229:
56:
36:
497:
47:
505:
207:
27:
151:. The upper wrestler has his left leg entwined with his opponent's left leg, with his body across the opponent's body, lifting the opponent's right arm. In a well-known modern series of wrestling moves, the upper wrestler would now try to lift his opponent's arm above his head to force a pinning move called the "
158:
Neither of the two heads are original to the group, though that of the lower figure is older and is as advanced stylistically as the sons in the "Niobe Group". The heads were added after the sculpture was rediscovered.
531:
186:, signifying sculptures of figures closed in struggle, whether purely physical or amatory. Currently the sculpture is considered to be the best-quality Roman copy from a lost original
162:
The group are considered to be finest quality Roman copies of a lost bronze. Not every 20th-century viewer admired "a work once famous and now unfairly neglected", as art historian
321:. The sculpture has been reproduced in marble, bronze and plaster, and in modern times cast in resin, both in full size and in miniature, and the subject in general was treated by
289:
397:
The head of the lower youth is antique, though not belonging to this sculpture; the other youth's head has been modelled to complement it. (Haskell and Penny 1981:337).
288:
were purchased from a member of the Varese family, who had managed to gain possession of them in the intervening weeks, by the Grand Duke's brother (and eventual heir)
277:
526:
166:
said of it: "If we can bring our eyes to rest on the unpleasant surface of a somewhat lifeless replica, we discover that the original must have been a
382:
212:
228:
55:
509:
541:
536:
484:
420:
460:
252:
35:
175:
114:
155:." Their muscular structure is very defined and exaggerated due to their physical and sustained effort.
152:
330:
311:
493:
334:
148:
431:
144:
170:
bronze of masterly complexity and condensation." The sculpture has been attributed variously to
247:
of Rome, that the event can be dated to the very end of March or beginning of April 1583, in a
378:
163:
357:
326:
468:
447:
The early history of the sculpture given here follows
Francis Haskell and Nicholas Penny,
191:
179:
110:
261:. Circumstances of their discovery, and the fact that the heads were missing, led early
147:. The two figures are wrestling in a position now known as a "cross-body ride" in modern
276:, a sculptor and restorer of Roman antiquities in Rome, was writing to the secretary of
265:—and the engravers who worked to their direction—to group the paired figures with these
77:
73:
46:
520:
273:
69:
322:
293:
217:
372:
68:). TOP RIGHT: Philippe Magnier's somewhat weathered copy of c. 1684–1687, in the
360:, Milt Sherman, Amateur Wrestling, January, 2000. Accessed September 13, 2011.
262:
187:
135:
76:. BOTTOM LEFT: A copy cast in 1885, displayed at the horticultural center in
426:
140:
206:
504:
374:
Successful wrestling: coaches' guide for teaching basic to advanced skills
224:(centre) is surrounded by English and Italian connoisseurs at the Tribuna.
195:
167:
122:
257:
338:
318:
307:
303:
281:
118:
65:
255:, Rome, together with the group of individual sculptures called the
292:, who took it to add to the outstanding gallery of antiquities at
227:
205:
171:
26:
449:
Taste and the
Antique: The Lure of Classical Sculpture 1500–1900
329:
produced a marble copy of the group ca 1684–87 for the
317:
The sculpture was cleaned of its former somewhat oily
492:(January 1842), pencil and chalk drawing on paper by
72:
BOTTOM RIGHT: Copy in the Uffizi
Gallery collection,
296:. There it was illustrated in an engraving of 1594.
251:belonging to the Tommasini da Gallese family near
280:, to alert his patron to the discovery, and the
532:Roman copies of 3rd-century BC Greek sculptures
190:bronze of the third century BCE, either of the
278:Francesco I de' Medici, Grand Duke of Tuscany
243:caused such an immediate sensation among the
178:or Heliodorus. The last two are mentioned by
8:
284:lost no time: on 25 June the group, and the
117:of the third century BCE. It is now in the
182:as creators of a sculptural format called
350:
16:Roman sculpture after a Greek original
451:(Yale University Press) 1981: p 337f.
310:. where it was a main feature of the
133:The two young men are engaged in the
7:
143:similar to the present-day sport of
424:36.35, described the much-admired
358:Techniques of the Ancient Wrestlers
527:Classical sculptures in the Uffizi
14:
498:Royal Academy of Arts Collections
272:Within days of their excavation,
129:Description, style and authorship
503:
54:
45:
34:
25:
408:The Nude: A Study in Ideal Form
377:. Human Kinetics. p. 144.
290:Ferdinando Cardinal de' Medici
64:TOP LEFT: Marble copy in the (
1:
434:; see Jerome Jordan Politt,
558:
436:Art in the Hellenistic Age
430:of Pan and Plympos in the
369:See, e.g. pp. 124–128 in
213:The Tribuna of the Uffizi
333:– it was later moved to
176:Cephisodotus the Younger
485:Museo Mero (in Italian)
421:Pliny's Natural History
236:
235:before modern cleaning
225:
111:Roman marble sculpture
512:at Wikimedia Commons
331:gardens of Versailles
312:Tribuna of the Uffizi
231:
209:
494:John Everett Millais
337:, and is now in the
308:Galerie degli Uffizi
100:The Uffizi Wrestlers
371:Keith, Art (1990).
306:collections in the
149:folkstyle wrestling
432:Portico of Octavia
253:Porta San Giovanni
237:
226:
145:mixed martial arts
542:Wrestling culture
537:Sports sculptures
508:Media related to
302:is now among the
239:The discovery of
194:or the circle of
94:The Two Wrestlers
549:
510:Uffizi wrestlers
507:
490:The Pancrastinae
472:
458:
452:
445:
439:
417:
411:
404:
398:
395:
389:
388:
387:. 9780880113298.
367:
361:
355:
327:Philippe Magnier
192:Pergamene school
106:The Pancrastinae
58:
49:
38:
29:
557:
556:
552:
551:
550:
548:
547:
546:
517:
516:
481:
476:
475:
469:Casa Buonarroti
459:
455:
446:
442:
418:
414:
406:Kenneth Clark,
405:
401:
396:
392:
385:
370:
368:
364:
356:
352:
347:
204:
131:
91:(also known as
84:
83:
82:
81:
80:, Philadelphia.
61:
60:
59:
51:
50:
41:
40:
39:
31:
30:
17:
12:
11:
5:
555:
553:
545:
544:
539:
534:
529:
519:
518:
501:
500:
487:
480:
479:External links
477:
474:
473:
461:Michelangelo:
453:
440:
412:
399:
390:
383:
362:
349:
348:
346:
343:
203:
200:
130:
127:
121:collection in
115:Greek original
78:Fairmount Park
74:Hawaii Theatre
63:
62:
53:
52:
44:
43:
42:
33:
32:
24:
23:
22:
21:
20:
15:
13:
10:
9:
6:
4:
3:
2:
554:
543:
540:
538:
535:
533:
530:
528:
525:
524:
522:
515:
513:
511:
506:
499:
495:
491:
488:
486:
483:
482:
478:
470:
466:
464:
463:Due lottatori
457:
454:
450:
444:
441:
437:
433:
429:
428:
423:
422:
416:
413:
409:
403:
400:
394:
391:
386:
384:9780880113298
380:
376:
375:
366:
363:
359:
354:
351:
344:
342:
340:
336:
332:
328:
324:
320:
315:
313:
309:
305:
301:
300:The Wrestlers
297:
295:
291:
287:
283:
279:
275:
274:Valerio Cioli
270:
268:
264:
260:
259:
254:
250:
246:
242:
241:The Wrestlers
234:
233:The Wrestlers
230:
223:
222:The Wrestlers
219:
215:
214:
208:
201:
199:
197:
193:
189:
185:
181:
177:
173:
169:
165:
164:Kenneth Clark
160:
156:
154:
150:
146:
142:
138:
137:
128:
126:
124:
120:
116:
113:after a lost
112:
108:
107:
102:
101:
96:
95:
90:
89:
88:The Wrestlers
79:
75:
71:
70:Louvre Museum
67:
66:Uffizi Museum
57:
48:
37:
28:
19:
514:
502:
489:
462:
456:
448:
443:
435:
425:
419:
415:
407:
402:
393:
373:
365:
353:
323:Michelangelo
316:
299:
298:
294:Villa Medici
285:
271:
266:
263:antiquarians
256:
248:
244:
240:
238:
232:
221:
218:John Zoffany
211:
210:Detail from
183:
161:
157:
139:, a kind of
134:
132:
105:
104:
99:
98:
93:
92:
87:
86:
85:
18:
471:, Florence)
245:cognoscenti
202:Rediscovery
188:Hellenistic
184:symplegmata
521:Categories
438:1986:130f.
345:References
216:(1722) by
153:Guillotine
136:pankration
427:symplegma
410:1956:245.
141:wrestling
125:, Italy.
196:Lysippus
168:Lysippic
123:Florence
465:ca 1530
286:Niobids
267:Niobids
258:Niobids
109:) is a
381:
339:Louvre
319:patina
304:Medici
282:Medici
119:Uffizi
335:Marly
249:vigna
180:Pliny
172:Myron
379:ISBN
325:.
103:or
523::
496:,
341:.
314:.
269:.
220::
198:.
174:,
97:,
467:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
