271:(1943–1991), a well-known Taiwan female writer and traveller, used to be named Chen Maoping and later changed to Chen Ping, a native of Zhejiang. Born in Chongqing in 1943. In 1948, she moved to Taiwan with her parents. In 1967, she went to Spain to study and later went to Germany and the United States. In 1973, she settled in the Spanish Sahara and married Jose. After returning to Taiwan in 1981, she taught at the Cultural University and resigned in 1984 to focus on writing and speech. Sanmao's works have real emotions, without too much decoration, but show the original appearance of life and the wisdom and interest in life. In her works, there is no romance described in general love works, but more practical.
178:(1898–1934), formerly known as Huang Shuyi, also known as Huang Ying, was born in Fujian Province. She was a famous writer in the May Fourth Period. She was also known as one of the three Talented Women of Fuzhou, together with Bing Xin and Lin Huiyin. She was a modern Chinese writer, employed various vernacular genres to explore women's living conditions at the turn of the 20th century. Lu Yin has the perspective of feminism and writing conceptualization. She employed redefinition and diary fiction as major rhetorical strategies to challenge the sexist assumptions in the prevailing patriarchal discourses and empower Chinese women.
214:(1902–1928), China's modern female revolutionary activist. Her real name is Ru Bi, and because of the love of the plum blossom, her pen name was Shi Pingmei. She was born in 1902 in Pingding, Shanxi Province. In 1919, she became enthusiastic about literary creation when she studied at Beijing Women's Teaching College. In September 1923, in the supplement of the morning newspaper, she serialized a long travel note. In 1924, she edited, together with her close friend Lu Jingqing, Beijing News Supplement "Women's Weekly". In 1926, she continued to co-edit the World Daily Supplement with Lu Jingqing.
66:女人無才便是德 (for women, lack of literary talent is a virtue) summarizes the dominant sentiment that the literary field was traditionally a domain for men. Despite this belief, works authored by women play an integral part throughout Chinese history. There were a number of women writers before the 20th century who were respected by the intelligentsia of their era, even if much of their work was considered less important than men's work in general. Female writers helped bring forth themes such as romance, marriage, gender roles, and women's politics.
142:, Prostitution and trafficking of women. Women were allowed to own land, divorce, and join the military and other employment fields. However, the establishment of this ideology did not liberate women; instead, it undermined the feminine voice by forcing women to take a male-oriented stance on public and domestic policy. Literature authored during this time reflects the restrictive and masculine perspective of women writers during this period. This "
74:
of this time was Mao Xiuhui. She was a 16th-century poet who wrote a poem based on her husband's failure to gain a position as a civil servant. The poem draws parallels between the male and female as they suffer hardships in the political and domestic arenas. Other notable female poets in
Chinese history were Gao Zhixian,
73:
in the biography and bibliography were poets. The aesthetic nature of poetry was highly regarded, while fiction was viewed as an avenue taken because of a failed career or commercial venture. A marked increase in female literacy took place during the Late
Imperial Era. One of the most notable poets
249:
was a
Chinese writer. She also used the pen name, Qiao Yin. Xiao Hong is a female writer with a unique artistic style. She is unique in literature history with her mixed emotional tone, hard and soft language style. Xiao Hong is a typical female youth in literature with her exceptional writing
262:
Eileen Chang is a uniquely charming writer in the history of modern
Chinese literature. Her life-long creation involves novels, essays, and script reviews, among which novels have achieved the highest achievement. Her novels show personal characteristics in material selection, conception,
106:
or remaining loyal to their family and maintaining peace and order. This social movement positively influenced literary discourse at the time. Women writers of the time authored works reflecting the feminist sentiment and the issues that came with the revolution.
137:
came to power in 1949, he addressed women's rights and tried to establish women's equality through the "iron girls" of national development ideal. Through this philosophy, the
Chinese government abolished long-standing practices such as
169:
The following is a list of women writers who have made significant contributions to modern
Chinese women's writing. These writers include Lu Yin, Xie Wanying, Shi Pingmei, Ding Ling, Xiao Hong, Eileen Chang, and San Mao.
146:" style of writing submerged true feminine identity, rendering the female perspective neglected and hidden in the male-dominated political and aesthetic arenas. There were some exceptions to this rule, such as
98:. This signifies the material conditions of Chinese society and the vision of the critical imagination of these women. The beginning of the century marked a period of growing unrest for women as the
58:, loosely translated as "literary talent," is an attribute describing profound lyricism, deep intellectuality and analytic skill. Although it was acknowledged that both women and men possessed
30:
Despite a long-held belief in pre-modern China that women lacked literary talent, women's works – particularly poetry – did win a degree of respect within
130:
gained favour with
Chinese feminists looking to study gender relationships, thus becoming a topic of many feminist writers throughout the early and mid portions of the 20th century.
338:
Chang, K.S. & Saussy, H. (Eds.) (1999). Women writers of traditional China: An anthology of poetry and criticism. Stanford, California: Stanford
University Press. pp. 1–44.
194:: 冰心) or Xie Bingxin, was one of the most prolific Chinese writers of the 20th century. Many of her works were written for young readers. She was the chairperson of the
94:
in 1840 and the subsequent imperialist invasion. For the
Chinese, the necessity of "becoming a modern person" stems from the state of emergency. Then came the
388:
Schaeffer, Kay & Xianlin, Song. (2007). Unruly Spaces: Gender, Women'’ Writing and
Indigenous Feminism in China. Journal of Gender Studies, 16 (1), 17–30
195:
54:
Before 1840, Chinese women generally lived their lives within the family. Women followed the idea that for women, lack of literary talent was a virtue.
263:
characterization, narrative structure and language skills. She has expanded a new horizon of female criticism and a new world of female literature.
526:
364:
70:
46:
conveyed expression from a feminine perspective, as opposed to man writers who conveyed expressions from a masculine perspective.
410:
Jinhua, Z. (2009). Women's Culture and Writing in the 1990s: Illusions and Breakout. (Y. Qinfa & J. Shan, Trans.). About.com
166:
became literature with modern humanistic spirit, taking women as the subject of experience, thinking, aesthetics, and speech.
657:
191:
652:
604:"The Female Recluse: The Trope of Withdrawal and Self-representation in Poems by Two Late Ming/Early Qing Women Writers"
647:
222:(1904–1986) graduated from the Department of Chinese Literature at Shanghai University and became a member of the
258:(1920–1995), formerly known as Zhang Ying, pen name Liang Jing, was born in Shanghai. One of her famous works is
223:
227:
102:
took hold. Women of this period were faced with the dilemma of protesting oppressive ideals stemming from
324:
Larson, W. (1998). Women and Writing in Modern China. Stanford, California: Stanford University Press.
300:
158:
Broadly speaking, the public refers to all works written by women as feminine literature. After the
542:
159:
198:. Her pen name Bing Xin carries the meaning of a morally pure heart and is taken from a line in a
494:
285:
147:
31:
466:
411:
397:
Laurence, S. (2008.) Mao’s ghost. The Boston Phoenix. Retrieved from the web December 8, 2009.
623:
522:
486:
447:
360:
295:
615:
478:
437:
568:
Enduring the Revolution : Ding Ling and the Politics of Literature in Guomindang China
17:
267:
173:
112:
95:
91:
203:
127:
35:
398:
90:
The Chinese revolution's spectre emerged from the chaotic period of decades after the
641:
498:
254:
199:
139:
108:
103:
150:, who wrote about women's issues and how much women could accomplish without men.
516:
354:
210:
116:
79:
603:
589:
Jumping through hoops: autobiographical stories by modern Chinese women writers
619:
482:
134:
627:
490:
451:
123:
were four of the most influential feminist writers. In the 1920s and 1930s,
290:
280:
242:
218:
120:
99:
442:
425:
235:
182:
124:
39:
38:. During the first half of the 20th century, writing by women reflected
231:
226:. She was a famous writer and social activist, known for works such as
75:
143:
467:""Breaking the Age of Flower Vases":Lu Yin's Feminist Rhetoric"
518:
Chinese Women Writers and the Feminist Imagination, 1905-1948
356:
Chinese Women Writers and the Feminist Imagination, 1905-1948
412:
http://chineseculture.about.com/library/weekly/aa101000a.htm
426:"The New Woman in Early Twentieth-Century Chinese Fiction"
154:
Women writers in modern China (after the 1911 Revolution)
399:
http://thephoenix.com/boston/news/66069-maos-ghost/
230:. In November 1936, Ding Ling arrived in northern
250:perspective and writing structure in her works.
42:ideas and the political upheavals of the time.
8:
196:China Federation of Literary and Art Circles
430:CLCWeb: Comparative Literature and Culture
186:(1900–1999), better known by her pen name
441:
583:
581:
579:
577:
334:
332:
330:
312:
510:
508:
384:
382:
380:
378:
376:
320:
318:
316:
7:
348:
346:
344:
234:and was the first scholar to go to
260:"The Red Rose and the White Rose."
25:
86:20th-century writers and feminism
164:Chinese modern female literature
1:
570:. Greenwood Publishing Group.
602:Yang, Haihong (2016-02-20).
414:. Retrieved November 5, 2009
27:Aspect of Chinese literature
515:Yan, Haiping (2006-11-22).
353:Yan, Haiping (2006-11-22).
18:Women in Chinese literature
674:
620:10.1163/15685268-00182p03
566:Alber, Charles J (2002).
483:10.1080/07350190902958719
547:shanxi.chinadaily.com.cn
424:Feng, Jin (2004-12-01).
465:Wang, Bo (2009-06-12).
224:Chinese Communist Party
64:nuren wucai bian shi de
443:10.7771/1481-4374.1251
658:Chinese women writers
301:New Culture Movement
71:first women recorded
50:Early female writers
653:Feminist literature
228:Miss Sophia's Diary
160:May Fourth Movement
648:Chinese literature
286:Anarchism in China
148:Yuan Chiung-chiung
104:Confucian ideology
32:Chinese literature
528:978-1-134-57089-8
366:978-1-134-57089-8
296:Feminism in China
100:feminist movement
92:British Opium War
16:(Redirected from
665:
632:
631:
599:
593:
592:
585:
572:
571:
563:
557:
556:
554:
553:
539:
533:
532:
512:
503:
502:
462:
456:
455:
445:
421:
415:
408:
402:
395:
389:
386:
371:
370:
350:
339:
336:
325:
322:
21:
673:
672:
668:
667:
666:
664:
663:
662:
638:
637:
636:
635:
601:
600:
596:
587:
586:
575:
565:
564:
560:
551:
549:
541:
540:
536:
529:
514:
513:
506:
471:Rhetoric Review
464:
463:
459:
423:
422:
418:
409:
405:
396:
392:
387:
374:
367:
352:
351:
342:
337:
328:
323:
314:
309:
277:
156:
96:1911 Revolution
88:
52:
36:Imperial period
28:
23:
22:
15:
12:
11:
5:
671:
669:
661:
660:
655:
650:
640:
639:
634:
633:
614:(2): 257–290.
594:
573:
558:
534:
527:
504:
477:(3): 246–264.
457:
416:
403:
390:
372:
365:
340:
326:
311:
310:
308:
305:
304:
303:
298:
293:
288:
283:
276:
273:
204:Wang Changling
155:
152:
128:psychoanalysis
87:
84:
51:
48:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
670:
659:
656:
654:
651:
649:
646:
645:
643:
629:
625:
621:
617:
613:
609:
605:
598:
595:
591:. 2004-04-01.
590:
584:
582:
580:
578:
574:
569:
562:
559:
548:
544:
543:"Shi Pingmei"
538:
535:
530:
524:
521:. Routledge.
520:
519:
511:
509:
505:
500:
496:
492:
488:
484:
480:
476:
472:
468:
461:
458:
453:
449:
444:
439:
435:
431:
427:
420:
417:
413:
407:
404:
400:
394:
391:
385:
383:
381:
379:
377:
373:
368:
362:
359:. Routledge.
358:
357:
349:
347:
345:
341:
335:
333:
331:
327:
321:
319:
317:
313:
306:
302:
299:
297:
294:
292:
289:
287:
284:
282:
279:
278:
274:
272:
270:
269:
264:
261:
257:
256:
251:
248:
245:
244:
239:
237:
233:
229:
225:
221:
220:
215:
213:
212:
207:
205:
201:
197:
193:
189:
185:
184:
179:
177:
176:
171:
167:
165:
161:
153:
151:
149:
145:
141:
136:
131:
129:
126:
122:
118:
114:
110:
105:
101:
97:
93:
85:
83:
81:
77:
72:
67:
65:
62:, the phrase
61:
57:
49:
47:
45:
44:Women writers
41:
37:
33:
19:
611:
607:
597:
588:
567:
561:
550:. Retrieved
546:
537:
517:
474:
470:
460:
433:
429:
419:
406:
393:
355:
266:
265:
259:
255:Eileen Chang
253:
252:
246:
241:
240:
217:
216:
209:
208:
200:Tang Dynasty
187:
181:
180:
174:
172:
168:
163:
157:
140:Foot-binding
132:
109:Eileen Chang
89:
68:
63:
59:
55:
53:
43:
29:
247:(1911–1942)
211:Shi Pingmei
183:Xie Wanying
117:Shi Pingmei
80:Li Qingzhao
34:during the
642:Categories
552:2020-12-03
307:References
135:Mao Zedong
628:1387-6805
499:145463443
491:0735-0198
452:1481-4374
291:New Youth
281:New Woman
243:Xiao Hong
219:Ding Ling
121:Ding Ling
275:See also
202:poem by
188:Bing Xin
144:Mulanian
125:Freudian
40:feminist
268:San Mao
232:Shaanxi
192:Chinese
76:Xue Tao
626:
608:Nan Nü
525:
497:
489:
450:
363:
236:Yan'an
175:Lu Yin
162:, the
113:Lu Yin
78:, and
495:S2CID
436:(4).
133:When
624:ISSN
523:ISBN
487:ISSN
448:ISSN
361:ISBN
119:and
69:The
616:doi
479:doi
438:doi
60:cai
56:Cai
644::
622:.
612:18
610:.
606:.
576:^
545:.
507:^
493:.
485:.
475:28
473:.
469:.
446:.
432:.
428:.
375:^
343:^
329:^
315:^
238:.
206:.
115:,
111:,
82:.
630:.
618::
555:.
531:.
501:.
481::
454:.
440::
434:6
401:.
369:.
190:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.