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Ziv Company

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332: 1278: 1677: 459:, which began in 1949 (before color TV sets were sold). Ziv again encountered a lack of belief or understanding of what he was doing. "The people – the engineers, the laboratory – felt that the color film would never be usable – if color ever came," he said. "It turned out they were all wrong. Color television did come, and as you know, the programs we shot in color in the very early days are still being used." 1649: 151:, Ziv noted that, although he was often called the "father of syndication," the concept was not original with him. "That's the tag that followed me," he said, "and is still being used. I developed the technique; I didn't originate it. I'm not sure if anyone preceded me. I did expand on it and brought it to what was probably its highest level." Hal Erickson wrote in 436:
He had the foresight to include rights for future television productions in contracts when he bought a program's radio rights, even though the people with whom he contracted wondered why he did so. He explained, "'Why would you want the rights to television ... when there is no television?' That's the question that was asked by the people who owned the
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those other bakers for broadcast in their home markets. In a 1998 interview, Ziv estimated that three dozen bakeries eventually used the program. That program lasted about five years. By 1947, the reach of Ziv Company's programming was such that 675 stations carried Ziv programs, some for as much as nine hours per week.
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such as "posters, brochures, promotional kits and ad slicks". The goal was to present "one slogan, one point of view." Success was enhanced by Ziv salesmen's never trying to sell more than one program at a time to a station and their willingness to help stations find sponsors after a program was sold.
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In 1954, the company created a subsidiary, Economee TV, to market its older programs to stations. The move came as Ziv and other syndicating companies sought to broaden their outreach and appeal to more television stations. Essentially, Economee TV handled reruns of older Ziv Television series, while
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Ziv bought the rights to all of the programs that he produced. He commented in a 1998 interview that such rights came cheaply in the early days of TV: "Television was a new thing, and they didn't know if it would last. 'Why do you want those rights for 20 years when it may not last for 20 weeks?'"
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guaranteed him $ 150,000 per year for at least three years. Colman's contract also provided that he could record the programs at his own convenience, thus enabling him to work his radio schedule around his commitments to do films. Dunne and MacMurray signed 10-year contracts when they agreed to do
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reported, "The deal was the latest in a series of shrewd and boldly-planned business coups that have buttressed the Ziv Company's steady-increasing pre-eminence in the packaged show field." At the time of the sale, 670 AM, FM and television stations subscribed to the WBS library. Besides acquiring
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Frederic Ziv believed, "If a show is properly exploited and promoted, it will go." To that end, Ziv Company went beyond simply selling the programs. A sales-and-service staff made calls on local stations in order to help them promote Ziv programs (both radio and television) with support materials
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for Rubel Bakery in Cincinnati, after having first created an advertising campaign that had the same theme. When bakers in other markets heard about the show's success, they contacted the bakery's owner, who referred them to Ziv. That led to his having copies of the transcription made to send to
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and UA's assumption of approximately $ 14,000,000 in debt. About eight months prior to UA's purchase, two investment firms – F. Eberstadt & Co. and Lazard Freres & Co. – had purchased about 80 percent of Ziv Company's stock with Frederic W. Ziv and John L. Sinn keeping the remaining 20
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In addition to producing successful original programming, Ziv was a pioneer in re-using transcribed series that had already been broadcast on radio. Rather than simply reproducing the programs as originally recorded, Ziv personnel created "repackaged" versions, "usually with new titles and/or
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Ziv had built a network-like reputation for programming through several shrewd principles exploiting "presold" properties by acquiring the radio rights to established characters and texts; pursuing Hollywood-level talent wherever possible; and making program sales and promotion the firm's top
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Ziv called himself "a pioneer as far as television production is concerned." Although he had no guarantee that television would succeed, he felt safe in pursuing that direction because radio had already succeeded. "We felt that television was just the logical next step," he said.
406:, Wildroot Cream-Oil and Grove Laboratories. In 1950, increased advertising on television resulted in national advertisers often shifting their remaining funds from network radio to syndicated radio programs, especially those of the Ziv Company, which an article in 454:
was likely one of the first – "if not the first" – television program produced on film. He encountered no opposition from Hollywood because people were happy for the employment that the TV productions provided. Ziv used color film for the television version of
144:– programs recorded on discs and offered to local advertisers in each radio market. Charges for the programs were based on the market's size. The result was "affordable quality programming that could be scheduled in any available slot on a station's schedule." 516:
Initially, "We fought the networks tooth and nail every day," Ziv said, "in Washington, before courts and before the FCC, because they had an unfair advantage" with regard to national advertisers. Ziv's programs were primarily sponsored by companies like
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Ziv Television Programs began in 1948 as a subsidiary of the main company. Erickson described the company's approach by writing, "Fred Ziv tackled the new medium like a man devouring sirloin, setting up a television-film factory of the first calibre."
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At its peak, Ziv Company had more than 3,000 employees (full-time and part-time combined). In 1950, it took a five-year lease on "a substantial portion of the California Studios, formerly the Enterprise Film lot", and in 1954, it bought the
475:. Material for those programs came from Ziv's purchase of General Film Library, which Erickson described as "so vast that it had storehouses on both coasts". The shows were produced by packaging segments from the library for television. 316:
in 1951, with terms under which each would "gross $ 300,000 from the series, via their guaranties – against percentage of sales deals." One indication of the success of using recognized Hollywood talent was the fact that in 1951,
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in Cincinnati was "a major source of radio programming that offered local stations an alternative to network-originated programming." Second, in an era when sponsors produced most radio programs, Cincinnati was the headquarters of
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percent. Effective with the sale, the former Ziv Company became a subsidiary of United Artists and was named Ziv-United Artists Television Co. Inc. Ziv and Sinn retained their respective positions as board chairman and president.
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priority in every market. Ziv himself was perhaps the most ardent supporter of syndicated transcriptions in radio at this time , creating and distributing series that often ran on more stations than comparable network programming.
525:, which distributed products over much of the United States but were not sold in some areas. When those companies sponsored a program, Ziv would sell to other advertisers in the limited markets not reached by the main sponsor. 410:
called "undoubtedly the top transcription and library firm." The company created new divisions in the southeast, southwest and north central United States and added 14 sales people to handle the increase in business.
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called the company the "largest of the open-end transcription producers in the country." Ziv's revenue was estimated to be at least one-third of the total of all transcription sales in the United States.
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described the company as "by 1948 ... the largest packager and syndicator of radio programs" and later "the most prolific producer of programming for the first-run syndication market during the 1950s."
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The Ziv Company offered an opportunity to local and regional businesses that could not afford to produce programs whose quality would match that of network programs. Ziv's alternative was the use of
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reported, "Three Ziv quarter-hour musical programs, each contracted for a series of 130 disks, represent an investment of $ 750,000." The bulk of that money went to paying performers on the
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Erickson added that Ziv recognized the financial advantage of syndication: "his company would be paid outright for its programs, avoiding the usual percentages handed over to the networks."
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WBS's packaged programs, the deal also provided Ziv Company with ""the largest collection of royalty-free recorded music in existence", eliminating the need to pay licensing fees to the
495:, Ziv's first dramatic series, began in 1949 and was produced until 1956, resulting in 156 episodes. The program's gross revenue for its first 10 years in syndication was $ 11 million. 427:
The company's new direction led to expansion of its offices. Although the headquarters remained in Cincinnati, it eventually opened additional offices in Hollywood and New York City.
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Although the company targeted stations without network affiliation, some stations that were part of networks also bought and broadcast Ziv programs. For example, in September 1951,
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The Frederic W. Ziv Media Heritage Center in Cincinnati houses an archive related to the Ziv Company as well as other elements of broadcasting from the Cincinnati area.
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In 1947, Ziv had gross revenue of more than $ 10 million on its sales of 23 radio programs, an increase of more than 30 percent over the previous year. An article in
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for 52 weeks each. The station's general manager commented that the programs would help local business to advertise on top-budgeted shows at "realistic prices".
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the original TV operation handled new programs that Ziv produced. Erickson traced the formation of Economee TV mainly to the continuing success of
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While producing programs for WLW, Ziv met writer John L. Sinn, and in 1937 they began Frederic W. Ziv Company as a program syndication business.
1698: 101:, the company's founder, developed his ideas for the company while operating an advertising agency in Cincinnati, Ohio. During the era of 1663: 770: 1483: 1307: 1024: 947: 910: 863: 508:– "the biggest money-maker Ziv ever had". The program, which began in 1955, was still generating profits in reruns a decade later. 374: 784: 758: 851: 129:, "Ziv envisioned every sales pitch as a legal argument, anticipating counterarguments and preparing rejoinders beforehand." 560:
bought Ziv Television Programs, Inc. for $ 20,750,000. That amount included a combined $ 6,750,000 in installment notes and
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The company's success was bolstered by employing movie stars for key roles in some of its series. Those stars included
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Revenue came not only from advertisers at the local and regional levels, but also from national sponsors such as
222:, traveled across the United States in 1953 to promote his then-new program. An article in the trade publication 1123: 141: 246:
Frederic Ziv's first effort in syndication came before the company was formed. In 1935, he created a program,
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stories." He added that television rights were inexpensive to obtain; "They were glad to get ," he said.
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Three elements worked together to contribute to Ziv's success in radio. Derek Kompare, in his book
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toured cities in the Eastern United States promoting the radio and television versions of his
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described Menjou's trip as "part of Ziv's stepped-up merchandising program." A year later,
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Ziv invested significant amounts of money in its radio programs. In 1946, for example,
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Stars of Ziv programs also contributed their own efforts to support, such as when
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Spacefarers: Images of Astronauts and Cosmonauts in the Heroic Era of Spaceflight
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Spacefarers: Images of Astronauts and Cosmonauts in the Heroic Era of Spaceflight
1654: 1357:"Ziv-Colman ET Show Success Spurs Lesser Producers to Imitation a la Shoestring" 686: 484: 282: 229: 199: 125:
proved useful in his work in syndication. Michael J. Neufeld wrote in his book,
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In August 1948, Ziv added to its library of transcribed programs by buying
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formats," Kompare wrote. "For example, the company acquired the rights to
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radio and television programs in the United States. Horace Newcomb's
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with related facilities such as projection rooms and cutting rooms.
537:, with the price reported to be $ 1,500,000. The trade publication 403: 330: 1124:"Ziv Television Productions Cops First Place for 3d Time in Row" 323:(starring Bogart and Bacall), was sold in more than 500 cities. 166: 106: 198:
lot in Hollywood, California. Its property included seven
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Producers on Producing: The Making of Film and Television
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Producers on Producing: The Making of Film and Television
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Syndicated Television: The First Forty Years, 1947-1987
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Syndicated Television: The First Forty Years, 1947-1987
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Rerun Nation: How Repeats Invented American Television
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Rerun Nation: How Repeats Invented American Television
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American Society of Composers, Authors and Publishers
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Defunct broadcasting companies of the United States
1261:. Maryland, Cumberland. N.Y. Tribune Inc. p. 4 62: 54: 40: 32: 24: 1418:"Net-Caliber E.T. Series Happy $ Huntin' Grounds" 467:The company's first two television programs were 114:, one of radio's "most influential advertisers." 341:programs originally performed from 1937 to 1941. 169:flagship station in New York City) bought Ziv's 1536:"Ziv-TV National Sales Under Walter Kingsley" 8: 548:for music used in producing Ziv's programs. 19: 1585: 1583: 1504: 1502: 1441: 1439: 1412: 1410: 1380: 1378: 1331:"Ziv Offers 'Communist' Show With Andrews" 1228:"'D.A.' Radio Version Gets Quick Ziv Sale" 1118: 1116: 1114: 18: 147:In an interview in Irv Broughton's book, 1714:Mass media companies established in 1937 1067:"Ziv Plunks 100G in Video Film-Lot Deal" 58:Syndicated radio and television programs 831: 1719:American companies established in 1937 1161: 1159: 1157: 1155: 1153: 1151: 1149: 1147: 1145: 1709:Defunct companies based in Cincinnati 1475:This Fascinating Advertising Business 1291: 1289: 1287: 970: 968: 966: 529:Purchase of World Broadcasting System 7: 1195: 1193: 1191: 1011: 1009: 1007: 1005: 1003: 1001: 999: 997: 894: 892: 890: 888: 886: 884: 882: 845: 843: 841: 839: 837: 835: 487:. It was a 15-minute program, while 218:, star of the television version of 1478:. Wildside Press LLC. p. 229. 931: 929: 348:Skippy Hollywood Theatre of the Air 1724:Electrical transcription companies 1620:"UA Finally Gets Its Hands on Ziv" 335:1945 advertisement for syndicated 14: 1200:Vaccariello, Linda (April 2003). 1093:"Profiles of First-Place Winners" 981:Museum of Broadcast Communication 858:. Routledge. pp. 2626–2627. 798:The New Adventures of Martin Kane 1675: 1661: 1647: 1453:. September 20, 1947. p. 21 1276: 1253:Crosby, John (August 11, 1947). 1019:. McFarland & Company, Inc. 1130:. February 21, 1953. p. 18 1099:. February 12, 1955. p. 10 1073:. September 23, 1950. p. 6 852:"Ziv Television Programs, Inc." 759:The Eddie Cantor Comedy Theatre 1568:. November 26, 1955. p. 9 1174:Archive of American Television 977:"Ziv Television Programs, Inc" 16:US based entertainment company 1: 1395:. August 13, 1951. p. 24 1337:. January 12, 1952. p. 4 1047:. October 1, 1951. p. 26 905:. McFarland. pp. 17–22. 648:I Was a Communist for the FBI 1629:. March 14, 1960. p. 84 1600:. August 9, 1948. p. 22 1424:. March 23, 1946. p. 14 936:Neufeld, Michael J. (2013). 577:Partial list of Ziv programs 350:in 1951, which was retitled 1699:1937 establishments in Ohio 1447:"Ziv's Whopping 10 Million" 1234:. July 31, 1954. p. 19 942:. Smithsonian Institution. 681:Parents Magazine of the Air 1740: 1542:. July 30, 1955. p. 5 1472:Bird, Harry Lewis (2008). 1363:. July 12, 1947. p. 9 856:Encyclopedia of Television 248:The Freshest Thing in Town 87:Encyclopedia of Television 1516:. May 20, 1950. p. 7 1510:"TV Boom Busts AM Waxers" 535:World Broadcasting System 512:Competition from networks 479:featured events like the 850:Newcomb, Horace (2014). 79:Frederick W. Ziv Company 1296:Kompare, Derek (2006). 975:Anderson, Christopher. 899:Broughton, Irv (1986). 804:Science Fiction Theatre 483:and the sinking of the 352:Movietown Radio Theatre 75:Frederic W. Ziv Company 20:Frederic W. Ziv Company 1015:Erickson, Hal (1989). 552:Sale to United Artists 375:Sincerely, Kenny Baker 342: 270: 255:Three-faceted approach 123:University of Michigan 792:Mr. District Attorney 708:They Gave Their Lives 665:Mr. District Attorney 637:The Guy Lombardo Show 519:Coors Brewing Company 334: 265: 235:Mr. District Attorney 206:Promotion and support 477:Yesterday's Newsreel 469:Yesterday's Newsreel 112:Procter & Gamble 1259:The Cumberland News 1038:"Ziv Shows in N.Y." 785:Meet Corliss Archer 718:The Wayne King Show 703:Songs of Good Cheer 654:The Jack Berch Show 523:Interstate Bakeries 481:Hindenburg disaster 21: 1591:"Ziv Buys 'World'" 1176:. October 23, 1998 354:for syndication." 343: 1683:Television portal 1255:"Radio in Review" 1170:(video interview) 778:I Led Three Lives 713:War Correspondent 698:Say It with Music 610:Calling All Girls 183:Guy Lombardo Show 72: 71: 1731: 1685: 1680: 1679: 1671: 1666: 1665: 1664: 1657: 1652: 1651: 1650: 1639: 1638: 1636: 1634: 1624: 1616: 1610: 1609: 1607: 1605: 1595: 1587: 1578: 1577: 1575: 1573: 1558: 1552: 1551: 1549: 1547: 1532: 1526: 1525: 1523: 1521: 1506: 1497: 1496: 1494: 1492: 1469: 1463: 1462: 1460: 1458: 1443: 1434: 1433: 1431: 1429: 1414: 1405: 1404: 1402: 1400: 1390: 1386:"New Ziv Series" 1382: 1373: 1372: 1370: 1368: 1353: 1347: 1346: 1344: 1342: 1327: 1321: 1320: 1318: 1316: 1293: 1282: 1281: 1280: 1274: 1268: 1266: 1250: 1244: 1243: 1241: 1239: 1224: 1218: 1217: 1215: 1213: 1208:: 46–50, 161–162 1197: 1186: 1185: 1183: 1181: 1171: 1163: 1140: 1139: 1137: 1135: 1120: 1109: 1108: 1106: 1104: 1089: 1083: 1082: 1080: 1078: 1063: 1057: 1056: 1054: 1052: 1042: 1034: 1028: 1013: 992: 991: 989: 987: 972: 961: 960: 958: 956: 933: 924: 923: 921: 919: 896: 877: 876: 874: 872: 847: 671:Musical Showcase 622:Eye Witness News 196:Eagle-Lion Films 121:degree from the 45:Cincinnati, Ohio 22: 1739: 1738: 1734: 1733: 1732: 1730: 1729: 1728: 1689: 1688: 1681: 1674: 1667: 1662: 1660: 1653: 1648: 1646: 1643: 1642: 1632: 1630: 1622: 1618: 1617: 1613: 1603: 1601: 1593: 1589: 1588: 1581: 1571: 1569: 1560: 1559: 1555: 1545: 1543: 1534: 1533: 1529: 1519: 1517: 1508: 1507: 1500: 1490: 1488: 1486: 1471: 1470: 1466: 1456: 1454: 1445: 1444: 1437: 1427: 1425: 1416: 1415: 1408: 1398: 1396: 1388: 1384: 1383: 1376: 1366: 1364: 1355: 1354: 1350: 1340: 1338: 1329: 1328: 1324: 1314: 1312: 1310: 1295: 1294: 1285: 1275: 1264: 1262: 1252: 1251: 1247: 1237: 1235: 1226: 1225: 1221: 1211: 1209: 1199: 1198: 1189: 1179: 1177: 1169: 1165: 1164: 1143: 1133: 1131: 1122: 1121: 1112: 1102: 1100: 1091: 1090: 1086: 1076: 1074: 1065: 1064: 1060: 1050: 1048: 1040: 1036: 1035: 1031: 1014: 995: 985: 983: 974: 973: 964: 954: 952: 950: 935: 934: 927: 917: 915: 913: 898: 897: 880: 870: 868: 866: 849: 848: 833: 828: 823: 727: 722: 693:Pleasure Parade 584: 579: 571: 556:In March 1960, 554: 531: 514: 501: 491:ran 5 minutes. 465: 448:Ziv noted that 446: 433: 417: 396: 380:Pleasure Parade 369:Barry Wood Show 360: 329: 299:Humphrey Bogart 275: 273:Hollywood stars 257: 244: 208: 191: 138: 96: 77:(also given as 50: 46: 17: 12: 11: 5: 1737: 1735: 1727: 1726: 1721: 1716: 1711: 1706: 1701: 1691: 1690: 1687: 1686: 1672: 1658: 1641: 1640: 1611: 1579: 1553: 1527: 1498: 1484: 1464: 1435: 1406: 1374: 1348: 1322: 1308: 1283: 1271:Newspapers.com 1245: 1219: 1202:"Fred's World" 1187: 1167:"Frederic Ziv" 1141: 1110: 1084: 1058: 1029: 993: 962: 948: 925: 911: 878: 864: 830: 829: 827: 824: 822: 821: 814: 807: 800: 795: 788: 781: 774: 771:Highway Patrol 767: 765:Favorite Story 762: 755: 748: 741: 739:Boston Blackie 736: 728: 726: 723: 721: 720: 715: 710: 705: 700: 695: 690: 683: 678: 673: 668: 661: 656: 651: 644: 639: 634: 629: 627:Favorite Story 624: 619: 612: 607: 600: 597:Boston Blackie 593: 585: 583: 580: 578: 575: 570: 567: 558:United Artists 553: 550: 530: 527: 513: 510: 506:Highway Patrol 500: 497: 464: 463:Early programs 461: 445: 442: 432: 429: 416: 413: 395: 392: 359: 356: 328: 325: 307:Favorite Story 295:Adolphe Menjou 287:Fred MacMurray 274: 271: 256: 253: 243: 240: 220:Favorite Story 216:Adolphe Menjou 207: 204: 190: 187: 179:Favorite Story 142:transcriptions 137: 134: 103:old-time radio 95: 92: 70: 69: 64: 60: 59: 56: 52: 51: 48: 44: 42: 38: 37: 34: 30: 29: 26: 15: 13: 10: 9: 6: 4: 3: 2: 1736: 1725: 1722: 1720: 1717: 1715: 1712: 1710: 1707: 1705: 1702: 1700: 1697: 1696: 1694: 1684: 1678: 1673: 1670: 1659: 1656: 1645: 1628: 1621: 1615: 1612: 1599: 1592: 1586: 1584: 1580: 1567: 1563: 1557: 1554: 1541: 1537: 1531: 1528: 1515: 1511: 1505: 1503: 1499: 1487: 1485:9781434475541 1481: 1477: 1476: 1468: 1465: 1452: 1448: 1442: 1440: 1436: 1423: 1419: 1413: 1411: 1407: 1394: 1387: 1381: 1379: 1375: 1362: 1358: 1352: 1349: 1336: 1332: 1326: 1323: 1311: 1309:9781135877811 1305: 1302:. 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Index

Frederic Ziv
syndicated
Frederic Ziv
old-time radio
WLW
Procter & Gamble
Juris Doctor
University of Michigan
transcriptions
WNBC
NBC
Eagle-Lion Films
sound stages
Adolphe Menjou
Billboard
David Brian
Mr. District Attorney
Dana Andrews
Irene Dunne
Fred MacMurray
Ronald Colman
Adolphe Menjou
Humphrey Bogart
Lauren Bacall
Bright Star
Bold Venture

Easy Aces
Barry Wood Show
Sincerely, Kenny Baker

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