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124:(1730–1785). Franklin's son William ordered 100 copies to sell in America, 18 of which Franklin distributed himself, mostly to friends in New England such as Mather Byles, Ezra Stiles, and his niece's husband, Jonathan Williams. This was Franklin's favorite print during the time, partially because of the accurate likeness.
65:. He exhibited 50 works at the academy between 1769 and 1786. All were portraits. The subjects of most of them are unnamed in the catalogues but in 1771 he showed a full-length painting of Prince Edward and Princess Augusta and in 1774 one of
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also commissioned a replica of this painting to be made, for
Franklin to give him as a gift to hang in the dining room of William's new home — the copy is presumed to have been sent to America, but has since been destroyed.
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113:(a device of his own invention), which would ring to signal when lightning was striking the rod. Franklin could then use the electricity in order to perform his experiments.
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His son, also called Mason, was a prolific painter who exhibited 68 landscapes in London between 1780 and 1827, of which 58 were shown at the Royal
Academy.
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105:, and painted from life in 1762. It shows Franklin seated in his study with lightning striking outside the window in the background, and a
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69:. He also showed 22 works at the Society of Artists and two at the Free Society of Artists. His address is given as 7, Stuart Street,
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A Dictionary of
Artists who have Exhibited Works in the Principal London Exhibitions of Oil Paintings from 1760 to 1880
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was made after it (possibly as part of the agreement between
Chamberlin and Ludwell), by the Irish-born engraver
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The Royal
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Chamberlin from The
Portraits of the Academicians of the Royal Academy by Johan Zoffany
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in the
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landowner and friend of
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174:"Mason Chamberlin (1722-1787), Portrait painter"
109:on his house. He looks to the left at a set of
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93:He is perhaps best known for a portrait of
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236:. London: Smith, Elder & Co.
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226:Radford, Ernest (1885–1900). "
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257:Mason Chamberlin the Elder
129:Philadelphia Museum of Art
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57:Chamberlin was a pupil of
208:Graves, Algernon (1905).
190:Graves, Algernon (1884).
85:Chamberlin’s portrait of
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259:at Wikimedia Commons
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103:Philip Ludwell III
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