 453: 448: 446: 441: 439: 434: 433: 430: 423: 419: 416: 412: 409: 405: 402: 398: 397: 393: 386: 383: 379: 372: 369: 366: 364: 360: 353: 350: 346: 342: 338: 332: 329: 326: 321: 318: 315: 313: 310:Maxted, Ian. 306: 303: 299: 293: 290: 287: 285: 279: 276: 273: 271: 265: 262: 259: 257: 250: 247: 244: 239: 236: 229: 227: 225: 220: 217: 214: 210: 207: 203: 200: 197: 194: 186: 182: 178: 175: 172: 168: 164: 161: 158: 155: 152: 149: 145: 142: 138: 134: 131: 129: 128: 123: 118: 114: 106: 104: 100: 98: 94: 90: 86: 81: 78: 73: 71: 67: 59: 57: 55: 54: 49: 45: 41: 40: 31: 24: 20: 16: 1140:Mary Shelley 1138: 1130: 1122: 1115: 1106: 1098: 1080: 1073: 1066: 991:Mary Shelley 972: 966:Frankenstein 965: 931: 902: 894: 886: 879: 878: 859: 851: 843: 837:Mary Shelley 822: 814: 806: 798: 790: 782: 774: 766: 758: 750: 699:To a Skylark 629: 621: 613: 587: 572: 564: 524: 516: 488: 480: 472: 421: 414: 407: 400: 382:Frankenstein 381: 377: 371: 362: 359:Frankenstein 358: 352: 345:Frankenstein 344: 340: 337:Frankenstein 336: 331: 320: 311: 305: 297: 292: 283: 278: 269: 264: 255: 249: 238: 224:Frankenstein 223: 221: 218: 215: 211: 208: 204: 201: 198: 195: 191: 179: 176: 173: 169: 165: 162: 159: 156: 153: 150: 146: 143: 139: 135: 132: 125: 113:Frankenstein 110: 107:Plot summary 101: 96: 92: 88: 82: 76: 74: 65: 63: 51: 38: 37: 36: 22: 15: 1143:(2017 film) 1135:(1988 film) 1127:(1988 film) 1119:(1986 film) 1111:(1984 play) 1103:(1935 film) 1060:Biographies 872:Adaptations 642:Short poems 537:Non-fiction 42:is an 1822 1180:Categories 1092:Portrayals 1036:John Keats 1015:Lord Byron 853:Proserpine 744:Long poems 678:Ozymandias 671:Mont Blanc 657:Mutability 526:St. Irvyne 230:References 60:Background 1186:Chapbooks 752:Queen Mab 706:The Cloud 518:Zastrozzi 474:The Cenci 286:Worldcat. 130:in 1764. 117:Wolfstein 89:Wolfstein 46:based on 1005:(father) 736:" (1834) 729:" (1824) 722:" (1824) 715:" (1822) 708:" (1820) 701:" (1820) 694:" (1820) 687:" (1819) 680:" (1818) 673:" (1817) 666:" (1817) 659:" (1816) 652:" (1812) 561:" (1812) 554:" (1811) 547:" (1811) 222:Like in 44:chapbook 1158:Related 792:Adonaïs 727:A Dirge 510:Fiction 394:Sources 1116:Gothic 993:(wife) 984:People 915:Places 907:(1986) 899:(1977) 891:(1850) 883:(1822) 864:(1820) 856:(1820) 848:(1817) 827:(1832) 819:(1824) 811:(1824) 803:(1824) 795:(1821) 787:(1821) 779:(1819) 771:(1818) 763:(1816) 755:(1813) 634:(1824) 626:(1810) 618:(1810) 577:(1817) 569:(1813) 529:(1811) 521:(1810) 493:(1822) 490:Hellas 485:(1820) 477:(1819) 339:", in 85:Ossian 999:(son) 861:Midas 466:Plays 111:Like 361:," 1182:: 115:, 56:. 1146:" 732:" 725:" 718:" 711:" 704:" 697:" 690:" 683:" 676:" 669:" 662:" 655:" 648:" 595:" 580:" 557:" 550:" 543:" 451:e 444:t 437:v

Index



chapbook
Percy Bysshe Shelley
St. Irvyne; or, The Rosicrucian
John Joseph Stockdale
Ossian
Frankenstein
Wolfstein
Horace Walpole
The Castle of Otranto

‘’Wolfstein: Or, the Mysterious Bandit. A Terrific Romance ... To Which Is Added, the Bronze Statue, a Pathetic Tale.’’ The University of Virginia Library. Charlottesville, Virginia. Bibliographic record.
Summers, Montague. A Gothic Bibliography. London: The Fortune Press, 1940, p. 561. No date of publication. Circa 1800. No author.
Wolfstein; Or, The Mysterious Bandit. John Bailey, London.
Wolfstein; or, The Mysterious Bandit. Worldcat.
Maxted, Ian. The London Book Trades, 1775-1800: A Preliminary Checklist of Members. Folkestone, UK: Dawson, 1977.
Pforzheimer Collection, Shelley and His Circle. New York Public Library.
Murray, E.B. "Shelley's Contribution to Mary's Frankenstein," Keats-Shelley Memorial Bulletin, 29 (1978), 50-68.
Rieger, James, edited, with variant readings, an Introduction, and, Notes by. Frankenstein, Or the Modern Prometheus: The 1818 Text. Chicago and London: University of Chicago Press, 1982, Introduction, p. xviii, Note on the Text, xliv. Rieger concluded that Percy Bysshe Shelley's contributions are significant enough to regard him as a "minor collaborator": "His assistance at every point in the book's manufacture was so extensive that one hardly knows whether to regard him as editor or minor collaborator. ... Percy Bysshe Shelley worked on Frankenstein at every stage, from the earliest drafts through the printer's proofs, with Mary's final 'carte blanche to make what alterations you please.' ... We know that he was more than an editor. Should we grant him the status of minor collaborator?"
v
t
e
Percy Bysshe Shelley
The Cenci
Prometheus Unbound
Hellas

Zastrozzi
St. Irvyne

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.