637:-influenced concept he came to describe as "le Vide" (the Void). Klein's Void is a nirvana-like state that is void of worldly influences; a neutral zone where one is inspired to pay attention to one's own sensibilities, and to "reality" as opposed to "representation". Klein presented his work in forms that were recognized as artâpaintings, a book, a musical compositionâbut then would take away the expected content of that form (paintings without pictures, a book without words, a musical composition without in fact composition) leaving only a shell, as it were. In this way he tried to create for the audience his "Zones of Immaterial Pictorial Sensibility". Instead of representing objects in a subjective, artistic way, Klein wanted his subjects to be represented by their imprint: the image of their absence. He tried to make his audience experience a state where an idea could simultaneously be "felt" as well as "understood".
573:) 1959â1962, he offered empty spaces in the city in exchange for gold. He wanted his buyers to experience The Void by selling them empty space. In his view this experience could only be paid for in the purest material: gold. In exchange, he gave a certificate of ownership to the buyer. As the second part of the piece, performed on the Seine with an art critic in attendance, if the buyer agreed to set fire to the certificate, Klein would throw half the gold into the river, in order to restore the "natural order" that he had unbalanced by selling the empty space (that was now not "empty" anymore). He used the other half of the gold to create a series of
385:(IKB). The paintings were attached to poles placed 20 cm (8 in) away from the walls to increase their spatial ambiguities. All 11 of the canvases were priced differently. The buyers would go through the gallery, observing each canvas and purchase the one that was deemed best in their own eyes specifically. Klein's idea was that each buyer would see something unique in the canvas that they bought that other buyers may not have seen. So while each painting visually looked the same, the impact each had on the buyer was completely unique.
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cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.
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described it as "The reality is that itâs like a kind of bizarre primordial universe chorus. Itâs not like a note youâve ever heard." Klein himself compared the sound of his symphony to screams. For the first performance in Paris, Klein invited three naked women, whom he called "living brushes", who
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Despite the IKB paintings being uniformly coloured, Klein experimented with various methods of applying the paint; firstly different rollers and then later sponges, created a series of varied surfaces. This experimentalism would lead to a number of works Klein made using naked female models covered
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At present, I am particularly excited by "bad taste." I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed "The Work of Art." I wish to play with human feeling, with its "morbidity" in a
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The next exhibition, 'Proposte
Monocrome, Epoca Blu' (Proposition Monochrome; Blue Epoch) at the Gallery Apollinaire, Milan, (January 1957), featured 11 identical blue canvases, using ultramarine pigment suspended in a synthetic resin 'Rhodopas', described by Klein as "The Medium". Discovered with
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From the reactions of the audience, realized that...viewers thought his various, uniformly colored canvases amounted to a new kind of bright, abstract interior decoration. Shocked at this misunderstanding, Klein knew a further and decisive step in the direction of monochrome art would have to be
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Recently my work with color has led me, in spite of myself, to search little by little, with some assistance (from the observer, from the translator), for the realization of matter, and I have decided to end the battle. My paintings are now invisible and I would like to show them in a clear and
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in May 1957, became a seminal happening. To mark the opening, 1,001 blue balloons were released and blue postcards were sent out using IKB stamps that Klein had bribed the postal service to accept as legitimate. Concurrently, an exhibition of tubs of blue pigment and fire paintings was held at
658:, by painting them International Klein Blue; he painted a globe, 3D reliefs of areas of France and dowels which he hung from the ceiling as rain. He also stuck sponges to canvases and painted dinner plates. Many of these works were later manufactured as editioned multiples after his death.
199:, and held regular soirées with other leading practitioners of this Parisian abstract movement. Klein received no formal training in art, but his parents exposed him to different styles. His father was a figurative style painter, while his mother had an interest in abstract expressionism.
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told the
Quietus ""There was a joy to 'International Blue' that we weren't sure we could convey any more, the feeling of being in love with something like Yves Klein, to pass on the joy of that colour and that vividness â we weren't sure if we still had it in us. It sounds quite young."
493:. "May all that emerges from me be beautiful," he prayed. The offering took the form of a small transparent plastic box containing three compartments; one filled with IKB pigment, one filled with pink pigment, and one with gold leaf inside. The container was only rediscovered in 1980.
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and started to paint. At the age of nineteen, Klein and his friends lay on a beach in the south of France, and divided the world between themselves; Arman chose the earth, Pascal, words, while Klein chose the ethereal space surrounding the planet, which he then proceeded to sign:
534:. Other paintings in this method of production include "recordings" of rain that Klein made by driving around in the rain at 70 miles per hour with a canvas tied to the roof of his car, and canvases with patterns of soot created by scorching the canvas with gas burners.
1134:: "This symphony, 40 minutes in length (in fact 20 minutes followed by 20 minutes of silence) is constituted of a single 'sound' stretched out, deprived of its attack and end which creates a sensation of vertigo, whirling the sensibility outside time."
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at
Gallery Colette Allendy, February 1956. Public responses to these shows, which displayed orange, yellow, red, pink and blue monochromes, deeply disappointed Klein, as people went from painting to painting, linking them together as a sort of mosaic.
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said that "You canât really do a full rehearsal of something like this" because "Itâs too hard. Everyone would just die." The first performance was in a Paris art gallery in 1960, with only ten performing musicians. Singer
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922:(1962), a nearly 10-foot (3.0 m)-long panel created with a blowtorch, water and two models, sold for $ 36,482,500 at Christie's on 8 May 2012. The record for the most expensive of his paintings was reached by
450:. According to Berggruen, he used ritual as a means not to attain belief, but rather as a forum through which to reach abstractionâtranscending worldly vestiges temporarily, and returning to earth as a new being.
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As well as painting flat canvases, Klein produced a series of works throughout his career that blurred the edges between painting and sculpture. He appropriated plaster casts of famous sculptures, such as the
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481:, Germany, with a series of vast blue murals, the largest of which were 20 metres by 7 metres. The Opera House was inaugurated in December 1959. Klein celebrated the commission by travelling to
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the help of
Edouard Adam, a Parisian paint dealer, the optical effect retained the brilliance of the pigment which, when suspended in linseed oil, tended to become dull. Klein later deposited a
243:. During the years 1948 to 1952, he travelled to Italy, Great Britain, Spain, and Japan. He travelled to Japan in 1953 where he became, at the age of 25, a master at judo receiving the rank of
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for the duration of the exhibition; and, while there, he wrote the "Chelsea Hotel
Manifesto", a proclamation of the "multiplicity of new possibilities." In part, the manifesto declared:
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With this famous symbolic gesture of signing the sky, Klein had foreseen, as in a reverie, the thrust of his art from that time onwardsâa quest to reach the far side of the infinite.
1589:"Painting the Blues; As a major new exhibition highlights the brief, colourful career of artist Yves Klein, his widow Rotraut talks exclusively to Laurence Marks" (29 January 1995)
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Although Klein had painted monochromes as early as 1949, and held the first private exhibition of this work in 1950, his first public showing was the publication of the
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From 1942 to 1946, Klein studied at the Ăcole
Nationale de la Marine Marchande and the Ăcole Nationale des Langues Orientales. At this time, he became friends with
521:), June 1959, a collection of sponges that Klein had used to paint IKB canvases, mounted on steel rods and set in rocks that he'd found in his parents' garden.
143:; 28 April 1928 â 6 June 1962) was a French artist and an important figure in post-war European art. He was a leading member of the French artistic movement of
316:"covered themselves in his signature deep blue paint and pressed their bodies on paper during the sound half of the symphony, freezing during the silence".
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Thomas McEvilley. "Yves Klein: Conquistador of the Void". Yves Klein: A Retrospective. (Houston: Institute for the Arts, Rice
University, 1982), p 25.
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situates Klein "as one who strove for total liberation," forming connections between perverse ritual and a disdain of convention. Klein had studied
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in blue paint and dragged across or laid upon canvases to make the image, using the models as "living brushes". This type of work he called
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Post-War and
Contemporary Art sale in May 2006. His monochromatic blue sponge painting sold for $ 4,720,000. Previously, his painting
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The show was a critical and commercial success, traveling to Paris, DĂŒsseldorf and London. The
Parisian exhibition, at the
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works, which, along with a series of pink monochromes, began to augment his blue monochromes toward the end of his life.
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354:, the book featured a series of intense monochromes linked to various cities he had lived in during the previous years.
1604:"The Quietus | Features | A Quietus Interview | Melancholy Optimism: Manic Street Preachers Interviewed"
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847:. The song was inspired by Klein, particularly the titular International Klein Blue. The Manics' bassist and lyricist
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1800:(double hommage to Yves Klein and Dino Buzzatti on the occasion of the 40th anniversary of their collaborative work)
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261:. The same year, he settled permanently in Paris and began in earnest to establish himself in the art world.
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1122:("An anthological retrospective", catalog of an exhibition held in 2000), New York: Delano Greenidge, 2000,
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1255:"Portrait d'Edouard Adam, marchand de couleurs et ami des peintres...Le film (envoyé par le neveu, Fabien)"
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The
Specialization of Sensibility in the Raw Material State into Stabilized Pictorial Sensibility, The Void
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La spécialisation de la sensibilité à l'état matiÚre premiÚre en sensibilité picturale stabilisée, Le Vide
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McEvilley, T. "Yves Klein: Messenger of the Age of Space." Artforum 20, no. 5. January 1982. pp. 38â51.
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anticipated his first two shows of oil paintings, at the Club des Solitaires, Paris, October 1955 and
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and as friends. Both from Nice, the two worked together for many years and Arman even named his son,
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for this recipe to maintain the "authenticity of the pure idea." This colour, reminiscent of the
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on 11 May 1962. Two more heart attacks followed, the second of which killed him on 6 June 1962.
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taken...From that time onwards he would concentrate on one single, primary color alone: blue.
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Gualtiero Jacopetti (Director), Paolo Cavara (Director), Franco Prosperi (Director) (1962).
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He moved on to exhibit at the Dwan Gallery, Los Angeles, and traveled extensively in the
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group with Klein in Klein's studio/apartment on 27 October 1960. Founding members were
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Tom Learner (2008). "Restoring the Immaterial: Study and Treatment of Yves Klein's
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912:(1958) had sold for $ 6,716,000 at Christie's New York in November 2000. In 2008,
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While attending the Ăcole Nationale des Langues Orientales Klein began practicing
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used to paint the Madonna's robes in medieval paintings, was to become known as
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1747:"Phil-Ouest - Timbre de 1989 - Yves Klein «Anthropométrie de lŽépoque bleue»"
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1318:"Exhibitions â Yves Klein : Proposte monocrome, epoca blu â Yves Klein"
916:(1962), a monochromatic gold painting, sold for $ 21 million at Christie's.
732:, New York, in which Klein failed to sell a single painting. He stayed with
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The Life and Work of Yves Klein Told by Rotraut. An interview with Rotraut
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had an episode focused on Klein's blue monochromes. In 2018, the podcast
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in American public collections, on the French Sculpture Census website
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chord followed by a 20-minute silence â a precedent to Klein's later
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Sometimes the creation of these paintings was turned into a kind of
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by Douglas Bruton, is built around the life and art of Yves Klein.
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in Japan between 1952 and 1954, and also displayed an interest in
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positive manner, in my next Parisian exhibition at Iris Clert's.
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Couple in The Cage: Two Undiscovered Amerindians Visit the West
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and pursued a membership with an American society dedicated to
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were continually involved with each other creatively, both as
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Yves Kleinâs Monotone Silence Symphony in San Francisco, 2017
425:(April 1958), Klein chose to show nothing whatsoever, called
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released the lead single from their thirteenth studio album
1728:"Barnett Newman Leads Sotheby's NYC $ 294 Million Auction"
155:, and is seen as an inspiration to and as a forerunner of
1714:"The Most Expensive Yves Klein Paintings Sold at Auction"
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in 1982, classified Klein as an early, though enigmatic,
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The Symphony is rarely performed. Composer and performer
1434:"An account and sound recording of the 1960 performance"
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Stich, Sidra. Yves Klein. Hayward Gallery. London, 1994.
1696:"Record Sales for a Rothko and Other Art at Christie's"
1476:. Cineriz. Performance by Yves Klein starts at 1:18:34
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released an episode, "Blue," about Klein and his work.
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Zone de sensibilitĂ© picturale immatĂ©rielle (1962â2012)
1685:"The Great Contemporary Art Bubble", BBC4, 18 May 2009
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Klein suffered a heart attack while watching the film
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who gave birth to their son shortly after his death.
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by shining blue spotlights onto the central obelisk.
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joining later. Normally seen as a French version of
191:, were both painters. His father painted in a loose
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832:, where his widow Rotraut Klein-Moquay has a home.
604:) of a performance by Klein at Rue Gentil-Bernard,
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1118:Gilbert Perlein & Bruno CorĂ (eds) & al.,
624:), originally published in his 1960 artist's book
496:Klein's last two exhibitions at Iris Clert's were
474:Later in the year, he was invited to decorate the
1299:, Original-Ausgabe (Cologne: Taschen, 1994), 19.
1216:, Original-Ausgabe (Cologne: Taschen, 1994), 15.
277:) that consisted of a single 20-minute sustained
1726:Katya Kazakina and Philip Boroff (15 May 2013),
1665:"Warhols, Judds Drive $ 143M Sale at Christie's"
1436:. Archived from the original on 21 February 2001
835:On 8 December 2017, Welsh alternative rock band
195:style, while his mother was a leading figure in
1297:Yves Klein, 1928â1962: International Klein Blue
1214:Yves Klein, 1928â1962: International Klein Blue
1012:Yves Klein, 1928â1962: Internacional Klein Blue
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1397:Olivier Berggruen, "Yves Klein â The Void" in
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1275:. Los Angeles: Getty Conservation Institute.
163:. He is known for the development and use of
8:
1184:"A Sound, Then Silence (Try Not to Breathe)"
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151:. Klein was a pioneer in the development of
1784:Review of "Yves Klein: Air Architecture" in
1781:Real Immaterial: Superstudio and Yves Klein
1618:"#3: How Questlove Learned to Love Silence"
549:, after Yves Klein, who was his godfather.
269:Between 1947 and 1948, Klein conceived his
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1237:(Hampshire: Zero Books, 2012), pp. 41â64.
1046:"Yves Klein (1928â1962) â Judo en familia"
566:Zone de Sensibilité Picturale Immatérielle
350:in November 1954. Parodying a traditional
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20:
1943:Zones of Immaterial Pictorial Sensibility
1344:"The Formidable Blue Stamp of Yves Klein"
933:Sculpture Ăponge Bleue Sans Titre, SE 168
904:(1960) was among the top-five sellers at
811:performance is featured in the 1961 film
571:Zones of Immaterial Pictorial Sensibility
2419:Mattress Performance (Carry That Weight)
458:
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504:), November 1958, a collaboration with
2395:How to Explain Pictures to a Dead Hare
1793:Marc de Verneuil and MĂ©lanie Marbach,
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592:(Leap into the Void); photomontage by
1157:(Flash plugin required), and Klein's
1120:Yves Klein: Long Live the Immaterial!
1096:. Yves Klein Archives. Archived from
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7:
828:The Yves Klein archive is housed in
511:Bas-Reliefs dans une ForĂȘt d'Ăponges
502:Sheer Speed and Monochrome Stability
498:Vitesse Pure et Stabilité Monochrome
219:In early 1948, Klein was exposed to
1168:(including a summary of the 2-part
863:-produced contemporary art podcast
183:department of France. His parents,
1401:(London: Pushkin Press, 2012), 80.
1143:See also at YvesKleinArchives.org
724:A large retrospective was held at
14:
779:(in which he is featured) at the
3190:20th-century French male artists
2029:(co-founder of Nouveau réalisme)
1917:
1788:X-TRA Contemporary Art Quarterly
1383:. Jasonbeale.com. Archived from
1346:. Mailartist.com. Archived from
1235:Color, Facture, Art & Design
325:Monochrome works: The Blue Epoch
225:The Rosicrucian Cosmo-Conception
953:Antropométrie de l'époque bleue
633:Klein's work revolved around a
612:Klein is also well known for a
421:For his next exhibition at the
3119:Survival Research Laboratories
1883:ANT 82, Blue Age Anthropometry
693:, Yves Klein, Martial Raysse,
147:founded in 1960 by art critic
1:
1419:"True Blue" (28 June 2010 )
1295:Quoted in Hannah Weitemeier,
508:, of kinetic sculptures, and
360:Yves: Proposition monochromes
253:/degree black-belt) from the
3185:20th-century French painters
3160:French contemporary painters
3016:LaBeouf, Rönkkö & Turner
807:A sort of parody of Klein's
649:Winged Victory of Samothrace
3200:French contemporary artists
794:, in an essay submitted to
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3210:French performance artists
2323:Breathing in/breathing out
1694:Carol Vogel (8 May 2012),
1663:Tully, Judd (9 May 2006).
1361:"Galerie Collette Allendy"
563:In the performance piece,
393:Galerie Collette Allendy.
3021:Los Angeles Urban Rangers
1970:Monotone-Silence Symphony
1915:
1552:"Chelsea Hotel Manifesto"
1454:: CS1 maint: unfit URL (
1164:17 September 2013 at the
1159:"Chelsea Hotel Manifesto"
1147:Monotone Silence Symphony
761:. In 1962, Klein married
275:Monotone Silence Symphony
30:
16:French artist (1928â1962)
3180:Nouveau réalisme artists
3155:French abstract painters
3114:Performance art in China
2379:Empathy and Prostitution
1988:International Klein Blue
1798:, 26 January 2012, Paris
1533:, Taschen, 2004, p. 13.
1145:a 1998 sound excerpt of
1094:"Yves Klein (1928â1962)"
383:International Klein Blue
165:International Klein Blue
2507:The Death of The Artist
2403:I'm too sad to tell you
1891:Le Rose du Bleu (RE 22)
1770:Yves Klein Archives.org
1269:Blue Monochrome (IKB42)
1153:8 December 2008 at the
925:Le Rose du Bleu (RE 22)
206:(Armand Fernandez) and
3215:French Roman Catholics
2955:Mierle Laderman Ukeles
2347:Ceci N'est Pas Un Viol
2035:(Australian rock band)
1520:, Olympia Press, p. 88
1381:"Yves Klein, The Void"
1273:Modern Paint Uncovered
1071:Les Fondements du judo
837:Manic Street Preachers
747:
609:
510:
471:
468:Musiktheater im Revier
457:
427:
418:
370:
338:
259:Les Fondements du judo
217:
2547:Untitled (Rape Scene)
2499:The Artist Is Present
2309:Amen or The Pederasty
2204:Geometric abstraction
1550:Yves Klein Archives.
588:
558:The Monotone Symphony
485:, Italy, to place an
462:
406:
332:
3195:French male painters
2690:Guillermo Gómez-Peña
2009:Rotraut Klein-Moquay
1716:. 30 September 2023.
880:A 2021 short novel,
841:Resistance is Futile
781:Cannes Film Festival
730:Leo Castelli Gallery
707:Niki de Saint Phalle
689:, Francois DufrĂȘne,
667:Place de la Concorde
614:composite photograph
590:Le Saut dans le vide
491:Saint Rita Monastery
283:monochrome paintings
124:Rotraut Klein-Moquay
2745:Natalie Jeremijenko
2387:Food for the Spirit
2229:Monochrome painting
1624:. NPR. 17 July 2017
1350:on 2 November 2012.
1212:Hannah Weitemeier,
900:, Klein's painting
892:Alongside works by
414:) displayed at the
285:and to the work of
3205:French male judoka
3124:Viennese Actionism
3001:COUM Transmissions
2920:Carolee Schneemann
2765:Ragnar Kjartansson
2539:Three Weeks in May
2209:Hard-edge painting
2040:International Blue
1907:FC1 (Fire Color 1)
1772:â official website
1701:The New York Times
1652:. 5 December 2018.
1562:on 15 January 2013
1529:Kerstin Stremmel,
1518:Technicolor Dreams
1399:The Writing of Art
1069:Yves Klein (1954)
919:FC1 (Fire Color 1)
845:International Blue
622:Leap into the Void
610:
606:Fontenay-aux-Roses
581:Leap into the Void
543:Nouveaux RĂ©alistes
519:in a Sponge Forest
472:
438:The art historian
423:Iris Clert Gallery
419:
416:Iris Clert Gallery
390:Iris Clert Gallery
352:catalogue raisonné
339:
193:post-impressionist
175:Klein was born in
3165:Artists from Nice
3137:
3136:
3109:Participatory art
2950:Melati Suryodarmo
2835:Charlotte Moorman
2483:Seven Easy Pieces
2252:
2251:
2049:
2048:
1819:Louisiana Channel
1282:978-0-89236-906-5
1128:978-0-929445-08-3
1073:, Grasset, Paris
1001:Hannah Weitemeier
931:In 2013, Klein's
898:Willem de Kooning
817:(original title:
618:Saut dans le vide
440:Olivier Berggruen
287:minimal musicians
271:Monotone Symphony
129:
128:
103:Monotone Symphony
3222:
3056:Kusama: Infinity
2935:Barbara T. Smith
2910:Rachel Rosenthal
2855:Pauline Oliveros
2575:Marina AbramoviÄ
2279:
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2138:Kazimir Malevich
2076:
2069:
2062:
2053:
2004:Nouveau réalisme
1921:
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1776:Yves Klein: MoMA
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1558:. Archived from
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1498:. Web.tiscali.it
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1387:on 19 July 2008.
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1342:Held Jr., John.
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1190:. Archived from
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982:on 21 March 2019
978:. Archived from
968:
830:Phoenix, Arizona
792:Thomas McEvilley
715:GĂ©rard Deschamps
703:Jacques Villeglé
683:Nouveau RĂ©alisme
513:
489:offering at the
430:
297:and John Cage's
273:(1949, formally
145:Nouveau réalisme
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140:[ivklÉÌ]
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114:Nouveau réalisme
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2615:Rebecca Belmore
2590:Laurie Anderson
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2555:Untitled , 2008
2427:One & Other
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525:Anthropométries
470:, Gelsenkirchen
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3006:Fallen Fruit
2975:Hannah Wilke
2965:Wolf Vostell
2885:Mark Pauline
2840:Bruce Nauman
2820:Kent Monkman
2790:Suzanne Lacy
2785:Yayoi Kusama
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2760:Andy Kaufman
2755:Allan Kaprow
2730:Rebecca Horn
2720:Sharon Hayes
2700:Ann Hamilton
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3175:1962 deaths
3170:1928 births
3129:Process art
3059:(2018 film)
3051:(1988 film)
3031:The Yes Men
2925:Tino Sehgal
2900:Jim Pomeroy
2850:Pat Oleszko
2830:Frank Moore
2775:Terence Koh
2640:GĂŒnter Brus
2600:Abel Azcona
2515:The Fathers
2435:Rest Energy
2422:(2014â2015)
2173:Anne Truitt
2118:Donald Judd
2083:Minimal art
1946:(1959â1962)
1628:28 November
1440:21 February
1368:(in French)
1004: [
894:Andy Warhol
753:, visiting
598:Harry Shunk
575:gold-leafed
517:Bas-Reliefs
479:Opera House
295:drone music
221:Max Heindel
157:minimal art
68:6 June 1962
3150:Yves Klein
3144:Categories
2996:Concept 21
2905:Duke Riley
2870:Eiko Otaki
2860:Mihai Olos
2805:Miki Malör
2800:James Luna
2770:Yves Klein
2750:Joan Jonas
2740:Zhang Huan
2685:Coco Fusco
2630:Mark Bloch
2523:The Shadow
2411:Luminosity
2214:Minimalism
2163:Tony Smith
2133:Sol LeWitt
2128:Yves Klein
2113:Dan Flavin
2108:Larry Bell
2015:Fred Klein
1860:Yves Klein
1804:Yves Klein
1473:MONDO CANE
1055:13 January
1050:fgjudo.com
959:References
906:Christie's
888:Art market
867:hosted by
849:Nicky Wire
776:Mondo Cane
673:Last years
547:Yves Arman
537:Klein and
185:Fred Klein
132:Yves Klein
84:Painting,
49:1928-04-28
25:Yves Klein
3104:monochrom
3094:Happening
2880:Gina Pane
2710:Jo Hanson
2680:Terry Fox
2665:Papo Colo
2595:Ron Athey
2531:The Shame
2443:Rhythm 10
2406:(1970â71)
2363:Cut Piece
2358:(1992â93)
2301:7000 Oaks
1899:Hiroshima
1867:Paintings
1817:Video by
1752:21 August
1733:Bloomberg
1667:. Artinfo
1480:21 August
1366:Archives
1079:604216312
976:Biography
937:Sotheby's
814:Wise Guys
641:Multiples
179:, in the
171:Biography
3074:Body art
2991:Ant Farm
2865:Yoko Ono
2780:Paul Kos
2605:Franko B
2467:Rhythm 0
2459:Rhythm 2
2451:Rhythm 5
2199:De Stijl
2090:Artists
2023:(mother)
2017:(father)
1951:Dimanche
1671:23 April
1566:26 April
1450:cite web
1327:21 March
1170:Symphony
1162:Archived
1151:Archived
986:21 March
940:New York
804:artist.
797:Artforum
652:and the
627:Dimanche
466:(1959),
412:The Void
398:The Void
110:Movement
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1997:Related
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1016:Taschen
757:in the
736:at the
734:Rotraut
726:Krefeld
719:Pop Art
711:Christo
705:, with
487:ex-voto
408:Le Vide
335:IKB 191
320:Artwork
279:D major
255:Kodokan
161:pop art
136:French:
98:IKB 191
3089:Fluxus
2984:Groups
2558:(2008)
2550:(1973)
2542:(1977)
2534:(2018)
2526:(2014)
2518:(2016)
2510:(2018)
2502:(2010)
2494:(1964)
2486:(2005)
2478:(1972)
2470:(1974)
2462:(1974)
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2446:(1973)
2438:(1980)
2430:(2009)
2414:(1997)
2398:(1965)
2390:(1971)
2382:(2013)
2374:(2012)
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2366:(1964)
2350:(2015)
2342:(2015)
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2334:(1974)
2326:(1977)
2318:(1969)
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2312:(2015)
2304:(1982)
2239:Op art
2011:(wife)
1973:(1960)
1954:(1960)
1938:(1954)
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1878:(1959)
1875:IKB 79
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