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X the Unknown

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constantly to the forefront. Laboratory experiments in an atomic research station have an impressive, but familiar appeal, though ultimately they play a key role in the plot. War Office cooperated in the production, and its seal on a story of this kind should have some value. ... The scenes on the desolate moor, the sight of the grim atomic mass moving relentlessly towards its main target, the closeups of the radio-active victims, and the ultimate efficacy of the neutralizer combine in achieving a tense, almost horrific atmosphere. The acting, though mainly stereotype in style, is in the same vein, with Jagger, Edward Chapman and Leo McKern leading a vigorous cast. Marianne Brauns does a standout bit as the nurse, revealing a warm pert personality."
261:. Then, there is an explosion. One soldier dies of radiation exposure while another is badly burned. At the site, there is a Y-shaped crack in the ground with no apparent bottom. Dr. Royston of the Atomic Energy Laboratory, is called in to investigate. He is later joined by "Mac" McGill, who runs security at the UK Atomic Energy Commission. That night, a local boy witnesses an horrific off-camera sight. He dies the next day of radiation burns. Royston investigates and comes upon a tower occupied by an old man in possession of a canister left over from previous radiation experiments. Later, in a local hospital, a young doctor collapses and melts after witnessing the same off-screen horror as the boy. 265:
of time. The army uses flamethrowers to try to kill the unseen creature but to no avail. Royston hypothesizes an explanation for the phenomenon. His theory involves a form of life that existed in distant prehistory when the Earth's surface was largely molten. This entity had been trapped by the crust of the Earth as it cooled. But every 50 years there is a tidal surge that these creatures feel, causing them to reach the surface and find "food" in the form of radioactive sources.
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unhorrific in content and appearance. Scientific explanations for the object's arrival are disconcertingly vague; one is left with the impression that the "Unknown" has been created with the sole purpose of manoeuvring its elaborate destruction, and the script sometimes suggests this in a number of unintentionally comic lines. It seems likely, therefore, that enthusiasts may find the present adventure rather tame when compared with the more grisly experiments of
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is a highly imaginative and fanciful meller, with tense dramatic overtones which will help it along at the boxoffice. ... Made with creditable slickness, it tells a story which is completely absorbing, though totally unbelievable. There's little let-up in the action, and suspense angles are kept
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The next reviewer, "Whit", said the following year: "Poor and complicated science-fictioner not for discriminating audiences. ... This picture carries a complicated structure difficult to follow. The 'unknown' that serves as the menace in science-fiction yarn is so vague that audiences may be
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The same evening, when two soldiers mysteriously die while guarding the Y-shaped crack, Royston's colleague Peter Elliott volunteers to be lowered into the pit to investigate. Before long, he encounters the same off-screen horror as witnessed before. However, he is pulled out of the pit in the nick
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intriguingly suggests a new addition to the science fiction repertoire of Things, but after a series of prolonged climaxes, with its potential victims staring directly into the camera and shaking with fright, the "Unknown" finally emerges as a type of rolling rubber mattress, disappointingly
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being used there. Royston and McGill accurately predict its movement. They proceed to a location where they set up two large "scanners" on lorries and a canister of cobalt as bait. Peter drives the bait by jeep, drawing the blob's deadly attention. Eventually, the creature is neutralized and
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explodes. But as the team approaches the crack from which the monster had emerged, a second, more powerful explosion occurs, knocking several off their feet. Puzzled, the team continues approaching the crack, presumably to make further tests, as the film comes to an end.
31: 470:. This amount, $ 30,000, went towards the salary for Dean Jagger. Nonetheless, the American distribution deal between Hammer and RKO fell through due to the latter company's pending demise, and the film was distributed in the U.S. by 249:(1957), completes "an important trilogy containing relevant allegorical threads revealing Cold War anxieties and a diminishing national identity resulting from Britain's decrease in status as a world power". 1516: 1496: 1491: 1461: 1451: 1016: 1008: 237:. The film is significant in that "it firmly established Hammer's transition from B-movie thrillers to out-and-out horror/science fiction" and, with 1471: 1075: 946: 1511: 1476: 1501: 763: 1486: 632: 1466: 516:
overmystified. ...Roles are strictly static and Leslie Norman's direction isn't able to rise above what was handed him."
1481: 92: 1456: 1215: 1116: 434:, working under the name Joseph Walton – Losey was an American director who had moved to the UK after being placed on the 1506: 1415: 1359: 1068: 918: 1351: 1335: 1207: 1167: 976: 939: 447: 438:. Although Losey did begin shooting the film and some of his footage is included in the final cut, he was replaced by 257:
The film opens in rural Scotland. In a deserted field, soldiers take turns familiarizing themselves with how to use a
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due to illness. An alternative version is that Jagger refused to work with him because of his blacklisting.
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The thing is finally revealed – an ever-growing blob, now crawling its way toward the Laboratory to feed on
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The film was originally intended by Hammer to be a sequel to the previous year's successful
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Norman was borrowed from Ealing. He had just made his directorial debut with
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reviewed the film twice. The first reviewer, "Myro", wrote in 1956:
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called the film "a welcomed change from interplanetary yarns."
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The Hammer Story: The Authorised History of Hammer Films
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Hammer Complete: The Films, the Personnel, the Company
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in Berkshire. Half the film's budget was provided by
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McFarland. pp. 70–71. 1502:1950s English-language films 919:AFI Catalog of Feature Films 396:as security man (uncredited) 1336:Dracula: Prince of Darkness 1168:The Revenge of Frankenstein 977:The Night My Number Came Up 448:The Night My Number Came Up 332:as Sergeant Harry Grimsdyke 1533: 1487:Films shot at Bray Studios 1280:The Pirates of Blood River 1248:The Siege of Sidney Street 1101:The Horror of Frankenstein 584:, Hemlock Books 2011 p. 78 1152:The Curse of Frankenstein 963: 782:, Titan Books, 2007 p. 18 677:. p. 18. BBCDVD1478. 563:"X the Unknown" (article) 360:as soldier burned on back 348:Norman Macowan as Old Tom 163:5 November 1956 35:Theatrical release poster 28: 1424:The Devil and Max Devlin 1384:Whoever Slew Auntie Roo? 619:Maxford, Howard (1996). 416:The Quatermass Xperiment 240:The Quatermass Xperiment 1408:Ebony, Ivory & Jade 1264:The Terror of the Tongs 669:Pixley, Andrew (2005). 363:Jane Aird as Vi Harding 314:as Lieutenant Bannerman 233:company and written by 231:Hammer Film Productions 132:Hammer Film Productions 1467:British monster movies 1344:Deadlier Than the Male 1312:The Devil-Ship Pirates 1200:The Trollenberg Terror 513: 458:Filming took place at 1482:Films set in Scotland 1232:The Brides of Dracula 969:Too Dangerous to Live 798:Monthly Film Bulletin 580:Bruce G. Hallenbeck, 505: 483:Monthly Film Bulletin 229:. It was made by the 1457:1950s monster movies 1392:Scream, Pretty Peggy 1192:Blood of the Vampire 493:Professor Quatermass 1507:1950s British films 742:, Metheun 1997 p441 436:Hollywood blacklist 354:as Major Cartwright 290:as Dr. Adam Royston 1136:A Man on the Beach 1109:Lust for a Vampire 955:Films directed by 907:TCM Movie Database 477:Critical reception 425:Bernard Quatermass 375:as Private Lansing 210:is a 1956 British 117:John Hollingsworth 1434: 1433: 1256:The Hellfire Club 1117:Fear in the Night 1051: 1050: 765:978-1-4766-2914-8 738:Brian McFarlane, 521:Films and Filming 466:, a producer for 405: 404: 203: 202: 1524: 1416:No Place to Hide 1360:Foreign Exchange 1078: 1071: 1064: 1055: 949: 942: 935: 926: 855: 854: 837: 831: 830: 813: 807: 806: 789: 783: 776: 770: 769: 749: 743: 736: 730: 729: 727: 725: 719:senses of cinema 710: 704: 703: 701: 699: 685: 679: 678: 666: 660: 659: 645: 639: 638: 616: 610: 609: 607: 605: 591: 585: 578: 569: 561:Stafford, Jeff. 559: 308:as Peter 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Index


Leslie Norman
Joseph Losey
Jimmy Sangster
Anthony Hinds
Dean Jagger
Edward Chapman
Gerald Gibbs
James Needs
James Bernard
John Hollingsworth
Hammer Film Productions
Exclusive Films
Warner Bros.
science fiction
horror film
Leslie Norman
Dean Jagger
Edward Chapman
Hammer Film Productions
Jimmy Sangster
The Quatermass Xperiment
Quatermass 2
Geiger counter
cobalt
Dean Jagger
Leo McKern
Edward Chapman
William Lucas
Peter Hammond

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