Knowledge

Young Man in America

Source 📝

234:, Mitchell has stated that the album was "influenced by the recession", and that many of the lyrics allude to the loss of certainty and the old ways in modern-day America: "There's a feeling that the American is something of an orphan, that we can't trust we're going to be taken care of". Many of the tracks tell stories related to children and parenting, and Mitchell told 518: 480: 344: 513: 508: 503: 498: 475: 470: 465: 460: 418: 413: 408: 403: 398: 382: 377: 372: 367: 362: 339: 334: 329: 324: 541:
was convinced that "with Young Man In America, Anaïs Mitchell has created her second consecutive masterpiece" and feeling that while "there's a deep sense of sadness permeating through the album", the result was that "none of this is depressing or maudlin though... there's a warm, comfortable feeling
579:
with great success, saying "Narrowing her scope without lowering her ambition, Mitchell delivers a more traditional collection of singer-songwriter tracks, and does so without any marked drop in quality from its incredible predecessor": by the end it has "become perfectly clear that Mitchell has
570:
noted the themes touched on by the album, saying "She transforms her surveys of her country's belligerence and social irresponsibility into powerful rituals smeared with blood and dirt. Certain themes recur: the mother as shelterer, the father as shepherd, both vulnerable, both imposing fearful
31: 243:
The track "Shepherd" was based on a short story written by her father Don, who was a novelist before he became a university professor. The album's front cover features a photograph of him at the age of 30, the same age as his daughter Anaïs when she made the album.
1120: 537:'s online music review described it as "a modern folk record that snaps and sparkles with energy, daring to take on some formidable themes in the process... a marvel of a record from start to finish". 580:
created a deeply affecting album which preserves everything that was so marvelous about her beloved folk-opera, and ultimately performs a very handsome job of keeping out of its vast shadow".
564:
is born from sorrow, suffering, shattered dreams and incendiary youth 'waiting on oblivion', yet it's one of the most life-affirming musical journeys you'll have all year". British newspaper
556:
was "more intimate and accessible than its predecessor" and that "Mitchell's songs are never whimsical, sentimental, or light... the results are consistently immersive and rich".
1105: 655: 692: 1033: 764: 1247: 648: 1252: 752: 843: 879: 641: 1179: 817: 727: 1071: 1257: 204:, released on Wilderland Records in the UK on February 13, 2012, and in the US on February 28, 2012. It is a 909: 745: 180: 968: 548:
said the album was "equally magical and rewarding" , and "marks her out as a true American original".
1242: 699: 217: 914: 240:
magazine that she was conscious of having reached the age of 30 without yet becoming a parent.
1222: 713: 675: 664: 230: 201: 162: 149: 43: 1041: 949: 572: 529: 489: 304: 236: 30: 1045: 1187: 1115: 549: 427: 353: 213: 142: 137: 1146: 706: 1236: 127: 1217: 1080: 800: 566: 544: 451: 315: 116: 77: 973: 887: 557: 439: 271: 205: 85: 1008: 954: 837: 534: 294: 1000: 228:
Although the album does not tell a specific story like her previous album
1154: 538: 390: 209: 90: 588:
All songs written and composed by Anaïs Mitchell, except where noted.
527:
The album gained wide critical acclaim upon its release. In the UK
38: 633: 637: 533:
magazine called it a "remarkable, genre-defying album" and the
782: 575:
was impressed that the album followed up the highly acclaimed
200:
is the fifth studio album by American singer-songwriter
829: 810: 792: 774: 737: 684: 148: 136: 115: 99: 76: 50: 37: 23: 1104: 649: 8: 1173: 1171: 873: 871: 869: 867: 865: 495: 457: 395: 359: 321: 1140: 1138: 1119:. London, England: Independent Print Ltd. 1065: 1063: 656: 642: 634: 251: 29: 20: 943:Spencer, Neil. "Review: Anaïs Mitchell – 1221:. No. March 2012. London, England: 969:"YOUNG MAN IN AMERICA by Anaïs Mitchell" 953:. No. March 2012. London, England: 1211:Kane, Peter. "Review: Anaïs Mitchell – 938: 936: 934: 932: 861: 18:2012 studio album by Anaïs Mitchell 1032:Warfield, Russell (February 7, 2012). 910:"Anais Mitchell: Young Man In America" 1027: 1025: 994: 992: 280: 257: 7: 1206: 1204: 693:The Song They Sang... When Rome Fell 1103:Coleman, Nick (February 12, 2012). 999:Skinner, James (January 30, 2012). 14: 1178:Zoladz, Lindsay (April 4, 2012). 1070:Costa, Maddy (February 9, 2012). 908:Ham, Robert (February 28, 2012). 765:Keep Me on Your Mind/See You Free 612:(Anaïs Mitchell, Todd Sickafoose) 497: 459: 397: 361: 323: 1123:from the original on May 7, 2022 516: 511: 506: 501: 496: 478: 473: 468: 463: 458: 416: 411: 406: 401: 396: 380: 375: 370: 365: 360: 342: 337: 332: 327: 322: 878:James, Matt (March 16, 2012). 622:(Anaïs Mitchell, Don Mitchell) 1: 595:"Young Man in America" – 5:31 64:February 28, 2012 54:February 13, 2012 1274: 1180:"Review: Anaïs Mitchell – 1147:"Review: Anaïs Mitchell – 1106:"Review: Anaïs Mitchell – 1072:"Review: Anaïs Mitchell – 1034:"Review: Anaïs Mitchell – 1001:"Review: Anaïs Mitchell – 880:"Review: Anaïs Mitchell – 542:to each of the 11 songs". 671: 627:"You Are Forgiven" – 4:14 288: 285: 265: 262: 156: 28: 212:album with elements of 1248:Anaïs Mitchell albums 1253:Thirty Tigers albums 1213:Young Man in America 1182:Young Man in America 1149:Young Man in America 1108:Young Man in America 1074:Young Man in America 1048:on February 10, 2012 1036:Young Man in America 1003:Young Man in America 945:Young Man in America 882:Young Man in America 844:Bonny Light Horseman 753:Bonny Light Horseman 738:Collaborative albums 721:Young Man in America 700:Hymns for the Exiled 598:"Coming Down" – 3:06 562:Young Man in America 554:Young Man in America 253:Professional ratings 197:Young Man in America 172:Young Man in America 24:Young Man in America 915:American Songwriter 759:Rolling Golden Holy 592:"Wilderland" – 3:08 254: 775:Compilation albums 601:"Dyin' Day" – 3:07 252: 1223:Bauer Media Group 1084:. London, England 852: 851: 623: 613: 525: 524: 193: 192: 189: 188: 1265: 1227: 1226: 1208: 1199: 1198: 1196: 1194: 1175: 1166: 1165: 1163: 1161: 1142: 1133: 1132: 1130: 1128: 1112: 1100: 1094: 1093: 1091: 1089: 1067: 1058: 1057: 1055: 1053: 1044:. Archived from 1042:Drowned in Sound 1029: 1020: 1019: 1017: 1015: 996: 987: 986: 984: 982: 977:. metacritic.com 965: 959: 958: 940: 927: 926: 924: 922: 905: 899: 898: 896: 894: 875: 830:Related articles 658: 651: 644: 635: 621: 611: 573:Drowned in Sound 521: 520: 519: 515: 514: 510: 509: 505: 504: 500: 499: 483: 482: 481: 477: 476: 472: 471: 467: 466: 462: 461: 421: 420: 419: 415: 414: 410: 409: 405: 404: 400: 399: 385: 384: 383: 379: 378: 374: 373: 369: 368: 364: 363: 347: 346: 345: 341: 340: 336: 335: 331: 330: 326: 325: 305:Drowned in Sound 258:Aggregate scores 255: 218:New Orleans jazz 158: 157: 111: 110: 106: 71: 69: 61: 59: 33: 21: 1273: 1272: 1268: 1267: 1266: 1264: 1263: 1262: 1258:Folk-pop albums 1233: 1232: 1231: 1230: 1210: 1209: 1202: 1192: 1190: 1188:Pitchfork Media 1177: 1176: 1169: 1159: 1157: 1144: 1143: 1136: 1126: 1124: 1116:The Independent 1102: 1101: 1097: 1087: 1085: 1069: 1068: 1061: 1051: 1049: 1031: 1030: 1023: 1013: 1011: 998: 997: 990: 980: 978: 967: 966: 962: 942: 941: 930: 920: 918: 907: 906: 902: 892: 890: 877: 876: 863: 858: 853: 848: 825: 821:cast recordings 806: 788: 770: 733: 680: 667: 662: 617:"Tailor" – 3:46 607:"He Did" – 4:05 586: 560:view was that " 517: 512: 507: 502: 479: 474: 469: 464: 417: 412: 407: 402: 381: 376: 371: 366: 354:The Independent 343: 338: 333: 328: 299:very favourable 250: 226: 184: 175: 166: 143:Todd Sickafoose 132: 108: 104: 103: 95: 67: 65: 63: 57: 55: 46: 19: 12: 11: 5: 1271: 1269: 1261: 1260: 1255: 1250: 1245: 1235: 1234: 1229: 1228: 1225:. p. 106. 1200: 1167: 1145:Murphy, John. 1134: 1095: 1059: 1021: 988: 960: 928: 900: 860: 859: 857: 854: 850: 849: 847: 846: 841: 833: 831: 827: 826: 824: 823: 814: 812: 808: 807: 805: 804: 796: 794: 790: 789: 787: 786: 778: 776: 772: 771: 769: 768: 761: 756: 749: 741: 739: 735: 734: 732: 731: 728:Anaïs Mitchell 724: 717: 710: 707:The Brightness 703: 696: 688: 686: 682: 681: 679: 678: 672: 669: 668: 665:Anaïs Mitchell 663: 661: 660: 653: 646: 638: 632: 631: 630:"Ships" – 6:25 628: 625: 618: 615: 608: 605: 604:"Venus" – 2:21 602: 599: 596: 593: 585: 582: 552:believed that 523: 522: 493: 485: 484: 455: 447: 446: 443: 435: 434: 431: 423: 422: 393: 387: 386: 357: 349: 348: 319: 311: 310: 307: 301: 300: 297: 291: 290: 287: 283: 282: 278: 277: 274: 268: 267: 264: 260: 259: 249: 246: 225: 222: 202:Anaïs Mitchell 191: 190: 187: 186: 177: 168: 154: 153: 150:Anaïs Mitchell 146: 145: 140: 134: 133: 131: 130: 125: 121: 119: 113: 112: 101: 97: 96: 94: 93: 88: 82: 80: 74: 73: 52: 48: 47: 44:Anaïs Mitchell 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 1270: 1259: 1256: 1254: 1251: 1249: 1246: 1244: 1241: 1240: 1238: 1224: 1220: 1219: 1214: 1207: 1205: 1201: 1193:September 12, 1189: 1185: 1183: 1174: 1172: 1168: 1160:September 12, 1156: 1152: 1150: 1141: 1139: 1135: 1122: 1118: 1117: 1111: 1109: 1099: 1096: 1083: 1082: 1077: 1075: 1066: 1064: 1060: 1047: 1043: 1039: 1037: 1028: 1026: 1022: 1010: 1006: 1004: 995: 993: 989: 976: 975: 970: 964: 961: 957:. p. 86. 956: 952: 951: 946: 939: 937: 935: 933: 929: 917: 916: 911: 904: 901: 893:September 12, 889: 885: 883: 874: 872: 870: 868: 866: 862: 855: 845: 842: 840: 839: 835: 834: 832: 828: 822: 820: 816: 815: 813: 809: 803: 802: 798: 797: 795: 791: 785: 784: 780: 779: 777: 773: 767: 766: 762: 760: 757: 755: 754: 750: 748: 747: 746:Child Ballads 743: 742: 740: 736: 730: 729: 725: 723: 722: 718: 716: 715: 711: 709: 708: 704: 702: 701: 697: 695: 694: 690: 689: 687: 685:Studio albums 683: 677: 674: 673: 670: 666: 659: 654: 652: 647: 645: 640: 639: 636: 629: 626: 619: 616: 609: 606: 603: 600: 597: 594: 591: 590: 589: 584:Track listing 583: 581: 578: 574: 569: 568: 563: 559: 555: 551: 547: 546: 540: 536: 532: 531: 494: 492: 491: 487: 486: 456: 454: 453: 449: 448: 444: 442: 441: 437: 436: 432: 430: 429: 425: 424: 394: 392: 389: 388: 358: 356: 355: 351: 350: 320: 318: 317: 313: 312: 308: 306: 303: 302: 298: 296: 293: 292: 284: 281:Review scores 279: 275: 273: 270: 269: 261: 256: 247: 245: 241: 239: 238: 233: 232: 223: 221: 219: 215: 211: 207: 203: 199: 198: 183: 182: 181:Child Ballads 178: 174: 173: 169: 165: 164: 160: 159: 155: 151: 147: 144: 141: 139: 135: 129: 128:Thirty Tigers 126: 123: 122: 120: 118: 114: 102: 98: 92: 89: 87: 84: 83: 81: 79: 75: 53: 49: 45: 40: 36: 32: 27: 22: 16: 1216: 1212: 1191:. Retrieved 1181: 1158:. Retrieved 1148: 1127:February 14, 1125:. Retrieved 1114: 1107: 1098: 1088:February 14, 1086:. Retrieved 1081:The Guardian 1079: 1073: 1052:February 14, 1050:. Retrieved 1046:the original 1035: 1014:February 14, 1012:. Retrieved 1002: 979:. Retrieved 972: 963: 948: 944: 921:February 10, 919:. Retrieved 913: 903: 891:. Retrieved 881: 836: 818: 801:Country E.P. 799: 781: 763: 758: 751: 744: 726: 720: 719: 712: 705: 698: 691: 587: 576: 567:The Guardian 565: 561: 553: 543: 528: 526: 488: 450: 438: 426: 352: 316:The Guardian 314: 242: 235: 229: 227: 196: 195: 194: 179: 171: 170: 161: 39:Studio album 15: 1243:2012 albums 811:Cast albums 676:Discography 620:"Shepherd" 610:"Annmarie" 571:legacies." 1237:Categories 974:Metacritic 888:PopMatters 856:References 558:PopMatters 440:PopMatters 272:Metacritic 152:chronology 124:Wilderland 68:2012-02-28 58:2012-02-13 1009:BBC Music 955:IPC Media 838:Hadestown 819:Hadestown 714:Hadestown 577:Hadestown 550:Pitchfork 428:Pitchfork 295:BBC Music 248:Reception 231:Hadestown 214:bluegrass 163:Hadestown 1155:MusicOMH 1121:Archived 539:MusicOMH 391:MusicOMH 210:folk-pop 138:Producer 91:folk-pop 51:Released 41: by 981:May 29, 185:(2013) 176:(2012) 167:(2010) 66: ( 56: ( 624:– 5:33 614:– 4:11 433:7.8/10 289:Rating 286:Source 276:86/100 266:Rating 263:Source 224:Themes 100:Length 950:Uncut 530:Uncut 490:Uncut 237:Uncut 117:Label 78:Genre 1195:2012 1162:2012 1129:2012 1090:2012 1054:2012 1016:2012 983:2018 923:2022 895:2012 445:8/10 309:8/10 216:and 208:and 206:folk 86:Folk 72:(US) 62:(UK) 1215:". 947:". 793:EPs 783:Xoa 535:BBC 1239:: 1203:^ 1186:. 1170:^ 1153:. 1137:^ 1113:. 1078:. 1062:^ 1040:. 1024:^ 1007:. 991:^ 971:. 931:^ 912:. 886:. 864:^ 220:. 109:27 105:45 1218:Q 1197:. 1184:" 1164:. 1151:" 1131:. 1110:" 1092:. 1076:" 1056:. 1038:" 1018:. 1005:" 985:. 925:. 897:. 884:" 657:e 650:t 643:v 545:Q 452:Q 107:: 70:) 60:)

Index


Studio album
Anaïs Mitchell
Genre
Folk
folk-pop
Label
Thirty Tigers
Producer
Todd Sickafoose
Anaïs Mitchell
Hadestown
Child Ballads
Anaïs Mitchell
folk
folk-pop
bluegrass
New Orleans jazz
Hadestown
Uncut
Metacritic
BBC Music
Drowned in Sound
The Guardian
The Independent
MusicOMH
Pitchfork
PopMatters
Q
Uncut

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.