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complementary colours, which he did in an unsystematic way, he got no further than incomplete, soft, monotonous harmonies; the clarion call was missing. I undertook the task of showing him the way, which I found easy, for I found rich and fertile soil. Like all original natures that show the stamp of personality, Vincent knew no fear and no obstinacy. From that day onward
Vincent showed surprising progress; he appeared to discover what lay within him, hence that whole series of sunflowers after sunflowers in full sunshine.
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174:, a celebrated artist of the time, who had expressed an interest in his drawings and who encouraged him further. At this time Vincent had not progressed as far as painting, though he did wash some of his drawings with watercolor. At the end of the year he made an extended visit to Mauve, who introduced him to painting. He returned to Etten with the intention of setting up a studio there.
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the imagination, since that permits me not to go out. Working in the heat of a stove doesn't bother me, but the cold isn't for me, as you know. Only I've spoiled that thing I did of the garden at Nuenen and I feel that habit is also necessary for works of the imagination. But I've done the portraits of an entire family ...
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Our days pass in working, working always, in the evening we're worn out and go to the café before retiring to bed early. That's our existence. Naturally it's winter here too, although the weather still continues to be very fine from time to time. But I don't find it disagreeable to try to work from
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I don’t know if you’ll understand that one can speak poetry just by arranging colours well, just as one can say comforting things in music. In the same way the bizarre lines, sought out and multiplied, and snaking all over the painting, aren’t intended to render the garden in its vulgar resemblance
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In the same way, let’s suppose that these two women walking are you and our mother. Let’s even suppose then that there may be not the slightest, absolutely not the slightest vulgar and fatuous resemblance, the deliberate choice of colour, the dark violet violently blotched with the lemon yellow of
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Behind them a few emerald-green cedar or cypress bushes. Behind these cypresses one catches a glimpse of a bed of pale green and red cabbages, surrounded by a border of little white flowers. The sandy path is a raw orange, the foliage of two beds of scarlet geraniums is very green. Finally, in the
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Now here are the colours. The younger of the two women walking is wearing a
Scottish shawl with green and orange checks and carrying a red parasol. The old one has a blue-violet shawl, almost black. But a bunch of dahlias, some lemon yellow, others variegated pink and white, explode against this
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At the time I arrived in Arles, Vincent was full of Neo-Impressionism and was in serious trouble, which made him very sad; not that this school, like all other schools, was bad, but it simply did not suit his impatient and independent nature. With all his yellow on violet, all his painting with
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In a later letter, he says he has spoiled the painting and refers to it as "that thing I did of the garden at Nuenen" (i.e. his later family home and not Etten), leading
Hulsker to suggest he really had no particular location in mind. Hulsker is puzzled by the remark that Vincent thought he had
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abruptly taking her leave for
Amsterdam and never dealing with him again. Vincent's obsessive attempts to press his suit eventually became a matter of family scandal, culminating in a bitter quarrel with his father on Christmas Day and his leaving the family home to set up his proposed studio
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dating from 1872 thought to show
Vincent side by side with Kee), but now her new situation stirred his tender feelings and romantic disposition. They took pleasant walks together and within the fortnight Vincent proposed marriage. She famously rebuffed him with a curt "No, at no time, never",
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158:, an art dealer, determined to become an artist. This period at Etten represents the beginning proper of Vincent's ten-year career as an artist. He had drawn since boyhood, and the previous year had enrolled in a beginners' class in Brussels where he met the painter
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The figure in the
Scottish plaid with the orange and green checks standing out against the dark green of the cypress, this contrast even more exaggerated by the red parasol, gives me an idea of you, vaguely a figure like those in Dickens’s
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I've already replied to you that I didn't like Mother's portrait enormously. I've now just painted a reminiscence of the garden at Etten, to put in my bedroom, and here's a croquis of it. It's quite a big canvas...
162:, but he now began to draw in earnest. He rapidly developed an accomplished technique in landscape drawing but remained rather more uncertain in his figure drawing, which he practised assiduously with the aid of
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I’ve already replied to you that I didn’t like Mother’s portrait enormously. I’ve now just painted a reminiscence of the garden at Etten, to put in my bedroom, and here’s a croquis of it. It’s quite a big
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A reminiscence of our garden at Etten with cabbages, cypresses, dahlias and figures ...Gauguin gives me courage to imagine, and the things of the imagination do indeed take on a more mysterious character.
317:, however, was of the opinion that the younger woman was, consciously or unconsciously, a representation of Kee Vos Stricker. Vincent was somewhat enigmatic on the subject in a letter to his sister:
181:, who had been invited to stay over the summer with her eight-year-old son Jan. Vincent had last visited her in Amsterdam some three years before while her husband was still alive (there is a
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Hulsker remarks that in reality
Vincent was already in his prime as an artist when Gauguin arrived. For a while he was influenced by Gauguin's theory of painting from the imagination and
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spoiled the painting, describing the painting as fascinating and enigmatic, "rich in subdued yet sparkling colours". Both he and
Tralbaut are reminded of medieval stained-glass windows.
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154:) which Vincent's father, pastor Theodorus van Gogh, visited in 1875. Vincent spent periods of time there, notably from Easter to Christmas 1881 when he returned to join his brother
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166:'s drawing course. Rappard made a twelve-day visit during this time, and they sketched together in the marshes and heaths round Etten. Vincent also visited his cousin-in-law
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painted about a month later. In his letters about the painting
Vincent makes it clear he was at pains to use his imagination in the way Gauguin was countenancing.
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There you are, I know it isn’t perhaps much of a resemblance, but for me it conveys the poetic character and the style of the garden as I feel them.
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middle ground is a maidservant dressed in blue who’s arranging plants with a profusion of white, pink, yellow and vermilion-red flowers.
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That summer
Vincent became infatuated with his recently widowed cousin Kee Vos-Stricker, daughter of the theologian
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but draw it for us as if seen in a dream, in character and yet at the same time stranger than the reality.
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where Vincent had lodged and which he and Gauguin continued to patronise after moving into the nearby
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274:(Vincent's recently widowed cousin and an unrequited love), with her eight-year-old son Jan,
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421:(F849 JH11), July 1881, black chalk and watercolor on pasted paper, 59.5 Ă— 47 cm,
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is certainly a conscious effort to paint in this style, but he soon returned to
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700:"Letter 720 to Willemien van Gogh. Arles, on or about Monday, 12 November 1888"
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paintings, those had been completed fully two months before Gauguin's arrival.
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73.5 cm Ă— 92.5 cm (29 in Ă— 36.5 in)
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726:"Letter 719 to Theo van Gogh. Arles, Sunday, 11 or Monday, 12 November 1888"
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753:"Letter 723 to Theo van Gogh. Arles, on or about Saturday, 1 December 1888"
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660:"Avant et après: avec les vingt-sept dessins du manuscrit original (1923)"
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The Yellow House: Van Gogh, Gauguin, and Nine Turbulent Weeks in Provence
234:(Vincent's mother), before 1888. This photo was the source for Vincent's
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Leningrad, Hermitage , inv nr 9116, cat 1958, p 291 at 1967, nrs 65-66
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309:. Vincent's figures are generally taken to be his mother and sister
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In Gauguin's painting the figure of the older woman is recognisably
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DĂ©coration: Vincent van Goghs Werkreihe fĂĽr das Gelbe Haus in Arles
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The "Garden at Etten" refers to the parsonage garden at Etten (now
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398:(F477 JH1600), October 1888, oil on canvas, 40.5 Ă— 32.5 cm,
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1908 Paris (VvG, Galerie E. Druet, 6–18 January, 35 nrs), 30
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published 15 years later, Gauguin himself made the claim:
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1881. Believed to be the source for the sketch F849 JH11.
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Vincent van Gogh, 1888, sketch in letter VGM 720 (W9),
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Moscow, Museum of Modern Western Art , cat 1928, nr 79
217:, with the intention of forming an artists' commune.
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around November 1888 and is in the collection of the
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Farmhouses in Loosduinen near The Hague at Twilight
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A Girl in the Street, Two Coaches in the Background
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209:in 1886, Finally he set up a studio in 1888 at the
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1707:Agostina Segatori Sitting in the Café du Tambourin
1679:View of Paris from Vincent's Room in the Rue Lepic
1492:Congregation Leaving the Reformed Church in Nuenen
333:the dahlias, suggests Mother’s personality to me.
2010:A Meadow in the Mountains: Le Mas de Saint-Paul
1858:Memory of the Garden at Etten (Ladies of Arles)
899:Memory of the Garden at Etten (Ladies of Arles)
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123:Memory of the Garden at Etten (Ladies of Arles)
802:Paul Gauguin: The Mysterious Centre of Thought
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993:Nazi looting of artworks by Vincent van Gogh
865:8 x Van Gogh; Vincent van Gogh et les Femmes
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2217:Peasant Woman Against a Background of Wheat
2080:View of the Asylum and Chapel of Saint-RĂ©my
1569:Head of an Old Farmer's Wife in a White Hat
2626:"Vincent and the Doctor" (2010 TV episode)
1615:Skull of a Skeleton with Burning Cigarette
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1467:Three Figures near a Canal with Windmill
138:. It was intended as decoration for his
2310:Meadows near Rijswijk and the Schenkweg
2017:A Road at Saint-Remy with Female Figure
1358:Beach at Scheveningen in Stormy Weather
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1700:Imperial Fritillaries in a Copper Vase
835:Naifeh, Steven; Smith, Gregory White.
360:, 1888, oil on jute, 73 Ă— 92 cm,
2259:Prisoners' Round (after Gustave Doré)
2161:Landscape with a Carriage and a Train
1925:Valley with Ploughman Seen from Above
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1830:A Lane in the Public Garden at Arles
1816:The Painter on the Road to Tarascon
1418:Landscape with a Church at Twilight
2479:Monastery of Saint-Paul de Mausole
1640:Vase with White and Red Carnations
738:I've been working on two canvases.
290:The painting influenced Gauguin's
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2763:Paintings in the Hermitage Museum
1932:View of Arles, Flowering Orchards
1886:Arles: View from the Wheat Fields
1872:Interior of a Restaurant in Arles
1608:Peasant Woman Digging Up Potatoes
1075:Still life paintings, Netherlands
825:. New York: Mariner Books, 2008.
564:Naifeh and White Smith pp. 230-52
538:List of works by Vincent van Gogh
213:in Arles, where he was joined by
2224:Still Life: Vase with Pink Roses
2140:Doctor Gachet's Garden in Auvers
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459:. In a collection of reminisces
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193:Vincent subsequently painted in
16:Oil painting by Vincent van Gogh
2382:Old Vineyard with Peasant Woman
2302:Boy Cutting Grass with a Sickle
2273:Landscape at Auvers in the Rain
2003:Self-Portrait with Bandaged Ear
1802:Portrait of the Artist's Mother
1760:Still Life: Vase with Oleanders
1215:DĂ©coration for the Yellow House
972:The Letters of Vincent van Gogh
851:The Letters of Vincent van Gogh
443:style of painting, a fusion of
395:Portrait of the Artist's Mother
237:Portrait of the Artist's Mother
2433:Torso of Venus and a Landscape
2425:Portrait of a Man in a Top Hat
2318:The 'Laakmolen' near The Hague
2245:Wheatfield Under Thunderclouds
2052:Green Wheat Field with Cypress
1506:Landscape with Pollard Willows
1499:The Parsonage Garden at Nuenen
1329:Lost works by Vincent van Gogh
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2753:Paintings by Vincent van Gogh
2732:Van Gogh immersive experience
2678:Theo van Gogh (film director)
2366:Drawbridge in Nieuw-Amsterdam
1303:Saint-Paul Asylum, Saint-RĂ©my
757:Vincent van Gogh: The Letters
730:Vincent van Gogh: The Letters
704:Vincent van Gogh: The Letters
474:Memory of the Garden at Etten
255:(Vincent's youngest sister),
23:Memory of the Garden at Etten
2504:Portrait of Vincent van Gogh
2210:Blossoming Chestnut Branches
2126:Thatched Cottages and Houses
2066:The Ravine of the Peyroulets
1046:Van Gogh's family in his art
867:(Antwerp: Pierre Peré, 1962)
591:Tralbaut 1969 pp. 77-9, 84-6
524:1956 Moscow, Leningrad, p II
201:(his last family home), and
2326:Church Pew with Worshippers
2024:Enclosed Field with Peasant
1996:Self-portrait without beard
1795:Starry Night Over the RhĂ´ne
1693:A Woman Walking in a Garden
1562:Avenue of Poplars at Sunset
1555:Avenue of Poplars in Autumn
1115:Still life paintings, Paris
804:, 2014. ISBN 978-1780234083
140:bedroom at the Yellow House
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2712:(1978, revised 1989; "JH")
2358:Landscape with Wheelbarrow
2231:Portrait of Adeline Ravoux
2112:Road with Cypress and Star
2045:Wheat Field with Cypresses
1732:Madame Roulin and Her Baby
1520:Cart with Red and White Ox
1365:Girl in White in the Woods
1184:Copies by Vincent van Gogh
1083:Old Church Tower at Nuenen
874:, Macmillan, London 1969,
853:. Penguin Classics, 2003.
618:Tralbaut (1962) pp. 16-28
378:Van Gogh Museum, Amsterdam
2552:Vincent and Theo van Gogh
2512:The Painter of Sunflowers
1587:Still Life with Straw Hat
1432:Footbridge across a Ditch
1039:Peasant Character Studies
811:. Oxford: Phaidon, 1980.
502:, Moscow, cat 1913, nr 35
455:, that he developed with
430:
253:Willemien Jacoba van Gogh
205:, before joining Theo in
30:
2704:Jacob Baart de la Faille
2464:Van Gogh House (Drenthe)
1453:Farm with Stacks of Peat
1191:Langlois Bridge at Arles
627:Tralbaut (1969) pp. 80-2
362:Art Institute of Chicago
313:. Vincent 's biographer
2773:Oil on canvas paintings
2668:Johanna van Gogh-Bonger
2409:Marsh with Water Lilies
2203:The Town Hall at Auvers
1714:Red Cabbages and Garlic
1686:Portrait of Père Tanguy
1672:Wheat Field with a Lark
1334:Display at Les XX, 1890
1310:Auvers size 30 canvases
1107:Le Moulin de la Galette
839:. Profile Books, 2011.
573:Tralbaut 1969 pp. 78-80
232:Anna van Gogh Carbentus
2133:Portrait of Dr. Gachet
1939:Portrait of Doctor Rey
1907:Orchard with Cypresses
1534:Water Mill at Opwetten
1404:Farmhouses Among Trees
658:Gauguin, Paul (1923).
470:
341:
126:is an oil painting by
2559:"Vincent" (1971 song)
2474:Kröller-Müller Museum
2334:Woman on Her Deathbed
2252:Wheatfield with Crows
2087:The Large Plane Trees
1900:Farmhouse in Provence
1837:Falling Autumn Leaves
1788:Café Terrace at Night
1633:Vase with Red Poppies
1601:Peasant Woman Digging
1255:Paintings of Children
1177:Trees and Undergrowth
1008:Lost Arles sketchbook
809:The Complete Van Gogh
786:. Georg Olms Verlag.
423:Kröller-Müller Museum
358:Arlésiennes (Mistral)
292:Arlésiennes (Mistral)
130:. It was executed in
2706:(1928 and 1970; "F")
2342:Landscape with Trees
2175:The Church at Auvers
2154:White House at Night
1893:Sunset at Montmajour
1541:Water Mill at Kollen
1425:Landscape with Dunes
1067:Water Mill at Gennep
902:at Wikimedia Commons
870:Tralbaut, Marc Edo.
782:Roland Dorn (1990).
188:in The Hague instead
2778:Paintings of people
1739:Landscape with Snow
1003:Cultural depictions
863:Tralbaut, Marc Edo
494:Émile Schuffenecker
453:Pont Aven Symbolism
441:Synthetic Symbolism
431:Gauguin's influence
400:Norton Simon Museum
183:family photo extant
2640:At Eternity's Gate
2613:Vincent in Brixton
2573:Vincent & Theo
2350:Peatery in Drenthe
2119:At Eternity's Gate
1513:Cart with Black Ox
1446:A Wind-Beaten Tree
1397:Cows in the Meadow
1239:Flowering Orchards
1137:Outskirts of Paris
849:Pomerans, Arnold.
837:Van Gogh: The Life
513:Exhibition history
437:catalogue raisonné
418:Willemina van Gogh
414:Vincent van Gogh,
392:Vincent van Gogh,
160:Anthon van Rappard
2740:
2739:
2727:The Vincent Award
2688:Johannes Stricker
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2238:Plain near Auvers
2189:Farms near Auvers
2182:Daubigny's Garden
1879:A Lane near Arles
1594:The Potato Eaters
1548:Village at Sunset
1231:Hospital in Arles
1223:The Roulin Family
896:Media related to
821:Gayford, Martin.
793:978-3-487-09098-6
648:Hulsker pp. 374-6
555:Hulsker pp. 13-29
445:Neo-Impressionism
315:Marc Edo Tralbaut
179:Johannes Stricker
119:
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25:(Ladies of Arles)
2785:
2768:Flower paintings
2620:The Yellow House
2496:Vincent van Gogh
2401:87 Hackford Road
2147:Houses at Auvers
1974:The Starry Night
1946:Crab on its Back
1851:The Red Vineyard
1809:Bedroom in Arles
1781:Van Gogh's Chair
1774:The Yellow House
1439:Marshy Landscape
1347:
961:List of drawings
937:Vincent van Gogh
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872:Vincent van Gogh
800:Gamboni, Dario,
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664:Internet Archive
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272:Kee Vos-Stricher
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136:Hermitage Museum
128:Vincent van Gogh
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103:, St. Petersburg
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2469:Maison Van Gogh
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998:Posthumous fame
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303:Café de la Gare
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2758:1888 paintings
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1981:The Gardener
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235:
215:Paul Gauguin
211:Yellow House
192:
176:
149:
122:
121:
120:
22:
2710:Jan Hulsker
2697:Cataloguers
2683:Anton Mauve
2642:(2018 film)
2634:(2017 film)
2622:(2007 film)
2615:(2003 play)
2607:(1991 film)
2591:(1990 film)
2583:(1990 film)
2575:(1990 film)
2567:(1987 film)
2538:(1956 film)
2530:(1948 film)
2280:Poppy Field
2059:The Diggers
1411:Bulb Fields
1295:Butterflies
1279:Olive Trees
1258:(1888–1890)
1250:(1888–1890)
1186:(1887–1890)
1180:(1887–1890)
1172:(1887–1889)
1132:(1886–1889)
1102:(1885–1890)
1062:(1883–1885)
1048:(1881–1888)
1042:(1881–1885)
1034:(1881–1890)
1026:Early works
521:1926 Moscow
168:Anton Mauve
113:Museum page
2747:Categories
2488:Portrayals
2266:Tree Roots
2105:The Siesta
1967:Lilac Bush
1865:Les Arènes
1753:The Zouave
1169:Sunflowers
1123:Montmartre
966:Chronology
496:, Clamart
488:Provenance
152:Etten-Leur
146:Background
89:Dimensions
2038:Cypresses
1953:Two Crabs
1746:La Mousmé
1372:Lying Cow
1306:(1889–90)
1298:(1889–90)
1242:(1888–89)
1234:(1888–89)
1226:(1888–89)
1126:(1886–87)
1118:(1886–87)
1091:Amsterdam
1086:(1884–85)
1078:(1884–85)
1054:(1882–83)
1032:Portraits
1028:(1881–82)
1017:Groups of
951:Biography
482:Sunflower
449:Japonisme
311:Willemien
172:The Hague
101:Hermitage
58:Catalogue
2605:Van Gogh
2544:Van Gogh
2528:Van Gogh
2393:Drawings
2196:The Cows
1485:Two Rats
1145:Asnières
1059:Cottages
763:. 1r:1.
736:. 1v:3.
532:See also
97:Location
2720:Related
2597:Vincent
2565:Vincent
2452:Museums
1322:Squares
1316:Auvers
944:General
683:Letters
478:Realism
435:In his
336:novels.
322:canvas.
286:History
203:Antwerp
195:Drenthe
108:Website
2651:Family
2589:Dreams
2506:(1887)
2444:(1888)
2436:(1887)
2428:(1882)
2420:(1882)
2417:Sorrow
2412:(1881)
2385:(1890)
2377:(1888)
2369:(1883)
2361:(1883)
2353:(1883)
2345:(1883)
2337:(1883)
2329:(1882)
2321:(1882)
2313:(1882)
2305:(1881)
1990:(1889)
1960:Irises
1325:(1890)
1312:(1890)
1290:(1889)
1282:(1889)
1274:(1889)
1271:Reaper
1266:(1889)
1218:(1888)
1210:(1888)
1202:(1888)
1194:(1888)
1164:(1887)
1156:(1887)
1148:(1887)
1140:(1887)
1110:(1886)
1094:(1885)
1070:(1884)
978:Health
878:
857:
843:
829:
815:
790:
451:, and
199:Nuenen
79:Medium
70:JH1630
40:Artist
1153:Seine
1019:works
988:Death
710:. 1.
544:Notes
278:1881.
207:Paris
132:Arles
2097:1890
2031:Rain
1917:1889
1724:1888
1657:1887
1625:1886
1579:1885
1477:1884
1389:1883
1350:1882
1320:and
1052:Sien
876:ISBN
855:ISBN
841:ISBN
827:ISBN
813:ISBN
788:ISBN
156:Theo
65:F496
53:1888
50:Year
2073:Ivy
170:in
2749::
759:.
755:.
732:.
728:.
706:.
702:.
691:^
662:.
641:^
447:,
402:.
197:,
190:.
142:.
929:e
922:t
915:v
796:.
666:.
425:.
380:.
364:.
276:c
257:c
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