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You've Got to Walk It Like You Talk It or You'll Lose That Beat

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480:, is humorously greasy and lecherous; and the rest of the performers ham up their roles. But they all seem participants in a comedy revue. Use of silent movie titles, mock-melodramatic narration, soap-opera organ music and other stylistic gimmicks are amusing for a while, but it all suffers from chaotic excess. Locke includes anything for a laugh and doesn't seem to care where or how often he uses it, Consequently, the film moves in spurts of hilarity with too many lags between them. 476:), He is, however, less disciplined, less technically proficient, and less adept at introducing elements of "bad taste," without making them seem utterly vulgar. Zalman King, as the young man, mugs well, but otherwise walks blandly through a bland role. Suzette Green, as his girl, minus the mugging, does likewise. Allen Garfield, as a sort of contemporary 29: 455:
Low budget socially conscious comedy which is sometimes refreshingly hilarious, but more often flat and tasteless. Also, inadequate production values. ... Although some of the screwball dialog, preposterous sight gags and bit character roles are hilarious, the film suffers from a weak storyline,
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wrote: "It is a picture that leaves a dent on your consciousness because it goes out of its way to do so, but when you try to remember what it was about, ten minutes afterwards it has vanished, like something very wet poured on sand."
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to try to find meaning in his life. He meets an array of strange characters, his girlfriend becomes pregnant, and he gets mixed up with a gang of pickpockets. He marries his girlfriend and finds a job in advertising on
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said: "This film's satire never touches reality in an effective enough way for it to hit its marks. enough way for it to hit its marks. There just isn't enough bite and where there is, it is generally misplaced."
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in 1977, Walter Becker said of the film: "It was underbudgeted, which means that some of the exposures didn’t match some of the others so you could tell where the new pieces and the old pieces were".
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wrote that the film: "projects lots of walking and talking but precious little heartfelt beat, despite its willing cast and a plethora of sight gags and surface philosophies."
633: 910: 357:, the music is credited to "Walter Becker, Donald Fagin and Billy Cunningham" but Cunningham's involvement is not reflected in any published album credits. 594: 456:
comic situations that are overdone and tasteless, sloppy editing and color, and camerawork that is too often blurred and shaky. These negative factors give
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Ann Guarino wrote: "Masquerading as satire, the comedy as written, produced and directed by 27-year-old Peter Locke, is sophomoric and absolutely dull."
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little chance of b.o. success. It may, however, have some appeal to New Yorkers, youth audiences, and devout followers of Robert Downey (director of
786: 895: 905: 900: 687: 265:. But Fields is one of life's losers: he's fired for incompetence, and his wife deserts him. He returns to Central Park with his child. 466:) who has a cameo role. In fact, it appears that Locke has been significantly influenced by Downey's brand of comedy, and that of 890: 870: 505: 540: 345: 28: 565: 310: 199: 42: 823: 751: 885: 771: 496: 486: 742: 447: 439: 353: 865: 292: 82: 419:
The film was shot entirely on location in New York City. In an interview on the Los Angeles
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Winsten, Archer (20 September 1971). "'Walk It, Talk It' has Double Debut".
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as "A mishmash of intent and execution and too annoyingly clumsy to watch."
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Marty Kupersmith – lead vocals ("You Gotta Walk It Like You Talk It")
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The film is notable for early-career appearances by several artists:
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and credited to "The Original Soundtrack", was released in 1971 on
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Kenny Vance – lead vocals ("Roll Back The Meaning", "If It Rains")
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You've Got to Walk It Like You Talk It or You'll Lose That Beat
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The film is considered lost, although the soundtrack survives.
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You've Got to Walk It Like You Talk It or You'll Lose That Beat
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You've Got to Walk It Like You Talk It or You'll Lose That Beat
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Young idealistic hippie Carter Fields visits New York City's
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has a small role playing his signature "wino" character;
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Guarino, Ann (20 September 1971). "Saga of a Loser".
179: 171: 161: 138: 130: 112: 102: 66: 56: 48: 38: 21: 395:Donald Fagen – keyboards, vocals, arrangements 16:1971 comedy-drama film directed by Peter Locke 401:– guitar, percussion (credited as Denny Diaz) 8: 392:Walter Becker – guitar, bass, arrangements 319:Peter Locke as shoe thief / purse snatcher 229:made his professional debut as the film's 27: 18: 628: 626: 570:British Film Institute Collections Search 351:In a contemporary review of the film in 532: 367:"War And Peace" (John Discepolo, 1:33) 681: 679: 7: 611:from the original on August 31, 2015 911:English-language comedy-drama films 382:"If It Rains" (Becker, Fagen, 6:52) 376:"Dog Eat Dog" (Becker, Fagen, 3:36) 686:Weiler, A.H. (20 September 1971). 340:The soundtrack album, produced by 14: 1: 325:Ruth Locke as Carter's mother 206:. The story concerns a young 896:1970s English-language films 816:The Independent Film Journal 506:The Independent Film Journal 274:Zalman King as Carter Fields 147:September 19, 1971 906:American comedy-drama films 750:(3): 26. 1 September 1971. 316:Stan Gottlieb as Fallestrio 927: 901:Films set in New York City 495:The film is described by 26: 458:You've Got To Walk It... 322:Daisy Locke as old woman 891:1971 comedy-drama films 822:(7). 2 September 1971. 713:"Radio Free Steely Dan" 545:American Film Institute 301:as singer in men's room 116:The Original Soundtrack 482: 404:John Discepolo – drums 277:Suzette Green as Susan 241:, who went on to form 33:Soundtrack album cover 830:– via ProQuest. 758:– via ProQuest. 717:The Steely Dan Reader 453: 424:Captain Midnight Show 194:is a 1971 low-budget 593:(October 13, 1994). 295:as head of ad agency 692:The New York Times 440:The New York Times 430:Critical reception 354:The New York Times 210:and his search in 843:The New York Post 293:Robert Downey Sr. 198:film directed by 187: 186: 83:Robert Downey Sr. 918: 847: 846: 838: 832: 831: 808: 802: 801: 799: 797: 783: 777: 776: 766: 760: 759: 734: 728: 727: 725: 723: 709: 703: 702: 700: 698: 683: 674: 673: 671: 669: 655: 649: 648: 646: 644: 630: 621: 620: 618: 616: 587: 581: 580: 578: 576: 562: 556: 555: 553: 551: 537: 484:In the New York 329:Billy Cunningham 154: 152: 31: 19: 926: 925: 921: 920: 919: 917: 916: 915: 876: 875: 856: 851: 850: 840: 839: 835: 810: 809: 805: 795: 793: 785: 784: 780: 768: 767: 763: 736: 735: 731: 721: 719: 711: 710: 706: 696: 694: 685: 684: 677: 667: 665: 663:Lost Media Wiki 657: 656: 652: 642: 640: 632: 631: 624: 614: 612: 589: 588: 584: 574: 572: 564: 563: 559: 549: 547: 539: 538: 534: 529: 432: 417: 389: 338: 307:as girl in park 271: 254: 216:meaning of life 164: 157: 150: 148: 141: 134:J.E.R. 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Weiler 342:Kenny Vance 331:as fat lady 204:Zalman King 200:Peter Locke 92:Daisy Locke 71:Zalman King 57:Produced by 52:Peter Locke 43:Peter Locke 39:Directed by 886:1971 films 880:Categories 828:1286230592 756:1032450685 615:August 31, 550:2 December 527:References 488:Daily News 421:KPFK Radio 415:Production 399:Denny Dias 348:(SPA-02). 336:Soundtrack 299:Liz Torres 243:Steely Dan 227:Wes Craven 167:85 minutes 151:1971-09-19 107:Wes Craven 87:Liz Torres 49:Written by 575:5 January 387:Personnel 305:Roz Kelly 103:Edited by 95:Roz Kelly 824:ProQuest 791:TV Guide 752:ProQuest 609:Archived 605:New York 498:TV Guide 313:as Erica 214:for the 180:Language 113:Music by 67:Starring 743:Variety 638:Discogs 600:Newsday 516:in the 473:Hi Mom! 448:Variety 289:as wino 183:English 172:Country 149: ( 826:  754:  451:wrote: 231:editor 208:hippie 845:: 12. 775:: 44. 478:Fagin 866:IMDb 798:2023 724:2023 699:2023 670:2023 645:2023 617:2015 577:2024 552:2023 269:Cast 252:Plot 237:and 864:at 748:264 437:in 175:USA 882:: 820:68 818:. 814:. 789:. 746:. 740:. 715:. 690:. 678:^ 661:. 636:. 625:^ 607:. 603:. 597:. 568:. 543:. 245:. 218:. 800:. 726:. 701:. 672:. 647:. 619:. 579:. 554:. 470:( 153:) 126:) 118:(

Index


Peter Locke
Zalman King
Richard Pryor
Allen Garfield
Robert Downey Sr.
Liz Torres
Roz Kelly
Wes Craven
Walter Becker
Donald Fagen
comedy-drama
Peter Locke
Zalman King
hippie
New York City
meaning of life
Richard Pryor
Wes Craven
editor
Walter Becker
Donald Fagen
Steely Dan
Central Park
Madison Avenue
Allen Garfield
Richard Pryor
Robert Downey Sr.
Liz Torres
Roz Kelly

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