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Residency programme in 2010, does away with the actors and is translated through space and texts from the play. Her next project, 'Propositions: On text and Space II', a light and text installation, based on texts from Roland Schimmelpfennig's play 'Before/Afterwards', opened at Project 88, Mumbai, in collaboration with Max Mueller Bhavan, Mumbai in 2011. Devoid of any performers, the installation of the play, investigates the nature of narrative in text, sound, space and light.
86:'s short story, On Seeing the 100% Perfect Girl One Beautiful April Morning, presented in 2008 at Khoj Studios, New Delhi and different theatre festivals and at Essl Museum, Vienna in 2010. Set in three rooms at Khoj Studios, New Delhi, this performance required the audience to move with the actors. Chaudhuri explains about this unique performance, "When the performance and audience move – the text gets fragmented. I wanted to explore that connection."
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Her experiments with space and narrative widely informs her works. Her work investigates the nature of performance in itself and explores the relationship between the text and the performer, between the performer and space, and the role of the spectator in the performative experience. She describes
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Chaudhuri's later work consisted of installations developed from her stage productions. Her next project, 'Propositions: On text and Space', a take-off from her earlier stage production, 'Some Stage
Directions for Henrik Ibsen's John Gabriel Borkman', developed in collaboration with Khoj Studios'
67:'s Arabian Night', an experimental site-specific installation and performance supported by Max Mueller Bhavan in association with Khoj International Artists' Association. The production opened in Khoj Studios, New Delhi, in 2006 and was presented again in Seoul Performing Arts Festival,
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Her latest project, 'Seen at
Secunderabad', in collaboration with Raqs Media Collective, was a multi-media performance that attempted to deconstruct a photograph taken by colonial war photographer Felice Beato in 1857. The project premiered in Kunstenfestivaldesarts, Brussels in 2011.
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her works as "an exploration of space and the role that space plays in the construction and experience of narratives – whether it is the space of the human body, or the space of the place within which the performance is happening." Her first major theatre production was '
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She continued this style of site-specific installation and performance art with her next project, 'On Seeing', based on
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Chaudhuri's project 'Some Stage
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Chaudhari majored in
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Zuleikha
Chaudhuri during the Hans Ulrich Obrist Khoj Marathon, 2011.
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is a theatre director and lighting designer based in New Delhi and
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On Seeing the 100% Perfect Girl One
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