417:. Brokenhearted that he has not been transferred, Zama runs afoul of the new Governor when the Governor learns that one of the employees, whom Zama would prefer to protect, is writing a book while at work. The Governor orders Zama to read the book and issue a full report. Reluctantly Zama agrees. After he writes a damning report the Governor agrees to write a first letter of recommendation, revealing that the king always ignores first requests and a second one will take another 1–2 years to make its way to the king.
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him. At work, he comes into conflict with an assistant magistrate, Ventura Prieto, when the latter objects to the enslavement of indigenous people. The conflict is exacerbated by the discovery that Prieto has had more success with
Luciana than he. After the two come to blows, the governor deports the junior functionary — to Lerma.
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to be "a new peak in her work, a film with a visual and sound complexity that is out of the norm in contemporary cinema, capable of breaking with narrative linearity to go in search of a colonial past that can only be imagined in a fragmentary way, as one who explores his identity in the remnants of
424:
Later, the men are captured by an indigenous tribe, who ultimately release them. The bedraggled survivors are nearing home, but the captain tells Zama they cannot return without Vicuña Porto, prompting Zama to reveal Vicuña Porto's identity. Porto, however, retains the loyalties of the remainder of
409:
The town is plagued by rumours of the feats of Vicuña Porto, a man who robs and rapes at will and who others are always claiming to have met and defeated. Uninterested by the gossip, Zama spends his time trying to seduce the wealthy, married
Spanish noblewoman Luciana Piñares de Luenga, who rebuffs
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was "work of art that requires an attentive, patient and open viewer", feeling that "it is admired since the first shot but it begins to be better appreciated later, when the fascination for the beauty of the images and the intensity of the sounds leave room in the viewer for a connection with the
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Defeated, Zama grows a beard and agrees to join a party of men looking to hunt down and kill Vicuña Porto. In the middle of the night Zama wakes to find the horses being stolen and has a conversation with one of the men in his group, who volunteers that he is Vicuña Porto.
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received universal acclaim from the
Argentine press. On the Argentine website Todas Las Críticas, which collects local reviews, the film has an average rating of 82 out of 100 and an approval rating of 88%, based on 41 reviews. Luciano Monteagudo of
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mentioned in
Ventura's book). When Zama tells them no such riches exist, they cut off his hands. Zama manages to survive but his future is uncertain as he awakes with no hands on a raft, having been rescued by an indigenous man and child.
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first announcing her attachment to the film in 2012. The film was rumoured to begin filming by 2014, but a still was released in May 2015 shortly after filming actually began. The film then spent two years in post-production after
538:, another review aggregator, assigned the film a weighted average score of 88 out of 100, based on 23 critics, indicating "universal acclaim". Following its screening at the Toronto International Film Festival,
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the group, and his men tie up Zama and the captain. The men kill the captain and let Zama live as they believe he has information about hidden jewels that will make them rich (actually some worthless
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s Pablo O. Scholz, who called it "an invitation to the senses, a film that floods, overflows in more than one meaning" and a "captivating experience." Writing for
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551:, despite its setting, isn’t such a radical departure for Martel; it preserves her talent for tracking an individual through chaotic social spheres".
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frustration experienced by its protagonist". Writing for Otros Cines, Diego Batlle gave the film the highest rating and compared it to the works of
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the film has an approval rating of 95% based on 85 reviews, with an average rating of 8.3/10. The website's critical consensus states, "
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Zama learns that the governor, who had been promising to recommend his transfer, is being transferred himself by order of the
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named the film the best film of the decade as voted on by
Canadian journalists, critics, and historians.
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1059:"Jake Gyllenhaal's Boston Marathon bombing film isn't too bad, and other surprises at Toronto"
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534:— and satisfyingly ends a long wait between projects from writer-director Lucrecia Martel."
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975:"How Pedro Almódovar Pushed Argentina's Greatest Filmmaker to Make Her Best Movie Ever"
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learned she had cancer and she struggled to maintain her health and complete the film.
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806:"Aaron Sorkin, Brie Larson, Louis CK Movies Added to Toronto Film Festival Lineup"
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List of
Argentine submissions for the Academy Award for Best Foreign Language Film
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In the late 18th century Don Diego de Zama is a magistrate in a remote outpost in
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around 1984, but was never completed. It was later to be featured in the 2018
402:. His wife and children are far away and he longs to be assigned to a post in
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List of submissions to the 90th
Academy Awards for Best Foreign Language Film
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La Película
Infinita (The Endless Film) — maysles documentary center
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1175:"Zama: una obra de arte que recompensa con creces al espectador"
862:"Oscars: Argentina Selects 'Zama' for Foreign-Language Category"
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1821:
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931:"First Look At Lucrecia Martel's 'Zama' As Production Begins"
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offers a series of scathingly insightful observations about
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what is called
History." An enthusiastic review came from
841:(in Spanish). Editorial La Página S.A. September 29, 2017
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in a poll organized in 2022 by the specialized magazines
1231:"Toronto Film Festival Ranks Best Movies of the Decade"
953:"Cannes: Lucrecia Martel Rolls on 'Zama' (EXCLUSIVE)"
349:
Argentine
Academy of Cinematography Arts and Sciences
343:. It was also screened in the Masters section at the
1282:"Men, Women, Cinema — No Longer the Same Old Story"
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1204:"Crítica de "Zama" + Entrevista a Lucrecia Martel"
625:, listed the film as one of his ten votes for the
547:s A.A. Dowd gave the film a B+ grade and wrote: "
629:2022 poll for the greatest films of all time.
1922:
1833:
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1173:Mugica, María Fernanda (September 28, 2017).
514:received widespread acclaim from critics. On
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494:The film had a slow production process with
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1115:Monteagudo, Luciano (September 28, 2017).
565:praised Martel's direction and considered
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2540:Silver Condor Award for Best Film winners
749:"Cannes: Lucrecia Martel Rolls on 'Zama'"
388:Mar del Plata International Film Festival
351:chose the film as the national entry for
473:began attempting a filmed adaptation of
345:2017 Toronto International Film Festival
1144:Scholz, Pablo O. (September 27, 2017).
675:
341:74th Venice International Film Festival
372:19th greatest film of Argentine cinema
2142:El romance del Aniceto y la Francisca
1280:Dargis, Manohla (15 September 2017).
860:Mango, Agustin (September 29, 2017).
318:
7:
1229:Vlessing, Etan (November 27, 2019).
1202:Batlle, Diego (September 25, 2017).
585:, María Fernanda Mugica stated that
406:, a change he believes is imminent.
2480:El patrón: radiografía de un crimen
929:Jagernauth, Kevin (May 20, 2015).
25:
2550:Films directed by Lucrecia Martel
1938:Silver Condor Award for Best Film
1057:Dowd, A.A. (September 12, 2017).
1453:Yesterday's Guys Used No Arsenic
973:Kohn, Eric (November 21, 2017).
639:
370:In 2022, it was selected as the
1401:Best International Feature Film
897:Encuesta de cine argentino 2022
804:Pond, Steve (August 15, 2017).
747:Hopewell, John (May 20, 2015).
655:List of films featuring slavery
2282:Últimas imágenes del naufragio
1:
2560:Films set in the 18th century
2202:Las Venganzas de Beto Sánchez
1117:"Exiliado en su subjetividad"
554:Upon its theatrical release,
386:, which was presented at the
2545:2010s Spanish-language films
448:as Luciana Piñares de Luenga
347:. On 29 September 2017, the
2344:Pizza, Beer, and Cigarettes
2250:Tangos, the Exile of Gardel
1509:Tangos, the Exile of Gardel
1146:""Zama": Sí, es cautivante"
239:28 September 2017
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2580:Argentine historical films
2134:Arm in Arm Down the Street
1557:The Dark Side of the Heart
1445:Nazareno Cruz and the Wolf
353:Best Foreign Language Film
1944:
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1749:The Distinguished Citizen
1589:Eva Perón: The True Story
1573:A Shadow You Soon Will Be
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195:(Argentina/Latin America)
192:Buena Vista International
46:Theatrical release poster
39:
2432:The Secret in Their Eyes
2126:Chronicle of a Boy Alone
1693:The Secret in Their Eyes
780:"Lucretia Martel - Zama"
220:31 August 2017
2555:Films shot in Argentina
1485:Last Days of the Victim
872:Prometheus Global Media
684:"ZAMA | Patagonik"
619:, chief film critic of
361:Best Iberoamerican Film
2585:2010s historical films
2408:Chronicle of an Escape
2336:Buenos Aires viceversa
2289:Después de la tormenta
2166:Juan Lamaglia y señora
1252:"Peter Bradshaw | BFI"
867:The Hollywood Reporter
784:La Biennale di Venezia
339:. It premiered at the
333:novel of the same name
2595:2010s Argentine films
2565:Films set in Paraguay
2456:Clandestine Childhood
1717:Clandestine Childhood
1393:Argentine submissions
833:""Zama", a los Oscar"
759:Penske Business Media
2570:Existentialist films
2352:Same Love, Same Rain
2296:A Place in the World
2258:Man Facing Southeast
2102:The Old Young People
1517:Man Facing Southeast
1461:What Does Fall Mean?
507:Reception and legacy
488:La Película Infinita
452:Matheus Nachtergaele
442:as Don Diego de Zama
440:Daniel Giménez Cacho
337:Antonio di Benedetto
331:, based on the 1956
323:is a 2017 Argentine
146:Miguel Schverdfinger
118:Matheus Nachtergaele
108:Daniel Giménez Cacho
81:Antonio di Benedetto
2014:School of Champions
1541:I, the Worst of All
1477:The Underground Man
899:. November 11, 2022
357:90th Academy Awards
2242:The Official Story
2174:Nosotros los monos
2158:Don Segundo Sombra
2062:Los tallos amargos
1878:The Headless Woman
1848:Films directed by
1501:The Official Story
1287:The New York Times
1094:Todas Las Críticas
94:Santiago Gallelli
92:Benjamin Domenech
2522:
2521:
2464:The German Doctor
2038:Caballito criollo
1904:
1903:
1815:
1814:
1725:The German Doctor
1597:Ashes of Paradise
1421:The Sad Young Men
1090:"Zama - Críticas"
611:TIFF Cinematheque
516:review aggregator
460:as Ventura Prieto
327:film directed by
311:
310:
204:
200:The Match Factory
196:
16:(Redirected from
2602:
2575:Films about rape
2512:The Sleepwalkers
2376:Intimate Stories
2368:Son of the Bride
2274:La ciudad oculta
2218:Time for Revenge
2210:So Feared a Hell
1974:The Phantom Lady
1966:His Best Student
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1629:Son of the Bride
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484:documentary film
365:32nd Goya Awards
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247: (Argentina)
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173:Bananeira Filmes
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18:Zama (2017 film)
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2304:Gatica, el mono
2094:Alias Gardelito
1940:
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1852:
1850:Lucrecia Martel
1846:
1816:
1811:
1805:The Delinquents
1797:Argentina, 1985
1621:Merry Christmas
1565:Gatica, el mono
1403:
1390:
1357:Rotten Tomatoes
1310:
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1273:Further reading
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627:Sight and Sound
592:Terrence Malick
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520:Rotten Tomatoes
509:
471:Nicolás Sarquís
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454:as Vicuña Porto
436:
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384:La tierra quema
329:Lucrecia Martel
320:[ˈsama]
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1256:www.bfi.org.uk
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1027:"Zama Reviews"
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895:(in Spanish).
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532:class dynamics
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2150:Martín Fierro
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1870:The Holy Girl
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1064:The A.V. Club
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996:"Zama (2017)"
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698:"Zama (2017)"
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90:Vania Catani
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62:Screenplay by
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2234:Darse cuenta
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2196:Juan Moreira
2194:
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2054:La Quintrala
2052:
2044:
2036:
2028:
2020:
2012:
2004:
1996:
1988:
1980:
1972:
1964:
1956:
1948:
1892:
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1803:
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1789:The Intruder
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1653:Lost Embrace
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1285:
1259:. Retrieved
1255:
1246:
1236:November 29,
1234:. Retrieved
1224:
1212:. Retrieved
1210:(in Spanish)
1207:
1197:
1187:November 19,
1185:. Retrieved
1183:(in Spanish)
1178:
1168:
1158:November 19,
1156:. Retrieved
1154:(in Spanish)
1149:
1139:
1129:November 19,
1127:. Retrieved
1125:(in Spanish)
1120:
1110:
1098:. Retrieved
1096:(in Spanish)
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1084:
1074:November 19,
1072:. Retrieved
1062:
1052:
1040:. Retrieved
1030:
1021:
1009:. Retrieved
999:
990:
978:. Retrieved
968:
956:. Retrieved
946:
934:. Retrieved
924:
913:
903:November 13,
901:. Retrieved
887:
875:. Retrieved
865:
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843:. Retrieved
836:
827:
815:. Retrieved
809:
799:
787:. Retrieved
774:
762:. Retrieved
752:
742:
732:December 17,
730:. Retrieved
717:
707:December 14,
705:. Retrieved
692:
678:
622:The Guardian
620:
615:
608:
604:Claire Denis
586:
580:
571:
566:
560:
555:
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511:
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493:
486:
481:experimental
474:
468:
458:Juan Minujín
423:
419:
412:
408:
397:
383:
379:
376:La vida útil
375:
369:
325:period drama
314:
313:
312:
295:Mbyá Guaraní
256:Running time
149:Karen Harley
123:Juan Minujín
73:
29:
2448:Las acacias
2360:Nine Queens
2226:Plata dulce
2118:The Escaped
2046:Barrio Gris
2022:Los Isleros
1581:Wild Horses
1413:Summer Skin
1214:October 23,
1208:Otros Cines
1100:October 23,
980:October 29,
958:October 29,
936:October 29,
845:October 23,
647:Film portal
528:colonialism
446:Lola Dueñas
260:115 minutes
203:(Worldwide)
113:Lola Dueñas
87:Produced by
52:Directed by
2535:2017 films
2529:Categories
2328:Autumn Sun
2030:Dark River
2006:Almafuerte
1862:La Ciénaga
1733:Wild Tales
1685:Lion's Den
1669:Family Law
1469:The Island
1341:Metacritic
1032:Metacritic
1011:August 27,
817:August 20,
789:August 20,
764:August 20,
671:References
536:Metacritic
465:Production
304:Box office
243:2017-09-28
224:2017-08-31
158:Production
2472:Refugiado
2188:La maffia
2180:La Valija
1958:Juvenilia
1637:Kamchatka
1613:Manuelita
1549:The Tombs
1437:The Truce
1296:0362-4331
1261:April 21,
1180:La Nación
1122:Página/12
1069:The Onion
1042:April 30,
893:"Top 100"
838:Página/12
600:John Ford
582:La Nación
562:Página/12
469:Director
400:Argentina
307:$ 475,910
275:Languages
268:Argentina
265:Countries
160:companies
140:Edited by
135:Rui Poças
27:2017 film
2504:El Angel
2440:Carancho
2400:The Aura
2384:Valentín
2312:Cortázar
2078:La caída
1894:Chocobar
1765:El Angel
1741:The Clan
1701:Carancho
1661:The Aura
1645:Valentín
1395:for the
1006:Fandango
633:See also
609:In 2019
518:website
176:Rei Cine
169:El Deseo
101:Starring
70:Based on
2424:Aniceto
2070:El jefe
1990:Albéniz
1709:Aballay
811:TheWrap
754:Variety
363:at the
355:at the
281:Spanish
241: (
222: (
2515:(2020)
2507:(2019)
2499:(2018)
2491:(2017)
2483:(2016)
2475:(2015)
2467:(2014)
2459:(2013)
2451:(2012)
2443:(2011)
2435:(2010)
2427:(2009)
2419:(2008)
2411:(2007)
2403:(2006)
2395:(2005)
2387:(2004)
2379:(2003)
2371:(2002)
2363:(2001)
2355:(2000)
2347:(1999)
2339:(1998)
2331:(1997)
2323:(1996)
2315:(1995)
2307:(1994)
2299:(1993)
2291:(1992)
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2277:(1990)
2269:(1989)
2261:(1988)
2253:(1987)
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2229:(1983)
2221:(1982)
2213:(1981)
2205:(1974)
2191:(1973)
2183:(1972)
2169:(1971)
2161:(1970)
2153:(1969)
2145:(1968)
2137:(1967)
2129:(1966)
2121:(1965)
2113:(1964)
2105:(1963)
2097:(1962)
2089:(1961)
2086:Shunko
2081:(1960)
2073:(1959)
2065:(1957)
2057:(1958)
2049:(1955)
2041:(1954)
2033:(1953)
2025:(1952)
2017:(1951)
2009:(1950)
2001:(1949)
1993:(1948)
1985:(1947)
1977:(1946)
1969:(1945)
1961:(1944)
1953:(1943)
1889:(2017)
1881:(2008)
1873:(2004)
1865:(2001)
1808:(2023)
1800:(2022)
1792:(2021)
1784:(2020)
1776:(2019)
1768:(2018)
1760:(2017)
1752:(2016)
1744:(2015)
1736:(2014)
1728:(2013)
1720:(2012)
1712:(2011)
1704:(2010)
1696:(2009)
1688:(2008)
1680:(2007)
1672:(2006)
1664:(2005)
1656:(2004)
1648:(2003)
1640:(2002)
1632:(2001)
1624:(2000)
1616:(1999)
1608:(1998)
1600:(1997)
1592:(1996)
1584:(1995)
1576:(1994)
1568:(1993)
1560:(1992)
1552:(1991)
1544:(1990)
1536:(1989)
1528:(1988)
1520:(1987)
1512:(1986)
1504:(1985)
1496:(1984)
1493:Camila
1488:(1982)
1480:(1981)
1472:(1979)
1464:(1977)
1456:(1976)
1448:(1975)
1440:(1974)
1432:(1965)
1424:(1962)
1416:(1961)
1294:
1151:Clarín
723:"Zama"
573:Clarín
501:Martel
496:Martel
427:geodes
380:Taipei
290:Pilagá
230:Venice
228: (
1982:Celos
1897:(TBA)
1605:Tango
577:'
545:'
404:Lerma
270:Spain
2496:Zama
2392:Roma
1886:Zama
1757:Zama
1399:for
1352:Zama
1336:Zama
1330:IMDb
1325:Zama
1313:Zama
1292:ISSN
1263:2023
1238:2019
1216:2017
1189:2017
1160:2017
1131:2017
1102:2017
1076:2017
1044:2018
1013:2018
982:2018
960:2018
938:2018
905:2022
879:2017
847:2017
819:2017
791:2017
766:2017
734:2017
709:2018
602:and
587:Zama
567:Zama
556:Zama
549:Zama
530:and
524:Zama
512:Zama
476:Zama
434:Cast
394:Plot
382:and
359:and
315:Zama
75:Zama
35:Zama
2416:XXY
1677:XXY
1355:at
1339:at
1328:at
1317:on
335:by
285:Qom
79:by
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245:)
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226:)
20:)
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