512:" feeling. The sex scenes are realistic and awkward â the scene between Nadia and Tim features no music, which highlights the sounds of kissing and rustling. A small crew was used, with only natural lighting and no sound boom. A pub scene was shot with real people in the background, near closing time, and the cafĂ© where Nadia works is a real small cafĂ© in Soho. People alone in London crowds were picked out and filmed to make the audience speculate about their stories. The scenes where Dan takes his son to a football match were filmed at
367:
her. Molly and Eddie have a fight when she discovers he has left his job and he leaves. She goes into labour believing he has permanently left her, but he has really had an accident on his motorbike. Debbie's son, Jack, is mugged when his father Dan leaves him alone and Jack goes off on his own to watch fireworks. Darren finally calls to let his family know that he is fine and
Franklin has enough courage to talk to Nadia. Molly and Eddie are reunited at hospital after the birth of their daughter, Alice, a name Eddie selected because of
625:, but complained about the characterisation, for example that with Nadia "we are given no insight into her struggles or her grinning social ineptitude," leaving the film "alienating and infuriating." They praised the acting, particularly the "desperately affecting" parents, but were annoyed by the attempts at
362:
Eileen and Bill, their parents, are virtually estranged since the departure of their eldest son Darren, who they have not heard from since he left home; having left, he is the only happy one in the family. Eileen takes her unsaid frustrations out on the neighbour's barking dog, poisoning it when it
366:
Franklin is an over-sensitive man who frequents the coffee house where Nadia works. He is unable to summon the courage to talk to her, instead listening to music he thinks she would like alone in his bedroom. Nadia sleeps with one of her dates, the handsome Tim, but he is not really interested in
669:. Although the film has "an almost unbearable sadness" it is not bleak. The end of the film has a "dramatic coincidence" that brings the characters together for Molly giving birth, a sentimental narrative device that is a change from the relative lack of structure of the rest of the film, though
487:
I was ... interested in exploring the emotional connections between people in a family who rarely meet, and in capturing the noise and excitement of London and the exhaustion of trying to keep your head above water in a place where you've got seven million people around you whose lives you don't
31:
641:
wrote in 2016 that the film "far exceeds anything made during the kitchen-sink period in the breadth of its humanism and the range of its social portraiture, and deserves to be recognised as one of the great achievements of
British cinema."
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359:, while her hairdresser sister Debbie struggles to raise her 11-year-old son without much help from his irresponsible father. Meanwhile, Molly is pregnant but her husband Eddie has left his job without telling her.
615:
gave the film a C, opining that while she liked
Winterbottom's "loose, improvisatory feel", "the energy is sapped by clinging condescension in the guise of compassionate liberalism".
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wrote "director
Michael Winterbottom finds both the quiet desperation and the glimmering hope in achingly ordinary lives", and gave the film a grade of Aâ. In contrast, his colleague
726:
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and "the connections between the stories were purely down to geography" but was rewritten so that "the story of one sister tells you something about the other two." Cinematographer
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argued that a scene in which Nadia slowly descends into tears on a double-decker bus as others party around her was "one of the most riveting scenes in a movie this year" (a scene
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weekend in
November. Waitress Nadia, "shy, with a backpack and her hair in girlish twists", spends all her time going on blind dates with unsatisfactory men from
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also said "rings true"), but found that "there is no sad turn in these characters' lives that you cannot see coming about an hour before". Michael Sauter of
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and gave an impressionistic feeling, "a rush of poignant colours and noise", and other footage is filmed on grainy hand-held 16mm cameras, giving a realist "
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The film's French writer, Laurence Coriat, was previously a psychology student. Winterbottom said that the script began in a similar way to
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is used to give moments of accelerated motion as the characters are followed, which
Winterbottom said was inspired by Wong Kar-Wai's
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has called it "arguably one of
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and said that "the rhythms are like a clock ticking" and it is "alternately plaintive and mournful".
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and said that the sisters could be interpreted as different life stages of a single woman. The
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The film follows the lives of three London sisters and their family over five days, a long
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on 13 May 1999, and was released in the United
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said that the filming of London's streets was similar to that of New York by
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of the film was compared to those of fellow
British directors
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had previously only worked on documentaries and news footage.
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said the film was "a modern-day London turn on
Chekhov"'s
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The film has both realist and impressionist elements.
951:"A New Generation of Realists Scrap The Kitchen Sink"
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said that the editing was "immaculate and exciting".
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British Independent Film Award for Best British Film
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1027:"The Unbearable Lightness of Being: Wonderland"
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1249:"Bella sinfonĂa londinense de Winterbottom"
1247:FernĂĄndez-Santos, Ăngel (29 October 1999).
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1059:. Statto.com. 17 June 2012. Archived from
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1977:Films directed by Michael Winterbottom
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722:Boston Society of Film Critics Awards
7:
1089:Sauter, Michael (23 February 2001).
1057:"Results saturday 6th February 1999"
908:Jeffries, Stuart (18 January 2000).
1982:PolyGram Filmed Entertainment films
1117:Schwarzbaum, Lisa (4 August 2000).
910:"The walking wounded of Wonderland"
572:said it was "sumptuous, romantic".
2012:English-language independent films
1962:Films about dysfunctional families
14:
871:Mitchell, Elvis (28 July 2000).
832:"Festival de Cannes: Wonderland"
199:Universal Pictures International
1175:British Independent Film Awards
949:Fuller, Graham (23 July 2000).
738:British Independent Film Awards
688:British Independent Film Awards
584:The film's US debut was at the
629:by the cast of non-Londoners.
556:compared the score to that of
335:had its world premiere at the
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1987:Films scored by Michael Nyman
1197:"Film in 2000 | BAFTA Awards"
1025:Mousoulis, Bill (July 2000).
203:United International Pictures
1957:1990s English-language films
1144:"Rebel with a realist cause"
1091:"Movie Review: 'Wonderland'"
363:prevents her from sleeping.
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2007:British independent films
1857:The Emperor's New Clothes
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988:Allison, Deborah (2005).
337:1999 Cannes Film Festival
233:14 January 2000
35:Theatrical release poster
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773:Valladolid Film Festival
538:Wonderland (soundtrack)
462:Anton Saunders as Danny
1997:1999 independent films
1771:The Road to GuantĂĄnamo
767:â Michael Winterbottom
754:- Michael Winterbottom
586:Sundance Film Festival
520:in a 1â1 draw against
500:Time lapse photography
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453:Peter Marfleet as Jack
1763:A Cock and Bull Story
1421:The Constant Gardener
241: (United Kingdom)
218:13 May 1999
1849:The Face of an Angel
1801:The Killer Inside Me
1731:24 Hour Party People
1646:Michael Winterbottom
1123:Entertainment Weekly
1096:Entertainment Weekly
760:Cannes Film Festival
731:Michael Winterbottom
608:Entertainment Weekly
524:on 6 February 1999.
287:Michael Winterbottom
45:Michael Winterbottom
2002:1990s British films
1972:Films set in London
1967:Films about sisters
1947:British drama films
1715:With or Without You
1691:Welcome to Sarajevo
1601:All of Us Strangers
1451:Slumdog Millionaire
1401:Dirty Pretty Things
1156:on 31 January 2016.
1037:on 25 December 2010
836:festival-cannes.com
646:Themes and analysis
493:âWinterbottom, 2000
369:Alice in Wonderland
186:Kismet Film Company
1903:Eleven Days in May
1895:The Trip to Greece
1794:The Shock Doctrine
1228:. 18 December 2000
955:The New York Times
877:The New York Times
651:The New York Times
598:The New York Times
592:Critical reception
542:The soundtrack to
341:Universal Pictures
281:is a 1999 British
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1879:The Wedding Guest
1871:The Trip to Spain
1841:The Trip to Italy
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1471:The King's Speech
1177:. 24 October 1999
1171:"The Awards 1999"
1078:, 5 December 2008
715:Best British Film
693:Best British Film
588:in January 2000.
505:Chungking Express
382:Shirley Henderson
295:Shirley Henderson
289:. The film stars
285:film directed by
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18:1999 British film
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1119:"Wonderland"
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347:Plot summary
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307:Molly Parker
299:Kika Markham
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250:Running time
155:Trevor Waite
146:Sean Bobbitt
128:Enzo Cilenti
108:Molly Parker
98:Kika Markham
73:Andrew Eaton
15:
1864:On the Road
1648:filmography
1481:Tyrannosaur
1041:14 February
999:14 February
704:Nominations
563:Rumble Fish
444:as Franklyn
254:108 minutes
70:Gina Carter
61:Produced by
41:Directed by
1942:1999 films
1936:Categories
1707:Wonderland
1699:I Want You
1581:After Love
1521:Ex Machina
1411:Vera Drake
1381:Sexy Beast
1361:Wonderland
1297:Wonderland
1286:Wonderland
1266:22 October
1232:22 October
1206:22 October
1181:22 October
960:9 February
919:9 February
882:9 February
800:Wonderland
784:References
765:Palme d'Or
747:Gina McKee
667:Mike Leigh
544:Wonderland
532:Soundtrack
475:Short Cuts
468:Production
442:David Fahm
438:as Melanie
388:Gina McKee
333:Wonderland
303:Gina McKee
278:Wonderland
237:2000-01-14
222:1999-05-13
171:Production
103:Gina McKee
51:Written by
24:Wonderland
1723:The Claim
1261:1134-6582
841:7 October
777:Best Film
677:Accolades
663:Ken Loach
432:as Darren
420:as Eileen
406:John Simm
384:as Debbie
315:John Simm
201:(through
173:companies
152:Edited by
118:John Simm
1919:Shoshana
1825:Everyday
1809:The Trip
1591:Aftersun
1561:For Sama
450:as Donna
408:as Eddie
400:Ian Hart
396:as Molly
390:as Nadia
291:Ian Hart
267:Language
160:Music by
88:Ian Hart
81:Starring
1817:Trishna
1755:9 Songs
1747:Code 46
1441:Control
1253:El PaĂs
1226:Variety
580:Release
459:as Alex
426:as Bill
270:English
259:Country
235: (
220: (
1922:(2023)
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1787:Genova
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1675:Go Now
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1659:Family
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1564:(2019)
1554:(2018)
1544:(2017)
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1494:(2012)
1491:Broken
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1259:
813:27 May
682:Awards
488:know.
414:as Tim
402:as Dan
325:, and
228:Cannes
226: (
1887:Greed
1571:Rocks
1511:Pride
802:(15)"
696:(won)
283:drama
1683:Jude
1461:Moon
1291:IMDb
1268:2022
1257:ISSN
1234:2022
1208:2022
1183:2022
1130:2023
1104:2023
1043:2011
1001:2011
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807:BBFC
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375:Cast
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