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477:'...all in all, Futurist "art" was a blind alley. Instead, we can see that what Futurism did was to reassign leadership in the visual arts from painters to designers. Anyone who has admired a poster and found fine art wanting is in touch with the spirit of Marinetti.... In fact, Futurism was more like a marketing campaign than an artistic movement. Their fascination with and exploitation of mass media anticipated and influenced advertising in the 20th century.' – Stephen Bayley
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107:... the story of the siege by the Bulgarians of Turkish Adrianople in the Balkan War, which Marinetti had witnessed as a war reporter. The dynamic rhythms and onomatopoetic possibilities that the new form offered were made even more effective through the revolutionary use of different typefaces, forms and graphic arrangements and sizes that became a distinctive part of Futurism. In
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115:. As an extended sound poem it stands as one of the monuments of experimental literature, its telegraphic barrage of nouns, colours, exclamations and directions pouring out in the screeching of trains, the rat-a-tat-tat of gunfire, and the clatter of telegraphic messages." — Caroline Tisdall and Angelo Bozzola
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Marinetti promoted his ideas by continually travelling across Europe giving recitations; as well as giving 'riotous soirées' throughout Italy, he travelled to Russia in 1910 and 1913, Paris 1912 and 1914, Berlin and
Brussels in 1912, and London in 1911, 1912 and 1914. This last recital, on June 12,
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Christie's sold a copy of the book in reasonable condition for €10630 in 2011, another copy was valued at around £2000 ($ 3000) in 2009, and an inscribed copy sold for £2600 in London in May 2008. This is in stark contrast to its value (and reputation) for many years after World War II; a copy was
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I call for a typographic revolution directed against the idiotic and nauseating concepts of the outdated and conventional book, with its handmade paper and seventeenth century ornamentation of garlands and goddesses, huge initials and mythological vegetation, its missal ribbons and epigraphs and
149:, 1909. Amongst a series of exhortations to replace the 'pensive, immobile' traditional literature with 'exalt movements of aggression, feverish sleeplessness ... the slap and the blow with the fist.' and 'want to glorify war – the only cure for the world', the piece includes the famous line:
299:'...these weights thicknesses sounds smells molecular whirlwinds chains nets and channels of analogies concurrences and synchronisms for my Futurist friends poets painters and musicians zang-tumb-tumb-zang-zang-tuuumb tatatatatatatata picpacpampacpacpicpampampac uuuuuuuuuuuuuuu
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roman numerals. The book must be the
Futurist expression of our futurist ideasm ... even more: My revolution is directed against what is known as the typographic harmony of the page, which is contrary to the flux and movement of style. — Marinetti,
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The book is an unsigned, unnumbered mass-produced paperback that depends exclusively on industrial typography for its visual impact, making it one of the first artist's books to eschew some form of craftsmanship. The book originally cost 3
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Latter-day admirers of
Marinetti tend to see him as an iconoclastic and subversive anti-hero in revolt against an oppressive society, downplaying his role in the founding of Italian Fascism. The
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interrupted the performance, jeering and shouting to protest at
Marinetti's co-opting of vorticists' signatures to an English translation of the Futurist Manifesto. On another occasion at the
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We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed ... a roaring motor car which seems to run on machine-gun fire, is more beautiful than the
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and went flying head over heels into a ditch. The experience led directly to the first futurist manifesto, which achieved an extraordinary coup-de-theâtre when he persuaded the editor of
165:, Marinetti sets out a vision of modern book design which would provide the template for what would become known as the artist's book, in direct contrast to the French tradition of
294:'In the middle these tam-tuuumb flattened 50 square kilometers leap 2-6-8 crashes clubs punches bashes quick-firing batteries. Violence ferocity regularity pendulum play fatality
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289:'1 2 3 4 5 seconds siege guns split the silence in unison tam-tuuumb sudden echoes all the echoes seize it quick smash it scatter it to the infinite winds to the devil
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91:) and other poetic impressions of the events of the battle, including the sounds of gunfire and explosions. The work is now seen as a seminal work of
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According to
Marinetti, futurism was born as a direct consequence of a 1908 car crash in which, attempting to avoid two cyclists, he crashed his
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before World War I, and in
England at least had become a synonym by the English press to simply mean any forward-looking trends in modern art.
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This article is about the poem by
Filippo Tommaso Marinetti. For the record label also known as Zang Tumb Tuum, see
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836:"Zang Tumb Tuuum Adrianopoli Ottobre 1912. Parole in liberta sold by Christie's, Paris, on Wednesday, May 11, 2011"
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In keeping with a number of early artist's books, the book also contains essays and manifestoes, including the
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Translated from
Selected poems and related prose / F.T. Marinetti ; selected by Luce Marinetti, p75
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The book is a 228-page softback which includes foldout pages as part of the poem. The poem opens with
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bought by the Tate c.1979 for ÂŁ65, and as recently as 1993 a copy was sold in London for ÂŁ250.
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882:(Farrar, Straus and Giroux, translated by R. W. Flint and A. Coppotelli). Excerpted at UbuWeb.
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65:. It appeared in excerpts in journals between 1912 and 1914, when it was published as an
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A short essay about Parole In LibertĂ , 1932, by
Marinetti, at the British Museum Online
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376:. Largely as a result of these tours, and the ease in which his publications including
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has proved a durable and lasting influence on the development of 20th-century art.
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Futurism
Manifesto, 1909, published online on the University of Michigan website
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The innovative use of typography has influenced a number of artists including
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The making of fascism: class, state, and counter-revolution, Italy 1919–1922
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quoting from Concrete Poetry: A World View (1968, Indiana University Press)
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were arrested. The same year Marinetti published the futurist compilation
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878:"Geometric and Mechanical Splendor and the Numerical Sensibility" from
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could be distributed and disseminated, Futurism was better known than
131:(After the Marne, Joffre Visited the Front by Car), by Marinetti, 1915
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321:'We must destroy syntax by placing nouns at random as they are born'
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Copies can be found in numerous public collections, including the
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Futurism finally finally finally finally finally finally finally
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Blasting The Future! Black, Philip Wilson Publishing, 2004 p100
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to start experimenting with noise music, and is quoted in his
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to publish the entire manifesto on the front page, February 20
668:. Westport, Connecticut, USA: Praeger Publishers. p. 73.
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La prose du Transsibérien et de la Petite Jehanne de France
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An article on Futurist Books, including two double spreads
221:. Marinetti had organised a punch-up between futurists in
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La Peinture et ses lois, ce qui devait sortir du Cubisme
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An article listing all of Marinetti's books, in Italian
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pop act Zzzang Tumb were named in homage to the poem.
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1914, became notorious when, during a performance of
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Marinetti, Essay by Carlo Belloli, Oxford Art Online
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In a slightly later manifesto, contemporaneous with
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571:, the most important futurist poet after Marinetti
201:which Marinetti had founded was absorbed into the
469:. The emphasis on what has since become known as
618:. Oxford University Press – via Via Libri.
814:all referenced in Oxford Art Online: Marinetti
551:, a Vorticist magazine directly influenced by
129:Après la Marne, Joffre visita le front en auto
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315:Manifesto tecnico della letteratura Futurista
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2113:, Paris, 1924 (published in English in 2000)
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612:Tisdall, Caroline; Bozzola, Angelo (1978).
2374:Art-Language The Journal of conceptual art
2295:Zone de Sensibilité Picturale Immatérielle
2096:The Cubist Painters, Aesthetic Meditations
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256:, 1914. This copy is in MOMA's collection.
2411:Un Coup de DĂ©s Jamais N'Abolira Le Hasard
1938:Estorick Collection of Modern Italian Art
583:, another important futurist book artist.
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720:and Dada works such as Cabaret Voltaire
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77:, which he witnessed as a reporter for
1631:Futurist Painting: Technical Manifesto
1575:Drama in the Futurists' Cabaret No. 13
887:Dune, Parole in lIberta, recorded 1976
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1624:Dynamism of a Speeding Horse + Houses
406:in 1916. Sections were reproduced in
400:in 1913, later published in his book
205:(PNF) of Italy, and he co-wrote with
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2056:Songs of Innocence and of Experience
793:Oxford Art Online, subscription only
775:Stephen Bury, British Library Online
2329:25 Cats Name Sam and One Blue Pussy
1729:Unique Forms of Continuity in Space
682:Bayley, Stephen (12 January 1999).
262:Corrections of Proofs & Desires
2487:Works by Filippo Tommaso Marinetti
2049:Très Riches Heures du Duc de Berry
684:"Visual Arts: Metal machine music"
219:The Founding Manifesto of Futurism
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910:Images of the copy in MOMA Online
410:, the first journal published by
352:on drums, a group of disgruntled
2443:City as an Artist's Subjectivity
2436:Die-Cut Plug Wiring Diagram Book
1568:Development of a Bottle in Space
272:and words in freedom LOOOng live
2382:Topographie Anécdotée du Hasard
1673:Manifesto of Futurist Musicians
1610:Dynamism of a Human Body: Boxer
897:A number of spreads taken from
339:International promotional tours
2188:Jedermann sein eigner Fussball
1680:Mercury Passing Before the Sun
565:, a sister movement in Russia.
1:
270:with our wireless imagination
1987:Verbovka Village Folk Centre
1603:Dynamism of a Dog on a Leash
880:MARINETTI: Selected Writings
231:Guerra sola igiene del mondo
192:Guerra sola igiene del mondo
87:(words in freedom; creative
16:1914 poem by F. T. Marinetti
2336:Twentysix Gasoline Stations
1701:The Street Enters the House
1617:Dynamism of a Soccer Player
780:September 28, 2008, at the
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1479:Italian futurism in cinema
1040:Francesco Balilla Pratella
664:Elazar, Dahlia S. (2001).
522:label and the Swedish 80s
73:. It is an account of the
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2421:Artists' books since 1980
2109:(Painting and its Laws),
1652:The Hand of the Violinist
1645:Girl Running on a Balcony
1156:Vladimir Baranoff-Rossine
59:Filippo Tommaso Marinetti
1421:Valentine de Saint-Point
1406:José de Almada Negreiros
753:August 26, 2009, at the
714:See also Wyndham Lewis'
346:The Battle Of Adrianople
199:Futurist Political Party
43:(usually referred to as
1441:Frances Simpson Stevens
1436:Amadeo de Souza Cardoso
804:Italian Futurism Online
252:, an inner spread from
215:The Doctrine of Fascism
1781:Luisa, Marchesa Casati
1526:Abstract Speed + Sound
1460:Techniques, sub-genres
648:Typographic Revolution
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203:National Fascist Party
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176:Typographic Revolution
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2101:Guillaume Apollinaire
1982:Ukrainian avant-garde
1960:Robert René Meyer-Sée
1666:Manifesto of Futurism
1596:Dynamism of a Cyclist
1484:Futurist architecture
1176:Kseniya Boguslavskaya
650:, 1913, as quoted in
541:Futurism (literature)
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451:Guillaume Apollinaire
362:Henri Gaudier-Brzeska
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155:Victory of Samothrace
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120:The birth of futurism
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2231:Une semaine de bonté
1743:Victory over the Sun
1146:Alexander Archipenko
268:'No poetry before us
183:Fascism and futurism
75:Battle of Adrianople
2472:Futurist literature
1965:Russian avant-garde
1786:Gabriele D'Annunzio
1750:Vladimir Mayakovsky
1687:The Poem of the End
1494:Futurist literature
1301:Vadim Shershenevich
1271:Vladimir Mayakovsky
1231:Aleksei Kruchyonykh
1171:Alexander Bogomazov
1005:Nikolay Diulgheroff
899:les mots en liberté
1426:Jules Schmalzigaug
1306:Nadezhda Udaltsova
1246:Aristarkh Lentulov
1221:Velimir Khlebnikov
1206:Natalia Goncharova
1113:Konstantin Olimpov
536:Futurist Manifesto
392:The poem inspired
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2280:Fin de Copenhague
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1977:Sackville Gallery
1820:Groups influenced
1774:Associated people
1589:Dynamism of a Car
1540:The Art of Noises
1469:Anti-neutral suit
1411:C. R. W. Nevinson
1380:Enrico Prampolini
1266:Mikhail Matyushin
1256:Benedikt Livshits
1201:Nina Genke-Meller
1196:Aleksandra Ekster
1133:Russian Futurists
1055:Antonio Sant'Elia
958:Italian Futurists
439:Russian futurists
403:The Art of Noises
276:Poetry being BORN
211:Fascist Manifesto
207:Alceste De Ambris
148:
85:Parole in libertĂ
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2258:Nouveau réalisme
2041:Early precursors
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2013:
2004:
1887:Soyuz Molodyozhi
1857:Jack of Diamonds
1852:Grosvenor School
1796:Benito Mussolini
1791:Sergei Diaghilev
1708:The Street Light
1638:The Knifegrinder
1489:Futurist cooking
1431:Mykhaylo Semenko
1416:Emilio Pettoruti
1355:Fortunato Depero
1345:Giuseppe Caselli
1261:Kazimir Malevich
1241:Mikhail Larionov
1186:Vladimir Burliuk
1108:Dmitri Kryuchkov
1030:Aldo Palazzeschi
1010:Luigi De Giudici
980:Umberto Boccioni
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581:Fortunato Depero
563:Russian Futurism
558:Futurism (music)
408:Cabaret Voltaire
235:World War I
227:Benito Mussolini
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83:. The poem uses
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1918:0,10 Exhibition
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1862:Neo-Primitivism
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1811:Igor Stravinsky
1806:LĂ©onide Massine
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1722:Tango with Cows
1518:Selected output
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1389:Other Futurists
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1370:Sante Monachesi
1360:Gerardo Dottori
1340:Benedetta Cappa
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1276:Boris Pasternak
1216:Vasily Kamensky
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1103:Igor Severyanin
1088:Vasilisk Gnedov
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1065:Ardengo Soffici
1045:Antonio Russolo
1015:F. T. Marinetti
1000:Franco Casavola
990:Benedetta Cappa
985:Anton Bragaglia
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471:concrete poetry
455:Blaise Cendrars
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254:Zang Tumb Tuuum
250:Turkish Balloon
243:
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167:Livre d'Artiste
163:Zang Tumb Tuuum
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113:Zang Tumb Tuuum
109:Zang Tumb Tuuum
105:Zang Tumb Tuuum
80:L'Intransigeant
46:Zang Tumb Tuuum
32:Zang Tumb Tuuum
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2153:Zang Tumb Tumb
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2111:Albert Gleizes
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2089:Jean Metzinger
2085:Albert Gleizes
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1837:Constructivism
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1764:Zang Tumb Tumb
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1554:The City Rises
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1501:
1499:Futurist music
1496:
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1486:
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1471:
1465:
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1462:and inventions
1457:
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1451:Růžena Zátková
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1311:Ilia Zdanevich
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1236:Nikolai Kulbin
1233:
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1191:Joseph Chaikov
1188:
1183:
1178:
1173:
1168:
1163:
1158:
1153:
1148:
1142:
1140:
1138:Cubo-Futurists
1129:
1128:
1126:
1125:
1123:Pavel Shirokov
1120:
1115:
1110:
1105:
1100:
1095:
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918:
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873:
872:External links
870:
868:
867:
851:
827:
816:
807:
796:
785:
767:
758:
748:V&A online
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467:Jan Tschichold
389:
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378:Zang Tumb Tumb
340:
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281:and ends with
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40:Zang Tumb Tumb
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1847:Donkey's Tail
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1330:Giacomo Balla
1328:
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1296:Olga Rozanova
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1281:Victor Palmov
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1149:
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1089:
1086:
1084:
1083:Graal Arelsky
1081:
1080:
1078:
1076:
1075:Ego-Futurists
1072:
1066:
1063:
1061:
1060:Gino Severini
1058:
1056:
1053:
1051:
1050:Luigi Russolo
1048:
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976:
973:
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969:list of works
966:
965:Giacomo Balla
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945:
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497:
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482:Current value
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448:
447:Wyndham Lewis
444:
440:
436:
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395:
394:Luigi Russolo
387:
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383:
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366:Jacob Epstein
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358:Wyndham Lewis
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150:
144:
143:
138:
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100:
98:
94:
93:modernist art
90:
86:
82:
81:
76:
72:
68:
67:artist's book
64:
61:, an Italian
60:
56:
55:concrete poem
52:
48:
47:
42:
41:
33:
28:
22:
2454:
2441:
2434:
2427:
2409:
2402:
2395:
2388:
2381:
2379:
2372:
2365:
2341:
2334:
2327:
2307:
2300:
2293:
2286:
2279:
2277:
2270:
2253:Situationism
2236:
2229:
2200:
2193:
2186:
2179:
2172:
2165:
2158:
2152:
2151:
2123:
2116:
2106:
2094:
2080:Du "Cubisme"
2078:
2054:
2047:
1969:
1942:
1877:Precisionism
1763:
1762:
1755:
1748:
1741:
1734:
1727:
1720:
1713:
1706:
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1692:
1685:
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1650:
1643:
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1601:
1594:
1587:
1580:
1573:
1566:
1559:
1552:
1545:
1538:
1533:Antigrazioso
1531:
1524:
1474:Intonarumori
1396:Alice Bailly
1350:Tullio Crali
1251:El Lissitzky
1093:Boris Gusman
1025:Bruno Munari
898:
879:
864:Bookride.com
843:. Retrieved
839:
830:
819:
810:
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770:
761:
743:
715:
710:
687:
665:
659:
651:
647:
642:
614:
607:
552:
546:
517:
508:Penn Library
489:
485:
476:
463:El Lissitzky
416:
407:
401:
391:
377:
374:Italian Army
356:, including
350:CRW Nevinson
345:
342:
329:
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104:
102:
84:
78:
45:
44:
39:
38:
37:
31:
2263:Arte Povera
1992:Zveno (art)
1955:Primitivism
1950:Pointillism
1933:Divisionism
1892:Suprematism
1872:Panfuturism
1504:Noise music
1446:Mary Swanzy
1375:Marisa Mori
1322:Aeropittura
1118:Rurik Ivnev
1020:Marisa Mori
995:Carlo CarrĂ
737:Moma Online
646:Marinetti,
520:ZTT Records
370:Lyceum Club
283:Bombardment
97:avant-garde
57:written by
21:ZTT Records
2467:1914 poems
2461:Categories
2397:Grapefruit
2343:A Humument
2217:Surrealism
1832:Agit-train
1226:Ivan Kliun
1211:Elena Guro
1161:Lilya Brik
1035:Ugo Piatti
845:2018-09-03
588:References
506:, and the
445:including
443:Vorticists
354:vorticists
89:typography
51:sound poem
2390:Water Yam
2222:Modernism
2174:BÏF§ZF+18
2140:Vorticism
1944:Le Chahut
1902:Vorticism
1547:BÏF§ZF+18
1335:"Barbara"
1291:Ivan Puni
1166:Osip Brik
975:"Barbara"
575:BÏF§ZF+18
459:Max Jacob
431:Hugo Ball
398:Manifesto
388:Influence
306:TUMB-TUMB
304:ZANG-TUMB
142:Le Figaro
30:Cover of
2404:Fluxus 1
2309:Dimanche
2288:MĂ©moires
2249:Lettrism
2136:Futurism
1911:See also
1897:Supremus
1882:Rayonism
1827:Agitprop
1401:Mina Loy
1313:(Iliazd)
951:Futurism
778:Archived
751:Archived
615:Futurism
549:magazine
530:See also
524:new wave
427:Boccioni
264: ;
241:The book
99:print.
63:futurist
2320:Pop Art
1842:Dadaism
1757:Zangezi
1659:Lacerba
1561:Cyclist
514:Homages
500:V&A
308:TUUUUUM
178:, 1913
49:) is a
2354:Fluxus
2118:Klänge
2071:Cubism
1928:Cubism
1923:5x5=25
1867:Oberiu
1694:Poesia
1365:Fillìa
441:, the
437:, the
382:Cubism
2302:Linee
2167:BLAST
1715:ThaĂŻs
717:BLAST
547:BLAST
423:Carra
419:Balla
348:with
223:Milan
71:Milan
2356:and
2261:and
2238:Jazz
2220:and
2144:Dada
2142:and
2087:and
2069:and
1509:Zaum
518:The
496:MOMA
492:Tate
465:and
435:Dada
433:and
412:Dada
364:and
333:lire
209:the
137:Fiat
53:and
34:1914
1135:and
213:. "
157:.
69:in
2463::
2251:,
2215:,
2138:,
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854:^
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725:^
696:^
686:.
674:^
624:^
595:^
510:.
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425:,
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414:.
360:,
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169:.
147:th
2255:,
2026:e
2019:t
2012:v
971:)
967:(
943:e
936:t
929:v
848:.
690:.
23:.
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