Knowledge (XXG)

Works of Elizabeth Murray

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2001: 112: 1574: 392: 189: 523: 544: 2180: 2106: 261: 1777: 1078: 138:. The mother looks at her son with her right arm raised to point to the Virgin Mary and Baby Jesus, and with her left arm around the naked back of the child, who is kneeling before the image. Both groups are facing each other, with the musicians on the left and the family on the right. It is a simple layout with a predominance of vertical lines, closed at the top with a semicircle and at the bottom with a horizontal line. 614:. The girl has blue eyes and "rustic beauty", and is wearing a hat with blue and red wildflowers. She is offering grapes from a plate with her right hand, and her left hand is touching her throat. In the background is a mountainous landscape, with a wooden house with two active chimneys on the right. The watercolour was so well liked in America that it was distributed for several years as a Christmas postcard. 2830: 2845: 2818: 484:
This painting portrays Julia Bartlett y de TarrĂ­us, the daughter of British consul Richard Bartlett who was succeeded by Murray's husband after Bartlett's death in 1849. Julia is portrayed tilted to the left, in fine strokes and extreme detail, especially in the lace and in the jewellery and the rose
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and of Teide, the peak that is visible in the background. It features a diagonal composition. The landscape mostly consists of the valley, although in the foreground there is a group of Canarians dressed in traditional clothing and accompanied by grazing animals and cargo. The colours of the painting
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is also composed around a vertical axis, in this case the man who is asking for alms; however, there is also a diagonal axis created by the Romani girl and the mother with her son. Another diagonal line is created by the young beggar on the ground, whose cane is parallel to one of his legs. This work
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This work depicts a market scene, possibly in Rome. In the centre of the painting is a table with several fruits placed on top of a newspaper. Three characters are in the painting: a man sitting on the right edge of the table, a saleswoman in the centre, and a child with his back to the left; the man
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A group of four men are playing cards while two cheat through a priest, who watches the decks of the other players. One of the players is partly crouched, trying to light a cigarette that a young girl with black eyes holds to his lips. Behind the group is a woman who has noticed the cheating and is
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José Luis García Pérez has pointed out that it is difficult to know the exact dates Murray's paintings were created, and that because of her travels it is likely she sketched the initial drawings and then took more time to finish them. Many of the dates of her paintings refer to the year they were
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is a portrait of Alfred Diston's daughter, Soledad (also known as Solita), facing forward and slightly to the left, surrounded by a border. Soledad holds a fan in her right hand, which is also heavily adorned. She is wearing a black mantilla, and a pink carnation on the left side of her head. The
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The composition of this painting is similar to her other works: the priest makes up a central vertical axis, and both women are parallel to it. The colour of the painting is soft in tone, although but this highlights the intensity of the chestnut in the ticket seller's dress and the blue and pink
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Murray's portrait of her friend Alfred Diston is very realistic, and captures his personality from his expression. He is placed facing forward, with his body tilted to the left. The painting predominantly uses chestnut and soft colours such as yellow in blue. It is clearly influenced by Murray's
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This watercolour shows two women on a balcony, one standing and the other seated, and on both sides "typical Moorish towers". The seated woman wears a black mantilla and holds a half-open fan; the standing woman is wearing a blue suit and gold jewellery. It was exhibited during Murray's stay in
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girl with a little monkey. The depiction of the monkey is a clear Victorian influence, given the love of monkeys, which were painted by many artists of that time. The young woman looks sickly, and holds the small animal in her hands. The painting includes some new characteristics for Murray:
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The painting is composed of a vertical axis in the centre, in this case created by the woman; on both sides, following the typical parallelism in Murray's works, are the man and child. The frame is closed at the top by a semicircular arch. This style is very similar to that of her father's,
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exhibited—when she arrived in a new place she tended to exhibit work from where she had previously been, so when she arrived in the Canary Islands she exhibited work with Greek and Moroccan themes, and when she arrived in Portland she exhibited her work related to Spain.
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The colours in the painting are yellows, reds, ochre, and chestnut. The painting has some similarities to the one she would later make of Solita Diston during her stay in Tenerife. It is also one of the last paintings she signed with her maiden name, Elizabeth Heaphy.
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It is signed in the lower left corner with the initials JBF, which refer to Juan B. Fierro y Van de Walle Fierro y Valcárcel. His grandson, the current owner, states the initials were added by his grandfather and confirms that the painting is by Elizabeth Murray.
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painting of a Moorish girl wearing a traditional dress in front of a brown background. It's painted with soft purple and blue tones. Murray carefully paints the details of her subject, especially her jewellery and clothing. The painting is clearly influenced by
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It depicts a Moroccan landscape, with the horizon delimited by a row of buildings. It consists mainly of horizontal lines, only breaking with the vertical lines of palm trees on the hill. The painting uses chestnut, green, red, yellow, and ochre colours.
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The watercolour demonstrate's Murrays admiration of Murillo, whose influence is visible in how Murray painted the injured young man using foreshortening, showing his back and hiding his face. The old woman's headdress is also reminiscent of Murillo's
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during her stay in Morocco, and it is one her first works with Orientalist themes. It can be dated to around 1850, and it was exhibited at the Academia de Bellas Artes de Santa Cruz de Tenerife in 1851. The painting went on to be exhibited at the
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This may have been one of Murray's last paintings in the Canary Islands, since it is dated 1860. By 1859, she had earned the animosity of Canarian society and media, although they continued to recognise her skill as a painter.
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mantilla and carnation are two typical Hispanic elements that enhance the romantic spirit of the time. The colours in the painting are chestnut, yellow, black, and pink. It resembles Murray's earlier work,
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It is an Italian scene, given the presence of the pifferari and the use of "Rome" in the title of the work. It emphasises the nature of Rome as the hub of Catholicism, which is why the
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on the right side. The main character in the scene is a tall man with curly black hair and expressive eyes who is extending his arm with a hat, to symbolise that he is asking for
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Signed in the lower left corner as "Eliz. Murray". Due to its strong reception in America, it was for some time circulated as a Christmas postcard. This image is a
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Murray created around 85 pieces that can be divided into three groups: portraits, which were the highlights of her artwork; general scenes; and landscapes.
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in an engraving by William Thomas. Part of an exhibit by The Society of Female Artists. The image shown is a black and white version of the original work.
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depicts a varied group of beggars. In the background is the front door to a church, which features a prominent I.H.S. monogram in the centre and an
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is different from Murray's usual works because, although Murray was careful with the painting's composition, it was a collective portrait.
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This painting depicts a young peasant girl, probably between the ages of ten and twelve, who Murray met when visiting the
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In this painting, Murray paints the left profile of a slightly smiling woman looking to the right. She is wearing a black
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trying to warn the other players. The faces in this painting are very expressive. It was published in the U.S. newspaper
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representations of truth, vivacity, and vigor; elements that are similar to other English paintings of the time, such as
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Portland and, although it attracted public attention (especially for its olive and tar colours), art critics from the
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This article is about works by the 19th-century British watercolourist. For the 20th-century American artist, see
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pointed out some flaws including Murray's way of painting hands, which they described as long and sloppy.
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A simple painting that drew public attention during its exhibition because of its colours. However, the
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The landscape is known primarily because of the engraving created by T. Picken for the second volume of
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whom she met when living in Morocco, and moved with him as he was assigned to the Canary Islands.
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in the centre of the mantle. The painting's colours are primarily black, pink, red, and white.
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girl, whose depiction shows the Victorian delicacy with which Murray painted small details.
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Exhibited at the Academia de Bellas Artes de Santa Cruz de Tenerife around the date listed
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Exhibited at the Academia de Bellas Artes de Santa Cruz de Tenerife around the date listed
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Exhibited at the Academia de Bellas Artes de Santa Cruz de Tenerife around the date listed
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Exhibited at the Academia de Bellas Artes de Santa Cruz de Tenerife around the date listed
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criticises several failures: the long, stubby hands of the two women, among others.
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until 1977, when it was moved to the V&A Museum of Childhood in Bethnal Green.
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depicts a group of three people: two women on the sides, one selling tickets for a
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Signed in the lower left corner with "Elizabeth Murray". This painting was in the
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was exhibited at the Museo Municipal in Santa Cruz de Tenerife during the exhibit
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and looking compassionately at a half-naked man, and behind her a heavily-adorned
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It was exhibited in May 1962 in the Museo Municipal in Santa Cruz de Tenerife.
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Signed in the lower right as "Elizabeth Murray". Exhibited in May 1962 at the
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Signed in the lower right as "Elizabeth Murray". Exhibited in May 1962 at the
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Signed in the lower left as "Elizabeth Murray". Exhibited in May 1962 at the
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Watercolour: 31 cm Ă— 21 cm (12.2 in Ă— 8.3 in)
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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Signed in the lower right corner as "Elizabeth Heaphy", her unmarried name
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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Sixteen Years of an Artist's Life in Morocco, Spain, and the Canary Islands
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players, an adult and child, and a mother with her son. The musicians are
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Oil: 88.9 cm Ă— 65.4 cm (35.0 in Ă— 25.7 in)
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The Modern System of Painting in Watercolour from the Living Model
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English travellers in the Canary Islands during the 19th century
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and boy are wearing hats, and the woman is wearing a headscarf.
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Viajeros ingleses en las Islas Canarias durante el siglo XIX
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The work is undated, but it was reproduced in an edition of
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Signed in the lower left corner as "EM". Reproduced in the
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Museo Municipal de Bellas Artes de Santa Cruz de Tenerife
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Museo Municipal de Bellas Artes de Santa Cruz de Tenerife
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Museo Municipal de Bellas Artes de Santa Cruz de Tenerife
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Museo Municipal de Bellas Artes de Santa Cruz de Tenerife
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and holding an open fan in her left hand; there is a red
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was exhibited in Santa Cruz de Tenerife in 1962 in the
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Woman and daughter of the waiter to the King of Greece
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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Exhibited at the Royal Academy around the date listed
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in her hair and her lips are painted the same colour.
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Centre National de Ressources Textuelles et Lexicales
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Still life paintings from the Netherlands, 1550-1720
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Employee of the English ambassador in Constantinople
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Portraits of Son of Abd-ul-Medjeed, Sultan of Turkey
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father, especially when compared to Thomas Heaphy's
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who play their instruments at Christmas in front of
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Portrait of Ben-Abon-Governor of Tonquin (Tangiers)
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Ayckbirne 2889: 1990:Reproduced in the 26 March 1859 issue of the 1975:Pifferari playing to the Virgin-Scene in Rome 176:Pifferari playing to the Virgin-Scene in Rome 117:Pifferari playing to the Virgin-Scene in Rome 106:Pifferari playing to the Virgin-Scene in Rome 8: 2586:Elizabeth Murray: a name in the 19th century 2053:Reproduced in the 9 April 1859 issue of the 41:Royal Institute of Painters in Water Colours 2837:has original text related to this article: 2581:Elizabeth Murray: un nombre en el siglo XIX 2203:Reproduced in the 20 February issue of the 1467:Mujer e hija del camarero del Rey de Grecia 1346:Mr. Colerri, Minister to the King of Greece 70:. She married Henry John Murray, a British 3805:100 great paintings from Duccio to Picasso 2896: 2882: 2874: 2241: 2178: 2104: 1999: 1775: 1572: 1532:Private collection of Facundo. F. Fierro ( 1076: 636: 2944:Galleria Nazionale di Capodimonte, Naples 2171:Reproduced in the 30 March 1861 issue of 413:are predominantly green, brown, and red. 250:, in an issue published on 9 April 1859. 16:Paintings by Elizabeth Murray (1815–1882) 2979:National Gallery of Art, Washington D.C. 1321:Portrait of the last governor of Tangier 453:, written by AndrĂ©s de Lorenzo Cáceres. 2489: 1341:Sr. Colerri, Ministro del Rey de Grecia 1316:Retrato del Ăşltimo gobernador de Tánger 2733:Coloquio de historia canario-americano 236:The watercolour was translated into a 167:especially in regards to the setting. 2573: 2571: 2569: 2567: 2565: 2563: 2561: 2559: 2557: 2555: 2553: 2551: 2549: 2547: 2545: 2543: 2541: 2539: 2537: 2535: 2533: 2531: 2529: 2527: 2525: 2523: 2521: 2519: 2517: 2515: 2513: 559:In this watercolour, Murray paints a 115:Black and white watercolour painting 7: 2722: 2720: 2718: 2716: 2714: 2712: 2686: 2684: 2682: 2680: 2678: 2618:"PIFFERARO: DĂ©finition de PIFFERARO" 2511: 2509: 2507: 2505: 2503: 2501: 2499: 2497: 2495: 2493: 1548:Vista de la Orotava y del Pico Teide 826:Portraits of a lady and her children 402:Vista de la Orotava y del Pico Teide 396:Vista de la Orotava y del Pico Teide 386:Vista de la Orotava y del Pico Teide 1212:Retrato del General conde de la Rue 736:Rosaline. "She'll not be hit, etc." 357:Women of Algiers in their Apartment 62:, the Canary Islands (particularly 3812:120 Paintings from the Rijksmuseum 2692:"The Illustrated London News 1859" 2418:Spanish lovers lighting cigarettes 2038:Beggars in the church door at Rome 1701:The vision of San Antonio de Padua 1252:The vision of San Antonio de Padua 963:His Majesty Otho I, King of Greece 408:) is a landscape of the valley of 230:Beggars at the church door at Rome 200:Beggars at the church door at Rome 194:Beggars at the church door at Rome 183:Beggars at the church door at Rome 145:I.H.S. is drawn on the back wall. 14: 3719:Erotic works by Thomas Rowlandson 1553:View of La Orotava and Teide Peak 406:View of La Orotava and Teide Peak 43:, and was one of the founders of 2989:Los Angeles County Museum of Art 2843: 2828: 2816: 2794:The Illustrated London News 1861 2769:The Illustrated London News 1861 2727:GarcĂ­a PĂ©rez, JosĂ© Luis (1980). 2643:GarcĂ­a PĂ©rez, JosĂ© Luis (2007). 2578:GarcĂ­a PĂ©rez, JosĂ© Luis (1982). 2119:Miss Julia Bartlett y de TarrĂ­us 2114:Doña Julia Bartlett y de TarrĂ­us 1852:Vista de la ciudad de Las Palmas 1680:Copia del San Antonio de Murillo 1137:Bust of Spanish lady in mantilla 542: 521: 493:Doña Julia Bartlett y de TarrĂ­us 479:Doña Julia Bartlett y de TarrĂ­us 469:Bust of Spanish Lady in Mantilla 290:Bust of Spanish lady in mantilla 3765:On United States postage stamps 1447:A Moorish sheriff, with gouache 2974:Museum of Modern Art, New York 2790:"Illustrated London News 1861" 2765:"Illustrated London News 1861" 1857:View of the city of Las Palmas 1116:Portrait of the King of Greece 1091:Painting of Andalusian customs 1086:Cuadro de costumbres andaluzas 178:, published on 26 March 1859. 1: 3395:Jean-Auguste-Dominique Ingres 1685:Copy of Murillo's San Antonio 1296:Portrait of General Garibaldi 1291:Retrato del General Garibaldi 507:by Fernández de Bethencourt. 45:The Society of Female Artists 3009:Web Gallery of Art, Internet 2949:Hampton Court Palace, London 1442:Un cheriff moro, a la aguada 941:A Spanish nurse and waterman 192:Black and white watercolour 152:published on 26 March 1859. 3745:National Treasures of Japan 2852:has quotations related to: 2696:The Illustrated London News 2173:The Illustrated London News 2084:V&A Museum of Childhood 1497:Son of the Sultan of Turkey 433:First of Viscount Beresford 172:The Illustrated London News 150:The Illustrated London News 3867: 3355:Bartholomeus van der Helst 2994:Palatine Gallery, Florence 2959:Indianapolis Museum of Art 2954:Museum of Fine Arts, Ghent 2939:Frick Collection, New York 2934:Frans Hals Museum, Haarlem 2919:Accademia Carrara, Bergamo 2131:San CristĂłbal de La Laguna 2099:Victoria and Albert Museum 1802:San CristĂłbal de La Laguna 1790:Miss Soledad Diston y Orea 1785:Doña Soledad Diston y Orea 1755:San CristĂłbal de La Laguna 1604:Un Rabbin, judĂ­o de Tanger 1492:Hijo del Sultán de TurquĂ­a 1150:Victoria and Albert Museum 122:This painting depicts two 18: 3040:Sophie Gengembre Anderson 2140:as a part of the exhibit 1811:as a part of the exhibit 1764:as a part of the exhibit 1706:BartolomĂ© Esteban Murillo 1257:BartolomĂ© Esteban Murillo 1111:Retrato del rey de Grecia 651: 648: 645: 642: 639: 552:by Elizabeth Murray, 1861 21:Elizabeth Murray (artist) 3770:Pre-Raphaelite paintings 3760:On Soviet postage stamps 3370:Hans Holbein the Younger 3145:Pieter Bruegel the Elder 2984:National Gallery, London 2924:Art Institute of Chicago 1908:Young islander in prayer 84:Murray also published a 3694:John William Waterhouse 3025:Pieter Coecke van Aelst 2929:El Greco Museum, Toledo 2146:Watercolour in Tenerife 2142:La Acuarela en Tenerife 2059:in a wood-engraving by 2056:Illustrated London News 2027:Illustrated London News 1993:Illustrated London News 1903:Joven isleña en oraciĂłn 1817:Watercolour in Tenerife 1813:La Acuarela en Tenerife 1770:Watercolour in Tenerife 1766:La Acuarela en Tenerife 1609:A rabbi, jew of Tangier 582:Illustrated London News 501:Watercolour in Tenerife 497:La Acuarela en Tenerife 447:Watercolour in Tenerife 443:La Acuarela en Tenerife 247:Illustrated London News 3841:19th-century paintings 3614:Charles Marion Russell 3599:Dante Gabriel Rossetti 3544:Robert Antoine Pinchon 3360:Catharina van Hemessen 3290:Caspar David Friedrich 2999:Rijksmuseum, Amsterdam 2251:The old story in Spain 2236:Williams & Everett 2009:The best in the market 1534:Santa Cruz de Tenerife 849:Mrs. Hall and children 398: 277:and the other selling 267: 244:which appeared in the 196: 157:The best in the market 119: 3851:Lists of works of art 3709:Rogier van der Weyden 3584:Pierre-Auguste Renoir 3310:Artemisia Gentileschi 3285:Jean-HonorĂ© Fragonard 3235:Edward Thomas Daniell 3200:Frederic Edwin Church 3190:William Merritt Chase 898:General of the Street 713:Mrs. Lawrie and child 600:on 20 February 1866. 464:Soledad Diston y Orea 458:Soledad Diston y Orea 394: 285:flowers in her hair. 263: 191: 114: 3846:Watercolor paintings 3735:Gold-glass portraits 3554:Giambattista Pittoni 3500:John Everett Millais 3425:Peder Severin Krøyer 3385:Edward Robert Hughes 3130:Valentin de Boulogne 3085:Gian Lorenzo Bernini 3065:Jean-Michel Basquiat 3045:Sofonisba Anguissola 2964:Louvre Museum, Paris 2825:at Wikimedia Commons 2205:Portland Daily Press 2129:Private collection ( 2061:William Luson Thomas 1878:Casa antigua de Icod 1800:Private collection ( 1753:Private collection ( 598:Portland Daily Press 577:William Luson Thomas 570:John Everett Millais 535:John Everett Millais 242:William Luson Thomas 50:Murray's father was 3797:100 Great Paintings 3780:Stone Age paintings 3634:De Es Schwertberger 3624:John Singer Sargent 3240:Jacques-Louis David 3160:Gustave Caillebotte 3080:Frank Weston Benson 2374:The Greek betrothal 2320:Portland Daily News 2295:The Spanish balcony 1827:Vista de la Orotava 1416:Retrato a la aguada 1391:Un mendigo de Cádiz 871:Mr. and Mrs. Wansey 627:Portland Daily News 619:The Spanish balcony 47:in London in 1857. 3699:Michaelina Wautier 3609:Jacob van Ruisdael 3305:Orazio Gentileschi 3225:John Steuart Curry 3150:Edward Burne-Jones 3035:Albrecht Altdorfer 2904:Lists of paintings 2729:"Elizabeth Murray" 2232:chromolithographic 2188:The cheat detected 2156:Two little monkeys 1832:View of La Orotava 1192:Princess of Persia 1187:Princesa de Persia 1162:Griegos descansado 690:Portrait of a lady 590:The cheat detected 585:on 30 March 1861. 550:Two Little Monkeys 512:Two little monkeys 505:Nobles de Canarias 399: 365:by French painter 268: 197: 120: 100:Selected paintings 3828: 3827: 3800:(1980 BBC series) 3740:Haunted paintings 3659:August Strindberg 3629:ThĂ©rèse Schwartze 3440:Leonardo da Vinci 3410:Wassily Kandinsky 3325:Hugo van der Goes 3115:Sandro Botticelli 3004:Ukrainian Museums 2821:Media related to 2482: 2481: 2330:The eleventh hour 2273:Dalmatian peasant 2227:Essj. Collection 1396:A beggar in Cádiz 893:General de la Rue 643:Translated title 633:List of paintings 3858: 3775:Stolen paintings 3714:Eugenio Zampighi 3684:Johannes Vermeer 3549:Camille Pissarro 3534:Mikhail Nesterov 3529:Elizabeth Murray 3475:Victor Meirelles 3430:Philip de LászlĂł 3330:Vincent van Gogh 3295:Fujishima Takeji 3265:Anthony van Dyck 3195:Gaetano Chierici 3135:Ford Madox Brown 3120:François Boucher 3110:Hieronymus Bosch 3105:Giovanni Boldini 3095:Joseph Blackburn 3090:Albert Bierstadt 3075:Giovanni Bellini 3070:FrĂ©dĂ©ric Bazille 2898: 2891: 2884: 2875: 2869:Internet Archive 2855:Elizabeth Murray 2847: 2839:Elizabeth Murray 2832: 2823:Elizabeth Murray 2820: 2805: 2804: 2802: 2800: 2786: 2780: 2779: 2777: 2775: 2761: 2755: 2754: 2747: 2741: 2740: 2724: 2707: 2706: 2704: 2702: 2688: 2673: 2672: 2640: 2634: 2633: 2631: 2629: 2614: 2608: 2607: 2575: 2440:Music in Morocco 2307:Hale's Gallery ( 2245: 2182: 2108: 2071:Church patronage 2003: 1883:Icod's old house 1779: 1582:Francisco Montes 1576: 1421:Gouache portrait 1080: 637: 546: 525: 367:Eugène Delacroix 279:Christian relics 271:Church patronage 265:Church patronage 255:Church patronage 174:that reproduced 130:, peasants from 29:Elizabeth Murray 3866: 3865: 3861: 3860: 3859: 3857: 3856: 3855: 3831: 3830: 3829: 3824: 3784: 3723: 3679:Diego Velázquez 3674:Suzanne Valadon 3669:J. M. W. Turner 3564:Nicolas Poussin 3375:Pieter de Hooch 3365:William Hogarth 3013: 2911: 2905: 2902: 2813: 2808: 2798: 2796: 2788: 2787: 2783: 2773: 2771: 2763: 2762: 2758: 2749: 2748: 2744: 2726: 2725: 2710: 2700: 2698: 2690: 2689: 2676: 2661: 2642: 2641: 2637: 2627: 2625: 2616: 2615: 2611: 2596: 2577: 2576: 2491: 2487: 2352:The Gipsy Queen 1955:A day's flowers 1720:A bowling alley 1635:Queen of Greece 1630:Reina de Grecia 635: 622: 612:White Mountains 608: 593: 557: 556: 555: 554: 553: 547: 539: 538: 526: 515: 482: 461: 428: 389: 372:Murray painted 340: 315: 293: 258: 186: 160: 109: 102: 24: 17: 12: 11: 5: 3864: 3862: 3854: 3853: 3848: 3843: 3833: 3832: 3826: 3825: 3823: 3822: 3815: 3808: 3801: 3792: 3790: 3786: 3785: 3783: 3782: 3777: 3772: 3767: 3762: 3757: 3755:Most expensive 3752: 3747: 3742: 3737: 3731: 3729: 3725: 3724: 3722: 3721: 3716: 3711: 3706: 3701: 3696: 3691: 3689:George Vincent 3686: 3681: 3676: 3671: 3666: 3661: 3656: 3651: 3646: 3641: 3639:Georges Seurat 3636: 3631: 3626: 3621: 3616: 3611: 3606: 3601: 3596: 3594:Suze Robertson 3591: 3586: 3581: 3576: 3571: 3566: 3561: 3556: 3551: 3546: 3541: 3536: 3531: 3526: 3521: 3519:Alphonse Mucha 3516: 3515: 3514: 3502: 3497: 3495:Pierre Mignard 3492: 3490:John Middleton 3487: 3482: 3480:Jean Metzinger 3477: 3472: 3467: 3462: 3457: 3452: 3447: 3445:Judith Leyster 3442: 3437: 3435:Georges Lebacq 3432: 3427: 3422: 3417: 3412: 3407: 3402: 3400:Johan Jongkind 3397: 3392: 3387: 3382: 3377: 3372: 3367: 3362: 3357: 3352: 3347: 3342: 3337: 3335:Francisco Goya 3332: 3327: 3322: 3320:Albert Gleizes 3317: 3312: 3307: 3302: 3297: 3292: 3287: 3282: 3277: 3272: 3267: 3262: 3260:Albrecht DĂĽrer 3257: 3252: 3250:Marcel Duchamp 3247: 3242: 3237: 3232: 3227: 3222: 3217: 3215:Adriaen Coorte 3212: 3210:John Constable 3207: 3202: 3197: 3192: 3187: 3182: 3177: 3172: 3167: 3162: 3157: 3155:Guido Cagnacci 3152: 3147: 3142: 3137: 3132: 3127: 3122: 3117: 3112: 3107: 3102: 3100:Arnold Böcklin 3097: 3092: 3087: 3082: 3077: 3072: 3067: 3062: 3057: 3052: 3047: 3042: 3037: 3032: 3027: 3021: 3019: 3015: 3014: 3012: 3011: 3006: 3001: 2996: 2991: 2986: 2981: 2976: 2971: 2966: 2961: 2956: 2951: 2946: 2941: 2936: 2931: 2926: 2921: 2915: 2913: 2907: 2906: 2903: 2901: 2900: 2893: 2886: 2878: 2872: 2871: 2858: 2848: Spanish 2841: 2833: English 2826: 2812: 2811:External links 2809: 2807: 2806: 2781: 2756: 2742: 2735:(in Spanish). 2708: 2674: 2659: 2635: 2609: 2594: 2488: 2486: 2483: 2480: 2479: 2477: 2475: 2472: 2469: 2466: 2464: 2462:A Morish saint 2458: 2457: 2455: 2453: 2450: 2447: 2444: 2442: 2436: 2435: 2433: 2431: 2428: 2425: 2422: 2420: 2414: 2413: 2411: 2409: 2406: 2403: 2400: 2398: 2396:The white rose 2392: 2391: 2389: 2387: 2384: 2381: 2378: 2376: 2370: 2369: 2367: 2365: 2362: 2359: 2356: 2354: 2348: 2347: 2345: 2343: 2340: 2337: 2334: 2332: 2326: 2325: 2323: 2316: 2305: 2302: 2299: 2297: 2291: 2290: 2288: 2286: 2283: 2280: 2277: 2275: 2269: 2268: 2266: 2264: 2261: 2258: 2255: 2253: 2247: 2246: 2239: 2228: 2225: 2222: 2219: 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B. Reofey 755: 754: 752: 749: 746: 743: 740: 738: 732: 731: 729: 726: 723: 720: 717: 715: 709: 708: 706: 703: 700: 697: 694: 692: 686: 685: 683: 680: 677: 674: 671: 666: 660: 659: 656: 653: 650: 647: 644: 641: 634: 631: 621: 616: 607: 602: 592: 587: 566:The Blind Girl 548: 541: 540: 530:The Blind Girl 527: 520: 519: 518: 517: 516: 514: 509: 481: 476: 460: 455: 427: 422: 388: 383: 339: 334: 314: 309: 292: 287: 257: 252: 238:wood-engraving 185: 180: 159: 154: 108: 103: 101: 98: 37:Canary Islands 33:watercolourist 15: 13: 10: 9: 6: 4: 3: 2: 3863: 3852: 3849: 3847: 3844: 3842: 3839: 3838: 3836: 3821: 3820: 3816: 3814: 3813: 3809: 3807: 3806: 3802: 3799: 3798: 3794: 3793: 3791: 3787: 3781: 3778: 3776: 3773: 3771: 3768: 3766: 3763: 3761: 3758: 3756: 3753: 3751: 3750:May paintings 3748: 3746: 3743: 3741: 3738: 3736: 3733: 3732: 3730: 3726: 3720: 3717: 3715: 3712: 3710: 3707: 3705: 3704:J. Alden Weir 3702: 3700: 3697: 3695: 3692: 3690: 3687: 3685: 3682: 3680: 3677: 3675: 3672: 3670: 3667: 3665: 3662: 3660: 3657: 3655: 3654:Matthias Stom 3652: 3650: 3649:Alfred Sisley 3647: 3645: 3642: 3640: 3637: 3635: 3632: 3630: 3627: 3625: 3622: 3620: 3619:Rachel Ruysch 3617: 3615: 3612: 3610: 3607: 3605: 3604:François Rude 3602: 3600: 3597: 3595: 3592: 3590: 3587: 3585: 3582: 3580: 3577: 3575: 3572: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3550: 3547: 3545: 3542: 3540: 3539:Clara Peeters 3537: 3535: 3532: 3530: 3527: 3525: 3522: 3520: 3517: 3513: 3512: 3508: 3507: 3506: 3503: 3501: 3498: 3496: 3493: 3491: 3488: 3486: 3483: 3481: 3478: 3476: 3473: 3471: 3470:Henri Matisse 3468: 3466: 3463: 3461: 3460:Édouard Manet 3458: 3456: 3455:RenĂ© Magritte 3453: 3451: 3448: 3446: 3443: 3441: 3438: 3436: 3433: 3431: 3428: 3426: 3423: 3421: 3418: 3416: 3413: 3411: 3408: 3406: 3403: 3401: 3398: 3396: 3393: 3391: 3388: 3386: 3383: 3381: 3380:Edward Hopper 3378: 3376: 3373: 3371: 3368: 3366: 3363: 3361: 3358: 3356: 3353: 3351: 3348: 3346: 3343: 3341: 3338: 3336: 3333: 3331: 3328: 3326: 3323: 3321: 3318: 3316: 3315:Luca Giordano 3313: 3311: 3308: 3306: 3303: 3301: 3298: 3296: 3293: 3291: 3288: 3286: 3283: 3281: 3278: 3276: 3273: 3271: 3270:Thomas Eakins 3268: 3266: 3263: 3261: 3258: 3256: 3255:Carolus-Duran 3253: 3251: 3248: 3246: 3243: 3241: 3238: 3236: 3233: 3231: 3230:Salvador DalĂ­ 3228: 3226: 3223: 3221: 3220:Terence Cuneo 3218: 3216: 3213: 3211: 3208: 3206: 3203: 3201: 3198: 3196: 3193: 3191: 3188: 3186: 3183: 3181: 3178: 3176: 3173: 3171: 3168: 3166: 3163: 3161: 3158: 3156: 3153: 3151: 3148: 3146: 3143: 3141: 3138: 3136: 3133: 3131: 3128: 3126: 3125:Eugène Boudin 3123: 3121: 3118: 3116: 3113: 3111: 3108: 3106: 3103: 3101: 3098: 3096: 3093: 3091: 3088: 3086: 3083: 3081: 3078: 3076: 3073: 3071: 3068: 3066: 3063: 3061: 3058: 3056: 3055:Giacomo Balla 3053: 3051: 3050:Francis Bacon 3048: 3046: 3043: 3041: 3038: 3036: 3033: 3031: 3030:Ivan Albright 3028: 3026: 3023: 3022: 3020: 3016: 3010: 3007: 3005: 3002: 3000: 2997: 2995: 2992: 2990: 2987: 2985: 2982: 2980: 2977: 2975: 2972: 2970: 2969:MusĂ©e d'Orsay 2967: 2965: 2962: 2960: 2957: 2955: 2952: 2950: 2947: 2945: 2942: 2940: 2937: 2935: 2932: 2930: 2927: 2925: 2922: 2920: 2917: 2916: 2914: 2908: 2899: 2894: 2892: 2887: 2885: 2880: 2879: 2876: 2870: 2866: 2862: 2859: 2857: 2856: 2851: 2846: 2842: 2840: 2836: 2831: 2827: 2824: 2819: 2815: 2814: 2810: 2795: 2791: 2785: 2782: 2770: 2766: 2760: 2757: 2752: 2746: 2743: 2738: 2734: 2730: 2723: 2721: 2719: 2717: 2715: 2713: 2709: 2697: 2693: 2687: 2685: 2683: 2681: 2679: 2675: 2670: 2666: 2662: 2660:9788483820315 2656: 2652: 2648: 2647: 2639: 2636: 2623: 2619: 2613: 2610: 2605: 2601: 2597: 2595:9788450053692 2591: 2587: 2583: 2582: 2574: 2572: 2570: 2568: 2566: 2564: 2562: 2560: 2558: 2556: 2554: 2552: 2550: 2548: 2546: 2544: 2542: 2540: 2538: 2536: 2534: 2532: 2530: 2528: 2526: 2524: 2522: 2520: 2518: 2516: 2514: 2512: 2510: 2508: 2506: 2504: 2502: 2500: 2498: 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2049: 2046: 2043: 2041: 2039: 2036: 2035: 2032: 2029: 2028: 2023: 2020: 2017: 2014: 2012: 2010: 2007: 2006: 2002: 1998: 1995: 1994: 1989: 1986: 1983: 1980: 1978: 1976: 1973: 1972: 1969: 1967: 1964: 1961: 1958: 1956: 1953: 1951: 1948: 1947: 1944: 1942: 1939: 1936: 1933: 1931: 1929: 1926: 1925: 1922: 1920: 1917: 1914: 1911: 1909: 1906: 1904: 1901: 1900: 1897: 1895: 1892: 1889: 1886: 1884: 1881: 1879: 1876: 1875: 1872: 1869: 1866: 1863: 1860: 1858: 1855: 1853: 1850: 1849: 1846: 1844: 1841: 1838: 1835: 1833: 1830: 1828: 1825: 1824: 1821: 1818: 1814: 1810: 1806: 1803: 1799: 1796: 1793: 1791: 1788: 1786: 1783: 1782: 1778: 1774: 1771: 1767: 1763: 1759: 1756: 1752: 1749: 1746: 1744: 1742: 1741:Alfred Diston 1739: 1738: 1735: 1732: 1729: 1726: 1723: 1721: 1718: 1716: 1713: 1712: 1709: 1707: 1703: 1702: 1697: 1694: 1691: 1688: 1686: 1683: 1681: 1678: 1677: 1674: 1672: 1669: 1666: 1663: 1661: 1658: 1656: 1653: 1652: 1649: 1647: 1644: 1641: 1638: 1636: 1633: 1631: 1628: 1627: 1624: 1621: 1618: 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702:Unknown 679:Unknown 561:Savoyard 374:Odalisca 361:an 1834 343:Odalisca 337:Odalisca 297:mantilla 224:Dolarosa 132:Campania 64:Tenerife 3789:Related 3728:By type 3644:Sharaku 3569:Raphael 1655:Retrato 1266:Retrato 1057:Morocco 579:in the 351:gouache 349:) is a 322:Morocco 66:), and 60:Morocco 3664:Titian 3060:Banksy 2667:  2657:  2602:  2592:  2092:London 1928:Dácila 658:Image 655:Notes 640:Title 537:, 1856 451:Tagoro 216:Romani 212:rosary 72:consul 2649:[ 2584:[ 2468:1878 2446:1875 2424:1875 2402:1875 2380:1873 2358:1872 2336:1871 2313:Maine 2301:1871 2279:1871 2257:1870 2221:1869 2194:1866 2162:1861 2123:1860 2077:1860 2044:1859 2015:1859 1981:1859 1959:1857 1934:1857 1912:1857 1887:1857 1861:1855 1836:1855 1794:1854 1747:1854 1724:1853 1689:1853 1664:1851 1639:1851 1613:1851 1588:1851 1526:1851 1501:1851 1476:1851 1451:1851 1425:1851 1400:1851 1375:1851 1350:1851 1325:1851 1300:1851 1275:1851 1240:1851 1218:1851 1196:1851 1171:1851 1120:1850 1095:1850 1061:1849 1036:1847 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Index

Elizabeth Murray (artist)
Elizabeth Murray
watercolourist
Canary Islands
Royal Institute of Painters in Water Colours
The Society of Female Artists
Thomas Heaphy
Rome
Morocco
Tenerife
New England
consul
monograph

fife
Campania
Marian images
Christogram

edict
alms
rosary
Romani
wood-engraving
William Luson Thomas
Illustrated London News

bullfight
Christian relics
mantilla

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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