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Yuri Rydkin

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33: 1800: 1769: 504: 738:, the author was ranked among the new literary generation, which is changing something in literature. The poet has been widely quoted by his contemporaries. The author's creations have attracted much attention from literary critics; according to their opinion, his works of art are close to the works by 1132: 1063: 379: 355: 2376: 363: 2566: 2533: 2437: 1626: 1027: 977: 821: 781: 383: 1561: 2415: 865: 2404: 1096: 854: 371: 359: 515:-technologies in poetry, created with the help of Internet search engines, various objects, newspaper articles and more. The author's photographs are presented in virtual galleries of various media projects. 2336: 2246: 1669: 718:. "Pocket" is not just a song, but an innovative artistic statement that illustrates the evolution of an artist who has taken his unique experience and self-expression to new heights in the music world. 391: 311: 1492: 1657: 1572: 452: 318: 2650: 458: 1170: 664: 1381:"Typology of intermedial relationships in a modern poetical discourse (a systematic review) // Linguistic sciences, Theory and practice matters. 2020. Volume 13, issue 7, p.122" 1857: 422: 726:
Yuri Rydkin's publication "Between the living and the artificial. Merging digital technologies with human, writer and literature" was recognized by the professionals of the
1380: 1345: 2057: 1256: 616:"Modernity requires from the author not only philosophical reflection and creative use of digital developments, but also a willingness to entrust himself to them". 2001: 2675: 375: 707:
study of contemporary Russian poetry. Music criticism notes Rydkin's transition from poetry and visual arts to music, where he pays particular attention to
281:, its concept and method of creation was expressed in the manifesto. Critics see author's hypertext works as aesthetic indicators that are consistent with " 2354: 293:, texts and Internet resources are equal participants in poetic communication. This creates a specific structure at the level of associations and subtext. 2539: 2085: 1823: 2504:"Installation as a visual-communication practice of creating a contemporary art space (p.183 - Rydkin Y. МЕТАmodernism: internal and external echoes)" 2314: 728: 488: 897:"Between the living and the artificial. Merging digital technologies with human, writer and literature in the periodicals of the first half of 2021" 2640: 206: 111: 2383: 62: 2392: 832: 440: 860: 1663: 387: 304: 2511: 1534: 446: 2670: 1529: 2665: 2660: 1069: 1033: 2690: 2680: 2118: 2090: 2062: 792: 494: 464: 213: 2343:"Intelligence as benevolence (experience of meaning interpretation) // Series «Intelligentsia and modern life». Edition XX. 2193: 2283: 1567: 929: 1824:"On December 25, the Victoria Gallery summed up the results of its annual award in the field of Samara contemporary art" 2655: 1795: 267:
on Facebook, the screenshots of his fb-posts are published under the title of «COVID-POETRY» in a literary almanac.
2685: 2645: 2503: 1102: 2257: 1888: 1503: 1470: 1316: 988: 896: 470: 245: 2309: 2598: 2448: 482: 672: 476: 1420: 2635: 367: 656:, and such a poetic speech is recognized as unique. In his poems, Rydkin demonstrates the absence of the 953:"Fb posts compilation by Yuri Rydkin. Anti-anniversary (the 20th anniversary of my death). 06. 10. 2018" 290: 1346:"Modern hypertextual poetry (aspects of interaction of authentic texts and internet media), 2020, No.8" 1972: 2630: 787: 2141: 1852: 1764: 827: 414: 326: 297: 282: 257: 144: 93: 1736:"A chapter from the last unfinished Russian novel by Vladimir Nabokov / Translated by Yuri Rydkin" 32: 1251: 1181: 1103:"What literary movements have appeared in the 21st century? Making a list for the nearest future" 657: 136: 2388: 2221: 755: 708: 661: 351: 241: 952: 2030:"Yuri Rydkin. Get the music: Spotify, Apple Music, iTunes, Amazon, Pandora, Deezer, YouTube" 1428: 739: 645: 519: 511:
The poet's works were shown at the exhibition "Poetry by any means" — it was devoted to new
410: 233: 174: 2167: 1598: 1466:"Implementation of hypertext structures in contemporary poetic discourse (2020, p.234-235)" 1177:"Media poetry and bio-cyber art. Algorithm like instrument or (co)author? (2019, p.13-14)" 337: 322: 286: 237: 152: 78: 2410: 2342: 2443: 2198: 747: 696: 684: 652:
of a man, his fall into the world of bots. The author speaks on behalf of a bot in the
543: 402: 82: 2624: 1176: 924: 743: 668: 535: 398: 148: 1632: 754:. In 2024, according to the European Indie Music Network rating, Rydkin entered the 1386: 1351: 1245: 1185: 688: 531: 512: 315: 253: 249: 179: 699:, something very human is felt in his texts. Rydkin's dialogues with bots contain 220:
and disabled. The consequences of the trauma were reflected in the author's work.
1433: 285:" — a language free from the signs of ideology. These works are fully covered by 2006: 1675: 704: 680: 599: 579: 140: 992: 679:
play. The poem "Вверх тормашками стул рогат" is written in the genre of modern
1218: 700: 641: 301: 984:"Practices of Traumatic Speaking in Modern Russian Poetry (2020, p.438-453)" 676: 653: 649: 559: 308: 217: 983: 406: 2544: 1038: 692: 583: 428: 264: 205:
He graduated from the Belarusian department of the Linguistic Faculty of
1219:"Non-free microphone. Desktop. Puffing Creakles (timecode: Yuri Rydkin)" 2252: 2034: 1943: 1883: 1498: 1465: 1311: 1223: 1138: 715: 591: 567: 551: 527: 420:
His works have been published in such paper and electronic editions as
343: 229: 126: 74: 2572: 2474: 1282: 1107: 1074: 901: 734: 648:, he is interested in the physicality of the bot. The poet shows the 637: 627: 595: 587: 563: 547: 523: 434: 331: 2310:"Magazine Hall Ranking for August 2021. The choice of professionals" 1735: 2113: 350:
Rydkin is the author of literary critical articles on the prose of
2029: 1701: 1421:"Hyperlink Phenomenon In The Modern Internet Poetry (2021, p.553)" 603: 575: 571: 555: 199: 122: 58: 273: 1914: 711: 539: 2411:"Digest of the most important materials in the book Internet" 644:. He is interested in the feelings of people who have become 1070:"Discussuon. New literary generation: does it really exist?" 1530:"Getting out of order: Other sweet, or Poetical botoholism" 329:". When creating experimental photographs, the author uses 216:
jumping from a railway bridge in Gomel, as a result he got
683:. The author also writes prose that has many synchronized 252:'s opinion, «Bot Conversation» is written in the genre of 1419:
Abrosimova, Ekaterina; Kulamikhina, Irina (27 May 2021).
1034:"Russian poetry in the times of bot-to-bot communication" 178:; born 8 April 1979) is a Russian and Belarusian poet, 1710:
Ship under the Red Flag / Translated by Yuri Rydkin"
2284:"Music for your ears. Review Pocket by Yuri Rydkin" 2142:"Formula indie schedule. Results for "yuri rydkin"" 2114:"Euro Indie Music Chart. Results for "yuri rydkin"" 232:in the most scrupulous way. Explores the impact of 132: 117: 107: 99: 88: 69: 39: 23: 300:photo collages which attracted the attention of a 236:on poetic text. His works are screenshots of art- 212:6 October 1998 Yuri Rydkin attempted to commit a 687:. Despite Rydkin's statements about the need to 518:In 2024, Yuri Rydkin performed several songs in 289:, each verse block is associated with a certain 2651:Francysk Skaryna Homyel State University alumni 2540:"Literature 2020. Literary results of the year" 2475:"An escape from a living fiber of the language" 1252:"Eight poetic online publications (March 2019)" 614: 228:Rydkin explores the genre of conversation with 164: 8: 409:" from the last unfinished Russian novel by 2355:Russian State University for the Humanities 732:as the best in August 2021. In the journal 263:The poet has had an artistic dialogue with 256:. This bot is compared to the emancipated 31: 20: 2387:, 2020, p.90,108,110,150,158,159,166,170 1676:"Reviews on Yuri Rydkin's photo collages" 1432: 502:, on the website of the publishing house 660:, and this absence has a female gender. 175:[ˈjʉrʲɪjɐnɐˈtolʲjɪvʲɪtɕˈrɨtkʲɪn] 2381:Metamodern in music and around it. М.: 2253:"Review on the story "Repressed Knock"" 2086:"Euro Indie Music Chart. Week 28, 2024" 2058:"Euro Indie Music Chart. Week 29, 2024" 1453: 1451: 767: 530:. Has appeared on the Euro Indie Music 397:The author has translated the works by 321:, who analyzes Rydkin's works based on 207:Francisk Skorina Gomel State University 112:Francisk Skorina Gomel State University 1622: 1620: 63:Byelorussian Soviet Socialist Republic 1633:"Review on the cyberpoem "Bot Being"" 1407: 1405: 1372: 1370: 1166: 1164: 1162: 1160: 1059: 1057: 750:. Critics call the Belarusian poet — 173: 7: 2676:21st-century Belarusian male artists 1557: 1555: 1553: 1337: 1335: 1206: 1204: 1128: 1126: 777: 775: 773: 771: 2512:National Academy of Arts of Ukraine 1023: 1021: 1019: 1017: 1015: 1013: 1011: 888: 886: 884: 861:"The best on the literary Internet" 817: 815: 813: 811: 788:"Review of the work of Yuri Rydkin" 198:The author studied at school No.3, 16:Belarusian poet, novelist, collage 14: 1599:"Hyperlink poetry manifestation" 1427:. Man, Society, Communication. 2641:21st-century Belarusian people 2002:"Pocket. Me vs mirror. Poetry" 1139:"Review on "Bot Conversation"" 1: 2603:European Indie Music Network 2288:European Indie Music Network 2226:European Indie Music Network 2172:European Indie Music Network 2146:European Indie Music Network 1801:Новое литературное обозрение 1770:Новое литературное обозрение 1499:"Review on hyperlink poetry" 1434:10.15405/epsbs.2021.05.02.66 505:Новое литературное обозрение 1568:"Review on the poem "Soft"" 752:a bot of Russian literature 2707: 166:Ю́рий Анато́льевич Ры́дкин 2671:Translators to Belarusian 1471:Novgorod State University 989:Smolensk State University 270:Rydkin is the founder of 165: 30: 2666:Translators from Russian 2661:Russian literary critics 2599:"Top Indie Music, 21.24" 2222:"Formula Urban 21, 2024" 2194:"Formula Indie 3.8.2024" 2168:"Formula Urban 25, 2024" 758:with the song "Pocket". 606:and in other countries. 161:Yuri Anatolyevich Rydkin 2691:Russian digital artists 2681:Post-conceptual artists 1884:"Oneiroids of the body" 673:artificial intelligence 538:with broadcasts in the 508:and in other journals. 248:. In a literary critic 43:Yuri Anatolevich Rydkin 1973:"Merging the opposite" 1350:Scientific dialogue / 640:lyrics have a mark of 618: 296:Rydkin has made a few 1134:Bonch-Osmolovskaya T. 242:virtual interlocutors 1425:European Proceedings 695:, about the need to 2573:"Triumph of Trauma" 1944:"Affected subjects" 796:. 23 September 2021 459:Сетевая словесность 327:The Order of Things 283:writing degree zero 145:post-conceptual art 2656:Russian male poets 2548:. 25 December 2020 2261:. 25 November 2015 1979:. 15 February 2019 1892:. 11 November 2022 1853:"Desubjectivation" 1830:. 30 December 2020 1538:. 26 November 2019 1257:Year of Literature 1182:Masaryk University 1145:. 28 February 2019 1042:. 21 November 2018 869:. 25 November 2018 522:. Registered as a 380:Ирина Шостаковская 137:post-postmodernism 2686:New media artists 2646:People from Gomel 2444:"Literary review" 2393:978-5-386-13540-9 1921:. 1 November 2021 1682:. 30 January 2019 1576:. 2 December 2019 1474:. 27 October 2020 1320:. 20 October 2018 933:. 29 January 2020 836:. 22 January 2020 662:Doctor of Science 524:musical performer 356:Владимир Паперный 352:Margarita Meklina 158: 157: 133:Literary movement 75:fotocollage maker 2698: 2615: 2614: 2612: 2610: 2595: 2589: 2588: 2586: 2584: 2564: 2558: 2557: 2555: 2553: 2531: 2525: 2524: 2522: 2520: 2508: 2497: 2491: 2490: 2488: 2486: 2468: 2462: 2461: 2459: 2457: 2435: 2429: 2428: 2426: 2424: 2402: 2396: 2374: 2368: 2367: 2365: 2363: 2351: 2334: 2328: 2327: 2325: 2323: 2306: 2300: 2299: 2297: 2295: 2277: 2271: 2270: 2268: 2266: 2244: 2238: 2237: 2235: 2233: 2218: 2212: 2211: 2209: 2207: 2190: 2184: 2183: 2181: 2179: 2164: 2158: 2157: 2155: 2153: 2138: 2132: 2131: 2129: 2127: 2110: 2104: 2103: 2101: 2099: 2082: 2076: 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April 2019 2430: 2397: 2378:Khrushcheva N. 2369: 2358:. 9 April 2019 2329: 2301: 2290:. 22 June 2024 2272: 2239: 2213: 2199:Apple Podcasts 2185: 2159: 2133: 2105: 2077: 2049: 2021: 1990: 1961: 1950:. 4 March 2021 1932: 1903: 1872: 1841: 1815: 1796:"Republishing" 1784: 1765:"Republishing" 1753: 1742:. 7 April 2020 1727: 1693: 1650: 1639:. 8 March 2019 1616: 1605:. 23 July 2016 1587: 1549: 1518: 1485: 1462:Kulamikhina I. 1447: 1416:Kulamikhina I. 1401: 1390:. 21 July 2020 1366: 1331: 1300: 1283:"COVID-POETRY" 1271: 1238: 1200: 1172:Kostintsova Y. 1156: 1122: 1111:. 27 June 2019 1089: 1078:. 17 June 2019 1053: 1007: 970: 944: 916: 880: 847: 807: 766: 765: 763: 760: 748:Lev Rubinstein 729:Журнальный зал 723: 720: 697:biocybernetics 613: 611: 608: 544:United Kingdom 489:Журнальный зал 403:Eduard Limonov 372:Алла Горбунова 225: 222: 195: 192: 190:) researcher. 163:(Russian: 156: 155: 134: 130: 129: 119: 115: 114: 109: 105: 104: 101: 97: 96: 90: 86: 85: 83:musical artist 81:, translator, 71: 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Index


Gomel
Byelorussian Soviet Socialist Republic
fotocollage maker
literary critic
musical artist
Belarusian
Francisk Skorina Gomel State University
prose
fotocollage
post-postmodernism
eclecticism
post-conceptual art
new media art
futures studies
[ˈjʉrʲɪjɐnɐˈtolʲjɪvʲɪtɕˈrɨtkʲɪn]
media artist
Gomel
Francisk Skorina Gomel State University
suicide
injured
bots
new technologies
dialogues
virtual interlocutors
Alice
Galina Rymbu
found poetry
Galatea
COVID-19

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