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172:'s fairy stories was produced in 1857. In the same year he visited England to report officially to King Ludwig on the Manchester art treasures. So diversified were his gifts that he turned his hand to church windows and joined his old friend Schnorr in designs for the painted glass in
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In the revival of art in
Germany, Schwind held as his own the sphere of poetic fancy. In 1839 he was entrusted with the new Karlsruhe academy, itself an embodiment in fresco of ideas thrown out by Goethe. He decorated a villa in Leipzig with the story of
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In 1847, Schwind returned to Munich on being appointed professor in the academy. Eight years later his fame was at its height on the completion in the castle of the
Wartburg of wall pictures illustrative of the "Singers' Contest" and of the history of
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The compositions received universal praise, and at a grand musical festival in their honour, Schwind himself was one of the violinists. In Munich he also worked on some churches, particularly the altar and windows of the Church of Our Lady.
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Towards the close of his career, with broken health and his powers on the wane, he revisited Vienna. During this time, he created the cycle from the legend of
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From the year 1844 dates his residence in
Frankfurt during which he created some of his finest easel pictures, most notably the "Singers' Contest" in the
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Moritz von
Schwind received rudimentary training and spent a happy and carefree youth in Vienna. Among his companions was the composer
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celebration. There were also numerous book illustrations. The conceptions for the most part are better than the execution.
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German masters of the nineteenth century: paintings and drawings from the
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and other writers through which he gained considerable recognition and employment.
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and the designs commemorative of chief musicians which decorate the foyer of the
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187:. Cornelius writes, "You have translated the joy of music into pictorial art."
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425:. Vol. 24 (11th ed.). Cambridge University Press. pp. 394–395.
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This article incorporates text from a publication now in the
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49:. Schwind's genius was lyrical—he drew inspiration from
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His exceptionally mature cycle, "Seven Ravens" from
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41:(21 January 1804 – 8 February 1871) was an
512:Moritz von Schwind's birth house in Vienna
459:Literature by and about Moritz von Schwind
100:In 1834, he was commissioned to decorate
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469:Works by and about Moritz von Schwind
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384:. New York: Robert Appleton Company.
149:(1846), as well as designs for the
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61:in Bavaria, and was buried in the
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542:Painters from the Austrian Empire
372:Herbermann, Charles, ed. (1913).
32:The Rose, or the Artist's Journey
557:Burials at the Alter SĂĽdfriedhof
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482:"Works by Moritz von Schwind"
314:Cinderella, to go on the ball
473:Deutsche Digitale Bibliothek
85:and enjoyed the guidance of
23:Moritz von Schwind, c. 1860.
16:Austrian painter (1804–1871)
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552:Austrian untitled nobility
375:"Moritz von Schwind"
353:Johann Wolfgang von Goethe
235:The Dream of the Prisoner
475:(German Digital Library)
463:German National Library
422:Encyclopædia Britannica
205:A Player with a Hermit
112:, and on illustrating
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502:Gedächtnis des Landes
381:Catholic Encyclopedia
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537:Painters from Vienna
506:Lower Austria Museum
445:at Wikimedia Commons
159:Elizabeth of Hungary
417:Schwind, Moritz von
348:Peter von Cornelius
268:Sabina of Steinbach
497:Moritz von Schwind
443:Moritz von Schwind
191:Selected paintings
185:Vienna State Opera
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39:Moritz von Schwind
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547:Romantic painters
441:Media related to
174:Glasgow Cathedral
63:Alter SĂĽdfriedhof
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532:1871 deaths
527:1804 births
343:Romanticism
136:Gerusalemme
102:King Ludwig
65:in Munich.
521:Categories
393:References
465:catalogue
329:The Visit
220:Honeymoon
87:Cornelius
487:Zeno.org
337:See also
286:, (1858)
251:RĂĽbezahl
181:Melusine
147:Wartburg
110:almanacs
75:Schubert
55:folklore
51:chivalry
43:Austrian
471:in the
461:in the
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316:(1852)
83:Schnorr
59:Pöcking
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331:(1860)
301:(1859)
271:(1844)
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222:(1867)
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151:Goethe
114:Goethe
79:Munich
47:Vienna
34:. 1846
359:Notes
170:Grimm
132:Tasso
106:Tieck
130:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
