411:(1991). Hoey stated, "hen we started talking to Ben Allen about mixing the record we mentioned that to him and he knew a vocal ensemble in Atlanta that he'd be able to get for us They were amazingly talented singers and they just helped heighten the epic moments on the record which is something we really wanted to try. They also seemed to complement Dan 's voice really well. We didn't necessarily want them to be the focus, just to work in harmony with what Dan was doing and it was amazing to see it work out so well." Regarding the album's influences, Whitford stated, "I was obsessed with
384:, Whitford described the album's recording as "a much more open-ended process where we just sort of went off on these more jammy tangents where we'd just sit there and play stuff for 10 minutes and see what happened—we might end up putting out a 10-disc box set of all the weird extended jams we did on this record. There's more of a repetitive, hypnotic, rhythmic aspect to a lot of the tracks."
378:, littered with discarded vintage recording gear and instruments. "There was no Internet in there, barely any heat, nothing, just fucking industrial Melbourne", Hoey said. "We just knew we could kind of go into there and not feel pressured. We were just kind of locked in there by ourselves, and we couldn't have had it sounding how it sounds without us going in there." In an interview with
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476:), which depicts New York City being engulfed in a waterfall. "We saw this representing what the album is about, a tussle between synthetic and organic instruments. It isn't a destruction of the old world, more a creation of the new—it looks archaic, but at the same time it's timeless, referencing music from the past", Hoey said of the artwork.
528:." Hoey said of the song, "I knew it might throw people a little bit, but at the end of the day it still sounded like a Cut Copy song It's got a pop music element, which runs throughout every Cut Copy song or album. I thought it was actually great to put out first from the record." The track premiered on
356:, and we wanted to strip away what we'd done before and re-imagine sonically with different synths and guitars. We also wanted percussion to become more of a feature, because we had this idea of creating a rhythmic, hypnotic record where time becomes irrelevant." He explained that the album's title,
924:
s Tom
Breihan commented that throughout the album, "Cut Copy build a long-form piece of work that moves between genres and ideas and moods without ever sacrificing its dancefloor momentum", adding that the band "have the architecture of dance music down perfectly and the confidence to execute the
966:
s Dave
Simpson felt that the album is "almost like a mix tape, taking snatches of recognisable songs and blending them together into their own tracks with the aim of creating a greater whole This approach won't win the Aussie electro pranksters awards for originality, but they do it with enough
935:
shows every sign of being a transitional record, and as such, the most significant test of its merits won't be its ability to generate singles as exhilarating as 'Hearts on Fire,' but rather the possibilities it opens up for the band's future", while stating that the album's music "often sounds
540:
vinyl on 20 August 2010. A different version of "Where I'm Going" made the final cut for the album, which Hoey said was "more like the original vision we had for that song: more chant-y, kind of tribal, and probably less pop than the version that came out a couple of months ago."
1005:
placed the album at number 28 on its list of "The Top 50 Albums of 2011" and concluded, "Above all, Cut Copy showed that they know how to weave new songs from familiar touch-points and that they have the songwriting chops to make the patchwork feel of a piece."
508:. "Blink and You'll Miss a Revolution" followed as the third single on 7 August 2011. The album's fourth and final single, "Sun God", was released in the United States on 24 January 2012 and in the United Kingdom on 12 February, featuring two remixes by
31:
945:
found that "here aren't too many new stones in the pop garden that Cut Copy overturns, but what it roots out is expertly arranged, creating pastiches that raise ghosts from the past while capturing a spirit that's utterly now."
906:
noted that the album "catches Cut Copy in a pop-attuned mode they've only hinted at in the past" and that it "works best at its most focused and extroverted, as on the disco-glammy 'Where I'm Going' and 'Need You Now'".
504:-style wardrobe and nude models, but it was never released due to production delays. "Need You Now" was released as the album's second single on 25 February 2011, and its accompanying video was directed by
992:
on the album, dubbing it "impressive ventriloquism, and the songs are catchy. But the lovelorn sentiments are generic, and singer Dan
Whitford's baritone drone adds little to the proceedings." Rob Webb of
956:
as "an album that is, in parts, loose and jammy" and called it "a deviation with mostly good ideas, some great ones, and enough sparkling synth ambrosia and sing-along chorus hooks to get you through."
2319:
2031:
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360:, means "a variety of things", adding, "It was an instrument for us, but it's also the lens you would use to view this kind of world. We wanted Zonoscope to represent this record."
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524:
opined that the song "veer into a more conventional-sounding, guitar-bass-drums combination and seemed to indicate a departure from the sleek, electronic-laced sound of
323:
3257:
911:'s Tim Sendra stated, "There isn't a single weak track to be found, and though could have easily done so with no side effects, the group didn't just remake
1748:
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expressed, "After the ubiquitous presence of '80s-indebted music last year, a follow-up with little stylistic deviation isn't a thrilling proposition".
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breakfast show on 16 July 2010 and was offered as a free download from the band's official website. It was released digitally and as a limited-edition
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on 26 November 2010. Described by Hoey as "certainly one of the more pop moments from the album", the song reached number 10 on the
322:
won Best Dance
Release and the Artisan Award for Best Cover Art, and was nominated for Album of the Year. It was also nominated for
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on its own throughout " and that "each arpeggiator pattern, glow-worm guitar line, and percussive thump on
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1027:, which topped the chart in 2008. In the United States, the album debuted at number 46 on the
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1974:"Cut Copy Talk Zonoscope, Atlanta Vocal Ensembles and Learning To Play Their Instruments"
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2006:
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rating out of 100 to reviews from mainstream publications, the album received an
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115:
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445:
375:
367:
294:
104:
80:
1312:
Steve
Morrison – mix assistance, additional editing, additional engineering
297:
in 2010, the album received generally positive reviews from music critics.
520:"Where I'm Going" served as the first taste of the album. Peter Gaston of
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bobs in the mix as a luxuriously distinct spot of sound." Mikael Wood of
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529:
346:
286:
163:
43:
3018:
2076:
915:, they made some subtle alterations here and there to their approach."
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sleight of hand to stay ahead of the lawyers, and it's a lot of fun."
338:
The album's title and release date were announced exclusively through
537:
936:
self-consciously mature in comparison to the band's previous work".
3052:. 17 February 2011. Archived from the original on 26 December 2004
38:
1786:
3048:
3479:
2170:"Blink and You'll Miss a Revolution – EP (Remixes) by Cut Copy"
2632:
995:
759:
3236:"ARIA Charts – End Of Year Charts – Top 50 Dance Albums 2011"
2320:"Exclusive: Cut Copy to premiere Where I'm Going this Friday"
1352:
3475:
874:
received generally positive reviews from music critics. At
1315:
Rob
Gardiner – additional editing, additional engineering
1021:, becoming the band's second highest-peaking album after
305:, becoming the band's second highest-peaking album after
925:
genre's moves with absolute precision." Matthew Cole of
500:
in Sydney in
November 2010, featuring jungle scenes, an
350:, guitarist Tim Hoey said, "I guess we finished touring
2032:"Cut Copy discuss new single ahead of Tuesday premiere"
886:
score of 71, based on 31 reviews. Spencer
Kornhaber of
460:
The album's artwork uses an image by the late
Japanese
3217:"Cut Copy Chart History (Top Dance/Electronic Albums)"
2110:"Cut Copy release crazy sports video for Need You Now"
2064:"ARIA Hitseekers – Week Commencing 6th December 2010"
1849:
1847:
1845:
3661:
3629:
3611:
3593:
3540:
1210:
1202:
1059:
1051:
892:wrote that "Cut Copy's music successfully achieves
211:
162:
152:
140:
124:
96:
73:
65:
50:
37:
23:
1334:Dan Whitford – sleeve layout, illustration, design
1219:"Artificial Interpreter (The Making of Zonoscope)"
496:chart. A music video for the single was filmed by
344:magazine on 2 November 2010. In an interview with
3181:"Cut Copy Chart History (Top Alternative Albums)"
3008:"ARIA Dance – Week Commencing 14th February 2011"
2380:"Cut Copy Store – Where I'm Going (7-inch Vinyl)"
1823:"EXCLUSIVE: Cut Copy Unveil Album Artwork, Video"
2103:
2101:
1816:
1814:
1812:
1810:
1808:
1806:
1804:
1779:"54th Annual GRAMMY Awards Nominees And Winners"
2992:: CS1 maint: others in cite AV media (notes) (
2711:
2709:
2262:"Cut Copy: "Sun God (Andrew Weatherall Remix)""
2026:
2024:
1749:"The countdown begins....nominations announced"
2628:"Album Review: Cut Copy – Zonoscope (Modular)"
656:
3491:
3163:"Cut Copy Chart History (Independent Albums)"
2874:"Australiancharts.com – Cut Copy – Zonoscope"
8:
2657:
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1967:
1965:
1936:
1934:
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3456:(in Swedish). CDON (Sweden). Archived from
3258:"Year End Charts – Dance/Electronic Albums"
3238:. Australian Recording Industry Association
3087:. Hung Medien. Retrieved 4 September 2019.
2559:
2557:
2464:
2462:
2075:(1084): 21. 6 December 2010. Archived from
1884:"Cut Copy move on from the "Modular sound""
1337:Alter – sleeve layout, illustration, design
425:tracks have a proto-80s African feel. Also
3498:
3484:
3476:
3199:"Cut Copy Chart History (Top Rock Albums)"
3125:"Official Independent Albums Chart Top 50"
3097:"Swedishcharts.com – Cut Copy – Zonoscope"
2896:. Vol. 123, no. 47. p. 30.
2590:
2588:
1608:
1563:
1361:
548:
421:while working on this record—a lot of the
366:was recorded over a six-month period in a
29:
20:
3085:"Irish-charts.com – Discography Cut Copy"
3015:Australian Recording Industry Association
2694:. No. 297. April 2011. p. 101.
2495:
2493:
2072:Australian Recording Industry Association
1234:Credits adapted from the liner notes of
1192:
1048:
281:is the third studio album by Australian
3099:. Hung Medien. Retrieved 13 July 2016.
2876:. Hung Medien. Retrieved 13 July 2016.
2745:
2743:
2260:Fitzmaurice, Larry (15 December 2011).
1712:
1034:with 13,000 copies sold in first week.
980:noticed the influence of bands such as
488:" was released as the lead single from
3063:
2985:
2869:
2867:
2621:
2619:
2597:"Album review: Cut Copy's 'Zonoscope'"
2595:Wappler, Margaret (15 February 2011).
2500:Kornhaber, Spencer (8 February 2011).
2289:"Get the new Cut Copy single for free"
2916:"Cut Copy Store – Zonoscope (Deluxe)"
2813:Gabriele, Timothy (9 February 2011).
2528:Robbins, Winston (10 February 2011).
2434:
2432:
587:
554:
7:
2530:"Album Review: Cut Copy – Zonoscope"
1116:"Blink and You'll Miss a Revolution"
952:reviewer Timothy Gabriele described
250:"Blink and You'll Miss a Revolution"
2440:"Reviews for Zonoscope by Cut Copy"
2293:Australian Broadcasting Corporation
1882:Murfett, Andrew (3 February 2011).
1306:Mirko Vogel – recording engineering
658:
2886:Christman, Ed (26 November 2011).
2848:. 15 December 2011. Archived from
2564:Simpson, Dave (10 February 2011).
2350:"Cut Copy Store – Where I'm Going"
2231:"Sun God: Cut Copy: MP3 Downloads"
2203:"Sun God: Cut Copy: MP3 Downloads"
2108:Treuen, Jason (18 February 2011).
2040:. 19 November 2010. Archived from
1290:Artia E. Lockett – backing vocals
1127:"Strange Nostalgia for the Future"
470:Toshi Wa Sawayakana Asa Wo Mukaeru
311:, which topped the chart in 2008.
90:Southern Tracks (Atlanta, Georgia)
14:
2781:Cole, Matthew (7 February 2011).
2752:"Cut Copy, 'Zonoscope' (Modular)"
1821:Gaston, Peter (2 November 2010).
1755:. 11 October 2011. Archived from
1721:"Winners of the 2011 ARIA Awards"
1621:
986:Orchestral Manoeuvres in the Dark
829:
791:
734:
696:
608:
474:The City Welcomes a Fresh Morning
387:The band had the idea of using a
289:, released on 4 February 2011 by
2750:Wood, Mikael (8 February 2011).
2662:Breihan, Tom (7 February 2011).
1943:"Cut Copy Talk New Record, Gaga"
1583:US Top Dance/Electronic Albums (
1266:Tony Hightower – backing vocals
848:
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622:
617:
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453:era, post-rave indie music like
3109:"Official Albums Chart Top 100"
2410:"Zonoscope by Cut Copy reviews"
2140:"Cut Copy Store – Need You Now"
1999:"Cut Copy Store – Take Me Over"
1575:Australian Dance Albums (ARIA)
1278:Natasha Evans – backing vocals
1017:debuted at number three on the
3131:. Retrieved 14 December 2015.
2566:"Cut Copy: Zonoscope – review"
2318:Treuen, Jason (15 July 2010).
2295:. 16 July 2010. Archived from
1854:Hogwood, Ben (3 August 2011).
1203:
1160:"Hanging Onto Every Heartbeat"
1052:
1:
2626:Webb, Rob (4 February 2011).
1941:Dombal, Ryan (16 June 2010).
1321:CJ Ridings – second assistant
1284:Paris Lewis – backing vocals
1272:Tanya Smith – backing vocals
16:2011 studio album by Cut Copy
3288:"Cut Copy Store – Zonoscope"
3032:– via Pandora Archive.
1700:
1690:
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1381:
1324:Juno – studio vibe regulator
1194:Deluxe edition bonus disc /
324:Best Dance/Electronica Album
301:reached number three on the
3318:"Zonoscope – Cut Copy (CD)"
3225:. Retrieved 30 April 2014.
3207:. Retrieved 30 April 2014.
3189:. Retrieved 30 April 2014.
3171:. Retrieved 30 April 2014.
3153:. Retrieved 30 April 2014.
2842:"The Top 50 Albums of 2011"
1540:Top Dance/Electronic Albums
1318:TJ Elias – second assistant
3726:
3115:. Retrieved 13 July 2016.
3044:"Top 100 Albums in Canada"
1043:All tracks are written by
244:Released: 25 February 2011
235:Released: 26 November 2010
3710:Modular Recordings albums
3700:ARIA Award-winning albums
3513:
3141:"Cut Copy Chart History (
3070:: CS1 maint: unfit URL (
1888:The Sydney Morning Herald
1726:The Sydney Morning Herald
1694:
1687:
1684:
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1387:Australian Dance Albums (
1386:
1374:
1367:
1364:
1303:Dan Whitford – production
1215:
1207:
1178:
1167:
1156:
1145:
1134:
1123:
1112:
1105:"Pharaohs & Pyramids"
1101:
1090:
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1064:
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595:
592:
562:
559:
328:54th Annual Grammy Awards
316:ARIA Music Awards of 2011
270:
262:Released: 24 January 2012
222:
207:
170:
54:4 February 2011
28:
2950:iTunes Store (Australia)
939:Margaret Wappler of the
334:Background and recording
3424:"Zonoscope by Cut Copy"
3129:Official Charts Company
3113:Official Charts Company
2946:"Zonoscope by Cut Copy"
2688:"Cut Copy: Zonoscope".
1972:Ash (27 January 2011).
1138:"This Is All We've Got"
253:Released: 7 August 2011
79:CCHQ and Christmas St (
3454:"Zonoscope – Cut Copy"
3264:. 2011. Archived from
2471:"Zonoscope – Cut Copy"
1909:"Cut Copy – Zonoscope"
1504:Top Alternative Albums
1010:Commercial performance
3549:Bright Like Neon Love
3399:"Zonoscope: Cut Copy"
3374:"Zonoscope: Cut Copy"
3348:"Zonoscope: Cut Copy"
2815:"Cut Copy: Zonoscope"
2664:"Cut Copy: Zonoscope"
2502:"Cut Copy: Zonoscope"
1856:"Interview: Cut Copy"
1456:UK Independent Albums
3669:Cut Copy discography
3602:I Thought of Numbers
3292:Getmusic (Australia)
3017:: 17. Archived from
2920:Getmusic (Australia)
2535:Consequence of Sound
2384:Getmusic (Australia)
2354:Getmusic (Australia)
2330:on 11 September 2011
2144:Getmusic (Australia)
2003:Getmusic (Australia)
1261:Additional musicians
651:Consequence of Sound
550:Professional ratings
457:and Primal Scream."
449:album. And a lot of
3460:on 13 November 2013
3434:on 22 December 2015
3328:on 14 December 2015
3024:on 20 February 2011
2988:cite AV media notes
2783:"Review: Cut Copy,
2719:(8 February 2011).
2542:on 16 February 2011
2390:on 20 November 2011
2360:on 24 December 2011
2183:on 13 November 2012
2120:on 19 February 2011
2044:on 22 February 2011
2009:on 24 December 2011
1919:on 10 February 2014
1759:on 26 November 2011
1375:Australian Albums (
1292:(tracks 1, 2, 5, 9)
1286:(tracks 1, 2, 5, 9)
1280:(tracks 1, 2, 5, 9)
1274:(tracks 1, 2, 5, 9)
1268:(tracks 1, 2, 5, 9)
1199:
1171:"Corner of the Sky"
551:
516:Promotional singles
432:Slave to the Rhythm
391:while listening to
3674:Modular Recordings
3645:Lights & Music
2980:Modular Recordings
2926:on 16 October 2011
2150:on 16 October 2011
2082:on 20 January 2011
1913:Modular Recordings
1729:. 27 November 2011
1486:Independent Albums
1309:Ben Allen – mixing
1193:
878:, which assigns a
549:
545:Critical reception
423:Lindsey Buckingham
291:Modular Recordings
3682:
3681:
2982:. 2011. MODCD134.
2852:on 8 January 2012
2762:on 10 August 2011
2602:Los Angeles Times
2324:The Music Network
2299:on 20 August 2010
2114:The Music Network
2037:The Music Network
1753:ARIA Music Awards
1704:
1703:
1601:
1600:
1594:
1593:
1555:
1554:
1430:Sverigetopplistan
1226:
1225:
1189:
1188:
1094:"Where I'm Going"
1019:ARIA Albums Chart
942:Los Angeles Times
869:
868:
727:Los Angeles Times
510:Andrew Weatherall
303:ARIA Albums Chart
274:
273:
203:
202:
3717:
3556:In Ghost Colours
3500:
3493:
3486:
3477:
3470:
3469:
3467:
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3450:
3444:
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3441:
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3430:. Archived from
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3370:
3364:
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3352:Amazon (Germany)
3344:
3338:
3337:
3335:
3333:
3324:. Archived from
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3308:
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3294:. Archived from
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2922:. Archived from
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2883:
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2758:. Archived from
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2704:
2703:
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2676:
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2636:. Archived from
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2611:
2609:
2592:
2583:
2582:
2580:
2578:
2561:
2552:
2551:
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2538:. Archived from
2525:
2519:
2518:
2516:
2514:
2497:
2488:
2487:
2485:
2483:
2466:
2457:
2456:
2454:
2452:
2436:
2427:
2426:
2424:
2422:
2406:
2400:
2399:
2397:
2395:
2386:. Archived from
2376:
2370:
2369:
2367:
2365:
2356:. Archived from
2346:
2340:
2339:
2337:
2335:
2326:. Archived from
2315:
2309:
2308:
2306:
2304:
2285:
2279:
2278:
2276:
2274:
2257:
2251:
2250:
2248:
2246:
2237:. Archived from
2227:
2221:
2220:
2218:
2216:
2199:
2193:
2192:
2190:
2188:
2179:. Archived from
2166:
2160:
2159:
2157:
2155:
2146:. Archived from
2136:
2130:
2129:
2127:
2125:
2116:. Archived from
2105:
2096:
2095:
2089:
2087:
2081:
2068:
2060:
2054:
2053:
2051:
2049:
2028:
2019:
2018:
2016:
2014:
2005:. Archived from
1995:
1989:
1988:
1986:
1984:
1969:
1960:
1959:
1957:
1955:
1938:
1929:
1928:
1926:
1924:
1915:. Archived from
1905:
1899:
1898:
1896:
1894:
1879:
1873:
1872:
1870:
1868:
1851:
1840:
1839:
1837:
1835:
1818:
1799:
1798:
1796:
1794:
1785:. Archived from
1775:
1769:
1768:
1766:
1764:
1745:
1739:
1738:
1736:
1734:
1717:
1698:9 February 2011
1678:8 February 2011
1653:7 February 2011
1631:4 February 2011
1623:
1609:
1564:
1428:Swedish Albums (
1362:
1353:
1341:Tsunehisa Kimura
1293:
1287:
1281:
1275:
1269:
1205:
1200:
1054:
1049:
1024:In Ghost Colours
975:
965:
923:
853:
852:
851:
847:
846:
842:
841:
837:
836:
832:
831:
815:
814:
813:
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808:
804:
803:
799:
798:
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793:
753:
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751:
747:
746:
742:
741:
737:
736:
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719:
718:
714:
713:
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708:
704:
703:
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698:
682:
681:
680:
676:
675:
671:
670:
666:
665:
661:
660:
632:
631:
630:
626:
625:
621:
620:
616:
615:
611:
610:
555:Aggregate scores
552:
526:In Ghost Colours
466:Tsunehisa Kimura
353:In Ghost Colours
308:In Ghost Colours
283:electronic music
263:
260:
254:
251:
245:
242:
236:
233:
177:In Ghost Colours
172:
171:
136:
135:
131:
118:
61:
59:
33:
21:
3725:
3724:
3720:
3719:
3718:
3716:
3715:
3714:
3705:Cut Copy albums
3685:
3684:
3683:
3678:
3657:
3625:
3607:
3589:
3577:Haiku from Zero
3536:
3509:
3504:
3474:
3473:
3463:
3461:
3452:
3451:
3447:
3437:
3435:
3422:
3421:
3417:
3407:
3405:
3397:
3396:
3392:
3382:
3380:
3372:
3371:
3367:
3357:
3355:
3346:
3345:
3341:
3331:
3329:
3316:
3315:
3311:
3301:
3299:
3298:on 7 April 2012
3286:
3285:
3281:
3271:
3269:
3268:on 23 June 2012
3256:
3255:
3251:
3241:
3239:
3234:
3233:
3229:
3215:
3211:
3197:
3193:
3179:
3175:
3161:
3157:
3139:
3135:
3123:
3119:
3107:
3103:
3095:
3091:
3083:
3079:
3062:
3055:
3053:
3042:
3041:
3037:
3027:
3025:
3021:
3010:
3006:
3005:
3001:
2984:
2974:(liner notes).
2970:
2969:
2965:
2955:
2953:
2944:
2943:
2939:
2929:
2927:
2914:
2913:
2909:
2885:
2884:
2880:
2872:
2865:
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2807:
2797:
2795:
2780:
2779:
2775:
2765:
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2731:
2729:
2715:
2714:
2707:
2687:
2686:
2682:
2672:
2670:
2661:
2660:
2653:
2643:
2641:
2640:on 28 June 2011
2625:
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2605:
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2576:
2574:
2563:
2562:
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2522:
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2510:
2499:
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2481:
2479:
2468:
2467:
2460:
2450:
2448:
2438:
2437:
2430:
2420:
2418:
2415:AnyDecentMusic?
2408:
2407:
2403:
2393:
2391:
2378:
2377:
2373:
2363:
2361:
2348:
2347:
2343:
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2300:
2287:
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2229:
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2214:
2212:
2201:
2200:
2196:
2186:
2184:
2168:
2167:
2163:
2153:
2151:
2138:
2137:
2133:
2123:
2121:
2107:
2106:
2099:
2092:Pandora Archive
2085:
2083:
2079:
2066:
2062:
2061:
2057:
2047:
2045:
2030:
2029:
2022:
2012:
2010:
1997:
1996:
1992:
1982:
1980:
1971:
1970:
1963:
1953:
1951:
1940:
1939:
1932:
1922:
1920:
1907:
1906:
1902:
1892:
1890:
1881:
1880:
1876:
1866:
1864:
1853:
1852:
1843:
1833:
1831:
1820:
1819:
1802:
1792:
1790:
1777:
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1772:
1762:
1760:
1747:
1746:
1742:
1732:
1730:
1719:
1718:
1714:
1709:
1665:United Kingdom
1607:
1605:Release history
1602:
1562:
1560:Year-end charts
1522:Top Rock Albums
1400:Canadian Albums
1369:
1360:
1350:
1331:
1300:
1291:
1285:
1279:
1273:
1267:
1263:
1244:
1232:
1227:
1190:
1040:
1012:
973:
963:
921:
849:
844:
839:
834:
811:
806:
801:
796:
749:
744:
739:
716:
711:
706:
701:
678:
673:
668:
663:
628:
623:
618:
613:
569:AnyDecentMusic?
547:
518:
506:Keith Schofield
494:ARIA Hitseekers
482:
441:Malcolm McLaren
398:Young Americans
336:
266:
261:
258:
257:
252:
249:
248:
243:
240:
239:
234:
227:
226:
198:
189:
180:
133:
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128:
114:
57:
55:
46:
17:
12:
11:
5:
3723:
3721:
3713:
3712:
3707:
3702:
3697:
3687:
3686:
3680:
3679:
3677:
3676:
3671:
3665:
3663:
3659:
3658:
3656:
3655:
3648:
3641:
3638:Hearts on Fire
3633:
3631:
3627:
3626:
3624:
3623:
3615:
3613:
3609:
3608:
3606:
3605:
3597:
3595:
3594:Extended plays
3591:
3590:
3588:
3587:
3580:
3573:
3570:Free Your Mind
3566:
3559:
3552:
3544:
3542:
3538:
3537:
3535:
3534:
3528:
3527:
3524:
3523:Mitchell Scott
3521:
3518:
3514:
3511:
3510:
3505:
3503:
3502:
3495:
3488:
3480:
3472:
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3309:
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3209:
3191:
3173:
3155:
3133:
3117:
3101:
3089:
3077:
3035:
2999:
2963:
2952:. January 2010
2937:
2907:
2878:
2863:
2833:
2805:
2792:Slant Magazine
2773:
2739:
2705:
2680:
2651:
2615:
2584:
2553:
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2489:
2458:
2428:
2401:
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2341:
2310:
2280:
2252:
2222:
2194:
2161:
2131:
2097:
2055:
2020:
1990:
1961:
1930:
1900:
1874:
1841:
1800:
1770:
1740:
1711:
1710:
1708:
1705:
1702:
1701:
1699:
1696:
1692:
1691:
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1686:
1682:
1681:
1679:
1676:
1675:United States
1672:
1671:
1669:
1666:
1662:
1661:
1659:
1654:
1651:
1647:
1646:
1644:
1640:
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1516:
1513:
1499:
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1467:
1466:
1463:
1452:
1451:
1448:
1437:
1436:
1433:
1425:
1424:
1421:
1416:Irish Albums (
1413:
1412:
1409:
1396:
1395:
1392:
1384:
1383:
1380:
1372:
1371:
1366:
1359:
1356:
1351:
1349:
1346:
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1344:
1338:
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1322:
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1313:
1310:
1307:
1304:
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1296:
1295:
1294:
1288:
1282:
1276:
1270:
1262:
1259:
1258:
1257:
1254:
1253:Mitchell Scott
1251:
1248:
1243:
1240:
1231:
1228:
1224:
1223:
1220:
1217:
1213:
1212:
1209:
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1187:
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1128:
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1121:
1120:
1117:
1114:
1110:
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1106:
1103:
1099:
1098:
1095:
1092:
1088:
1087:
1084:
1077:
1073:
1072:
1069:
1068:"Need You Now"
1066:
1062:
1061:
1058:
1055:
1041:
1039:
1036:
1011:
1008:
928:Slant Magazine
867:
866:
863:
855:
854:
825:
817:
816:
787:
779:
778:
775:
767:
766:
763:
755:
754:
730:
722:
721:
692:
684:
683:
654:
646:
645:
642:
634:
633:
604:
598:
597:
594:
590:
589:
585:
584:
581:
575:
574:
571:
565:
564:
561:
557:
556:
546:
543:
517:
514:
481:
478:
389:vocal ensemble
335:
332:
293:. Recorded in
272:
271:
268:
267:
265:
264:
255:
246:
241:"Need You Now"
237:
223:
220:
219:
209:
208:
205:
204:
201:
200:
195:Free Your Mind
191:
182:
168:
167:
160:
159:
156:
150:
149:
144:
138:
137:
126:
122:
121:
120:
119:
112:
107:
100:
94:
93:
92:
91:
88:
75:
71:
70:
67:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
3722:
3711:
3708:
3706:
3703:
3701:
3698:
3696:
3693:
3692:
3690:
3675:
3672:
3670:
3667:
3666:
3664:
3660:
3653:
3649:
3646:
3642:
3639:
3635:
3634:
3632:
3628:
3622:
3621:
3620:FabricLive.29
3617:
3616:
3614:
3610:
3604:
3603:
3599:
3598:
3596:
3592:
3586:
3585:
3581:
3579:
3578:
3574:
3572:
3571:
3567:
3565:
3564:
3560:
3558:
3557:
3553:
3551:
3550:
3546:
3545:
3543:
3541:Studio albums
3539:
3533:
3532:Bennett Foddy
3530:
3529:
3525:
3522:
3519:
3516:
3515:
3512:
3508:
3501:
3496:
3494:
3489:
3487:
3482:
3481:
3478:
3459:
3455:
3449:
3446:
3433:
3429:
3425:
3419:
3416:
3404:
3400:
3394:
3391:
3379:
3375:
3369:
3366:
3353:
3349:
3343:
3340:
3327:
3323:
3319:
3313:
3310:
3297:
3293:
3289:
3283:
3280:
3267:
3263:
3262:Billboard.biz
3259:
3253:
3250:
3237:
3231:
3228:
3224:
3223:
3218:
3213:
3210:
3206:
3205:
3200:
3195:
3192:
3188:
3187:
3182:
3177:
3174:
3170:
3169:
3164:
3159:
3156:
3152:
3151:
3146:
3144:
3137:
3134:
3130:
3126:
3121:
3118:
3114:
3110:
3105:
3102:
3098:
3093:
3090:
3086:
3081:
3078:
3073:
3067:
3051:
3050:
3045:
3039:
3036:
3020:
3016:
3009:
3003:
3000:
2995:
2989:
2981:
2977:
2973:
2967:
2964:
2951:
2947:
2941:
2938:
2925:
2921:
2917:
2911:
2908:
2903:
2899:
2895:
2894:
2889:
2888:"The New DIY"
2882:
2879:
2875:
2870:
2868:
2864:
2851:
2847:
2843:
2837:
2834:
2822:
2821:
2816:
2809:
2806:
2794:
2793:
2788:
2786:
2777:
2774:
2761:
2757:
2753:
2746:
2744:
2740:
2728:
2727:
2726:Rolling Stone
2722:
2718:
2712:
2710:
2706:
2701:
2697:
2693:
2692:
2684:
2681:
2669:
2665:
2658:
2656:
2652:
2639:
2635:
2634:
2629:
2622:
2620:
2616:
2604:
2603:
2598:
2591:
2589:
2585:
2573:
2572:
2567:
2560:
2558:
2554:
2541:
2537:
2536:
2531:
2524:
2521:
2509:
2508:
2507:The A.V. Club
2503:
2496:
2494:
2490:
2478:
2477:
2472:
2469:Sendra, Tim.
2465:
2463:
2459:
2447:
2446:
2441:
2435:
2433:
2429:
2417:
2416:
2411:
2405:
2402:
2389:
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2381:
2375:
2372:
2359:
2355:
2351:
2345:
2342:
2329:
2325:
2321:
2314:
2311:
2298:
2294:
2290:
2284:
2281:
2269:
2268:
2263:
2256:
2253:
2241:on 2 May 2014
2240:
2236:
2232:
2226:
2223:
2211:
2209:
2204:
2198:
2195:
2182:
2178:
2176:
2171:
2165:
2162:
2149:
2145:
2141:
2135:
2132:
2119:
2115:
2111:
2104:
2102:
2098:
2093:
2078:
2074:
2073:
2065:
2059:
2056:
2043:
2039:
2038:
2033:
2027:
2025:
2021:
2008:
2004:
2000:
1994:
1991:
1979:
1978:Pedestrian TV
1975:
1968:
1966:
1962:
1950:
1949:
1944:
1937:
1935:
1931:
1918:
1914:
1910:
1904:
1901:
1889:
1885:
1878:
1875:
1863:
1862:
1857:
1850:
1848:
1846:
1842:
1830:
1829:
1824:
1817:
1815:
1813:
1811:
1809:
1807:
1805:
1801:
1789:on 3 May 2012
1788:
1784:
1783:Grammy Awards
1780:
1774:
1771:
1758:
1754:
1750:
1744:
1741:
1728:
1727:
1722:
1716:
1713:
1706:
1697:
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1683:
1673:
1663:
1658:
1655:
1648:
1641:
1636:
1626:
1610:
1604:
1597:
1589:
1586:
1581:
1577:
1573:
1567:Chart (2011)
1565:
1559:
1557:
1547:
1546:
1541:
1536:
1529:
1528:
1523:
1518:
1511:
1510:
1505:
1500:
1493:
1492:
1487:
1482:
1476:
1474:
1468:
1461:
1457:
1453:
1446:
1442:
1438:
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1426:
1419:
1414:
1410:
1407:
1406:
1401:
1397:
1393:
1390:
1385:
1378:
1373:
1365:Chart (2011)
1363:
1358:Weekly charts
1357:
1355:
1354:
1347:
1343:– cover image
1342:
1339:
1336:
1333:
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1229:
1221:
1218:
1214:
1201:
1197:
1184:
1181:
1177:
1173:
1170:
1166:
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3438:14 December
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3403:Amazon (US)
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3378:Amazon (UK)
3358:4 September
3354:(in German)
3332:14 December
3322:HMV Ireland
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2956:10 December
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2608:10 December
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1198:bonus video
894:synesthesia
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3689:Categories
3612:Mix albums
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1707:References
1688:Universal
1628:Australia
978:Jody Rosen
949:PopMatters
880:normalised
876:Metacritic
579:Metacritic
498:Kris Moyes
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166:chronology
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1948:Pitchfork
1657:Universal
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1570:Position
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1441:UK Albums
1405:Billboard
1370:position
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1230:Personnel
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