Knowledge (XXG)

Minnie Maddern Fiske

Source πŸ“

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deal of study. But even Shakespeare seems easy when compared with the thought that must be bestowed upon Ibsen. The beautiful verse, the wonderful character drawing of Shakespeare furnish solutions of perplexing problems, but Ibsen is so elusive. He fascinates by his aloofness. He is the Wagner of the drama. Wagner struggled for understanding just as Ibsen has struggled.
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to learn that a constantly increasing body of cultured, artistic people are beginning to regard the young British buffoon, Charles Chaplin, as an extraordinary artist as well as a comic genius. Many thoughtful persons are beginning to analyze the Chaplin performances to discover his secret. It is the
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Ibsen is of interest to the actor because properly to understand a role you must study the character from its earliest childhood. Most Ibsen men and women have lived their lives before the curtain rises. Shakespeare has often been pronounced tedious by actors because his characters require a great
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on hats, raised awareness of the cruelties of fur trapping, and changed the treatment of cattle on ranges. Because she was well-known and loved, people followed her example and she was able to broadly influence animal reform. She was twice named one of the twelve greatest living American women
287:, but they divorced shortly thereafter. Two years later, she married Harrison Grey Fiske in March 1890, and took three years off from the stage. Leaving a life of domesticity, she returned to the theatre in 1893 as a playwright and director, having written one-act plays such as 513:. This organization took control of first-class playhouses in the U.S., dictated the plays chosen, and the actors that were cast. She fought for artistic freedom for 12 years, which caused her to perform in third-class theatres, such as churches and skating rinks. 466:
She was a pioneer for realism in acting, supporting Ibsen's works for their honest portrayals of humanity. Her love for performing Ibsen over Shakespeare, and her position that Ibsen is the better study for actors, can not be overstated. She told
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Fiske died from congestive heart failure at the age of 66 in Queens, New York. She and Harrison had no children. Around 1915, the couple adopted an infant boy who would have been a teen at Mrs. Fiske's death in 1932.
252:, Minnie Maddern was the daughter of stage manager Thomas Davey and actress Lizzie Maddern. Coming from a theatrical family, she performed her first professional show at the age of three as the Duke of York in 283:. She was recognized for her unique beauty and singing voice. Maddern starred in the Hanover Opera House's grand opening on September 12, 1887 in "Caprice." She married LeGrand White, a theater musician in 32: 1876: 526: 1502: 480: 228:
for the sake of artistic freedom. She was widely considered the most important actress on the American stage in the first quarter of the 20th century. Her performances in several
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She toured extensively as a child, and was educated in many convent schools. She was a child prodigy, touring and performing in numerous productions. According to the
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Archives, Rochester Community Players; Local History Division; Rochester Public Library, Rochester NY. See, e.g., Scrapbook 1928-29, newspaper clipping September 1928
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by Henrik Ibsen, at the Empire Theatre in New York, launching Ibsen's career because of her outstanding performance. She is perhaps most famous for starring as
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in 1915, both of which were surprisingly successful with moviegoers, although she felt she was not at her best in the medium and declined further film work.
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Monday February 28, 1910 ; Miss G. Elliott's New Role.;Succeeds Eleanor Robson as Glad .... (4th paragraph titled "Mrs. Fiske's Cousin in Her Company")
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because of her fight for animal rights and for her outstanding talent. She was first named in 1923 by the League of Women Voters, and then again in 1931 by
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The Liberty Ships of World War II: A Record of the 2,710 Vessels and Their Builders, Operators and Namesakes, with a History of the Jeremiah O'Brien
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was 12 years old when he first set eyes on the future Mrs. Fiskeβ€”she was but eight, performing in a Shakespearean role. Her pay was in lollipops.
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and other humane leagues. She was known to have picked up stray dogs and cared for them. She fought against the wearing of the plumes of
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Although she was highly praised as an actor, she died poverty-stricken, having fought against a group of producers that organized the
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old, familiar secret of inexhaustible imagination, governed by the unfailing precision of a perfect technique.
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In the mid-1910s, Mrs. Fiske starred in two feature film adaptions of two of her greatest stage triumphs:
426:(1906). Mrs. Fiske starred in everything from farce to tragedy and even appeared in a comedy with puppets 330: 249: 66: 1138: 825: 705: 588:; she was also related to stage actress Merle Maddern. Robert Stevens, for 23 years the director of the 87: 1834: 1866: 1861: 611: 510: 279:
By the time she was 16, she was a leading lady, and was cast in the leading role of Chip in the play
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In 1961, her papers (23,000 items, weighing in at 1,400 pounds) were donated to the United States
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as a serious artist. "It will surprise numbers of well-meaning Americans," Fiske wrote,
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In addition to her battle against the Syndicate, she was also one of the most prominent
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A History of the New York Stage From the First Performance in 1732 to 1901, vol. III
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wrote the story "A Horse's Tale" at her request to combat bullfighting in Spain.
1840: 1786: 1063: 945: 585: 560: 534: 530: 395: 390: 269: 1145: 1108: 873: 545: 432: 1804: 303:. Mr. Fiske directed virtually all of his wife's plays after their marriage. 220:; December 19, 1865 – February 15, 1932), but often billed simply as 1795: 1769:
Mrs. Fiske: Her views on actors, acting, and the problems of production
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Mrs. Fiske, Her Views on Actors, Acting, and the Problems of Production
299:. She wrote several plays and collaborated with her husband in writing 240: 232:
plays helped introduce American audiences to the Norwegian playwright.
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was her cousin, as was Elizabeth Maddern, the first wife of author
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with some sources quoting December 19, 1864, as her date of birth
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advocates of her era. She took interest in the activities of the
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Clapp, John BouvΓ©; Edgett, Edwin Francis (1902). "Becky Sharp".
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Minnie Maddern Fiske and Harrison Grey Fiske papers, 1818-1955
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Frederic Edward McKay; Charles Edgar Lewis Wingate (1896).
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American Society for the Prevention of Cruelty to Animals
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American Women Stage Directors of the Twentieth Century
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American Women Stage Directors of the Twentieth Century
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The Personality and the Art of Minnie Maddern Fiske
592:, and brother to Emily Stevens, was also a cousin. 197: 186: 120: 103: 95: 74: 48: 23: 1678:. University of Illinois Press. pp. 168–178. 1564:Heritage Press Sandglass Companion Book: 1960–1983 1308:. University of Illinois Press. pp. 168–179. 1077:, translated by William C. Taylor, New York (1918) 1816:, held by the Manuscripts and Archives Division, 1087:, allstar play toured America to raise funds for 1877:19th-century American dramatists and playwrights 496:, Fiske published the first article to consider 1709:Mantle, Burns, and Garrison P. Sherwood, eds., 1664:Chapman, John, and Garrison P. Sherwood, eds., 1423:, ed. Paul Duncan, Taschen Books, 2013, pg. 116 718:, 1895) by Harrison Grey Fiske, New York (1896) 317:After her husband's unsuccessful production of 1699:, Norwood, Mass.: The Macmillan Company, 1901. 1446:Albert Bigelow Paine; Roy J. Friedman (1912). 1492:. Vol. 19, no. 9. 1932. p. 48. 1434:Leading ladies: A Gallery of Famous Actresses 905:Three One Act Plays by Minnie Maddern Fiske: 414:(1929–30), as well as her self-written plays 8: 1713:, Philadelphia: The Blakiston Company, 1944. 1668:, New York: Dodd, Mead, & Company, 1955. 1452:. Harper & Brothers. pp. 1245–1247. 484:Minnie Maddern Fiske as drawn by her cousin 1762:, New York: Moffat, Yard and Company, 1913. 1661:, New York: Dodd, Mead & Company, 1903. 1347: 1345: 1181:by William Shakespeare, Pennsylvania (1928) 551:Fiske was associated with Emarel Freshel's 1741:. Boston: L.C. Page and Company. pp.  1536:; obituary, Merle Maddern January 18, 1984 1297: 1295: 1293: 1031:by Edward Sheldon, Montreal, Canada (1912) 31: 20: 1706:, Sunday, March 18, 1928. Section 9, pg.4 1059:by Marian de Forest, Massachusetts (1916) 794:by Marguerite Merrington, New York (1898) 750:by Marguerite Merington, Louisiana (1896) 730:by Minnie Maddern Fiske, New York (1896) 1814:Minnie Maddern Fiske letters, 1913-1941 1672:Anne L. Fliotsos; Wendy Vierow (2008). 1258: 1238: 1738:Famous Actresses of the Day in America 1561:Michael C. Bussacco (April 30, 2009). 1338:. Cambridge: Harvard University Press. 1302:Fliotsos, Anne; Vierow, Wendy (2008). 1276:. University of South Carolina Press. 175: 644:by Charles Callahan, Wisconsin (1882) 149: 7: 1009:by Langdon Mitchell, New York (1911) 756:by Lorimer Stoddard, New York (1897) 742:by Victorien Sardou, Illinois (1896) 656:by Howard P. Taylor, Missouri (1884) 650:by Charles Callahan, Illinois (1883) 321:, Minnie Maddern debuted as Nora in 1823:Photographs of Minnie Maddern Fiske 1807:, held by the Manuscript Division, 1723:. New York: T.Y. Crowell. pp.  1654:. New York: Crown Publishers, 1955. 1604:Williams, Greg H. (July 25, 2014). 1504:Mrs. Fiske and the American Theatre 1373:. NY: The Dunlap Society. pp.  902:by C.M.S. McLellan, New York (1904) 329:in the original 1899 production of 1652:Mrs Fiske and the American Theatre 1436:. Dodd, Mead & Company. p. 207 1203:and Alan Williams, New York (1930) 1067:by Philip Moeller, New York (1917) 1025:by Rudolf Frohman, New York (1912) 14: 1336:Notable American Women: 1607–1950 1097:by Lawrence Eyre, New York (1919) 1917:American vegetarianism activists 1847:. Chicago: F. E. Compton and Co. 1842:The New Student's Reference Work 1832:Beach, Chandler B., ed. (1914). 1720:Famous American Actors of To-Day 1227:by Carlos Drake, Illinois (1933) 1193:by Fred Ballard, New York (1929) 1161:by Henrik Ibsen, New York (1927) 967:by Henrik Ibsen, New York (1910) 949:by Henrik Ibsen, New York (1907) 884:by Henrik Ibsen, New York (1903) 856:by Henrik Ibsen, New York (1902) 203: 145: 37:"Mrs. Fiske: Love Finds the Way" 1897:American animal welfare workers 1882:20th-century American actresses 1872:19th-century American actresses 1697:The Stage in America, 1897–1900 171: 141: 1907:American silent film actresses 1388:Fiske, Minnie Maddern (1917). 762:one act by Horace B. Fry with 16:American dramatist (1865–1932) 1: 1902:American anti-vivisectionists 1835:"Fiske, Minnie Maddern"  1735:Lewis Clinton Strang (1899). 1637:New York Times; March 3, 1961 1567:. Tribute Books. p. 77. 1464:The Routledge History of Food 511:Theatrical Trust or Syndicate 362:(1899, revivals 1904, 1911), 1772:. New York: The Century Co. 1766:Alexander Woollcott (1917). 1432:Marinacci, Barbara. (1961). 1421:The Charlie Chaplin Archives 625:Selected theater appearances 1711:The Best Plays of 1899–1909 1666:The Best Plays of 1894–1899 1484:"Marie Augusta Davey Fiske" 590:Rochester Community Players 338:William Makepeace Thackeray 258:A Sheep in Wolf's Clothing. 1933: 1892:Actresses from New Orleans 1791:Internet Broadway Database 1462:Helstosky, Carol. (2015). 1270:; Judith Baughman (2002). 1166:The Merry Wives of Windsor 614:, and named in her honor. 1702:"Ibsen or Shakespeare?", 1151:Richard Brinsley Sheridan 1125:Mary, Mary Quite Contrary 933:Tess of the D'Urbervilles 600:During World War II, the 454:Tess of the d'Urbervilles 349:Tess of the d'Urbervilles 202: 30: 1912:American stage actresses 1887:Actresses from Louisiana 1095:Mis' Nelly of N' Orleans 1019:, Toronto, Canada (1912) 832:The Unwelcome Mrs. Hatch 394:(1917–18), a play about 1827:New York Public Library 1818:New York Public Library 1657:Brown, Thomas Allston, 1506:by Archie Binns, c.1956 1449:Mark Twain, a biography 1268:Matthew Joseph Bruccoli 1053:and Frank Stayon (1914) 400:Mis' Nelly of N'Orleans 244:Fiske as a child; 1870s 1178:Much Ado About Nothing 1153:, Massachusetts (1925) 1037:, Massachusetts (1913) 964:The Pillars of Society 911:A Light From St. Agnes 848:Tess of D' Urbervilles 822:Miranda of the Balcony 747:The Right to Happiness 728:A Light From St. Agnes 692:This Picture and That! 507: 489: 478: 448: 424:A Light from St. Agnes 374:(1903, revival 1904), 352:(1897, revival 1902), 314: 250:New Orleans, Louisiana 245: 67:New Orleans, Louisiana 1774:Minnie Maddern Fiske. 1760:, Volumes One and Two 1747:Minnie Maddern Fiske. 1729:Minnie Maddern Fiske. 1466:. Routledge. p. 190. 1139:Ida Lublenski Ehrlich 1047:Lady Betty Martingale 915:The Eyes of the Heart 826:Anne Crawford Flexner 754:Tess of D'Urbervilles 708:, Pennsylvania (1896) 706:Alexandre Dumas, fils 502: 483: 473: 446: 420:The Eyes of the Heart 309: 297:The Eyes of the Heart 289:A Light for St. Agnes 272:?" (March 18, 1928), 243: 88:Queens, New York City 1796:Minnie Maddern Fiske 1787:Minnie Maddern Fiske 1394:. Century. pp.  1370:Plays of the Present 1266:John Hall Wheelock; 1219:Mrs. Bumpstead-Leigh 1185:Mrs. Bumpstead-Leigh 1115:The Dice of the Gods 997:Mrs. Bumpstead-Leigh 842:A Bit of Old Chelesa 836:Mrs. Burton Harrison 780:A Bit of Old Chelsea 612:Panama City, Florida 447:Minnie Maddern Fiske 226:Theatrical Syndicate 214:Minnie Maddern Fiske 144: 1882; 25:Minnie Maddern Fiske 1809:Library of Congress 1221:, California (1932) 1171:William Shakespeare 1043:, New Jersey (1914) 1041:Mrs Bumpstead-Leigh 784:Mrs. Oscar Beringer 674:Harrison Grey Fiske 619:Library of Congress 555:. She was a strict 274:Harrison Grey Fiske 218:Marie Augusta Davey 163:Harrison Grey Fiske 53:Marie Augusta Davey 1758:The Wallet of Time 1213:Ladies of the Jury 1191:Ladies of the Jury 1101:Wake Up, Jonathan! 1085:J. Hartley Manners 971:The Green Cockatoo 941:, Louisiana (1907) 935:, Louisiana (1907) 791:Love Finds the Way 716:The Queen of Liars 660:In Spite of it All 490: 469:The New York Times 449: 428:Wake Up, Jonathan! 412:Ladies of the Jury 355:Love Finds the Way 336:, a play based on 331:Langdon Mitchell's 315: 246: 1685:978-0-252-03226-4 1617:978-1-4766-1754-1 1574:978-0-9822565-1-0 1521:978-1-199-50855-3 1472:978-0-415-62847-1 1315:978-0-252-03226-4 1283:978-1-57003-463-3 1273:The Last Romantic 1215:, Illinois (1931) 1209:, New York (1930) 1197:It's a Grand Life 1187:, New York (1929) 1173:, New York (1928) 1141:, New York (1923) 1131:, New York (1923) 1121:, Illinois (1923) 1111:, New York (1921) 1017:Gertrude Atherton 1003:, New York (1911) 1001:Harry James Smith 993:, New York (1911) 987:, New York (1910) 985:Gerhart Hauptmann 977:, New York (1910) 975:Arthur Schnitzler 959:, New York (1908) 929:, New York (1906) 922:The New York Idea 896:, New York (1904) 890:, New York (1904) 876:, New York (1902) 866:, New York (1902) 850:, New York (1902) 844:, New York (1902) 838:, New York (1901) 828:, New York (1901) 818:, New York (1899) 804:, New York (1899) 786:, New York (1898) 776:, New York (1898) 774:Hermann Sudermann 766:, Illinois (1898) 736:, Illinois (1896) 724:, New York (1896) 688:, New York (1894) 676:, New York (1893) 666:, New York (1885) 638:, New York (1871) 596:Legacy and honors 541:Good Housekeeping 471:in January 1908: 211: 210: 79:February 15, 1932 63:December 19, 1865 1924: 1848: 1846: 1837: 1776: 1749: 1731: 1689: 1638: 1635: 1629: 1628: 1626: 1624: 1601: 1595: 1592: 1586: 1585: 1583: 1581: 1558: 1552: 1544: 1538: 1530: 1524: 1500: 1494: 1493: 1480: 1474: 1460: 1454: 1453: 1443: 1437: 1430: 1424: 1418: 1412: 1406: 1400: 1399: 1385: 1379: 1378: 1364: 1358: 1357: 1349: 1340: 1339: 1331: 1320: 1319: 1299: 1288: 1287: 1263: 1246: 1243: 1225:Against the Wind 1051:John Luther Long 1007:The New Marriage 927:Langdon Mitchell 802:Langdon Mitchell 696:Brander Matthews 664:Victorien Sardou 553:Millennium Guild 312:Fred Holland Day 207: 179: 177: 173: 153: 151: 147: 143: 96:Other names 84: 82: 62: 60: 35: 21: 1932: 1931: 1927: 1926: 1925: 1923: 1922: 1921: 1852: 1851: 1831: 1783: 1765: 1753:Winter, William 1734: 1716: 1693:Hapgood, Norman 1686: 1671: 1650:Binns, Archie, 1647: 1642: 1641: 1636: 1632: 1622: 1620: 1618: 1603: 1602: 1598: 1593: 1589: 1579: 1577: 1575: 1560: 1559: 1555: 1545: 1541: 1531: 1527: 1501: 1497: 1482: 1481: 1477: 1461: 1457: 1445: 1444: 1440: 1431: 1427: 1419: 1415: 1409:Harper's Weekly 1407: 1403: 1387: 1386: 1382: 1366: 1365: 1361: 1351: 1350: 1343: 1334:Cagey, Edmond. 1333: 1332: 1323: 1316: 1301: 1300: 1291: 1284: 1265: 1264: 1260: 1255: 1250: 1249: 1244: 1240: 1235: 1230: 1129:St. John Ervine 1119:Lillian Barrett 1057:Erstwhile Susan 870:Mary of Magdala 636:Dion Boucicault 627: 607:Minnie M. Fiske 598: 578: 569: 519: 498:Charlie Chaplin 238: 182: 181: 169: 165: 155: 139: 135: 132: 116: 91: 85: 80: 78: 70: 64: 58: 56: 55: 54: 44: 41:Zaida Ben-Yusuf 38: 26: 17: 12: 11: 5: 1930: 1928: 1920: 1919: 1914: 1909: 1904: 1899: 1894: 1889: 1884: 1879: 1874: 1869: 1864: 1854: 1853: 1850: 1849: 1829: 1825:, held by the 1820: 1811: 1802: 1793: 1782: 1781:External links 1779: 1778: 1777: 1763: 1750: 1732: 1714: 1707: 1704:New York Times 1700: 1690: 1684: 1669: 1662: 1655: 1646: 1643: 1640: 1639: 1630: 1616: 1596: 1587: 1573: 1553: 1548:New York Times 1539: 1534:New York Times 1525: 1495: 1475: 1455: 1438: 1425: 1413: 1401: 1380: 1359: 1341: 1321: 1314: 1289: 1282: 1257: 1256: 1254: 1251: 1248: 1247: 1237: 1236: 1234: 1231: 1229: 1228: 1222: 1216: 1210: 1204: 1201:Hatcher Hughes 1194: 1188: 1182: 1174: 1162: 1154: 1142: 1132: 1122: 1112: 1105:Hatcher Hughes 1098: 1092: 1078: 1068: 1060: 1054: 1044: 1038: 1032: 1026: 1020: 1010: 1004: 994: 988: 978: 968: 960: 957:Edward Sheldon 953:Salvation Nell 950: 942: 936: 930: 918: 903: 897: 891: 885: 877: 867: 857: 854:A Doll's House 851: 845: 839: 829: 819: 816:Ludovic Halevy 805: 795: 787: 777: 767: 757: 751: 743: 737: 731: 725: 722:A Doll's House 719: 709: 699: 698:, Texas (1896) 689: 681:A Doll's House 677: 667: 657: 651: 645: 639: 628: 626: 623: 597: 594: 577: 574: 568: 565: 523:animal welfare 518: 517:Animal welfare 515: 494:Harpers Weekly 382:Salvation Nell 365:A Doll's House 323:A Doll's House 310:Photograph by 262:New York Times 237: 234: 209: 208: 200: 199: 195: 194: 188: 184: 183: 167: 161: 160: 159: 158: 137: 133: 130: 129: 128: 127: 124: 122: 118: 117: 115: 114: 111: 107: 105: 101: 100: 97: 93: 92: 86: 83:(aged 66) 76: 72: 71: 65: 52: 50: 46: 45: 36: 28: 27: 24: 15: 13: 10: 9: 6: 4: 3: 2: 1929: 1918: 1915: 1913: 1910: 1908: 1905: 1903: 1900: 1898: 1895: 1893: 1890: 1888: 1885: 1883: 1880: 1878: 1875: 1873: 1870: 1868: 1865: 1863: 1860: 1859: 1857: 1845: 1843: 1836: 1830: 1828: 1824: 1821: 1819: 1815: 1812: 1810: 1806: 1803: 1801: 1797: 1794: 1792: 1788: 1785: 1784: 1780: 1775: 1771: 1770: 1764: 1761: 1759: 1754: 1751: 1748: 1744: 1740: 1739: 1733: 1730: 1726: 1722: 1721: 1715: 1712: 1708: 1705: 1701: 1698: 1694: 1691: 1687: 1681: 1677: 1676: 1670: 1667: 1663: 1660: 1656: 1653: 1649: 1648: 1644: 1634: 1631: 1619: 1613: 1610:. 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Index


Zaida Ben-Yusuf
New Orleans, Louisiana
Queens, New York City
Harrison Grey Fiske
Emily Stevens

Theatrical Syndicate
Henrik Ibsen

New Orleans, Louisiana
Ibsen
Shakespeare
Harrison Grey Fiske

Fred Holland Day
Becky Sharp
Langdon Mitchell's
William Makepeace Thackeray
Vanity Fair
Tess of the d'Urbervilles
Love Finds the Way
A Doll's House
Hedda Gabler
Leah Kleschna
Madame Sand
George Sand
The Rivals
Mrs. Malaprop

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

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