Knowledge (XXG)

Xavier Sigalon

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345: 351: 31: 168:. His paintings at this time, although powerful in their drawing and composition, were not colorful and did not sell. Sigalon found himself forced to earn a humble living by painting portraits. 390: 449: 205:. Sigalon carried his copy back to Paris in February 1837. He returned to Rome some time later to copy the pendants of the Sistine Chapel, but succumbed to an attack of 189:
agreed to assist Sigalon in this huge task. There was a dispute between the two artists, and Souchon returned to Paris. He was replaced as Sigalon's assistant by
325: 444: 439: 383: 424: 376: 434: 133:. He did not agree with the instruction he was given, and tried to train himself by studying the Italian masters in the gallery of 181: 93: 429: 419: 130: 344: 175:, then minister of the interior, recalled Sigalon to Paris and entrusted him with the task of copying the 301:
Mémoires de la société d'agriculture, sciences & arts centrale du département du Nord séant a Douai
350: 414: 409: 190: 125:, Gard, towards the end of 1787, son of a poor rural schoolmaster. With great difficulty he came to 186: 319: 296: 164:, were much the most individual of all his achievements. In 1831 he received the cross of the 110: 360: 276: 202: 165: 297:"Notices biographiques sur François Souchon, peintre et le P. Hyacinthe Besson, son élève" 176: 172: 403: 314: 157: 281:
The Encyclopædia Britannica: A Dictionary of Arts, Sciences, and General Literature
194: 134: 30: 329:. Vol. 25 (11th ed.). Cambridge University Press. pp. 58–59. 106: 206: 141:, which at once attracted attention and was bought for the Luxembourg. 122: 51: 318: 359:
This article about a French painter born in the 18th century is a
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in 1827. Both these works showed incontestable power; but the
193:. When Sigalon exhibited his gigantic work in the Baths of 364: 254: 252: 227: 225: 223: 221: 185:
for a hall in the Palace of the Fine Arts. His friend
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who cared more for treatment of form than of colour.
87: 79: 71: 59: 44: 21: 144:Sigalon continued to challenge himself, producing 384: 8: 391: 377: 29: 18: 450:French painter, 18th-century birth stubs 129:and obtained admission to the studio of 109:. He was one of the few leaders of the 217: 258: 243: 231: 63:18 August 1837 (aged 49–50) 105:(1787 – 18 August 1837) was a French 7: 340: 338: 283:. Vol. XXII. C. Scribner's sons 363:. You can help Knowledge (XXG) by 14: 445:18th-century French male artists 440:19th-century French male artists 349: 343: 275:Baynes, Thomas Spencer (1887). 1: 277:"Sigalon, Xavier (1788–1837)" 201:, he was visited in state by 425:19th-century French painters 121:Xavier Sigalon was born in 466: 337: 16:French painter (1787–1837) 28: 435:French romantic painters 156:, which appeared at the 137:. In 1822 he exhibited 326:Encyclopædia Britannica 320:"Sigalon, Xavier"  131:Pierre-Narcisse GuĂ©rin 37:Le Magasin pittoresque 430:French male painters 295:DĂ©vĂ©my, L. (1875). 209:on 18 August 1837. 154:Vision of St JerĂ´me 139:The Young Courtesan 246:, p. 299-300. 182:The Last Judgement 150:Athaliahs Massacre 94:The Last Judgement 372: 371: 160:of 1831, and the 111:romantic movement 100: 99: 457: 420:People from Uzès 393: 386: 379: 355: 354: 353: 347: 339: 330: 322: 310: 308: 307: 291: 289: 288: 262: 256: 247: 241: 235: 229: 187:François Souchon 166:Legion of Honour 33: 19: 465: 464: 460: 459: 458: 456: 455: 454: 400: 399: 398: 397: 348: 342: 335: 333: 313: 305: 303: 294: 286: 284: 274: 270: 265: 257: 250: 242: 238: 230: 219: 215: 119: 67: 64: 55: 49: 40: 24: 17: 12: 11: 5: 463: 461: 453: 452: 447: 442: 437: 432: 427: 422: 417: 412: 402: 401: 396: 395: 388: 381: 373: 370: 369: 356: 332: 331: 317:, ed. (1911). 315:Chisholm, Hugh 311: 292: 271: 269: 266: 264: 263: 261:, p. 300. 248: 236: 216: 214: 211: 191:Numa Boucoiran 173:Adolphe Thiers 118: 115: 103:Xavier Sigalon 98: 97: 89: 88:Known for 85: 84: 81: 77: 76: 73: 69: 68: 65: 61: 57: 56: 54:, Gard, France 50: 46: 42: 41: 34: 26: 25: 23:Xavier Sigalon 22: 15: 13: 10: 9: 6: 4: 3: 2: 462: 451: 448: 446: 443: 441: 438: 436: 433: 431: 428: 426: 423: 421: 418: 416: 413: 411: 408: 407: 405: 394: 389: 387: 382: 380: 375: 374: 368: 366: 362: 357: 352: 346: 341: 336: 328: 327: 321: 316: 312: 302: 298: 293: 282: 278: 273: 272: 267: 260: 255: 253: 249: 245: 240: 237: 234:, p. 46. 233: 228: 226: 224: 222: 218: 212: 210: 208: 204: 200: 196: 192: 188: 184: 183: 178: 174: 169: 167: 163: 159: 155: 151: 148:in 1824, and 147: 142: 140: 136: 132: 128: 124: 116: 114: 112: 108: 104: 96: 95: 90: 86: 82: 78: 74: 70: 62: 58: 53: 47: 43: 39:, Paris, 1838 38: 32: 27: 20: 365:expanding it 358: 334: 324: 304:. Retrieved 300: 285:. Retrieved 280: 239: 180: 170: 161: 153: 149: 145: 143: 138: 120: 102: 101: 92: 36: 415:1837 deaths 410:1787 births 259:DĂ©vĂ©my 1875 244:DĂ©vĂ©my 1875 232:Baynes 1887 203:Gregory XVI 179:fresco of 162:Crucifixion 72:Nationality 66:Rome, Italy 35:Sigalon in 404:Categories 306:2014-06-21 287:2014-06-21 213:References 195:Diocletian 135:the Louvre 80:Occupation 117:Biography 171:In 1833 91:Copy of 268:Sources 207:cholera 177:Sistine 146:Locusta 107:painter 83:Painter 75:French 158:Salon 127:Paris 361:stub 199:Rome 123:Uzès 60:Died 52:Uzès 48:1787 45:Born 197:at 406:: 323:. 299:. 279:. 251:^ 220:^ 392:e 385:t 378:v 367:. 309:. 290:.

Index


Uzès
The Last Judgement
painter
romantic movement
Uzès
Paris
Pierre-Narcisse Guérin
the Louvre
Salon
Legion of Honour
Adolphe Thiers
Sistine
The Last Judgement
François Souchon
Numa Boucoiran
Diocletian
Rome
Gregory XVI
cholera




Baynes 1887
Dévémy 1875


Dévémy 1875
"Sigalon, Xavier (1788–1837)"

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