Knowledge

Mary Way

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Way's work was largely unknown until the early 1990s, when it was documented in an article by art historian William Lamson Warren. Ongoing research on available samples, and new details about the composition of dressed miniatures. has been unearthed by Brian Ehrlich. A previously unknown pattern of
167:, which taught needlework among other subjects. Female academies in early America taught literacy and numeracy, but as their students "were being schooled to be homemakers and matrons in a polite society", academies focused on the arts to the exclusion of more advanced academic subjects. 136:, a 17th-century Italian miniaturist. As might be expected, miniature painting in this technique was immensely difficult. The small size alone presented formidable challenges. Moreover, ivory does not retain paint well, which meant that "the tiniest error was usually irreversible". 162:
Although this has not been documented, many scholars note that it is likely Way learned painting at a "female academy" in Connecticut. (An 1833 obituary claims, however, that Way was "self-taught".) Huber suggests that this academy was the Lucy Carew School in
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Tabor) died relatively early in Way's life. Her cousin Charles Holt ran a local newspaper in which he advertised Way's work. Her sister Elizabeth ("Betsey") Champlain (1771–1825) and niece Eliza Champlain (1797–1825) also worked in miniatures.
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Kelly observes that Way's miniatures did not tend to follow technical developments in the genre, which included a shift to larger formats and brighter colors. Rather, she continued to use a more muted palette throughout her career.
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Way was an artistic pioneer in early America. Jaffee calls her "very likely the first professional woman artist in the post-Revolutionary United States"; Baratt and Zabar, "one of the first professional women painters in America".
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In 1809, Way herself had established a school for women in New London, in which she taught painting and other subjects. She had advertised as a teacher as early as 1796.
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The genre's historical roots extend back to medieval illuminated manuscripts, in which small-scale, detailed artistry was of paramount importance; and the portrait
289:, among other institutions and in the hands of private collectors. An exhibition of the Way sisters' works, with an accompanying catalog, debuted in late 2021. 232:
She is known to have signed only one painting, of her cousin Charles Holt. Ehrlich suggests that Mary and her sister Elizabeth produced some paintings jointly.
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In 1811, she moved to New York City after her work had begun to attract notice. Despite gaining some recognition, she was poor for much of her life.
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Way's subjects included members of her New York church and contacts from her days in New London. One of her pieces purportedly portrays a young
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noted that she "takes Likenesses upon Ivory & Glass, in colours or gold, Landscapes, or views of country Seats, &c. &c".
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Portrait miniatures were popular in the colonial period and early Republic for about a century, from 1750 to 1850.
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Notes on American Artists, 1754–1820, Copied from Advertisements Appearing in the Newspapers of the Day
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With Needle and Brush: Schoolgirl Embroidery from the Connecticut River Valley, 1740–1840
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Way's miniatures were primarily in watercolor on ivory, although she also produced some
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observes, as of "a two-dimensional doll". An 1812 advertisement for her work in the
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Way was forced to abandon her painting career in 1818 when she became blind from
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A "dressed" portrait miniature by Mary Way, in watercolor overlaid with linen,
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Huber, Carol; Huber, Stephen; Schoelwer, Susan P.; Lansing, Amy Kurtz (2012).
154: 90:(1769 – November 1833) was an American painter, known for her 927: 180:. Around that time, she left New York for New London to be with her family. 152:, where she was born. Her father Ebenezer was a merchant; her mother Mary ( 255:, among others, who advised her and suggested improvements to her work. 177: 110:
was one of the more prominent American painters to produce miniatures.
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A chronicle of the Way family, based on their extensive correspondence.
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Sisters of the Brush: Their Family, Art, Lives and Letters, 1797–1833
121:, which Johnson describes as the "first small portable likeness". 698:"Young Theodosia Burr, in a "Dressed Portrait" by Mary Way, c1788" 413:"Mary Way and Betsy Way Champlain: Evaluating the Shared Artistry" 187: 129: 114: 477:
American Portrait Miniatures in the Metropolitan Museum of Art
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A New Nation of Goods: The Material Culture of Early America
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American Portrait Miniatures in the Manney Collection
812:"The Way Sisters: Miniaturists of the Early Republic" 788:
The Way Sisters: Miniaturists of the Early Republic
74: 66: 58: 46: 28: 21: 532:Commonplace: The Journal of Early American Life 70:Unknown; likely a Connecticut "female academy" 8: 474:Barratt, Carrie Rebora; Zabar, Lori (2010). 912:. New Haven, Connecticut: PastTimes Press. 790:. New London, CT: Lyman Allyn Art Museum. 685:. p. 50 – via Internet Archive. 18: 383:10.1093/anb/9780198606697.article.1701680 124:The medium in which Way primarily worked— 696:Scott, Susan Holloway (August 7, 2019). 753:Slosberg, Stephen (December 14, 2018). 632:from the original on September 23, 2020 344: 332: 320: 305: 298: 662: 650: 560: 502:from the original on December 15, 2019 446: 270:adorns a figure of Sarah Hamlin Sage. 7: 521: 519: 517: 469: 467: 465: 463: 461: 459: 457: 455: 406: 404: 402: 400: 398: 396: 363: 361: 359: 357: 355: 353: 966:People from New London, Connecticut 727:Ehrlich, Brian (November 8, 2021). 411:Ehrlich, Brian (November 5, 2014). 239:, and a separate one of her mother 117:, popular in ancient times and the 767:from the original on July 11, 2020 708:from the original on July 17, 2021 585:from the original on July 11, 2020 542:from the original on July 16, 2020 423:from the original on July 15, 2020 258:In 1818, she was exhibited at the 14: 526:Kelly, Catherine (January 2003). 260:American Academy of the Fine Arts 144:Way began her artistic career in 848:University of Pennsylvania Press 573:Huber, Carol (August 13, 2014). 971:American portrait miniaturists 956:19th-century American painters 1: 193: 94:. She, along with her sister 675:Kelby, William, ed. (1922). 273:Way's works are held at the 16:19th century American artist 683:New-York Historical Society 610:. Middletown, Connecticut: 374:American National Biography 987: 879:Metropolitan Museum of Art 482:Metropolitan Museum of Art 480:. New Haven, Connecticut: 275:Metropolitan Museum of Art 243:. She was acquainted with 201:Metropolitan Museum of Art 961:Painters from Connecticut 867:Johnson, Dale T. (1990). 616:Wesleyan University Press 612:Florence Griswold Museum 283:Florence Griswold Museum 132:—was first developed by 389:(subscription required) 281:in New London; and the 96:Elizabeth Way Champlain 840:Jaffee, David (2010). 816:Lyman Allyn Art Museum 279:Lyman Allyn Art Museum 204: 786:Pohrt, Tanya (2021). 733:The Magazine Antiques 729:"Dressed for Success" 486:Yale University Press 371:(1999). "Way, Mary". 287:Old Lyme, Connecticut 241:Theodosia Bartow Burr 222:New-York Evening Post 191: 108:John Singleton Copley 906:(October 12, 2012). 702:Susan Holloway Scott 199:. Collection of the 253:Samuel Lovett Waldo 92:portrait miniatures 80:portrait miniatures 528:"Miniature Worlds" 245:John Wesley Jarvis 205: 919:978-1-4791-8275-6 904:MacMullen, Ramsay 888:978-0-87099-597-2 857:978-0-8122-2200-5 797:978-1-878541-08-6 625:978-0-8195-7229-5 495:978-1-58839-357-9 369:MacMullen, Ramsay 277:in New York; the 85: 84: 54:(aged 63–64) 978: 931: 892: 861: 846:. 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Index

New London
Connecticut
portrait miniatures
portrait miniatures
Elizabeth Way Champlain
John Singleton Copley
medal
Renaissance
watercolor
ivory
Rosalba Carriera
New London
Connecticut
née
Norwich
glaucoma

Metropolitan Museum of Art
oil paintings
Ramsay MacMullen
New-York Evening Post
Theodosia Burr
Theodosia Bartow Burr
John Wesley Jarvis
Anson Dickinson
Samuel Lovett Waldo
American Academy of the Fine Arts
Ipswich lace
Metropolitan Museum of Art
Lyman Allyn Art Museum

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