Knowledge (XXG)

Women on Walls

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expression during the January 25 revolution, the aim of this project is to increase awareness of women's issues by introducing women into public space. This project was co-founded by Mia Gröndahl, a Swedish street art documentarian, and Angie Balata, an Egyptian artist, in December 2012 with funding from the Danish Center for Culture and Development, and was launched with a month-long event in the Spring of 2013 in Cairo, Luxor, Alexandria, and Mansoura that included painting sessions, workshops, and lectures on topics ranging from art to women's issues more generally. The project held its second campaign in February 2014.
1714: 1655: 1684:. However, Egyptian graffiti quickly expanded into a number of spaces, mediums, and genres. Popular types of revolutionary graffiti include political satire, mocking political and military leaders, murals depicting pharonic and biblical themes, tags for social and political movements such as the April 6 Youth Movement and the Ultras, and martyr paintings. These various types of images are meant to critique the political order, incite anger, connect Egyptians with the past, and inspire solidarity for the revolutionary movement. 1790:, Yazaan El Zo’bi, and Mohaned Nor led the Alexandria campaign. The campaigns were divided into two parts. The first part brought street artists to the town of Anafora for gender-related workshops, to learn about gender sensitive issues and work on how to discuss these issues in the street. In the second part, the artists returned to their respective cities to design pieces reflecting what they learned in the workshops. At the end, the project held a closing ceremony for final remarks and analysis of the finished work. 1727:
with the already high rate of sexual assault in Egypt and prevailing stereotype that women were not as capable as men, inspired the Women on Walls project. The project seeks to educate the public on the status of women and promote women's rights through the medium of street art. From the project's Facebook page: "We are using art to discuss one of the most important topics in Egypt, women’s empowerment, and which involves many different issues, including the political, the social, the economic and the cultural."
211: 1745:. It was through her research for this book that she was inspired to promote female graffiti; of the 17,000 pieces of street art she documented, only 253 of them included images of women. Of her motivation to start the project, she stated, ‘’I felt there’s was a need to support female artists, and there’s a very strong need to address women’s issues. Egypt is one of the worst countries when it comes to women’s rights.’’ Her published works include 2687: 1667:
public beautification projects in order to demonstrate their absolute ownership of the public space, street art was a way for the people to reclaim that public space. During the Arab Spring, street art became a prominent form of protest in many Arab countries, including Egypt, Tunisia, Libya, and Syria. An earlier example of this reclamation of public space is graffiti painted during the
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Despite the fact that women were early leaders in the January 25 Revolution, within months of the initial revolution women began to be excluded from protest spaces and political processes, and violence against women proliferated in revolutionary spaces such as Tahrir Square. This development, coupled
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In spite of the great proliferation of protest graffiti during the January 25 revolution, it remained a largely male space, with men dominating the street artist community and very few pieces depicting women. To counter this, movements such as the Graffiti Harimi project (the predecessor of Women on
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revolutions, and in the years leading up to them, graffiti was commonly used as a form of popular protest. Street art was an effective way to spread the message of political rebellion, since it is in public view. Furthermore, since authoritarian Arab leaders had poured significant resources into
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aimed at empowering women through the use of street art, by encouraging the portrayal of strong Egyptian female figures in street art and empowering female street artists themselves to participate in the political space of graffiti. Building on the popularity of street art as a form of political
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Mia Gröndahl is a Swedish journalist and street art documentarian who has lived in Egypt since 1996. She first became interested in graffiti when she lived in Gaza prior to moving to Egypt. After the advent of the January 25 Revolution, she spent over a year and a half documenting revolutionary
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The first Women on Walls campaign was launched in April 2013, with nearly 40 artists participating, in the cities of Cairo, Alexandria, Luxor, and Mansoura. Each city had a separate campaign led by well-known local graffiti artists: Mira Shihadeh and Zeft led the Cairo campaign,
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The second campaign ran from February 8 to February 15, 2014, with 15 participating artists. Due to limited funds, the 2014 campaign only ran in Cairo. As with the first campaign, participants attended seminars and workshops with artists and feminist activists, including
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In Egypt, street art was not a widespread phenomenon before the January 25, 2011, but it quickly became one of the most powerful tools of the revolution. In the first days of the revolution, street art was largely used to mock then-president
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protest art, Palestinians were able to paint graffiti in order to spread their message without being stopped by the state. Also, the anonymity of the art form made it a stand-in for the collective spirit of Palestinians.
323: 1773:, documenting pieces, networking with street artists, and providing translations. Upon completing the book, the two women collaborated to expand the book launch into a larger exhibition, which became WOW. 267: 1612: 1079: 2141: 2075: 1114: 480: 318: 652: 2127: 471: 2109: 1605: 1539: 575: 328: 732: 291: 2562: 2249: 764: 831: 2508: 1598: 1534: 281: 231: 2725: 2720: 1084: 1004: 826: 621: 1694: 541: 377: 1284: 851: 2618: 1519: 754: 672: 647: 580: 1916: 1713: 2577: 2213: 387: 2710: 2518: 1544: 1134: 2528: 2436: 922: 252: 210: 2488: 2242: 1374: 1068: 397: 362: 2715: 2623: 2613: 2523: 2441: 2094: 32: 2037: 1654: 2557: 2478: 2431: 727: 412: 402: 338: 2608: 2483: 2056: 1564: 1509: 1439: 1419: 1404: 1274: 759: 667: 531: 367: 1769:
Angie Balata is the local cultural manager for the Women on Walls Project. She worked with Gröndahl on
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Walls) sought to increase the visibility of women in the public space by increasing the number of
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Demerdash, Nancy (2012). "Consuming Revolution: Ethics, Art and Ambivalence in the Arab Spring".
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Hafez, Sherine (2012). "No longer a bargain: Women, masculinity, and the Egyptian uprising".
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during the late 1980s. While Israeli state censorship prevented the production of a lot of
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led the Luxor campaign, Mohamed Khaled and Ghadir Wagdy led the Mansoura campaign, and
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Peteet, Julie (1996). "The Writing on the Walls: The Graffiti of the Intifada".
1663: 816: 786: 563: 2142:"This Woman Is Using Graffiti to Change the Way Her Country Thinks About Girls" 2121: 2119: 2644: 2593: 2410: 2333: 2317: 2258: 899: 841: 836: 72: 59: 2193: 177: 2674: 2415: 2302: 1787: 150: 2532: 2292: 2272: 301: 2307: 856: 811: 2370: 1629: 372: 2038:"Cairo's superficial clean-up brings graffiti artists out in force" 2360: 1712: 1702: 1653: 1637: 306: 244: 100: 82: 77: 1701:, who has garnered international press for her activities in the 1886:"Bigger, Bolder, Brighter: The Women on Walls graffiti campaign" 2231: 2227: 1941:
Tripp, C. (2013). "Art of the Uprisings in the Middle East".
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In Hope and Despair: Life in the Palestinian Refugee Camps
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Gender representation on corporate boards of directors
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Tahrir Square: The Heart of the Egyptian Revolution
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Cairo: American University in Cairo Press. 1755:Gaza Graffiti: Messages of Love and Politics 1741:street art in Egyptian cities for her book 2250: 2236: 2228: 2128:"Egypt's graffiti artists make their mark" 1613: 1599: 195: 31: 168:Danish Center for Culture and Development 1842: 203: 1650:Political graffiti and the Arab Spring 18: 1658:Down With The Military Rule(Graffiti) 7: 765:Gender representation in video games 2509:Hong Kong (Free Ai Weiwei campaign) 1884:ElNabawi, Maha (14 February 2014). 14: 2036:Talon, Claire (October 9, 2012). 2686: 2685: 2180:10.1111/j.1548-1425.2011.01344.x 2074:Fathi, Yasmine (April 7, 2011). 282:Diversity, equity, and inclusion 209: 1793:Notable participants included: 1943:Brown Journal of World Affairs 1853:Barakat, Nada (6 March 2014). 1: 1636:) is a public art project in 2619:Sarajevo Street Art Festival 2194:"ست الحيطة - Women on Walls" 2112:. E-International Relations. 2055:Abaza, Mona (May 27, 2012). 1917:"Can Graffiti Remake Egypt?" 733:Portrayal in American comics 324:Heads of state or government 16:Public art project in Egypt 2742: 2578:Palestine (West Bank Wall) 2503:São Paulo (Beco do Batman) 1962:New Middle Eastern Studies 1695:female figures in graffiti 135:15 February 2014 2683: 30: 24: 2624:Sarasota Chalk Festival 2614:Pasadena Chalk Festival 319:Conservatives in the US 292:Explorers and travelers 2726:Women graffiti artists 2721:Egyptian women artists 2057:"The Buraqs of Tahrir" 2023:Mediterranean Yearbook 2003:Grondahl, Mia (2012). 1815:the Mona Lisa Brigades 1718: 1659: 622:In Shakespeare's works 2563:Sydney (Newtown area) 2495:Southeastern Brazil ( 1981:Cultural Anthropology 1716: 1657: 1645:Historical background 378:Nobel Prize laureates 2692:Category: Street art 2489:Berlin (Berlin Wall) 2168:American Ethnologist 1669:Palestinian intifada 1535:United Arab Emirates 472:in the United States 287:Economic development 277:Diversity (politics) 263:Female entrepreneurs 1915:Bajec, Alessandra. 1771:Revolution Graffiti 1747:Revolution Graffiti 1520:Trinidad and Tobago 755:Speculative fiction 648:Theological figures 593:Feminist philosophy 393:Reproductive rights 199:Part of a series on 1812:Mohamed El Moushir 1719: 1660: 1085:Dominican Republic 852:Mixed martial arts 822:Fastpitch softball 403:Violence and abuse 388:Positions of power 160:Street art project 2711:Graffiti in Egypt 2698: 2697: 2640:Built environment 2599:The Cans Festival 2218:Egypt Independent 1831:Carolina Falkholt 1623: 1622: 827:Football / soccer 750:Fictional pirates 542:Art history field 418:Exchange of women 194: 193: 2733: 2689: 2688: 2519:Northern Ireland 2425:Lists of artists 2386:Stencil graffiti 2376:Reverse graffiti 2313:Installation art 2252: 2245: 2238: 2229: 2222: 2221: 2212:ElNabawi, Maha. 2209: 2198: 2197: 2190: 2184: 2183: 2163: 2157: 2156: 2154: 2153: 2138: 2132: 2131: 2123: 2114: 2113: 2105: 2099: 2098: 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Index


Public art
Alexandria
Cairo
Luxor
Mansoura
Egypt
Aya Tarek
www.facebook.com/womenonwalls.WOW/
Venus symbol
Women's history
legal rights
Woman
Animal advocacy
Business
Female entrepreneurs
Gender representation on corporate boards of directors
Diversity (politics)
Diversity, equity, and inclusion
Economic development
Explorers and travelers
Education
Feminism
Womyn
Government
Conservatives in the US
Heads of state or government
Legislators
Queen regnant
List

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