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approach was based on
Marxist ideology. Zofia Lissa introduced a new approach into Polish musicological literature, considering musical styles in their mutual relationships and emphasizing the social functions of music. A bibliography of her work includes nearly 600 items, including several books, dozens of monographs and hundreds of articles, many of which have been translated into foreign languages. She died in Warsaw.
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Her research interests included the history and music theory, history and aesthetics of music, the methodology of history and music theory and history of contemporary Polish music. Her works are in large part testimony to the era in which they were generated, and controversial because methodological
218:, Knight's Cross (1952), the Second Degree State Prize (1953), Prize from the Committee for Radio and Television (1966), Silver Medal at the Venice Biennale (1969), Award of the Ministry of Higher Education (1965 and 1977), Grade II (1971 and 1976) and the International Music Council Award (1979).
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and from 1958 to 1975 served as its director. In 1951 she received the title of associate professor and in 1957 full professor at the university. Under her leadership the institute was active in sponsoring meetings and conferences, including a
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and took a position as deputy director of the
Department of Music at the Ministry of Culture and the Arts, where she addressed research activities and music culture. In 1947, she received an appointment at the Adam Mickiewicz University in
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music school in Lviv, and also conducted research on the musicality of children and adolescents at the
Institute of Psychology in Lviv. She wrote the first Polish work on film music,
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175:. During her studies, she became involved with left-wing circles and actively participated in the ideological debate on the aesthetics and methodology of
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100:, she worked in Radio Lviv, and in 1940 served as dean of the faculty in music theory at the Lviv Conservatory. In 1941, after the
171:, she organized a documentation center and initiated an inventory of early Polish music which resulted in the issue of the series
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135:(1945). After the war she remained in Moscow, where she was offered the position of cultural attaché at the Polish embassy.
186:, and through her initiative, the Polish Composers' Union admitted musicologists. She was a member of the presidium of the
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120:, she organized radio concerts, wrote reviews of Polish music concerts and published song books and sheet music including
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and studied piano and music theory at the Polish Music
Society in Lviv. She continued her studies in musicology with
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and attended lectures on psychology and art history. In 1929 she received a Ph.D., writing her dissertation on
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Some aspects of musical aesthetics in the light of articles by Joseph Stalin on
Marxism in linguistics
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391:"Postanowienie Prezydenta Rzeczypospolitej z dnia 22 lipca 1952 r. O nadaniu odznaczeń państwowych"
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167:(1963) and the accompanying international musicological congress, which she chaired. In 1966 with
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Music and film: Study on the borderline of ontology, aesthetics and psychology of film music
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Lissa initiated the organization of the Musica
Antiqua Europae Orientalis Festival in
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For her work, Lissa was honored with the Award of the Polish
Composers Union (1950),
112:, where she worked as a music teacher. In 1943 she was one of the first to join the
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31:
481:
Recipients of the Medal of the 10th
Anniversary of the People's Republic of Poland
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Lissa was highly prolific, publishing articles, monographs and texts including:
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Remarks about the method: From the methodological issues of modern musicology
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She was a board member (1947–1948) and Vice
President (1949–1954) of the
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160:(1960) and a session dedicated to the work of Karol Szymanowski (1962).
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Polish musicology at the turn: Hearing and critical scientific articles
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30:(19 October 1908 – 26 March 1980) was a Polish music educator and
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The objectivity of rights in
Marxist history and theory of music
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73:. After completing her studies, she taught music theory at the
297:(edited by Joseph M. Chomiński, Zofia Lissa), PWM, Kraków 1957
147:. In 1948 she organized the Department of Musicology at the
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An outline of the science of music: the National Department
190:(1965–1977) and in 1955 was a corresponding member of the
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Recipients of the Order of Polonia Restituta (1944–1989)
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Vocal music in the first half of the seventeenth century
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Songs and Games for the Polish Kindergarten in the USSR
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Session (1959), the first international congress on
58:(1924–1929), where she also studied philosophy with
251:(written in the years 1947–1951), PWM, Kraków 1952
351:Będkowski, Stanisław; Hrabia, Stanisław (2001).
200:Akademie der Wissenschaften und der Literatur
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471:Recipients of the State Award Badge (Poland)
321:, PWN, Warszawa 1970 (second edition 1974)
279:Rise of the scholars: Tadeusz Szeligowski
104:attack on the Lwow, she was relocated to
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353:Witold Lutosławski: a bio-bibliography
313:Studies on the work of Frédéric Chopin
196:Sächsische Akademie der Wissenschaften
94:annexation of Lviv to the Soviet Union
16:Polish musicologist and music educator
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331:New drafts of the aesthetics of music
307:Sketches from the aesthetics of music
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295:Universal History of Music, Volume 1
461:20th-century Polish women musicians
431:20th-century Polish women educators
421:Academic staff of Lviv Conservatory
188:International Musicological Society
122:Songbook of Polish Children in the
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233:, National Institute, Lviv 1934
173:Antiquitates Musicae in Polonia
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476:20th-century Polish musicians
436:20th-century Polish educators
466:Polish women music educators
285:The history of Russian music
198:in Leipzig, and in 1972 the
267:The special nature of music
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456:20th-century musicologists
446:Polish women musicologists
319:Introduction to Musicology
216:Order of Polonia Restituta
179:approaches to musicology.
138:In 1947 Lissa returned to
301:Aesthetics of film music
261:Polish Renaissance music
114:Union of Polish Patriots
81:'s music school and the
52:Jan Kazimierz University
42:Zofia Lissa was born in
239:, Books Lviv, Lviv 1937
192:Academy of Arts, Berlin
184:Polish Composers' Union
129:Polish Soldier Songbook
426:Polish music educators
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441:Polish musicologists
263:, PIW, Warszawa 1953
149:University of Warsaw
60:Kazimierz Twardowski
269:, PWM , Kraków 1953
96:at the outbreak of
333:, PWM, Kraków 1975
327:, PWM, Kraków 1970
325:Polonica Beethoven
315:, PWM, Kraków 1970
303:, PWM, Kraków 1964
287:, PWM, Kraków 1955
281:, PWM, Kraków 1955
275:, PWM, Kraków 1954
245:, PIS, Warsaw 1950
70:Alexander Scriabin
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210:Honors and awards
79:Karol Szymanowski
75:Lviv Conservatory
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370:"MUSICOLOGISTS"
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87:Music and Video
83:Frédéric Chopin
48:Adolf Chybiński
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64:Roman Ingarden
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169:Jerome Feicht
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68:Harmonies of
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373:. Retrieved
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98:World War II
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32:musicologist
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416:1980 deaths
411:1908 births
375:15 February
131:(1944) and
116:. While in
28:Zofia Lissa
23:Zofia Lissa
405:Categories
338:References
202:in Mainz.
127:(1944), a
110:Uzbekistan
92:After the
165:Bydgoszcz
89:in 1937.
293:, , in:
106:Namangan
177:Marxist
44:Lemberg
158:Chopin
145:Poznań
140:Warsaw
118:Moscow
377:2011
124:USSR
102:Nazi
62:and
56:Lvov
38:Life
54:in
50:at
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361:^
108:,
77:,
34:.
393:.
379:.
355:.
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