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928:, but Alexander Skriabin’s counterpart and colleague and in a way a person of no less originality and uniqueness. This must explain why the memoir is absolutely free of banalities and literary cliché. Even ten years after his death, Skriabin is still a bosom friend of the author, a neighbour, an internal brother-in-arms... – Annotation from the
435:’s piano works for he sees them as his teachers, and he calls other composers "just some composers". He himself writes a lot of music which can be either "middle" or "extreme". ... Khanon is a unique personality of our (and probably, some other) times, a strange and interesting person... – Viktor Ekimovsky,
702:...Although Khanon calls Satie and Skriabin his teachers, it is not the music of these composers that attracts him but their tendency to link – some would say subordinate – their music to an idea. According to Khanon, a composer is an ideologist with regard to his musical material. Elements of play (both
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managed to do everything about the orchestration, arrangement and choice of instruments in a very precise way. It was done with an ideal exactitude. Never before had I worked with composers so much, and I was really struck by his understanding. ... I think that sound, no less than the image, should
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From the very beginning of his career Khanon deliberately evaded calling himself a composer, a writer, or an artist. Creative work is the least important for him, because, according to his ideas, there's more than enough composers and artists in our world. "It’s impossible to walk down the street
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After 1992 Khanon ceased his public and TV appearances, as well as interviews and concerts, and stopped publishing his music works. Instead he decided, in his own words, "...to work and live in his own company". Khanon never participated in any professional organizations and is notable for his
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for piano & orchestra, oc.31 (1987) was written in the genre of "false concerto", concerto/deception, where the listener is constantly deceived, having his/her expectations crowned with emptiness. The theme of deception is one of the main features of Khanin’s creations.
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Since 2006, Khanon switched to a special "reverse method" of creativity, when "one score is written forward, and the other is simultaneously back to its complete destruction". This is his hermetic answer: "This world is a criminal, it deserves nothing but ash..."
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as "the most closed and enigmatic composer". He was 23 when he won fame in Europe and made a sensation in Russia, but, after only three years of performing in public he stopped any public appearances contrary to the standards of a composer’s
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without bumping into just another writer or composer", – Khanon ironically wrote in one of his articles in 1993. He viewed his main mission not in creating works of art, but in promotion of certain concepts put to life by the means of art.
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and an adherent of canons. This means he is not a composer. For Khanon the art of composing music is just a way of expressing his dogmas. Other ways he uses are literature and performance. Khanon plays Erik Satie’s and
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award. Due to his numerous concerts throughout Russia, as well as to TV and cinema appearances, Khanon reached the peak of his popularity in 1988–1992, but in 1993, decided to stop performing in public.
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946:, notes and even notebooks of Erik Satie, as well as almost all the letters, more than sixty drawings and all his entire life, from birth to death. "This is the first book of Sati on Sati in Russian."
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speaking, he stormed out and started a life of a recluse, thus having declared: "I’m done! You’d better think I exist no more!" And we, his contemporaries, have nothing to respond... –
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Khanon became famous in 1988–1991. During this period he composed soundtracks to three films, gave numerous concerts, had several appearances on TV and published a series of articles and
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335:; it becomes necessary to overturn one’s impression of the whole symphony just listened to... Does this discussion exhaust the subject of this disc? I don’t know – I doubt it.
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produce not only emotional impact, but is to have an altogether independent semantic meaning. The spirituality of the film as if finds its expression through the sound. And
908:. Part of the edition is a true polygraphic artwork produced with a natural leather binding, hand-made according to a 19th-century technique. The novel is written as a
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in
November 1988 in West Berlin in the Best Music special nomination. In spite of his great success, after 1991 Khanon never returned to writing music for the cinema.
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942:. The book has a volume of 700 pages and it is not accidentally written in a provocative and free form. It includes all literary works, critical
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is performed around the world by almost all soloists of
Russian ballet, though for 10 years Khanon's music has been used without his permission.
323:, oc.40 (1990), with a text by the composer, is a large, quite extraordinary work with a rather unnatural and affected structure. It ends with a
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Since 1983, Khanon writes fiction and non-fiction as an essayist and novelist. His most famous work is 700 pages long memoir novel
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In the year 2010, Center of
Average Music and the publishing house Faces of Russia released another thick work of music history:
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180:. Prior to 1993, he wrote under a pen name Yuri Khanin, but later transformed it into Yuri Khanon, spelling it in a
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Khanon worked for the cinema only for a short period between 1988 and 1991. He composed his first soundtrack (for
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In 1988, in spite of an opposition of his old-fashioned professors, Yuri Khanon managed to graduate from the
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687:"Ossified preludes" for piano (ос.67, 1998, four-hour time for piano)... and many other pieces of
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would not emerge by itself. If you might sometimes fail to keep alive the memory of a visual
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681:"24 exercises on account of Weakness" (ос.62, 1996, for those wishing to go deeper)
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Im Fluss des
Symphonischen (eine Entdeckungsreise durch die sowjetische Symphonie)
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678:"Satisfactory pieces" for acoustic piano (ос.56, 1994, «Pieces Saties-faisantes»)
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267:. Many of his performances yielded public scandals, especially his concerts
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From
Alexander Sokurov’s press-conference on September 26, 1988. Journal
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of literary and spoken language of the beginning of the 20th century.
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1163:"Some Little Bits of Ballet Help a Company Start Its Busy Fall Season"
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Yuri Khanon. Annotation: Olympia
Compact Disc (OCD284), London, 1992.
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787:... – Alexander Sokurov, from press-conference on September 26, 1988
730:) all lend Khanon's aesthetic a desire to outrage the listener... –
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external links, and converting useful links where appropriate into
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1992 — "L’os de chagrin" ("Shagreen Bone", in
Russian, 38 min.) (a
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in which the three singers sing the same text backwards for 81
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770:...Yuri Khanin, a young composer, this year a graduate of the
684:"50 etudes for fallen piano" (ос.64, 1997, for a fallen piano)
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1990 — "The Petty Demon" (composer), (the film is based on "
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1002:(2001). "Khanon (Solov′yov-Savoyarov), Yury Feliksovich".
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in your mind and in your heart the soul would never forget
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Yuri Khanon «On the
Musical Influence of the Dogs» (en)
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may not follow
Knowledge (XXG)'s policies or guidelines
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Khanon works almost in all sphere of academic music.
361:, "White Mask Empire" (Khangёre Simnun, Seoul, 2003).
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and texts of almost all his works. His grandfather was
248:, a comic actor and composer, who was very famous in
620:"Leafing People Through" (a 5 hours long orchestral
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Among Khanon's works for theatre the most famous is
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344:... Beyond all doubts, Yuri Khanon came into the
849:opera-film, where Khanon acted as a composer, a
651:"Missa sterilis" for five persons, (oc.61, 1996)
404:Theatre Award in 2000, then put on the stage in
184:as ХанонЪ. Khanon was born on June 16, 1965, in
1215:. Moscow: Muzizdat/Музиздат. pp. 291–293.
737:The New Grove Dictionary of Music and Musicians
1323:Encyclopedia of cinema.ru: "Save and Preserve"
340:independent ideas and reclusive way of life.
1715:European Film Award for Best Composer winners
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8:
1353:"Erik Satie, Yuri Khanon. Antedate memories"
675:"The average tempered clavier" (ос.39, 1990)
331:. The text is very abstruse, in fact almost
1072:. Seoul: Khangiore Sinmun. pp. 96–97.
643:(November 2017, first and last performance)
1650:Christoph M. Kaiser and Julian Maas (2018)
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1471:«Middle Duet» (video) music of Yuri Khanon
962:Encyclopedia of Cinema & Theatre (Bio)
15:
1421:Learn how and when to remove this message
627:"Three Extreme Symphonies" (oc.60, 1996).
896:(1913) from the book "Antedate memories"
500:"The Nutcrackle" (oc.43, 1990, based on
224:just a composer; he is also a writer, a
188:. In 1988, he became a laureate of the
1018:10.1093/gmo/9781561592630.article.44414
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857:– and also performed the leading part).
192:(Felix Award), and in 1989, he won the
1254:. Wolke Verlag, Hofheim 2014, p. 513,
1153:Bolshoy theatre: Ballets. (in Russian)
664:the "Agonia Dei" mystery (oc.72, 2000)
630:"The Laughing Symphony" (oc.70, 1999).
550:"Dull Life" (oc.54, 1993, dull opera,
1532:European Film Award for Best Composer
823:" (composer), (the film is based on "
614:"The Symphony of Dogs" (oc.35, 1989).
557:"The Force of Destiny" (oc.59, 1995,
412:theatre in 2006. As a concert number
7:
1780:Saint Petersburg Conservatory alumni
1481:Yuri Khanon: «Five Smallest orgasms»
1273:Encyclopedia of Cinema & Theatre
924:or a critic, not even a writer or a
617:"The Middle Symphony" (oc.40, 1990).
591:Said Indeed" (oc.68, 1998, clerical
286:works of Khanon (as a Yuri Khanin):
1795:21st-century Russian male musicians
1790:20th-century Russian male musicians
1486:Encyclopedie of Russian cinema (ru)
170:Yuri Feliksovich Soloviev-Savoyarov
14:
1760:Russian male film score composers
1450:Yuri Khanon «Newspaper Menu» (en)
1201:Site of Korean ballet association
1137:"Большой театр :: Репертуар"
513:"Sigelle" (oc.55, 1993, based on
400:in 1998 and short-listed for the
174:Юрий Феликсович Соловьёв-Савояров
1770:Russian male short story writers
1705:21st-century classical composers
1700:20th-century classical composers
1370:
940:, Yuri Khanon. Antedate memories
533:"L’Os de chagrin" (oc.38, 1990,
483:"L’Os de chagrin" (oc.37, 1989,
26:
1785:21st-century classical pianists
1775:Musicians from Saint Petersburg
1745:Russian male classical pianists
1490:Yuri Khanon: texts on the site
1476:Yuri Khanon: «Middle Symphony»
1445:Yuri Khanon par prof. Tikhonov
392:ballet (the first part of his
1:
1735:Writers from Saint Petersburg
916:...For the first time in the
764:Saint Petersburg Conservatory
1755:Russian film score composers
1730:Russian male opera composers
1561:Vincent van Warmerdam (1992)
297:for piano and orchestra and
271:(Moscow, December 1988) and
1645:Evgueni and Sacha Galperine
1311:Announce: "Days of Eclipse"
1044:Encyclopedie of Cinema, Bio
1811:
1740:Russian classical pianists
1112:Mariinsky theatre: Ballets
232:, a studio pianist, and a
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1211:Viktor Ekimovsky (2008).
572:"The Norm" (oc.65, 1997,
173:
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1710:Russian ballet composers
1656:Dascha Dauenhauer (2020)
1466:Mirage of the Opera (ru)
1238:, VIP RU TV (in Russian)
853:– in collaboration with
502:Pyotr Ilyich Tchaikovsky
58:Yuri Khanin (until 1992)
1725:Russian opera composers
1571:Rupert Gregson-Williams
1462:(translation: Pak Noja)
1289:, no. 12, 1988. Latvia.
1033:(subscription required)
1010:Oxford University Press
726:, pseudo-quotation and
648:Pseudo-religious works
396:), put on the stage in
48:Yuri Soloviev-Savoyarov
1765:Russian male novelists
1750:Russian male essayists
1339:, Annotation from the
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920:the narrator is not a
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772:Leningrad Conservatory
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597:Thus Spoke Zarathustra
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240:. Khanon is author of
211:Leningrad Conservatory
182:pre-1918 Russian style
38:Background information
1556:Hilmar Örn Hilmarsson
1299:European Film Academy
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803:European Film Academy
801:(Felix Award) of the
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654:"The Inner Requiem",
641:The Laughing Symphony
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306:Five Smallest orgasms
303:
256:) on the eve of the
32:Khanon, November 2004
1675:Markus Binder (2023)
1391:improve this article
1169:, 23 November 2006,
1000:Liudmila Kovnatskaya
974:European Film Awards
873:: Yuri Khanon &
799:European Film Awards
748:Works for the cinema
732:Liudmila Kovnatskaya
563:La forza del destino
426:...Yuri Khanon is a
410:New York City Ballet
190:European Film Awards
1653:John Gürtler (2019)
1403:footnote references
1124:"Golden Mask, 2000"
892:, the draft of the
808:Filmography :
718:and nonsense (word
601:Friedrich Nietzsche
311:The Poem of Ecstasy
1664:Nils Petter Molvær
1343:1995, (in Russian)
1336:Skriabin as a Face
1185:"사단법인 한국발레협회 홈페이지"
1172:The New York Times
1005:Grove Music Online
906:Alexander Skriabin
902:Skriabin as a Face
898:
883:
875:Alexander Skriabin
695:, and piano music.
659:«Requiem internam»
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576:, based on opera "
495:La Peau de chagrin
465:
433:Alexander Skriabin
384:
382:, 24 November 1998
295:A Certain Concerto
258:Revolution of 1917
213:, specializing in
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1605:Alexandre Desplat
1587:Alexandre Desplat
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1260:978-3-95593-059-2
1222:978-5-904082-04-8
1079:978-89-8431-109-1
1070:White Mask Empire
1066:Vladimir Tikhonov
1027:978-1-56159-263-0
821:Save and Preserve
760:Alexander Sokurov
536:The Shagreen Bone
486:The Shagreen Bone
461:The Shagreen Bone
398:Mariinsky Theatre
380:Mariinsky theatre
372:and Yuri Khanon,
246:Mikhail Savoyarov
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1617:Alberto Iglesias
1599:Alberto Iglesias
1581:Alberto Iglesias
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1437:Official website
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1008:(8th ed.).
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918:history of music
847:pseudodocumental
829:Gustave Flaubert
582:Vincenzo Bellini
554:of Yuri Khanon).
543:from the ballet
437:Auto-mono-graphy
370:Alexei Ratmansky
346:history of music
316:Certain Concerto
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838:" – a novel by
836:The Petty Demon
814:Days of Eclipse
794:Days of Eclipse
762:) already as a
755:Days of Eclipse
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574:opera incognita
561:based on opera
545:L’Os de chagrin
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406:Bolshoi Theatre
394:Middle Symphony
321:Middle Symphony
299:Middle Symphony
220:Yuri Khanon is
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198:cinematographic
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150:yuri-khanon.com
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507:The Nutcracker
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415:The Middle Duo
389:The Middle Duo
375:The Middle Duo
355:Metaphorically
288:Five smallest
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75:(age 59)
73:June 16, 1965
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54:Also known as
51:
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36:
29:
24:
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1635:Faris Badwan
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1195:December 16,
1193:. Retrieved
1189:the original
1179:
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1147:December 16,
1145:. Retrieved
1141:the original
1131:
1126:(in Russian)
1119:
1114:(in Russian)
1107:
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871:Frontispiece
807:
792:
790:
777:spirituality
769:
753:
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742:
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595:, based on "
573:
558:
544:
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515:Adolphe Adam
505:
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272:
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238:selectionist
221:
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196:, a Russian
169:
161:
160:
152:(in Russian)
137:1987–present
133:Years active
127:Piano, voice
1695:1965 births
1593:Max Richter
1544:Yuri Khanon
1492:KhanógrapH
1248:Boris Yoffe
1095:Middle Duet
926:philosopher
910:stylization
669:Opuses for
608:Pieces for
589:Zarathustra
489:, based on
454:from opera-
428:doctrinaire
402:Golden Mask
359:V. Tikhonov
282:(England),
226:philosopher
215:composition
162:Yuri Khanon
20:Yuri Khanon
1689:Categories
950:References
938:Erik Satie
922:biographer
894:grave bust
890:Erik Satie
657:albigenian
517:'s ballet
504:'s ballet
493:'s novel "
265:interviews
194:Nika Award
172:(Russian:
116:Occupation
110:film score
69:1965-06-16
44:Birth name
1629:Mica Levi
1395:excessive
791:The film
766:student.
724:invention
720:inversion
689:symphonic
610:Orchestra
541:interlude
456:interlude
452:Passepied
284:symphonic
254:Petrograd
205:Biography
186:Leningrad
94:symphonic
79:Leningrad
1454:Pak Noja
1068:(2003).
819:1989 — "
812:1988 — "
797:won the
728:limerick
708:phonetic
704:semantic
593:operette
552:libretto
242:libretto
234:botanist
178:composer
166:pen name
119:Composer
85:(Russia)
1389:Please
1381:use of
1101:YouTube
881:, 1902.
712:paradox
693:chamber
520:Giselle
472:Ballets
408:and in
290:orgasms
280:Olympia
275:Embryos
230:painter
146:Website
98:chamber
1672:(2022)
1666:(2021)
1647:(2017)
1641:(2015)
1631:(2014)
1625:(2013)
1619:(2012)
1613:(2011)
1607:(2010)
1601:(2009)
1595:(2008)
1589:(2007)
1583:(2006)
1577:(2005)
1567:(2004)
1558:(1991)
1552:(1989)
1546:(1988)
1301:, 1988
1258:
1219:
1076:
1024:
944:essays
785:sounds
716:absurd
714:, the
622:fresco
587:"What
539:opera-
529:Operas
491:Balzac
351:career
333:absurd
273:Dried
106:ballet
90:Genres
827:" by
781:image
671:piano
599:" of
580:" of
578:Norma
443:Works
325:canon
164:is a
102:opera
1662:and
1637:and
1573:and
1494:(ru)
1256:ISBN
1217:ISBN
1197:2009
1149:2009
1074:ISBN
1022:ISBN
722:and
706:and
329:bars
314:. A
228:, a
83:USSR
63:Born
1397:or
1287:Ars
1165:by
1099:on
1014:doi
758:by
710:),
565:of
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301:.
222:not
168:of
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252:(
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