328:, Ottman describing the balancing duties in an interview saying: "All I do is worry about it from the moment I go to wherever we’re shooting, I’m worried about the score and when I’m going to write it, and how I’m going to do it. The editorial process never ends – especially on a complicated film. Then when the studio comes in with notes and the film starts going around in circles, and I have to go write the score somehow, yet I’m still tending to the recutting, various special-effects problems, looping the actors and test screenings. It never ends. There’s never really I time where I can say, ‘okay everybody, I’m going to go write the score now.’ I can't put the film on hold."
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add to that the bizarrely piecemeal nature of even the better material, which really does have so little continuity it sounds like it could have been written by different composers for different films, and it’s a curiosity indeed. Maybe the score was very rushed for some reason – if so, that’s a shame, because with more time perhaps the ideas could have been turned into a more compelling whole. There’s no denying that some of those ideas really are excellent but it would be a very generous stretch to say they can rescue Days of Future Past from being a disappointment."
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but felt that "the rest of the composition fails to distinguish itself beyond that, relying on apocalyptic motifs like downbeat crescendos and eerie soundscapes. The way Ottman employs that original theme interwoven with the new score suggests the older film is almost under attack, an interesting idea carried out with only a small dose of originality. Or sometimes none at all."
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Violin – Alwyn Wright, Alyssa Park, Ana
Landauer, Ben Powell, Carol Pool, Christian Hebel, Darius Campo, Eun Mee Ahn, Grace Oh, Javier Orman, Josefina Vergara, Julie Gigante, Katia Popov, Lily Ho Chen, Maia Jasper, Marc Sazer, Mark Robertson, Natalie Leggett, Neel Hammond, Nina Evtuhov, Paul Henning,
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praised Ottman's re-use of the signature main theme from X2, with electric guitars writing, "The new steroidal sound is actually pretty awesome, and diehards who have listened to the sound of that second film constantly had to be geeked out hearing a new version score the opening to Singer's latest",
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wrote "You have to wonder if Ottman and his crew mailed in this effort due to the composer's emphasis on editing the film. So much of it is underplayed or derivative that something definitely went wrong in the creative process. At least we finally have thematic continuity in the franchise." Gabe Toro
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first wrote it." James
Southall of Movie Wave wrote "The best parts are clearly considerably better than anything in Ottman’s X2 but they are interspersed with some incredibly blatant temp-track lifts and a whole host of music which is frankly just terribly dull (the album is considerably overlong);
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wrote "the musical score for the latest X-Men film is a great accompaniment to the movie, even though the transitions between melodies were a little disjointed in many of the tracks. But if you’re a fan of epic movie music scores, then these compositions by John Ottman should definitely be on your
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wrote "the tense score sets the backdrop for the X-Men's race against time with its ominous tones and heart-pounding pacing. Most impressive is the way Ottman is able to blend the classical with the futuristic, elegantly allowing the score to travel through time as the film while still maintains a
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Not all reviews were positive. Jonathan
Broxton wrote "Days of Future Past is such a missed opportunity; instead of having the bold, powerful, emotionally substantial music it deserves, and which the visual cinematic canvas on display would seem to demand, we have a whole load of apocalyptic but
304:, notably the main title theme, which is the first instance where a theme from previous X-Men film has been retained. He retained the same style of "lyrical and build upon character themes that would weave in and out of the film and done in a straight orchestral sense", previously approached in
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Ottman initially use to edit the film without score and use temp tracks for studio release, while beginning work on the actual score after that. On balancing both his duties as composer and editor, he said "As I’m cutting, and putting sequences together in my head, I’m subliminally hearing and
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Viola – Alma
Fernandez, Andrew Duckles, Carolyn Riley, Darrin McCann, Dave Walther, Erik Rynearson, Matt Funes, Rob Brophy, Shawn Mann, Thomas Diener, Vicki Miskolczy, Brian Dembow
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Cello – Andrew
Shulman, Armen Ksajikian, Cecilia Tsan, Dennis Karmazyn, Kim Scholes, Giovanna Clayton, Tim Landauer, Tim Loo, Trevor Hand, Xiao-Dan Zheng, Steve Erdody
308:. However, following Singer's request he tried to compose "something more 'modern'" that could be compared to other contemporary superhero scores, and not to follow
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on August 4, 2014. The music received mixed response from critics. An expanded version of the soundtrack, including music exclusive to
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Soprano – Carrah
Flahive, Claire Fedoruk, Elissa Johnston, Karen Hogle Brown, Karen Whipple Schnurr, Lesley Leighton, Suzanne Waters
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is a thrilling work that should help to revitalize and reinvent the previously waning franchise." Mellisa Redman I'm her review for
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John Ottman - X-Men: Days of Future Past [Original Motion
Picture Soundtrack] Album Reviews, Songs & More | AllMusic
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French horn – Allen Fogle, Dan Kelley, Dylan Hart, Jenny Kim, Laura Brenes, Mark Adams, Phil Yao, Steve
Becknell, Dave Everson
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Bass – Ed Meares, Bruce
Morgenthaler, Chris Kollgaard, David Parmeter, Drew Dembowski, Ian Walker, Oscar Hidalgo, Steve Dress
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Phil Levy, Richard
Altenbach, Roberto Cani, Sara Parkins, Sarah Thornblade, Tamara Hatwan, Tereza Stanislav, Roger Wilkie
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Tenor – Andy Brown, Daniel Chaney, Fletcher Sheridan, Gerald White, Michael Lichtenauer, Shawn Kirchner, Steve Amerson
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thinking about the kind of music it’s going to be, but what it’s actually going to be, I’m not sure yet." For
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Bass – Dylan Gentile, Ed Levy, Gregg Geiger, James Hayden, Michael Geiger, Reid Bruton, Scott Graff
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1548:"iTunes - Music - X-Men: Days of Future Past (Original Motion Picture Soundtrack) by John Ottman"
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X-Men: Days of Future Past: The Rogue Cut (Original Motion Picture Soundtrack – Extended Version)
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Orchestration – Jason Livesay, John Ashton Thomas, Nolan Livesay, Pete Anthony, Rick Giovinazzo
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temp-track clone, and a main theme which sounds as good today as it did the day
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1742:"Album Review: X-Men: Days of Future Past – Original Motion Picture Soundtrack"
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Trombone – Alan Kaplan, Bill Reichenbach, Phil Teele, Steve Holtman, Alex Iles
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ultimately directionless action sequences, a few anonymous string textures, a
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John Ottman - X-Men: Days Of Future Past (Original Motion Picture Soundtrack)
1815:"X-Men: Days of Future Past soundtrack review | John Ottman | movie-wave.net"
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when Singer took over the project. Ottman re-used some of his themes from
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elements with some analog synths, electric piano, bass and some guitar".
1696:"X-MEN: DAYS OF FUTURE PAST Composer/Editor John Ottman Talks to WAMG"
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1613:"X-Men: Days of Future Past - The Rogue Cut Soundtrack Details"
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X-Men: Days of Future Past (Original Motion Picture Soundtrack)
141:
X-Men: Days of Future Past (Original Motion Picture Soundtrack)
22:
X-Men: Days of Future Past (Original Motion Picture Soundtrack)
243:
and the seventh installment overall. Directed and produced by
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Trumpet – Dan Rosenboom, Jim Grinta, Jon Lewis, Rick Baptist
277:
1636:"John Ottman on the balancing act of editing and scoring
1669:"The Score Board Listens To X-Men: Days Of Future Past"
1766:"Filmtracks: X-Men: Days of Future Past (John Ottman)"
1570:"John Ottman's X-Men: Days of Future Past Soundtrack"
251:, being the first to score more than one film in the
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Recording – Damon Tedesco, Larry Mah, T. Casey Stone
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Programming – Edwin Wendler, John Ottman, Roger Suen
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Orchestra contractor – Gina Zimmitti, Whitney Martin
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Percussion – Dan Greco, Wade Culbreath, Bob Zimmitti
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Clarinet – Phil O'Connor, Ralph Williams, Don Foster
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cohesive theme. Like the film itself, the score for
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1592:"Original Soundtrack - X-Men:Days of Future Past"
1527:"John Ottman to Score X-Men: Days of Future Past"
1432:Choral arrangements – Lior Rosner, Nolan Livesay
1363:Flute – Jenni Olson, Steve Kujala, Heather Clark
1354:Bassoon – Rose Corrigan, Judy Farmer, Ken Munday
1506:Copyist – Joann Kane Music Service, Mark Graham
1478:Music production supervisor – Rebecca Morellato
1435:Choir conductor and contractor – Jasper Randall
316:. The 1970s setting inspired the inclusion of "
236:, and is the fifth mainline installment in the
1890:"Soundtrack Chart History (Soundtrack Albums)"
1948:
1466:Executive in charge of music – Danielle Diego
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1500:Editing – Amanda Goodpaster, Stephanie Lowry
2011:
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1790:"X-MEN: DAYS OF FUTURE PAST – John Ottman"
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1836:"Official Soundtrack Albums Chart Top 50"
1422:Stage manager – Damon Tedesco, Tom Steel
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1503:Mastering – Fernando Lee, Stephen Marsh
1413:Orchestra conductor – Jeffrey Schindler
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945:"You Abandoned us All! – Yes, she Does"
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255:film series, having previously scored
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1475:Booklet design and editing – WLP Ltd
1341:Credits adapted from CD liner notes
396:(Original Motion Picture Soundtrack)
1634:Tapley, Kristopher (May 22, 2014).
1208:"They Found Us – Remember the Xmen"
658:The First Time Ever I Saw Your Face
296:John Ottman, returned to score for
2447:Sony Classical Records soundtracks
1472:Product manager – Klara Korytowska
14:
912:"Pentagon Plan – Sneaky Mystique"
288:, was released on July 10, 2015.
1525:Perry, Spencer (April 2, 2013).
1460:Music clearance – Ellen Ginsburg
1457:Business affairs – Tom Cavanaugh
1419:Stage engineer – Denis St. Amand
1219:"I Have Faith in You – Goodbyes"
1164:"Raising RFK – Magneto Descends"
2442:X-Men (film series) soundtracks
1390:Tuba – Jim Self, Doug Tornquist
1375:Oboe – Lara Wickes, Leslie Reed
472:"Pentagon Plan/Sneaky Mystique"
264:The film score was released by
1469:Music management – Johnny Choi
1153:"Raising RFK – Here they Come"
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615:"I Have Faith in You/Goodbyes"
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16:2014 film score by John Ottman
1:
934:"Clothes Off – Goodbye Peter"
1975:20th Century Fox film series
1488:Music producer – John Ottman
1860:"Soundtrack Chart History (
1407:Concertmaster – Bruce Dukov
1241:"Welcome Back – End Titles"
879:"Trask Hearing – A New Era"
604:"Do What You Were Made For"
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1638:X-Men: Days of Future Past
571:"Time's Up" (Film Version)
417:"The Future – Main Titles"
394:X-Men: Days of Future Past
345:X-Men: Days of Future Past
298:X-Men: Days of Future Past
225:X-Men: Days of Future Past
186:X-Men: Days of Future Past
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1667:Toro, Gabe (2014-05-30).
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354:list to check out next."
280:on June 30, 2014, and on
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2368:X-Men Origins: Wolverine
2360:X-Men: The Official Game
2333:Deadpool & Wolverine
2261:X-Men Origins: Wolverine
2179:Deadpool & Wolverine
2103:X-Men Origins: Wolverine
1381:Timpani – Peter Limonick
1372:Harp – Katie Kirkpatrick
890:"Saigon – Logan Arrives"
232:characters appearing in
2352:X2: Wolverine's Revenge
2171:Deadpool and Korg React
1840:Official Charts Company
1497:Mixing – T. Casey Stone
1463:Licensing – Mark Cavell
1369:Guitar – George Doering
813:"Hope (Xavier’s Theme)"
722:July 10, 2015
439:"Hope (Xavier's Theme)"
2437:2014 soundtrack albums
1580:– via Amazon UK.
1321:US Soundtrack Albums (
1044:"There’s Someone Else"
461:"Saigon/Logan Arrives"
52:May 26, 2014
121:soundtrack chronology
1992:X-Men in other media
1293:UK Soundtrack Albums
978:"Whitehouse Meeting"
901:"He Lost Everything"
483:"He Lost Everything"
276:on May 26, 2014, on
2285:Days of Future Past
2066:Days of Future Past
1985:unproduced projects
1558:– via iTunes.
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1186:"Saving the Future"
1175:"The Attack Begins"
1089:
1022:"Charles n Charles"
989:"Are you Mystique?"
967:"Paris Pandemonium"
782:
685:Extended soundtrack
582:"The Attack Begins"
527:"Paris Pandemonium"
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326:Days of Future Past
1770:www.filmtracks.com
1746:Renowned for Sound
1700:We Are Movie Geeks
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1066:"Letting Raven In"
1055:"Contacting Raven"
1011:"All Those Voices"
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538:"Contacting Raven"
516:"All Those Voices"
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350:Renowned for Sound
336:Gregory Heaney of
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660:" (Performed by
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1615:. June 24, 2015
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1109:"Finding Rogue"
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1794:MOVIE MUSIC UK
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1550:. May 16, 2014
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956:"How Was She?"
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846:"I Found Them"
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2277:The Wolverine
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2111:The Wolverine
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1995:
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1986:
1983:
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1978:
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1964:X-Men in film
1958:
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1572:. May 3, 2014
1571:
1565:
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1301:
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1282:Chart (2014)
1280:
1272:
1264:
1261:Total length:
1254:
1251:
1247:
1243:
1240:
1236:
1232:
1229:
1225:
1221:
1218:
1214:
1210:
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1137:
1133:
1130:
1126:
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1119:
1115:
1111:
1108:
1104:
1091:
1078:
1075:Total length:
1068:
1065:
1061:
1057:
1054:
1050:
1046:
1043:
1039:
1035:
1032:
1028:
1024:
1021:
1017:
1013:
1010:
1006:
1002:
1000:"We Need You"
999:
995:
991:
988:
984:
980:
977:
973:
969:
966:
962:
958:
955:
951:
947:
944:
940:
936:
933:
929:
925:
922:
918:
914:
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907:
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896:
892:
889:
885:
881:
878:
874:
870:
867:
863:
859:
856:
852:
848:
845:
841:
837:
834:
830:
826:
823:
819:
815:
812:
808:
804:
801:
797:
784:
773:
770:
768:
764:
748:
744:
741:
738:
736:
732:
721:
717:
713:
708:
704:
700:
695:
690:
684:
676:
673:Total length:
666:
663:
662:Roberta Flack
659:
655:
651:
647:
644:
640:
636:
632:
628:
625:
621:
617:
614:
610:
606:
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584:
581:
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562:
559:
555:
551:
548:
544:
540:
537:
533:
529:
526:
522:
518:
515:
511:
507:
505:"How Was She"
504:
500:
496:
493:
489:
485:
482:
478:
474:
471:
467:
463:
460:
456:
452:
449:
445:
441:
438:
434:
430:
427:
423:
419:
416:
412:
399:
395:
387:Track listing
386:
384:
381:
380:Henry Mancini
377:
371:
368:
367:
361:
360:
355:
352:
351:
346:
341:
340:
331:
329:
327:
321:
319:
315:
312:'s score for
311:
310:Henry Jackman
307:
303:
299:
291:
289:
287:
286:The Rogue Cut
283:
279:
275:
271:
267:
262:
260:
259:
254:
250:
246:
242:
240:
235:
234:Marvel Comics
231:
227:
226:
221:
217:
216:
206:
197:
196:
192:
188:
187:
183:
179:
178:
174:
173:
169:
165:
161:
152:
151:
147:
143:
142:
138:
134:
133:
132:The Wolverine
129:
128:
124:
120:
119:
114:
110:
107:
103:
100:
98:
94:
78:
74:
71:
68:
66:
62:
51:
47:
43:
38:
34:
30:
25:
20:
2366:
2358:
2350:
2331:
2325:Dark Phoenix
2323:
2315:
2307:
2299:
2291:
2284:
2283:
2275:
2267:
2259:
2251:
2243:
2235:
2217:(unproduced)
2212:
2204:
2198:Generation X
2196:
2177:
2169:
2161:
2155:No Good Deed
2153:
2138:
2130:
2117:
2109:
2101:
2093:
2082:Dark Phoenix
2080:
2072:
2064:
2056:
2037:
2029:
2021:
1980:cast members
1921:, retrieved
1916:
1910:
1899:. Retrieved
1893:
1884:
1873:. Retrieved
1867:
1861:
1854:
1843:. Retrieved
1830:
1819:. Retrieved
1817:. 2014-05-17
1809:
1798:. Retrieved
1796:. 2014-05-27
1793:
1784:
1773:. Retrieved
1769:
1760:
1749:. Retrieved
1745:
1736:
1726:, retrieved
1721:
1715:
1704:. Retrieved
1702:. 2014-05-19
1699:
1676:. Retrieved
1672:
1647:. Retrieved
1643:
1637:
1629:
1617:. Retrieved
1607:
1595:. Retrieved
1586:
1574:. Retrieved
1564:
1552:. Retrieved
1542:
1530:. Retrieved
1520:
1340:
1323:
1309:
824:"The Future"
802:"Main Theme"
560:"Hat Rescue"
393:
372:
364:
357:
356:
348:
344:
337:
335:
325:
322:
313:
305:
301:
297:
295:
285:
263:
256:
252:
245:Bryan Singer
238:
223:
214:
213:
212:
193:
185:
184:
175:
148:
140:
139:
130:
116:
2411:Wade Wilson
2344:Video games
2269:First Class
2229:Soundtracks
2058:First Class
1673:CINEMABLEND
1649:October 18,
835:"Time’s Up"
712:John Ottman
428:"Time's Up"
376:Hans Zimmer
366:Cinemablend
318:synthesized
314:First Class
292:Development
249:John Ottman
241:film series
164:John Ottman
42:John Ottman
2431:Categories
2379:Characters
2317:Deadpool 2
2301:Apocalypse
2163:Deadpool 2
2074:Apocalypse
1997:television
1923:2022-08-05
1901:2022-08-05
1875:2022-08-05
1845:2022-08-05
1821:2022-08-05
1800:2022-08-05
1775:2022-08-05
1751:2022-08-05
1728:2022-08-05
1706:2022-08-05
1678:2022-08-05
1597:August 29,
1512:References
1452:Management
740:Film score
726:2015-07-10
707:Film score
166:chronology
70:Film score
56:2014-05-26
37:Film score
2386:Jean Grey
2147:marketing
2094:Wolverine
1895:Billboard
1869:Billboard
1862:Billboard
1532:April 18,
1483:Technical
1402:Orchestra
1337:Personnel
1324:Billboard
1310:Billboard
1287:position
1197:"Join Me"
643:Jim Croce
593:"Join Me"
332:Reception
270:Fox Music
261:(2003).
106:Fox Music
2401:Mystique
2293:Deadpool
2140:Deadpool
2131:Deadpool
2015:Original
1619:June 26,
719:Released
709: by
339:Allmusic
177:Non-Stop
150:Deadpool
49:Released
39: by
2396:Magneto
2143:(2016)
2050:Prequel
1554:May 25,
1079:1:13:54
724: (
218:is the
199:(2015)
195:Krampus
190:(2014)
181:(2014)
154:(2016)
145:(2014)
136:(2013)
54: (
2371:(2009)
2363:(2006)
2355:(2003)
2336:(2024)
2328:(2019)
2320:(2018)
2312:(2017)
2304:(2016)
2296:(2016)
2288:(2014)
2280:(2013)
2272:(2011)
2264:(2009)
2256:(2006)
2248:(2003)
2240:(2000)
2214:Gambit
2209:(2020)
2201:(1996)
2182:(2024)
2174:(2021)
2166:(2018)
2158:(2017)
2122:(2017)
2114:(2013)
2106:(2009)
2085:(2019)
2077:(2016)
2069:(2014)
2061:(2011)
2042:(2006)
2034:(2003)
2026:(2000)
1644:HitFix
1576:May 3,
1273:Charts
1101:Length
1088:Disc 2
794:Length
781:Disc 1
746:Length
409:Length
76:Length
2391:Logan
2309:Logan
2237:X-Men
2190:Other
2119:Logan
2023:X-Men
2008:Films
1864:200)"
1427:Choir
1265:38:05
1098:Title
791:Title
767:Label
735:Genre
677:76:28
406:Title
282:vinyl
253:X-Men
239:X-Men
230:X-Men
118:X-Men
97:Label
65:Genre
1651:2014
1621:2015
1599:2014
1578:2014
1556:2014
1534:2013
1316:176
1285:Peak
1255:0:54
1244:3:56
1233:2:26
1222:3:19
1211:3:40
1200:2:55
1189:5:03
1178:2:26
1167:1:23
1156:2:36
1145:1:19
1134:2:47
1123:2:21
1112:3:02
1069:3:34
1058:1:48
1047:1:59
1036:1:23
1025:2:59
1014:3:18
1003:2:14
992:2:01
981:2:41
970:7:44
959:1:47
948:2:23
937:2:12
926:3:33
915:3:25
904:1:50
893:4:35
882:2:34
871:3:08
860:3:35
849:2:52
838:4:19
827:1:59
816:4:50
805:0:56
667:5:20
648:2:27
629:3:58
618:2:27
607:2:56
596:3:20
585:5:04
574:3:34
563:1:30
552:3:07
541:1:48
530:7:45
519:3:19
508:1:47
497:3:33
486:1:51
475:3:25
464:4:36
453:2:52
442:4:48
431:4:18
420:2:44
268:and
1330:23
1312:200
1307:US
1302:34
1297:OCC
1249:14.
1238:13.
1227:12.
1216:11.
1205:10.
1094:No.
1063:25.
1052:24.
1041:23.
1030:22.
1019:21.
1008:20.
997:19.
986:18.
975:17.
964:16.
953:15.
942:14.
931:13.
920:12.
909:11.
898:10.
787:No.
653:22.
634:21.
623:20.
612:19.
601:18.
590:17.
579:16.
568:15.
557:14.
546:13.
535:12.
524:11.
513:10.
402:No.
363:of
272:on
2433::
2245:X2
2031:X2
1892:.
1866:.
1838:.
1792:.
1768:.
1744:.
1698:.
1687:^
1671:.
1659:^
1642:.
1327:)
1299:)
1194:9.
1183:8.
1172:7.
1161:6.
1150:5.
1139:4.
1128:3.
1117:2.
1106:1.
887:9.
876:8.
865:7.
854:6.
843:5.
832:4.
821:3.
810:2.
799:1.
759:00
755:52
502:9.
491:8.
480:7.
469:6.
458:5.
447:4.
436:3.
425:2.
414:1.
306:X2
302:X2
278:CD
258:X2
89:28
85:16
1956:e
1949:t
1942:v
1904:.
1878:.
1848:.
1824:.
1803:.
1778:.
1754:.
1709:.
1681:.
1653:.
1640:"
1623:.
1601:.
1536:.
1295:(
757::
753::
751:1
728:)
664:)
656:"
645:)
637:"
87::
83::
81:1
58:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
