Knowledge (XXG)

Yvette Guilbert

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242: 588: 570: 551: 295:, another star of the time, often singing songs by Tarride. Taking her cue from the new cabaret performances, Guilbert broke and rewrote all the rules of music-hall with her audacious lyrics, and the audiences loved her. She was noted in France, England, and the United States at the beginning of the 20th century for her songs and imitations of the common people of France. Author Patrick Bade believed that Guilbert "derived her trademark black gloves from 620: 608: 181: 640: 803: 33: 225:
department store in Paris. She was discovered by a journalist. She took acting and diction lessons, which enabled her in 1886 to appear on stage at several smaller venues. Guilbert debuted at the Varieté Theatre in 1888. She eventually sang at the popular Eldorado club, then at the Jardin de Paris
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Let's enter the Chanson Moderne. There she is! Long leech, sexless! She crawls, creeps with hissings, leaving behind the moiré trail of her drool...On both sides of the boneless body hang, like pitiful wrecks, tentacles in funereal gloves. For she will, indeed, lead the burial of our Latin race.
279:. Her songs were not virginal – on the contrary; but the frequenters of the Moulin were not easily frightened; they stared bewildered at this novel association of innocence with Xanrof's horrific double entendre; stared, stayed and broke into delighted applause. 767:"Yvette Guilbert and the Revaluation of the Chanson Populaire and Chanson Ancienne during the Third Republic, 1889–1914" in Jane F. Fulcher, The Oxford Handbook of the New Cultural History of Music, Page 272 291:" or "sayer". The lyrics (some of them her own) were raunchy; their subjects were tragedy, lost love, and the Parisian poverty from which she had come. During the 1890s she appeared regularly alongside 587: 287:
and stood almost perfectly still, gesturing with her long arms as she sang. An innovator, she favored monologue-like "patter songs" (as they came to be called) and often was billed as a "
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Complete negation of our genius...Poor little Chanson, faithful mirror in which men reflect themselves, are you responsible for their hideousness?"
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Born in Paris into a poor family as Emma Laure Esther Guilbert, she began singing, as a child but at age 16 worked as a model at the
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Du Temps des cerises aux Feuilles mortes (French chanson from the end of the 2nd Empire to the 1950s website
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wrote a review highlighting her novelty. The reviews were not all positive. The playwright and songwriter
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in New York City. Even in her fifties, her name still had drawing power and she appeared in several
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for the first time... We went; a young girl appeared, of virginal aspect, slender, pale, without
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by Bettina Knapp and Myra Chipman (New York: Holt, Rinehart & Winston, 1964) was released.
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attended her performances, including one in Vienna, and called her a favorite singer.
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include the famous "Le Fiacre" as well as some of her own compositions such as "
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Patrick Bade (2003) Félicien Rops. Parkstone Press Ltd, New York, 95 pp.
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came up to the rue Ravignan to tell us about a new singer, a friend of
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That was Yvette; the biography of Yvette Guilbert, the great diseuse
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This article incorporates text from a publication now in the
525:(1926) as Marthe Schwerdtlein: Gretchens Tante / Marguerite's Aunt 60: 903:, "Yvette Guilbert, Singer, Dies at 79", 4 February 1944, page 16 355:). She also appeared in sound fims, including a role with friend 412:
Guilbert became a respected authority on her country's medieval
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She once gave a performance for the Prince of Wales, later
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For her act, she was usually dressed in bright yellow with
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described this performance in his first volume of memoirs:
205:, 20 January 1865 – 3 February 1944) was a French 367:". She accompanied herself on piano for some numbers. 381:
In later years, Guilbert turned to writing about the
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Cabaret singer, actress on stage and in silent films
173: 157: 134: 111: 103: 93: 71: 42: 23: 440:That Was Yvette: The Biography of a Great Diseuse 378:. Hostesses vied to have her at their parties. 326: 895:, Wednesday Morning, 10 November 1928, page 11 921:Hackel, Erin. "Yvette Guilbert: La Diseuse." 736:. London: The Bodley Head. pp. 207–214. 8: 893:Chit Chat of Affairs Mundane in Land of Gaul 427:Yvette Guilbert died in 1944, aged 79, in 31: 20: 796: 794: 764:Waeber, Jacqueline (29 September 2011). 301:" a famous painting by symbolist artist 240: 911:. New York: Holt, Rinehart and Winston. 673: 546: 907:Knapp, Bettina; Chipman, Myra (1964). 333:In 1897, she married Max Schiller, an 308:She was a favorite subject of artist 196: 7: 733:Shaw's Music. Volume III: 1893–1950 416:and on 9 July 1932 was awarded the 405:, who became a senior archivist at 613:1894: Singing "Linger Longer, Loo" 385:, and in 1902, two of her novels ( 14: 1003:Burials at Père Lachaise Cemetery 438:Twenty years later her biography 801: 638: 618: 606: 586: 568: 549: 179: 422:the Ambassadress of French Song 167:the Ambassadress of French Song 147: 730:Laurence, Dan H., ed. (1989). 409:during the Second World War. 1: 1038:20th-century French actresses 1033:19th-century French actresses 937:"Yvette Guilbert: La Diseuse" 680:Rothenstein, William (1934). 234:in 1890. The English painter 1028:French vaudeville performers 1023:French silent film actresses 925:15, no. 2 (Fall 2017): 1–5. 645:Guilbert in her later years, 463:(1934) as La Grand-Mère Moan 395:L'art de chanter une chanson 374:, at a private party on the 770:. Oxford University Press. 271:, who was to appear at the 1069: 517:(1926) as Die alte Fadette 431:. She was interred in the 345:(including a star turn in 209:singer and actress of the 203:Emma Laure Esther Guilbert 127:, subject of portraits by 123:, innovator of the French 47:Emma Laure Esther Guilbert 944:Kapralova Society Journal 923:Kapralova Society Journal 310:Henri de Toulouse-Lautrec 178: 129:Henri de Toulouse-Lautrec 30: 838:"Pamela Rose obituary". 824:Encyclopædia Britannica 37:Yvette Guilbert in 1913 1013:French stage actresses 998:French artists' models 481:Laissez faire le temps 433:Père Lachaise Cemetery 331: 281: 259: 98:Père Lachaise Cemetery 1018:French film actresses 935:Hackel, Erin (2017). 885:, New York City, 1897 471:(1933) as La Frochard 457:(1936) as Une invitée 361:La Voix de son maître 359:. Her recordings for 261: 244: 226:before headlining in 194:French pronunciation: 16:French cabaret singer 1053:People of Montmartre 1008:French women singers 993:Actresses from Paris 701:19 July 2011 at the 499:Le manque de mémoire 198:[ivɛtgilbɛʁ] 65:Second French Empire 891:Daily Independent, 842:. 10 November 2021. 840:The Daily Telegraph 531:(1924) as Zéphyrine 514:Die lachende Grille 318:George Bernard Shaw 236:William Rothenstein 882:The eternal enigma 858:The New York Times 454:Let's Make a Dream 260: 860:. 4 February 1944 777:978-0-19-534186-7 509:(1928) La Méchain 475:La Dame D'en Face 461:Iceland Fisherman 391:Les Demi-vieilles 187: 186: 1060: 951: 941: 912: 870: 869: 867: 865: 850: 844: 843: 835: 829: 828: 819:Guilbert, Yvette 807: 805: 804: 798: 789: 788: 786: 784: 761: 755: 754: 752: 750: 727: 721: 711: 705: 693: 687: 683:Men and Memories 678: 662:Marguerite Deval 642: 632:Toulouse-Lautrec 622: 610: 590: 576:Toulouse-Lautrec 572: 553: 535:An Honorable Cad 529:Los dos pilletes 257: 245:Yvette Guilbert, 200: 195: 183: 151: 149: 78: 56: 54: 35: 21: 1068: 1067: 1063: 1062: 1061: 1059: 1058: 1057: 973: 972: 964:Yvette Guilbert 955:Yvette Guilbert 939: 934: 931: 919: 917:Further reading 906: 889:Helena, Montana 878:Louis de Robert 874: 873: 863: 861: 852: 851: 847: 837: 836: 832: 817:, ed. (1911). 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Another was 376:French Riviera 218: 215: 185: 184: 176: 175: 171: 170: 159: 155: 154: 143: 139: 138: 136: 132: 131: 113: 112:Known for 109: 108: 105: 101: 100: 95: 91: 90: 81: 79:(aged 79) 73: 69: 68: 59: 46: 44: 40: 39: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1065: 1054: 1051: 1049: 1046: 1044: 1041: 1039: 1036: 1034: 1031: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 980: 978: 969: 965: 962: 960: 956: 953: 949: 945: 938: 933: 932: 928: 926: 924: 916: 910: 905: 902: 901: 897: 894: 890: 887: 884: 883: 879: 876: 875: 859: 855: 849: 846: 841: 834: 831: 826: 825: 820: 816: 811: 810:public domain 797: 795: 791: 779: 773: 769: 768: 760: 757: 745: 743:9780370302485 739: 735: 734: 726: 723: 720: 716: 710: 707: 704: 700: 697: 692: 689: 685: 684: 677: 674: 667: 663: 660: 659: 655: 650: 641: 636: 633: 627: 621: 616: 609: 604: 601: 595: 589: 584: 581: 577: 571: 566: 562: 558: 552: 547: 542: 536: 533: 530: 527: 524: 523: 519: 516: 515: 511: 508: 507: 503: 500: 497: 494: 491: 488: 485: 482: 479: 476: 473: 470: 469: 465: 462: 459: 456: 455: 451: 450: 445: 443: 441: 436: 434: 430: 425: 423: 419: 415: 410: 408: 404: 403:Pamela Gibson 400: 399:Loraine Wyman 396: 392: 388: 384: 379: 377: 373: 368: 366: 365:Madame Arthur 362: 358: 354: 353: 348: 344: 340: 339:Carnegie Hall 336: 330: 325: 323: 319: 315: 314:Sigmund Freud 311: 306: 304: 303:Félicien Rops 300: 299: 294: 290: 286: 280: 278: 274: 270: 266: 255: 250: 249:Joseph Granié 243: 239: 237: 233: 229: 224: 216: 214: 212: 208: 204: 199: 191: 182: 177: 172: 169:, 9 July 1932 168: 164: 160: 156: 137: 133: 130: 126: 122: 119: 118: 114: 110: 106: 104:Occupation(s) 102: 99: 96: 94:Resting place 92: 88: 84: 74: 70: 66: 62: 45: 41: 34: 29: 22: 19: 1048:Belle Époque 1043:Moulin Rouge 968:Find a Grave 947: 943: 922: 920: 908: 898: 892: 881: 862:. Retrieved 857: 848: 839: 833: 822: 781:. Retrieved 766: 759: 747:. Retrieved 732: 725: 709: 691: 681: 676: 625: 593: 579: 560: 557:Jules Chéret 534: 528: 520: 512: 504: 498: 492: 486: 480: 474: 466: 460: 452: 439: 437: 426: 421: 411: 394: 390: 386: 383:Belle Époque 380: 369: 357:Sacha Guitry 350: 347:F. W. Murnau 343:silent films 332: 327: 324:said of her 307: 296: 282: 273:Moulin Rouge 263:One evening 262: 232:Moulin Rouge 220: 211:Belle Époque 202: 189: 188: 166: 161:Awarded the 140:Max Schiller 117:Belle Époque 115: 87:Vichy France 77:(1944-02-03) 18: 988:1944 deaths 983:1865 births 649:Max Dungert 487:En zinc sec 446:Filmography 298:Pornocrates 285:long gloves 252: [ 977:Categories 783:4 February 719:1859958907 668:References 435:in Paris. 387:La Vedette 335:impresario 228:Montmartre 53:1865-01-20 950:(2): 1–5. 223:Printemps 217:Biography 174:Signature 699:Archived 656:See also 506:L'Argent 414:folklore 293:Kam-Hill 864:24 July 812::  749:31 July 543:Gallery 289:diseuse 265:Lautrec 230:at the 207:cabaret 201:; born 152:​ 144:​ 125:chanson 121:diseuse 806:  774:  740:  717:  628:, 1894 537:(1919) 501:(1929) 495:(1929) 489:(1931) 483:(1932) 477:(1932) 269:Xanrof 258:(1895) 158:Awards 135:Spouse 940:(PDF) 522:Faust 493:Bluff 352:Faust 277:rouge 256:] 146:( 142: 61:Paris 959:IMDb 866:2009 785:2014 772:ISBN 751:2022 738:ISBN 715:ISBN 596:1893 389:and 72:Died 43:Born 966:at 957:at 821:". 647:by 630:by 598:by 420:as 349:'s 247:by 165:as 979:: 948:15 946:. 942:. 856:. 793:^ 578:, 559:, 424:. 305:. 254:fr 213:. 148:m. 85:, 63:, 868:. 787:. 753:. 192:( 55:) 51:(

Index


Paris
Second French Empire
Aix-en-Provence
Vichy France
Père Lachaise Cemetery
Belle Époque
diseuse
chanson
Henri de Toulouse-Lautrec
Legion of Honor

[ivɛtgilbɛʁ]
cabaret
Belle Époque
Printemps
Montmartre
Moulin Rouge
William Rothenstein

Joseph Granié
fr
Lautrec
Xanrof
Moulin Rouge
rouge
long gloves
diseuse
Kam-Hill
Pornocrates

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