363:) broke out across several literary magazines as Japanese writers and critics debated whether Kurahashi's story had "literary merit" and the propriety of Hirano's promoting it, in what became a proxy war for competing views on the influence of the Communist Party in the literary world. Historian Nick Kapur argues that the Parutai debate also reflected unspoken displeasure within the male-dominated Bundan that a critic as prominent as Hirano was promoting the work of a young female author, in their view at the expense of males. Although the Parutai controversy never reached any definitive conclusion, it won Kurahashi many spoken and unspoken enemies and would shadow her throughout her career.
25:
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Kurahashi and
Kenzaburō Ōe have some biographical similarities: like Kurahashi, Ōe also was born in 1935, grew up on Shikoku, and moved to Tokyo, where he studied French literature, did graduate work on Sartre, and debuted in their student days with politically tinged short stories which drew the
269:, she moved under pressure from her father to Tokyo to obtain a certificate as a dental hygienist and for medical training. Following her completion of the requirements to take the state exam for medical practice, however, she instead entered the Department of French Literature at
584:"An Extraterrestrial ", "We Are Lovers", "The House of the Black Cat", "The Woman with the Flying Head", "The Trade", "The Witch Mask", "Spring Night Dreams", "The Passage of Dreams", "The Special Place", "Flower Abstraction", "The Long Passage of Dreams"
347:(JCP) (which was not named but strongly alluded to by the title). The story won a university-wide prize and was commended by the prominent literary critic Ken Hirano in his review in the
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343:), an acute satire on the communist left-wing sentiment commonplace among students at that time, as well as the bureaucratic dogmatism of the
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549:. The disease was incurable, but Kurahashi consistently refused even those operations which could have prolonged her life.
425:. Whether influenced by the dispute or by the death of her father in 1962, after this Kurahashi left the graduate school.
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285:. During her university years, Kurahashi was enthusiastically introduced to the body of modern literature, reading
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378:. Although Kurahashi did not win, she was considered, along with other new writers debuting at the same time -
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While studying for her master's degree, Kurahashi made her literary debut in 1960 with the publication in the
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536:(ビッグ・オーとの出会い : 続ぼくを探しに) (1982). Her last work was a new translation of Antoine de Saint-Exupéry's
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221:, questioning prevailing societal norms regarding sexual relations, violence, and social order. Her
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Recanonizing
Kurahashi Yumiko: Toward Alternative Perspectives for "Modern" "Japanese" "Literature"
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111:
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524:(老人のための残酷童話) (2003). Kurahashi is also known for her translation of children's literature such as
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In her later years, despite her deteriorating health, Kurahashi authored several books, including
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recognition of Ken Hirano. At a certain point, though, their paths diverge. Ōe went on to win the
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to accuse her of plagiarism. In Etō's view, Kurahashi's novel simply imitated the earlier novel
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Daughters of the Moon: Wish, Will, and Social
Constraint in Fiction by Modern Japanese Women
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488:(倉橋由美子の怪奇掌編) became her most popular works during her lifetime. In 1987 she was awarded the
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while the path chosen by
Kurahashi led to her ostracization by the Japanese literary world.
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In 1964 Kurahashi married
Tomihiro Kumagai, who was then working as a producer for the
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456:(スミヤキストQの冒険). A dramatic turnaround in her work was heralded by her novels such as
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468:(夢の浮橋) (1971). While she continued to author both short and long stories such as
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in the United States, where she spent about a year on a
Fulbright scholarship.
421:. A fierce debate broke out in the press; Kurahashi's defenders were joined by
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800:(1988). "The Sibyl of Negation: Kurahashi Yumiko and "Natsu no owari"".
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The
Fantastic in Modern Japanese Literature: The Subversion of Modernity
437:. Despite significant health problems, in 1966 she went to study at the
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to have
Kurahashi's story reprinted in the prominent literary magazine
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249:, the eldest daughter of Toshio and Misae Kurahashi. Her godfather was
253:, who knew her father. Her father was a family dentist in the town of
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677:. Cambridge, Massachusetts: Harvard University Press. p. 210.
351:. A controversy erupted when Hirano used his influence within the
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374:), which was also championed by Hirano and was nominated for the
593:" (1960) translated by Yukiko Tanaka and Elizabeth Hanson, in
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Japan at the
Crossroads: Conflict and Compromise after Anpo
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Japan at the
Crossroads: Conflict and Compromise after Anpo
265:. After one year studying Japanese literature at the
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366:Also in 1960, Kurahashi published the short novel
887:at JLPP (Japanese Literature Publishing Project)
726:Japanese Women Writers: A Bio-Critical Sourcebook
640:Japanese Women Writers: A Bio-Critical Sourcebook
572:The Woman with the Flying Head and Other Stories
561:(スミヤキストQの冒険, 1969) translated by Dennis Keene.
542:, which she finished one day before her death.
203:
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409:caused much controversy among critics and led
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518:Between the Earthly World and the Other World
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191:was a Japanese writer. Her married name was
729:. Greenwood Publishing Group. p. 199.
708:. Cambridge, MA: Harvard University Press.
643:. Greenwood Publishing Group. p. 199.
305:. Her thesis was devoted to an analysis of
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545:Yumiko Kurahashi died at the age of 69 of
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69:Learn how and when to remove this message
879:A Record of Travel to the Land of Amanon
229:, parody, and other elements typical of
32:This article includes a list of general
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607:, 1971) translated by Dennis Keene, in
417:(Second Thoughts) by the French writer
210:, but she wrote under her birth name.
7:
937:International Writing Program alumni
810:, Institute of East Asian Studies.
327:Literary beginnings and controversy
189:, October 10, 1935 – June 10, 2005)
359:. The so-called "Parutai Debate" (
38:it lacks sufficient corresponding
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932:20th-century Japanese translators
894:Brief biography and list of works
534:The Missing Piece Meets the Big O
492:for her massive antiutopian work
852:
522:Cruel Fairy Tales for Old People
490:Izumi Kyōka Prize for Literature
444:In 1969 Kurahashi published the
393:Kurahashi's 1961 novel (in fact
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486:Kurahashi's Short Ghost Stories
335:literary magazine of the story
435:Japan Broadcasting Corporation
1:
917:Writers from Kōchi Prefecture
723:Mulhern, Chieko Irie (1994).
637:Mulhern, Chieko Irie (1994).
574:translated by Atsuko Sakaki.
860:Children's literature portal
482:Cruel Fairy Tales for Adults
559:Adventures of Sumiyakista Q
454:Adventures of Sumiyakisto Q
204:
185:
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870:at J'Lit Books from Japan
837:. Hosei University: 62–74.
790:University of Hawaii Press
514:The Gallery of Fantasy Art
470:A Castle inside the Castle
603:"To Die at the Estuary" (
405:), written in the formal
321:Nobel Prize in Literature
198:
179:
808:University of California
520:(よもつひらさか往還) (2002), and
267:Kyoto Women's University
237:Early life and education
166:Kyoto Women's University
827:"倉橋由美子論 : 反世界への降下"
760:. London and New York:
53:more precise citations.
942:Japanese women writers
547:dilated cardiomyopathy
476:(シュンポシオン) (1985), and
241:Kurahashi was born in
345:Japan Communist Party
312:Being and Nothingness
702:Kapur, Nick (2018).
671:Kapur, Nick (2018).
532:(ぼくを探しに) (1977) and
466:The Bridge of Dreams
429:Later life and works
883:Amanon koku okan ki
798:Vernon, Victoria V.
484:(大人のための残酷童話), and
464:(反悲劇) (1971), and
439:University of Iowa
145:Writer, translator
817:978-0-912966-94-6
771:978-0-415-12458-4
736:978-0-313-25486-4
650:978-0-313-25486-4
613:978-0-23113-804-8
599:978-0-80471-130-2
580:978-0-76560-158-2
567:978-0-70221-329-8
539:The Little Prince
530:The Missing Piece
494:Journey to Amanon
384:Shintaro Ishihara
261:on the island of
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526:Shel Silverstein
516:(幻想絵画館) (1991),
512:(夢の通ひ路) (1989),
472:(城の中の城) (1981),
349:Mainichi Shimbun
333:Meiji University
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496:(アマノン国往還記).
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309:'s treatise
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127:(2005-06-10)
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927:2005 deaths
912:1935 births
500:Final years
423:Takeo Okuno
219:antirealist
150:Nationality
51:introducing
906:Categories
788:. Hawaii:
619:References
403:Kuroi tabi
357:Bungakukai
283:Ken Hirano
223:antinovels
142:Occupation
104:Tosayamada
97:1935-10-10
34:references
762:Routledge
624:Citations
474:Symposion
450:dystopian
395:antinovel
337:The Party
233:writing.
225:employed
782:(1999).
754:(1996).
460:(1970),
458:Virginia
299:Blanchot
227:pastiche
153:Japanese
411:Jun Etō
370:(夏の終り,
341:Parutai
339:(パルタイ,
287:Rimbaud
263:Shikoku
47:improve
831:日本文學誌要
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768:
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611:
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591:Partei
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452:novel
401:(暗い旅,
386:, and
353:Bundan
307:Sartre
303:Valéry
301:, and
281:, and
199:熊谷 由美子
180:倉橋 由美子
36:, but
506:Kôkan
478:Popoi
295:Kafka
291:Camus
247:Japan
136:Japan
132:Tokyo
812:ISBN
766:ISBN
731:ISBN
710:ISBN
679:ISBN
645:ISBN
609:ISBN
595:ISBN
576:ISBN
563:ISBN
448:and
255:Kami
243:Kami
217:and
122:Died
91:Born
528:'s
257:in
908::
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833:.
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659:^
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