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Manuel Antonio Caro

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into a wealthy family in central coastal Chile, Caro initially wanted to become a businessman, but during a prolonged illness confining him to bed, he discovered his interest in the visual arts. In 1859 at age 23, he went to
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and is classed among Chile's best-loved artists. The son of Victorino Caro y Cárcamo and Asunción de Olavarría y Sierpe, he was named Caro Olavarría. The first Chilean student to attend the
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was destroyed in a fire. However, Caro was alleged to have executed two versions of the painting, and one of those is now in the collection of the Presidency of the Republic of Chile.
216:, historical and 'costumbrista' subjects (subjects in costume acting out an historical event), and urban society of the 19th century. One of his famous paintings is his 1873 work 1496: 910: 375: 554:: An Exhibition Sponsored by the Ministry of Education of the Republic of Chile and the Faculty of Fine Arts of the University of Chile, Toledo Museum of Art, 1942, p. 22 789: 505: 960: 525: 232:. That painting was one among several that earned him high honors at the Paris Salon of 1872 and at la Exposición del Mercado Central (the Central Market 1491: 1481: 602:
Icarito Enciclopedia Escolar: 'Los primeros pintores chilenos: Manuel Antonio Caro (1835-1904) y José Manuel Ramírez Rosales (1804-1877)'. (in Spanish)
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in Paris, Caro's body of work included portraits and scenes of everyday life, and earned him high honors and international recognition.
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Chile at the Pan-American Exposition: Historical Sketch on the Fine Arts of Chile and Catalogue of the Fine Arts in the Chile Building
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at the 1872 Santiago Exhibition; and for his work at the 1875 International Exposition in Santiago, he earned great distinction.
89: 35: 1416: 1053: 925: 905: 816: 797: 669: 612:, in Fundación Mario Góngora, Formas de Sociabilidad en Chile, 1840–1940. Santiago, pp. 279–314, 1992. (in Spanish) 198: 1466: 1118: 439: 1087: 900: 749: 1092: 1048: 895: 846: 701: 1375: 1300: 1229: 741: 686: 1461: 1196: 1005: 995: 955: 836: 649: 380: 1253: 841: 826: 1380: 1070: 930: 920: 615:
Romera, Antonio: Historia de la Pintura Chilena (History of Chilean painting), 1951, p. 388. (in Spanish)
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Urquieta, Luis Alvarez: La Pintura en Chile, Santiago de Chile: Imprenta la Ilustración, 1928. (in Spanish)
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Figuero, Pedro Pablo: Diccionari Biogáfico de Chile, Tomo I, II, 1897, p. 176. (in Spanish)
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Caro died in Valparaíso. British and German museums own several of his works. In 1942, the
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Ades, Dawn: Art in Latin America: the Modern Era, 1820–1980, Yale University Press, 1993.
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in Paris. In 1866 he returned to his home country and opened a studio in the plaza near
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Clara Josefina Naegelé Guetot, wife of Chilean Rear-Admiral Juan Williams Rebolledo
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Padres Franceses de Valparaíso; Academia de Pintura; École des Beaux-Arts, Paris
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Caro worked in an academic style in portrait painting, rather than in the more
631:, Relics and Selves, Birkbeck College, London, bbk.ac.uk. Accessed 2012-12-22. 477: 221: 205: 186: 594:
Manuel Antonio Caro; Juan Mauricio Rugendas; Carlos Wood; Raimundo Monvoisin
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Museo Nacional de Bellas Artes, 'Artistas Plásticos Chilenos'. (in Spanish)
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then gaining a foothold in Europe. His subject matter often involved
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at his father's urging where he befriended the French painter
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In 1865, he was the first Chilean student to attend the
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Some of his contemporaries were 14: 1492:20th-century Chilean male artists 1482:19th-century Chilean male artists 518:Calendario Colección Philips 1980 863: 362:Captain Ricardo Serrano Montaner 354: 337: 322: 304: 286: 269: 29: 376:Museo Nacional de Bellas Artes 124:Manuel Antonio Caro Olavarría 1: 1487:20th-century Chilean painters 1477:19th-century Chilean painters 166:style. Gariot trained him in 128:Manuel Antonio Caro Olavarría 90:Manuel Antonio Caro Olavarría 36:Manuel Antonio Caro Olavarría 23:Manuel Antonio Caro Olavarría 1093:Comptroller General of Chile 608:Rodríguez Villegas, Hernán: 1472:École des Beaux-Arts alumni 1318:Water supply and sanitation 16:Chilean painter (1835–1903) 1513: 628:La Abdicacion de O'Higgins 1403: 1261: 1177: 991: 987: 881: 861: 28: 592:Urquieta, Luis Alvarez: 552:Chilean Contemporary Art 253:Contemporary Chilean Art 381:Álvaro Casanova Zenteno 346:Juan Williams Rebolledo 191:Pascual Ortega Portales 550:Toledo Museum of Art, 236:). Caro exhibited his 1467:Chilean male painters 1119:Investigations Police 782:Presidential Republic 758:Conservative Republic 750:Republic Organization 452:Luis Álvarez Urquieta 438:, Relics and Selves, 1088:Constitutional Court 966:World Heritage Sites 798:Democracy Transition 251:held an exhibition, 249:Toledo Museum of Art 183:Iglesia de la Matriz 179:École des Beaux-Arts 139:École des Beaux-Arts 1156:Ministry of Defence 520:, portaldearte.cl, 502:Manuel Antonio Caro 469:Manuel Antonio Caro 436:Manuel Antonio Caro 415:Manuel Antonio Caro 206:experimental styles 160:Paul Césaire Gariot 1230:Telecommunications 537:Reszka, Pedro A., 386:Thomas Somerscales 162:who worked in the 1462:People from Ancud 1439: 1438: 1399: 1398: 1248: 1247: 1164: 1163: 1127: 1126: 1016:Political parties 1006:Foreign relations 996:National Congress 974: 973: 859: 858: 855: 854: 774:Parliamentary Era 718:Spanish Discovery 625:Caro's painting: 364:(1854-1881), n.d. 312:Frigate Captain, 238:La Chueca Chilena 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Index

Manuel Antonio Caro photograph
Manuel Antonio Caro Olavarría
Manuel Antonio Caro Olavarría
Painter
Chilean
painter
École des Beaux-Arts
Ancud
Paris
Paul Césaire Gariot
Neoclassical
portrait painting
Tuileries
École des Beaux-Arts
Iglesia de la Matriz
Valparaiso
Pascual Ortega Portales
Antonio Smith
Nicolás Guzmán
experimental styles
genre scenes
folklife
folk dance
Pinochet regime
identity
Exhibition
Toledo Museum of Art
The Zamacueca, 1873 Collection: Presidency of the Republic
Abdication of O´Higgins, 1875
O´Higgins

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