22:
156:
on a magnificent
Renaissance monument. A long line of people emerge from a hole in the background, enter a baptismal building and leave it dressed in white, set on the way to the palace of the church. From there they split into individuals dressed as laypeople, who receive the sacraments in their
124:. The painting shows the heavenly realm of God and the saints and the contemporary, mundane world in two levels, which are both separated and linked. The connection follows the central axis.
286:
235:
219:
256:
61:
until
January 2010. During the renovation of the cathedral (2010–2014) the three panels were on display in a reconstructed frame in the
266:
195:
157:
various types of life, and those who leave the bosom of the church and sink into the ground at the bottom of the picture.
185:
53:
Ernst von
Wrisberg. The original frame did not survive. However, copies were created and subsequently hidden during the
281:
276:
261:
240:
271:
226:
The heavenly and earthly churches as well as the church and the sacraments are bound together with iron chains.
21:
62:
171:
125:
58:
42:
121:
94:
66:
144:
and the other sacraments and through them to humanity. In the centre, a woman in red wearing a
86:
179:
153:
117:
54:
149:
105:
141:
133:
250:
109:
90:
145:
137:
38:
209:
113:
101:
82:
128:
flows from the wounds of the crucified Jesus, as the second person of the
213:
34:
175:
161:
129:
50:
46:
100:
The most novel portion is the central panel. This serves as a painted
241:
Image of the three panels of the epitaph in the reconstructed frame
70:
189:
57:, the central one could be viewed in the south transept of
160:
There are six sacraments beyond the "entrance way" of
85:
style have the same format. The outer panels show the
8:
236:Information of the Diocese of Hildesheim
20:
206:Marriage (Priest in rochett and stole)
93:of Christ, drawing on models from the
25:Central panel of the Wrisberg epitaph
7:
14:
120:are displayed in the tone of the
222:(Priest in rochett and stole).
164:, dispensed by giant figures,
81:The three large panels in the
1:
287:Paintings of the Holy Trinity
257:Hildesheim Cathedral Museum
37:, which was created by the
16:Painting by Johannes Hopffe
303:
243:(Weserrenaissance-Museum)
108:. The renewed Catholic
63:Weserrenaissance-Museum
45:(† 1615) in 1585 as an
267:16th-century paintings
26:
198:(Bishop in red cope),
172:Anointing of the Sick
77:Style and description
24:
59:Hildesheim Cathedral
282:Mannerist paintings
277:Counter-Reformation
122:Counter-Reformation
95:Italian Renaissance
262:Catholic paintings
188:(Bishop in golden
148:is enthroned as a
27:
294:
272:German paintings
118:Council of Trent
116:doctrine of the
55:Second World War
31:Wrisberg Epitaph
302:
301:
297:
296:
295:
293:
292:
291:
247:
246:
232:
150:personification
106:Catholic reform
79:
43:Johannes Hopffe
17:
12:
11:
5:
300:
298:
290:
289:
284:
279:
274:
269:
264:
259:
249:
248:
245:
244:
238:
231:
230:External links
228:
224:
223:
217:
207:
200:
199:
193:
183:
142:baptismal font
134:God the Father
78:
75:
15:
13:
10:
9:
6:
4:
3:
2:
299:
288:
285:
283:
280:
278:
275:
273:
270:
268:
265:
263:
260:
258:
255:
254:
252:
242:
239:
237:
234:
233:
229:
227:
221:
218:
215:
211:
208:
205:
204:
203:
197:
194:
191:
187:
184:
181:
177:
173:
170:
169:
168:
165:
163:
158:
155:
151:
147:
143:
139:
135:
131:
127:
123:
119:
115:
111:
107:
103:
98:
96:
92:
88:
84:
76:
74:
72:
68:
67:Schloss Brake
64:
60:
56:
52:
48:
44:
40:
36:
32:
23:
19:
225:
201:
196:Confirmation
166:
159:
110:ecclesiology
99:
91:Resurrection
80:
30:
28:
18:
212:(Priest in
186:Holy orders
174:(Priest in
146:papal tiara
138:Holy Spirit
114:sacramental
251:Categories
202:At right:
140:), into a
39:Hildesheim
210:Eucharist
167:At left:
132:(between
102:catechism
83:Mannerist
214:chasuble
136:and the
87:Nativity
49:for the
41:painter
35:triptych
220:Penance
176:rochett
162:baptism
152:of the
130:Trinity
104:of the
51:Domherr
47:epitaph
154:Church
180:stole
126:Grace
71:Lemgo
33:is a
190:cope
178:and
112:and
89:and
29:The
65:in
253::
192:),
182:),
97:.
73:.
69:,
216:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.