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Shenshu and Yulü

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35: 432:癸巳存稿, Book 13) conjectured that originally there were not two door gods, but perhaps one, though this was evidently based on a misinterpretation of the quote from a classic work. But the question of 1 god or 2 as a moot argument for Yu, whose main thesis was that the gate gods Shenshu and Yulü originated from the concept of the "peachwood mallet/hammer" ( 203:
The account is repeated with slightly differing wording elsewhere and instead of invoking the legendary Hunagdi, it is stated that the "district office" (i.e., the Han dynasty administration) practices the use of peachwood figures and gate paintings for
196:; also 'gate of the spirits of the dead '). At the ghost gate, the two gods inspected the transit of countless dead spirits, and the evil-deeded ones they bound with reed rope and fed to tigers. This gave rise to the custom, allegedly set forth by the 92:
who punished evil spirits by binding them in reed ropes and feeding them to tigers. Their images together with reed rope seasonally adorned the doors or gates to ward off evil, and are considered the earliest examples of
34: 275:
gate deities, and in later times, different deities have superseded them as gate gods to a large measure, but regionally, Shenshu and Yulü still continue to be employed as the New Year's guardian gate gods.
200:(Huangdi), that at the change of seasons, giant peachwood dolls shall be erected, the two gate gods and the tiger be painted on doors, and a reed rope be left to hang, in order to ward against evil. 724:, and according to Minoru Matsuda who analyzed the expressions and contents in details, it considering it as to be a lost text would be difficult. 現行『山海経』には記載がなく、表現や内容を詳細に検討した松田稔氏によると、その逸文とも考えにくい". 319:
to serve as personal bodyguards to protect him from evil spirits, which later led to the popular custom of using the generals as the gate deities. However, by the 9th century, they were replaced by
2201: 230:; 'Soitary decisions' on ceremonial matters) is another source which contains a mostly identical passage, and another corroborative source of this period, 1660: 370:(≈feet) long, inscribed with the name of Yulü on the left and Shenshu on the right, garnished with pictures of deities and mythical beasts, the lion-like 2140: 2279: 1956: 984:上古之人,有神荼、郁壘者,昆弟二人,性能執鬼,居東海度朔山上,立桃樹下,簡閱百鬼。鬼無道理,妄為人禍,荼與郁壘縛以盧索,執以食虎。故今縣官斬桃為人,立之戶側;畫虎之形,著之門闌。夫桃人非荼、郁壘也,畫虎非食鬼之虎也,刻畫效象,冀以御凶。今土龍亦非致雨之龍,獨信桃人畫虎,不知土龍。九也。 670: 105:, 'gate deities' or 'door gods') venerated under such practice. Later traditions identified other gods or deified people as gate deities. 2147: 1749: 1135:
Rooted in Hope: China – Religion – Christianity Vol 2: Festschrift in Honor of Roman Malek S.V.D. on the Occasion of His 65th Birthday
2168: 1592: 1517: 1389: 1356: 1262: 1189: 1142: 943: 750: 814: 769: 2289: 1688: 820:[Symbolic Meaning of 'Peach-and-Plum' in Chinese Culture and the Attitude as Educationalist of Kakei Atomi (1840-1926)], 2233: 2226: 2112: 1653: 2274: 2194: 848: 81: 57: 2161: 2077: 138: 114: 73: 894:《山海經》又曰:滄海之中,有度朔之山。上有大桃木,其屈蟠三千里,其枝間東北曰鬼門,萬鬼所出入也。上有二神人,一曰神荼,一曰郁壘,主閱領萬鬼。惡害之鬼,執以葦索而以食虎。於是黃帝乃作禮以時驅之,立大桃人,門戶畫神荼、郁壘與虎,懸葦索以御凶魅。 1896: 603: 1269:
But you are only a knot of peachwood from the eastern kingdoms which someone has cut and shaved in the image of man.
2299: 1744: 1708: 1646: 1504: 692: 2247: 2219: 1999: 1723: 2284: 2119: 1184:, Wendy Swartz; Robert Ford Campany; Yang Lu: Jessey Choo (gen. edd.), Columbia University Press, p. 475, 843: 248:, or to quote more literally "the night before the La rites" (La 臘; held at the end of the year; precursor of 743:
Books of Fate and Popular Culture in Early China: The Daybook Manuscripts of the Warring States, Qin, and Han
2269: 2240: 2133: 1825: 1703: 1342: 304: 1536: 2055: 2029: 1880: 1683: 495: 1622: 2294: 2024: 1728: 1606:(Retiring Prof. Kohei Hiraki festschrift), Society of Humanities, Osaka Prefecture University: 97–117, 332: 2154: 2009: 1282: 2175: 2004: 1989: 1310: 1302: 1234: 792: 158:, "Discourses in the Balance"), although the passage is not found in surviving recensions of the 403:
The peach boards were eventually replaced by paper, and became the precursor of the modern day
300:), and portraits of Shenshu and Yulü were drawn on the boards, or their names written on them. 244:
195) also provides a similar description. These sources add that the decorations are put up on
2126: 1693: 1669: 1513: 1420: 1385: 1352: 1258: 1185: 1173: 1138: 1126: 939: 852: 746: 738: 666: 658: 583: 245: 89: 1375: 1346: 933: 1941: 1936: 1842: 1607: 1580: 1294: 784: 555: 371: 340: 293: 205: 178: 38: 1951: 1754: 1565: 1223: 463: 1540: 1283:"Insinuation, Insult, and Invective: The Threshold of Power and Protest in Modern China" 2105: 1830: 1815: 1769: 1698: 1416: 1219: 1137:, Monumenta Serica Monograph Series 68 (in German), Taylor & Francis, p. 587, 610: 571: 517: 197: 2263: 2098: 2019: 1984: 1862: 1835: 1447: 1381: 1314: 839: 249: 236: 28: 397: 2014: 1974: 1820: 1810: 1618: 421: 308: 42: 1252: 2050: 1930: 1926: 1774: 898: 770:"Death and Transformation: The Presentation of Death in East and Southeast Asia" 745:, Handbook of Oriental Studies. Section 4 China, volume 33, BRILL, p. 230, 575: 540: 491: 425: 414: 410: 382: 266: 109: 108:
The description dates to writings from the 1st and 2nd centuries AD, during the
1921: 1874: 1784: 1298: 958: 868: 854:
The Currency of the Farther East from the Earliest Times Up to the Present Day
366: 360: 316: 143: 376: 288:, etc.) were later simplified using peachwood boards, known as peach charms ( 185: 2187: 2084: 1852: 1093: 599: 320: 312: 231: 174: 1857: 1764: 554:
entry. The quote represents a fictitious dialogue between a clay figure (
405: 211: 486:). Hence the peach is identifiable with the famed "coiling peach tree" ( 126:
The earliest record of Shenshu and Yulü occurs in a passage quoted from
2091: 1911: 1759: 1306: 1238: 838:
as "coiling peach tree" (and allusion the famous theft of the peach by
796: 271: 148: 95: 1611: 1584: 483: 480: 444: 441: 400:
words were also added to it. The boards were replaced every new year.
393: 390: 2179: 2060: 1994: 1946: 1906: 1901: 1789: 1779: 567: 386: 1638: 788: 173:
stand upon a giant peach tree that "twists and coils as far as 3000
17: 1133:, in Hoster, Barbara; Kuhlmann, Dirk; Wesolowski, Zbigniew (eds.), 2034: 1916: 1885: 1847: 1794: 1718: 311:(second emperor and co-founder of dynasty) appointed his generals 33: 1224:"Shunren to monshin: Chūgoku no nenjū gyōji ni kansuru oboegaki" 1097: 693:"Yasei no ronri/chibyō no ronri: okori chiryō no ichi jufu kara" 530:"Shen Tu" "Yu Lei" are the readings of the names of gods by Ptak. 358:, according to a 13th-century description, was a thin planks 4–5 1979: 1891: 1869: 1713: 1642: 1460:, "Extensive records of the Seasons"), Book Five, article on " 857:, vol. 1, Hong Kong: Noronha & Company, p. 185 652: 650: 648: 646: 27:"Yulü" redirects here. For the 4th-century Dai prince, see 800:
Translation curtailed at "tiger", in Wade-Giles phonetics.
657:
Yang, Lihui; An, Deming; Turner, Jessica Anderson (2005).
1593:"Arai Hakuseki Kimonsetsu ni tsuite: honkoku to chūkai" 935:
A History Of Medicine In Chinese Culture (In 2 Volumes)
162:, and the attribution to the earlier work is disputed. 1231:
The journal of cultural sciences: Ritsumeikan bungaku
815:"Chūgoku bunka no naka ni okeru tōri to Atomi Kakei" 550:; 'Strategies of the Warring States'), quoted in the 1351:, Shirley Tan (tr.), Asiapac Books, pp. 23–24, 2211: 2069: 2043: 1967: 1803: 1737: 1676: 1167: 1165: 970: 880: 265:This legend has been commented on as the traceable 1174:"28 Festival and Ritual Calendar: Selections from 2202:Notes of the Thatched Abode of Close Observations 822:Journal of Atomi University Faculty of Literature 1088: 1086: 1084: 1082: 1056:, p. 41 (English paraphrase), p. 51 (text). 763: 761: 177:". At the tree's north-east was the ghost gate ( 1337: 1335: 303:Later in the 8th century, it has been held the 1524:《续汉书·礼仪志》..清人俞正燮因为该书只提郁垒未提神茶,便认为汉代门神只有一位,这是误解。 1120: 1118: 1116: 741:, in Harper, Donald; Kalinowski, Marc (eds.), 1654: 1463: 1455: 1002: 917: 732: 730: 665:. Oxford University Press. pp. 200–203. 620: 545: 324: 257: 225: 215: 191: 153: 131: 100: 8: 1323:) is traced to a legend recorded in the Han 1257:, University of Michigan Press, p. 13, 329:), the famed ghost catcher (demon-queller). 118:dating much earlier appears to be spurious. 1214: 1212: 1131:und anderen Texten der Yuan- und Ming-zeit" 982:] (in Chinese) – via Wikisource, 892:] (in Chinese) – via Wikisource, 165:The passage records the myth that two gods 1661: 1647: 1639: 1566:"Dosakusan densetsu kō: momo no zokushin" 1287:Comparative Studies in Society and History 1176:Record of the Year and Seasons of Jing-Chu 1109:] (in Chinese) – via Wikisource 808: 806: 1486: 1490: 1469: 1403: 1369: 1367: 1254:Intrigues: Studies of the Chan-kuo Tsʻe 1203: 642: 456: 1623:"Chinese new year's customs in Taiwan" 1065: 1033: 686: 684: 682: 582:is peach wood carved into human form ( 1482: 1156: 7: 1319:The posting of so-called gate-gods ( 1053: 112:dynasty, and the attribution to the 2148:Strange Tales from a Chinese Studio 1281:Thornton, Patricia M. (July 2002), 396:). Spring (New Year) greetings and 269:for the cult of the posting of the 1750:Three Sovereigns and Five Emperors 1564:Akita, Shigeaki (September 1944), 1182:Early Medieval China: A Sourcebook 710:as environment), 大阪府立大学人文学会: 46–47 515:"Book of the Yellow Emperor", aka 252:). The peach figures, also called 25: 2169:What the Master Would Not Discuss 739:"5 Daybooks and the Spirit World" 1600:The Humanities Jimmongaku ronshu 1107:Comprehensive Meaning of Customs 1036:, p. 115, n28; compare with the 938:, World Scientific, p. 97, 813:Shimada, Hidemasa (March 2003), 351:boards around the 10th century. 2234:The Cowherd and the Weaver Girl 2227:Dong Yong and the Seventh Fairy 1343:Beijing Foreign Languages Press 605:Continuation of the Book of Han 2195:Records of the Grand Historian 1127:"Qianliyan und Shunfeng'er in 706:(5: Special issue, Nature and 284:The carven peachwood figures ( 85: 77: 61: 1: 2280:Chinese architectural history 2162:In Search of the Supernatural 2078:Classic of Mountains and Seas 1377:Chinese Modern Folk Paintings 842:from the garden of Xiwangmu, 834:For a literal translation of 783:(2), Nanzan University: 148, 663:Handbook of Chinese Mythology 347:) began to be written on the 241: 139:Classic of Mountains and Seas 115:Classic of Mountains and Seas 1627:Journal of the China Society 720:" not given in the current 691:Hojo, Katsutaka (May 2013), 88:) are a pair of deities in 2316: 1595:新井白石『鬼門説』について : 翻刻と注解 1348:Chinese Auspicious Culture 1172:Chapman, Ian, ed. (2014), 619:, "History of Etiquettes" 590:), as this source states. 562:) and a peachwood figure ( 45:depicting Shenshu and Yulü 26: 2248:Mulian Rescues His Mother 2220:Legend of the White Snake 1464: 1456: 1299:10.1017/S0010417502000270 1251:Crump, J. I. Jr. (1964), 1003: 980:Discourses in the Balance 918: 890:Discourses in the Balance 621: 587: 559: 546: 511:claims to quote from the 475:"twists and coils" (verb 344: 325: 297: 258: 226: 216: 192: 154: 132: 101: 2120:The Peach Blossom Spring 1594: 1567: 1545: 1508: 1434: 1426: 1225: 1101: 1044:text on p. 114–115, n27. 1016:Hojo, citing Cai Yong's 974: 966: 884: 876: 844:Queen Mother of the West 816: 695:野生の論理/治病の論理―〈瘧〉治療の一呪符から― 694: 494:), i.e. the tree of the 2290:Fictional demon hunters 2241:The Magic Lotus Lantern 2134:Investiture of the Gods 1125:Ptak, Roderich (2017), 849:Lockhart, J. H. Stewart 364:(≈inches) wide and 2–3 2056:Peaches of Immortality 1881:Chinese guardian lions 1804:Mythological creatures 1549:, Taigado, p. 281 1512:, 山东人民出版社, p. 3, 1506:Zhongguo gu dai wu shu 1374:Liao, Kaiming (1994), 1068:, p. 105, citing 824:(in Japanese) (36): 27 777:Asian Folklore Studies 768:Antoni, Klaus (1982), 737:Yan, Changgui (2017), 566:), used as parable by 496:peaches of immortality 417:, "spring couplets"). 46: 2275:Architecture in China 2141:The Sorcerer's Revolt 1729:Chinese folk religion 1503:Hu, Xinsheng (1998), 1226:春聯と門神─中國の年中行事に關する憶え書き 262:) are wood carvings. 37: 1689:Godly world concepts 1591:Mizuno, Aki (2008), 1543:Shina kodai shinwa 0 466::Shen-t'u and Yü-lü. 2155:Journey to the West 932:Ma, Boying (2020), 82:traditional Chinese 2176:Heavenly Questions 1990:Gate of the Ghosts 1745:Gods and immortals 1709:Gods and immortals 1437:(in Chinese), 歸安陸氏 1406:, p. 35, n28. 817:中国文化の中に於ける桃李と、跡見花蹊 385:) and the ox-like 74:simplified Chinese 47: 2300:Mythological duos 2257: 2256: 2127:The Four Journeys 1670:Chinese mythology 1612:10.24729/00004460 1585:10.24729/00004460 1493:, p. 35, n28 1489:, p. 14–15; 1222:(February 1976), 1220:Nakamura, Takashi 1032:(獨斷): "海中有度朔山.." 672:978-1-57-607806-8 451:Explanatory notes 146:(d., c. 97 AD)'s 90:Chinese mythology 39:New Year pictures 16:(Redirected from 2307: 2212:Other folk tales 1942:Nine-headed Bird 1937:Peng (mythology) 1843:Four Holy Beasts 1738:Major personages 1663: 1656: 1649: 1640: 1634: 1614: 1587: 1551: 1550: 1537:Mori, Mikisaburo 1533: 1527: 1526: 1500: 1494: 1480: 1474: 1467: 1466: 1459: 1458: 1445: 1439: 1438: 1413: 1407: 1401: 1395: 1394: 1371: 1362: 1361: 1339: 1330: 1329: 1278: 1272: 1271: 1248: 1242: 1241: 1216: 1207: 1201: 1195: 1194: 1169: 1160: 1154: 1148: 1147: 1122: 1111: 1110: 1090: 1077: 1063: 1057: 1051: 1045: 1027: 1021: 1014: 1008: 1006: 1005: 993: 987: 986: 955: 949: 948: 929: 923: 921: 920: 908: 902: 896: 865: 859: 858: 832: 826: 825: 810: 801: 799: 774: 765: 756: 755: 734: 725: 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1953: 1950: 1948: 1945: 1943: 1940: 1938: 1935: 1932: 1928: 1925: 1923: 1920: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1887: 1884: 1882: 1879: 1876: 1873: 1871: 1868: 1864: 1863:Spirit turtle 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1845: 1844: 1841: 1837: 1836:Yellow Dragon 1834: 1832: 1829: 1827: 1824: 1822: 1819: 1817: 1814: 1813: 1812: 1809: 1808: 1806: 1802: 1796: 1793: 1791: 1788: 1786: 1783: 1781: 1778: 1776: 1773: 1771: 1768: 1766: 1763: 1761: 1758: 1756: 1753: 1751: 1748: 1746: 1743: 1742: 1740: 1736: 1730: 1727: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1700: 1697: 1695: 1692: 1690: 1687: 1685: 1684:Creation myth 1682: 1681: 1679: 1675: 1671: 1664: 1659: 1657: 1652: 1650: 1645: 1644: 1641: 1632: 1628: 1624: 1620: 1619:Saso, Michael 1616: 1613: 1609: 1605: 1601: 1597: 1589: 1586: 1582: 1578: 1574: 1570: 1562: 1561: 1556: 1555: 1548: 1544: 1538: 1532: 1529: 1525: 1521: 1519:9787209023252 1515: 1511: 1507: 1499: 1496: 1492: 1488: 1484: 1479: 1476: 1473: 1472:, p. 105 1471: 1453: 1452:Suishiguangji 1449: 1448:Chen Yuanjing 1444: 1441: 1433: 1432:Suishiguangji 1429: 1425:, Book Five" 1424: 1418: 1417:Chen Yuanjing 1412: 1409: 1405: 1400: 1397: 1393: 1391:9787030042101 1387: 1384:, p. 3, 1383: 1382:Science Press 1379: 1378: 1370: 1368: 1364: 1360: 1358:9789812296429 1354: 1350: 1349: 1344: 1338: 1336: 1332: 1328: 1326: 1322: 1316: 1312: 1308: 1304: 1300: 1296: 1292: 1288: 1284: 1277: 1274: 1270: 1266: 1264:9780608306742 1260: 1256: 1255: 1247: 1244: 1240: 1236: 1232: 1228: 1221: 1215: 1213: 1209: 1205: 1200: 1197: 1193: 1191:9780231531009 1187: 1183: 1179: 1177: 1168: 1166: 1162: 1158: 1153: 1150: 1146: 1144:9781351672603 1140: 1136: 1132: 1130: 1121: 1119: 1117: 1113: 1108: 1104: 1100: 1099:Fengsu tongyi 1095: 1089: 1087: 1085: 1083: 1079: 1075: 1071: 1070:Fengsu Tongyi 1067: 1066:Mizuno (2008) 1062: 1059: 1055: 1050: 1047: 1043: 1039: 1035: 1034:Mizuno (2008) 1031: 1026: 1023: 1020:(獨斷/独断 上巻 疫神) 1019: 1013: 1010: 1001: 997: 992: 989: 985: 981: 977: 973: 964: 960: 959:Wang Chong 王充 954: 951: 947: 945:9789813238008 941: 937: 936: 928: 925: 916: 912: 907: 904: 900: 895: 891: 887: 883: 874: 870: 869:Wang Chong 王充 864: 861: 856: 855: 850: 845: 841: 840:Dongfang Shuo 837: 831: 828: 823: 819: 809: 807: 803: 798: 794: 790: 786: 782: 778: 771: 764: 762: 758: 754: 752:9789004349315 748: 744: 740: 733: 731: 727: 723: 717: 714: 709: 705: 701: 700:Nihon bungaku 697: 687: 685: 683: 679: 674: 668: 664: 660: 653: 651: 649: 647: 643: 637: 636: 632: 618: 612: 607: 606: 601: 596: 593: 588:"桃の木を刻削して人の形" 585: 581: 577: 573: 569: 565: 557: 553: 552:Fengsu Tongyi 543: 542: 536: 533: 527: 524: 520: 519: 514: 510: 509:Fengsu Tongyi 504: 501: 497: 493: 489: 485: 482: 478: 472: 469: 465: 460: 457: 450: 448: 446: 443: 439: 435: 431: 427: 423: 418: 416: 412: 408: 407: 401: 399: 395: 392: 388: 384: 378: 373: 369: 368: 363: 362: 357: 352: 350: 342: 338: 334: 330: 322: 318: 314: 310: 306: 301: 295: 291: 287: 280:Later history 279: 277: 274: 273: 268: 263: 255: 251: 250:Laba Festival 247: 239: 238: 237:Fengsu Tongyi 233: 223: 213: 209: 207: 201: 199: 187: 182: 181: 176: 172: 168: 163: 161: 151: 150: 145: 141: 140: 129: 122:Early sources 121: 119: 117: 116: 111: 106: 98: 97: 91: 83: 75: 71: 67: 59: 55: 51: 44: 40: 36: 30: 19: 2295:Chinese gods 2246: 2239: 2232: 2225: 2218: 2200: 2193: 2186: 2174: 2167: 2160: 2153: 2146: 2139: 2132: 2125: 2118: 2111: 2104: 2097: 2090: 2083: 2076: 2015:Moving Sands 1957: 1877:(Fox spirit) 1821:Azure Dragon 1811:Four Symbols 1630: 1626: 1603: 1599: 1576: 1572: 1568:度朔山伝説考―桃の俗信― 1557:Bibliography 1542: 1531: 1523: 1505: 1498: 1483:Akita (1944) 1478: 1468:". 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Index

Yulü
Tuoba Yulü

New Year pictures
Qing dynasty
Chinese
simplified Chinese
traditional Chinese
Chinese mythology
Menshen
Eastern Han
Classic of Mountains and Seas
Classic of Mountains and Seas
Wang Chong
Lunheng
li
guimen
zh
Yellow Emperor
apotropaic
Cai Yong
Ying Shao
Fengsu Tongyi
New Year's Eve
Laba Festival
origin myth
Menshen
Chinese
Taizong
Tang dynasty

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