Knowledge (XXG)

Yen Shui-long

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Taipei City, and there he became a major figure in shaping the aesthetics of Taipei. Yen’s proposal of creating Dunhua North Road and Ren'ai Road as lush green boulevards, and the construction of the Ren'ai roundabout, was inspired by his experience of the Champs-ÉlysĂ©es in Paris during his youth, and at the beginning and end of this L-shaped road are now the Taipei Songshan Airport and the Presidential Office. This was designed in accordance with the expansion of Taipei Songshan Airport, and it enhanced Taipei’s role as the capital’s welcoming gateway. At the time, the project was criticized for wasting land, but time has proved that Yen’s vision was worthy. The road has been elected by citizens as the most beautiful road in Taipei City, and the lush trees lower the noise of the city and help with purifying the air, making it a popular place where many people go for both leisure and rest.
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reorganizing a project to revive the handicrafts of Taiwan. In 1955, the “Mutual Defense Treaty between the United States of America and the Republic of China” took effect, and this marked the beginning of “U.S. Aid.” Taiwan also received advice from United Nations Far East Handicrafts Advisory Committee, and in 1956, handicrafts expert, Mrs.E.Wills, was sent to Taiwan to provide guidance. The “Nantou District Handicrafts Research Group” was established in Caotun, Nantou, and the institution’s status was later elevated to that of a provincial institution, receiving the full support of the provincial government. This group became the present-day National Taiwan Craft Research and Development Institute. In terms of the revitalization of Taiwanese craft and the development of the rural economy, Yen was a key person who made significant contributions.
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SMOCA was popularly received. Between 1933 and 1944, apart from working in Osaka, Yen was also appointed by the Governor-General’s Office in Taiwan to return to Taiwan to promote craft art. In 1940, Yen established the “South-Asia Arts and Crafts Society” in the Beimen region of Xuejia, Tainan Prefecture, tutoring locals to create everyday objects using Shortleaf Galingale which they had planted themselves; such objects included mats, bags (also known as Ka-Tsi), shoes, and hats. Yen also revamped the Ka-Tsi to make a new style of handbag, which was exported to Japan and Mainland China, and which became immensely popular during wartime.
326:(關頌èČ). Among these works, the sunflower mural at the Tai Yeng Tang (ć€Șé™œć ‚) store in Taichung attracted controversy, and was accused of having political undertones; the work was covered up with a wooden board by the artist himself, to alleviate suspicion of his “pro-communist” tendencies, and to prevent the work from being torn down. The work was finally revealed once again, 25 years later in 1989; this work was also one of Yen’s favorite mosaic pieces. 294:
professor, and he retired in July 1949, following which he proceeded to work as the director of the design section at the Taiwan Province Craft Production Promotional Committee, continuing to dedicate his efforts to the promotion and production of handicrafts. At the same time, he was already a juror for the “Taiwan Provincial Fine Art Exhibition”, while he also continued to paint. In 1950, he released works featuring indigenous culture, including
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others, including Chang Wan-Chuan, Chen De-Wang, Fan Zhuo-Zao, Huang Ching-Cheng, Hung Rui-Lin, Lan Yun-Deng, and Hsieh Kuo-Yung. In 1942, at the age of 40, Yen married Jin Mao-Zhi, and the couple moved to Tainan two years later. The following year, Yen was appointed as an assistant professor at the Department of Architectural Engineering of Tainan Technical College (present-day
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By the time he was thirteen, both of Yen's parents, as well as his grandmother, had died. His older sister had married, so Yen had to take care of himself. After completing two years of training at the Tainan Teachers’ Training School (ć°ć—ć·žæ•™ć“Ąé€Šæˆæ‰€) in 1918, Yen was hired as the youngest schoolteacher at
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and his personal exhibitions. He worked long hours to prepare for a 1997 retrospective meant to celebrate his 95th birthday. While working, he slipped and fell in a bathroom, resulting in a bone fracture that required surgery. Yen died of surgical complications before work for the planned exhibition
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The works that Yen created during his middle age centered around craft art, and he established the “Tai-Yeng Art Association”(è‡șé™œçŸŽèĄ“ć”æœƒ), which included figures such as Yeng San-Lang and Liao Chi-Chun, in 1934 and 1937, respectively. Yen also founded the Taiwan Design Art Association, with a number of
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To make a living, in 1933 Yen began working in commercial design at SMOCA Co., Ltd, in Osaka. At the time, few people who entered the field of commercial design had a fine art background, thinking that advertisements were too profit-oriented. However, a toothpowder advertisement designed by Yen for
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Besides creating large-scale murals to embellish the environment, Yen Shuei-long also participated in landscape planning, with his most notable work being the boulevard on Taipei City’s Dunhua North and South roads. In 1970, Yen was invited by Taipei Mayor, Gao Yu-Shu, to serve as a consultant for
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when he was recovering from an illness in Cannes, and he was influenced by the decorative colors in Van Dongen’s works. In June of the same year, Liu Chi-Shiang and Yeng San-Lang traveled by ship to study in France, and Yen was there to greet them when they arrived at the port of Marseille. By the
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In 1954, the Joint Commission on Rural Reconstruction appointed Yen as the consultant for the Agricultural Economics Division, for which he was asked to conduct a comprehensive survey on the handicrafts of Taiwan; he also received funding to travel to Japan for research, collecting materials, and
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Aside from his advertisement designs, Yen Shui-long left behind many mosaic works. One of the most famous mosaics was his From Agricultural to Industrial Society at Jiantan Park. His work Sunflower can also be found on the walls of the Taiyang Tang Bakery in Taichung. In addition, Yen accepted a
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Yen also wrote “My Endeavors in Promoting Taiwan’s Handicraft” (1997), and “Taiwan’s Handicraft and Me: My Experience and Vision Having Worked for 40 Years in Crafts” (1978), both of which are accounts of his life’s work and are important texts on the development of Taiwan’s crafts. In 1984, Yen
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various revitalization proposals and holding handicrafts workshops in different counties and cities, teaching participants to make artificial flowers made with Chinese Rice Paper Plant (Tetrapanax papyrifer), embroidery, weaving, bamboo work, rattan work, and others. Yen also published the book
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retired from his teaching post at Shih Chien College of Home Economics (present-day Shih Chien University) and dedicated most of his time to painting. He also held several retrospective exhibitions. In 1986, he was awarded the Special Contribution Award during the 11th National Award for Arts.
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In 1951, Yen was appointed as the technical consultant of the Reconstruction Department of Taiwan Provincial Government, where he was responsible for guiding the development of Taiwanese handicrafts. To fulfill his post, he once again conducted research on handicrafts all over Taiwan, drafting
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With the regime change in 1945, the Taiwan Provincial Tainan Junior College of Technology was reformed and became the “Taiwan Provincial College of Engineering School,” and then two years later (1949) it became the “Taiwan Provincial Tainan Institute of Technology.” Yen remained appointed as a
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In 1922, Yen successfully enrolled in the Western Painting Department of the Tokyo Fine Arts School, through a combination of work and study, and there he became acquainted with fellow Taiwanese students in Japan, including Wang Bai-Yuan, Zhang Qiu-Mei, and Liao Chi-Chun. During this time, Yen
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In 1929, Yen began studying in France, thanks to financial support from Lin Hsien-Tang from Wufeng. On August 11th, 1930, Yen boarded the Trans-Siberian Railway and arrived in France on the 28thof the same month. During his time in France, Yen stayed at the Maison du Japon, which provided
306:. In 1953, the Reconstruction Department established the Handicrafts Display Room at the Provincial Industrial Research Institute on Zhongshan South Road of Taipei City, where he participated in both the displays and research activities. 290:ćœ‹ç«‹æˆćŠŸć€§ć­ž), teaching sketching and the history of art craft, dedicating his efforts to promoting Taiwanese craft. Yen also participated in the project of repairing Chikanlou, which was led by the then Tainan City mayor, Hatori Matao. 235:
By 1927, he entered graduate school at the same institute to study under Fujishima Takeji, Okada Saburousuke, and Wada Eisaku. He returned to Taiwan in 1929 and held a solo exhibition to raise funds for further studies in
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commission to help with the beautification of Taipei City landmarks such as Zhongshan Hall and the façade of the Sun Yat-sen Memorial Hall, which set a precedent for Taiwanese public art and landscape design.
538: 192:, folk craft researcher, and art educator, who spent most of his life researching and promoting Taiwanese handicrafts, as well as cultivating Taiwanese folk craft talents. Yen was born in Ensuikƍ Chƍ, 533: 318:
Most of the paintings that Yen created in his later years feature Taiwanese indigenous subject matter. In addition, from 1961 onwards, he created a series of mosaic murals, such as the 1961 work
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studied under the tutelage of Fujishima Takeji and Okada Saburosuke; both Fujishima Takeji’s rigorous painting style and the craft collection in the home of Okada made a deep impact on Yen.
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Yen is credited with laying the foundation for both modern crafts and modern art and design in Taiwan. He is also a pioneer in researching and depicting the indigenous culture of Taiwan.
204:, Taiwan), after 1950, Yan began focusing his works on both the indigenous people and scenery of Taiwan, manifesting his dedication to the land and culture of his home island. 157:
His commercial advertisements for Osaka Smoca Tooth Powder Company were later collected in a series that became a classic exemplar of Japanese advertising design in the 1930s.
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On September 24, 1997, Yen died at the age of 94 in Taichung Veterans General Hospital, following multiple organ failure. He is buried in his hometown, Tainan.
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October of 1932, because of his liver disease, Yen had spent all his savings, so he ended his student life in France and returned to Japan.
249: 298:. The female figures are always adorned in elaborate clothing and accessories, reflecting the beauty and dignity of indigenous culture. 33: 548: 287: 322:, which is on the outer wall of the sports stadium of the National Taiwan University of Sport, which was commissioned by 518: 498: 225: 193: 54: 220:. A fellow teacher convinced Yen to pursue art in Japan, and he subsequently enrolled in the Kaei Public School ( 261: 358: 410: 454: 513: 508: 354: 252:
and AcadĂšmie Art Moderne. In 1931, Yen was selected for the Salon d'Automne in France, with hisworks
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works after 1961. And he also created many art works that contain some motifs about
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From Agricultural to Industrial Society (ćŸžèŸČæ„­ç€Ÿæœƒćˆ°ć·„æ„­ç€Ÿæœƒ) (mosaics)
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accommodation for Japanese students, while he studied at the
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Academic staff of the National Taiwan University of Arts
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Academic staff of the National Cheng Kung University
482: 184:; 5 June 1903 – 24 September 1997) was a Taiwanese 153: 130: 97: 89: 70: 39: 21: 140:Author of Taiwan’s Arts and Crafts (è‡șçŁć·„è—) (book) 436:"Starting Out from 23.5°N : Chen Cheng-po" 8: 216:the public elementary school in present-day 110:Tainan Provincial Teachers’ Training School 18: 16:Taiwanese painter and sculptor (1903–1997) 361:). In his old age, Yen worked mainly on 544:Academic staff of Shih Chien University 383: 7: 554:Advertising artists and illustrators 14: 504:Taiwanese people of Hoklo descent 260:. Yen’s works were influenced by 559:20th-century Taiwanese educators 31: 529:Taiwanese expatriates in France 524:20th-century Taiwanese painters 250:AcadĂ©mie de la Grande ChaumiĂšre 440:chenchengpo.asdc.sinica.edu.tw 288:National Cheng Kung University 180: 1: 453:Lee, Vico (12 October 2003). 455:"Forging a pioneer's trail" 268:. In 1932, Yen met painter 575: 409:Han Cheung (29 May 2022). 314:Later Years and Retirement 266:Joseph Fernand Henri LĂ©ger 226:Tokyo School of Fine Arts 171: 116:Tokyo School of Fine Arts 30: 549:Taiwanese schoolteachers 304:Formosa Industrial Art 122:AcadĂ©mie d’Art Moderne 359:Shih Chien University 349:Yen made a series of 355:Taiwanese aborigines 341:Contributions to art 519:Artists from Tainan 499:Taiwanese sculptors 277:Middle School Years 258:Parc de Montsouris 105:Kaei Public School 228:two years later. 161: 160: 74:24 September 1997 566: 470: 469: 467: 465: 450: 444: 443: 432: 426: 425: 423: 421: 406: 400: 399: 388: 374:was completed. 218:Xiaying District 182: 173: 133: 77: 49: 47: 35: 19: 574: 573: 569: 568: 567: 565: 564: 563: 489: 488: 479: 474: 473: 463: 461: 452: 451: 447: 434: 433: 429: 419: 417: 408: 407: 403: 392:"Yen Shui-Long" 390: 389: 385: 380: 343: 316: 296:Aboriginal Girl 279: 270:Kees van Dongen 213: 194:Japanese Taiwan 149: 131: 126: 98:Alma mater 85: 79: 75: 66: 55:Japanese Taiwan 51: 45: 43: 26: 24: 17: 12: 11: 5: 572: 570: 562: 561: 556: 551: 546: 541: 536: 531: 526: 521: 516: 511: 506: 501: 491: 490: 487: 486: 478: 477:External links 475: 472: 471: 445: 427: 401: 382: 381: 379: 376: 342: 339: 324:Kwan Sung Sing 315: 312: 278: 275: 254:La Jeune Fille 242:Lin Hsien-tang 212: 209: 159: 158: 155: 151: 150: 148: 147: 142: 136: 134: 128: 127: 125: 124: 119: 112: 107: 101: 99: 95: 94: 91: 87: 86: 80: 78:(aged 94) 72: 68: 67: 52: 41: 37: 36: 28: 27: 22: 15: 13: 10: 9: 6: 4: 3: 2: 571: 560: 557: 555: 552: 550: 547: 545: 542: 540: 537: 535: 532: 530: 527: 525: 522: 520: 517: 515: 512: 510: 507: 505: 502: 500: 497: 496: 494: 484: 481: 480: 476: 460: 456: 449: 446: 441: 437: 431: 428: 416: 412: 405: 402: 397: 393: 387: 384: 377: 375: 372: 368: 364: 360: 356: 352: 347: 340: 338: 335: 331: 327: 325: 321: 313: 311: 307: 305: 299: 297: 291: 289: 283: 276: 274: 271: 267: 263: 262:Jean Marchand 259: 255: 251: 245: 243: 239: 233: 229: 227: 223: 219: 210: 208: 205: 203: 199: 195: 191: 187: 183: 177: 169: 165: 164:Yen Shui-long 156: 152: 146: 143: 141: 138: 137: 135: 129: 123: 120: 118: 117: 113: 111: 108: 106: 103: 102: 100: 96: 92: 88: 83: 73: 69: 64: 60: 56: 53:Ensuikƍ Chƍ, 42: 38: 34: 29: 23:Yen Shui-long 20: 462:. Retrieved 459:Taipei Times 458: 448: 439: 430: 418:. Retrieved 415:Taipei Times 414: 404: 395: 386: 348: 344: 336: 332: 328: 319: 317: 308: 303: 300: 295: 292: 284: 280: 257: 253: 246: 234: 230: 222:Kaei Kƍgakkƍ 221: 214: 206: 196:(modern-day 181:YĂĄn ShuǐlĂłng 179: 163: 162: 144: 139: 132:Notable work 121: 114: 109: 104: 76:(1997-09-24) 57:(modern-day 514:1997 deaths 509:1903 births 464:4 September 371:visual arts 90:Nationality 50:5 June 1903 493:Categories 378:References 351:mosaic art 211:Early life 46:1903-06-05 483:slyen.org 396:slyen.org 93:Taiwanese 65:, Taiwan) 369:, other 363:painting 190:sculptor 84:, Taiwan 82:Taichung 367:drawing 198:Xiaying 186:painter 168:Chinese 59:Xiaying 420:29 May 320:Sports 202:Tainan 178:: 176:pinyin 170:: 154:Awards 63:Tainan 238:Paris 466:2019 422:2022 264:and 256:and 188:and 71:Died 40:Born 172:éĄæ°ŽéŸ 25:éĄæ°ŽéŸ 495:: 457:. 438:. 413:. 394:. 365:, 244:. 200:, 174:; 61:, 468:. 442:. 424:. 398:. 166:( 48:) 44:(

Index


Japanese Taiwan
Xiaying
Tainan
Taichung
Tokyo School of Fine Arts
Chinese
pinyin
painter
sculptor
Japanese Taiwan
Xiaying
Tainan
Xiaying District
Tokyo School of Fine Arts
Paris
Lin Hsien-tang
Académie de la Grande ChaumiÚre
Jean Marchand
Joseph Fernand Henri LĂ©ger
Kees van Dongen
National Cheng Kung University
Kwan Sung Sing
mosaic art
Taiwanese aborigines
Shih Chien University
painting
drawing
visual arts
"Yen Shui-Long"

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