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168:. His paintings at this time, although powerful in their drawing and composition, were not colorful and did not sell. Sigalon found himself forced to earn a humble living by painting portraits.
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agreed to assist
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Mémoires de la société d'agriculture, sciences & arts centrale du département du Nord séant a Douai
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125:, Gard, towards the end of 1787, son of a poor rural schoolmaster. With great difficulty he came to
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297:"Notices biographiques sur François Souchon, peintre et le P. Hyacinthe Besson, son élève"
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The
Encyclopædia Britannica: A Dictionary of Arts, Sciences, and General Literature
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329:. Vol. 25 (11th ed.). Cambridge University Press. pp. 58–59.
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This article about a French painter born in the 18th century is a
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in 1827. Both these works showed incontestable power; but the
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for a hall in the Palace of the Fine Arts. His friend
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who cared more for treatment of form than of colour.
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144:Sigalon continued to challenge himself, producing
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450:French painter, 18th-century birth stubs
129:and obtained admission to the studio of
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63:18 August 1837 (aged 49–50)
105:(1787 – 18 August 1837) was a French
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445:18th-century French male artists
440:19th-century French male artists
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275:Baynes, Thomas Spencer (1887).
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277:"Sigalon, Xavier (1788–1837)"
201:, he was visited in state by
425:19th-century French painters
121:Xavier Sigalon was born in
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16:French painter (1787–1837)
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435:French romantic painters
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326:Encyclopædia Britannica
320:"Sigalon, Xavier"
131:Pierre-Narcisse Guérin
37:Le Magasin pittoresque
430:French male painters
295:Dévémy, L. (1875).
209:on 18 August 1837.
154:Vision of St JerĂ´me
139:The Young Courtesan
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182:The Last Judgement
150:Athaliahs Massacre
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259:Dévémy 1875
244:Dévémy 1875
232:Baynes 1887
203:Gregory XVI
179:fresco of
162:Crucifixion
72:Nationality
66:Rome, Italy
35:Sigalon in
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213:References
195:Diocletian
135:the Louvre
80:Occupation
117:Biography
171:In 1833
91:Copy of
268:Sources
207:cholera
177:Sistine
146:Locusta
107:painter
83:Painter
75:French
158:Salon
127:Paris
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199:Rome
123:Uzès
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