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excluded from the apprentice system of ceramic production. As a result, Futamura's work is both sculptural and functional, but emphasizes self-expression as a fundamental part of her artistic practice. The shift in gender roles occurred post-World War II, marking the development of independent female artists. As secondary education became more open to a wider audience, women were able to study ceramics through universities, rather than entering the apprenticeship system. While
Futamura's work in France may be read as indicating the importance of globalization within contemporary artistic practice, it is also important to indicate that her training occurred within a country with a long running history of ceramic arts produced by both men and women.
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Within the global art market, Futamura's work references both modern and classical themes in
Japanese ceramics. Her use of naturally occurring, organic textures are combined with traditional shapes, creating unique works of art. Her role within Japanese ceramics is also nontraditional, as women are
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Futamura's work is often inspired by nature, but reflects the natural kiln effects. The texture of her work may appear burned, crushed, creased, charred, or speckled with fine granules. Her materials, from porcelain to terracotta are used to create forms that often appear biomorphic, irregular and
108:. She was one of five leading female ceramic artists featured in a show at Joan Mirviss Gallery in NYC, entitled, "The French Connection: Five Japanese Women Ceramicists and a Passion for France”.
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almost sexual. In an interview, she mentioned that her work showcases the materiality of her medium, earth. Futamura's artwork can be read within the concept of
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from 1979–82, and is a graduate of the Centre
Artisanal de Ceramic de L’Ecole Duperre in Paris. Her work resides with the collection of the
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203:"The French Connection: Five Japanese Women Ceramists and Their Passion for France"
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255:"C'est Magnifique! Five Ceramists with a French Connection Exhibiting in NYC"
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is a
Japanese ceramic artist who has worked and lived in
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She studied in Japan at the School of
Ceramic Art in
229:"Understanding Contemporary Japanese Ceramics"
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282:"Bonnie B. Lee: Breaking The Ceramic Ceiling"
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286:Guernica / A Magazine of Art & Politics
208:. No. Summer 2012. Art of the Times
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234:. Harn Museum of Art
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