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476:. The portrait of the Prince of Wales could not have been painted during Largillière's stay in London because the prince was not born until 1688. The three portraits painted by Largillière of the prince in his youth must have been executed in Paris, where he returned sometime before March 1686. The portrait of King James II was painted in 1686. King James is portrayed in golden armor with a white cravat and is positioned in front of a watercolour-like background set in a round frame.
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Towards the end of his life, Largillière painted a repetition of anonymous male portraits of
Parisian nobles. One example was painted in 1710, of a man standing with spread fingers that conceal a letter held in the other hand. Another portrait from about 1715 shows a frontal three quarter view of a
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requested
Largillière to return to England. James II offered Largillière the office of keeper of the royal collections, but he declined due to being uneasy about Rye House Plot. However, during a short stay in London, he painted portraits of the king, the queen
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in a red robe in a similar fashion to
Largillière's portrait of the painter Charles Le Brun, as well as the sculptor Nicolas Couston. Around the next year, Largillière painted
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The directorship of the Académie was shared until
February 1735 between Largillière and the three other rectors: Hyacinthe Rigaud, Claude-Guy Hallé, and Guillaume Coustou
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Nicolas de
Largillière died on 20 March 1746 at the age of 89. Upon his death, he donated to France several small landscapes and still life pictures he had created.
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when
Largillière was around three years old. Following a trip to London, Largillière's father apprenticed him to the Flemish painter
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Largillière made his last self-portrait in 1725. This portrait displays the artist at his easel staring toward the audience.
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In 1693, Largillière painted the
Governor of Arras, Pierre de Montesquiou, to celebrate his promotion to brigadier in 1691.
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A year later, Largillière painted a self-portrait which also contained two female members of his family.
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alarmed
Largillière. He left for Paris, where he was well received by the public as a painter.
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Oil on canvas portrait of Helene
Lambert de Thorigny by Nicolas de Largillière (portrait) and
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The Académie Royale de
Peinture Et de Sculpture: The Birth of the French School, 1648-1793
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In 1694, Largillière's made a multi-figure work that is displayed in the church of
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387:; baptised 10 October 1656 – 20 March 1746) was a French painter and draughtsman.
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man dressed in similar clothes and wig with a Doric column in the background.
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Procès-Verbaux de l'Académie Royale de peinture et de sculpture, 1648-1793
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1312:(exhibition catalogue). Montreal, Quebec: Montreal Museum of Fine Arts.
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on 10 October 1656. The son of a merchant hatmaker, his family moved to
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Largillière was appointed as chancellor of the French Academy in 1743.
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In 1718, Largillière painted the French poet and essayist Voltaire.
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This article incorporates text from a publication now in the
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French Paintings of the Fifteenth through the Eighteenth Century
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proposed that the four rectors of the Académie, Largillière,
1295:. Vol. 16 (11th ed.). Cambridge University Press.
1196:(in French). Vol. V. Paris: J. Baur. pp. 127–128.
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was a landscape painting that Largillière painted in 1720.
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Members of the Académie royale de peinture et de sculpture
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In 1709, Largillière painted the royal family portrait of
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Portrait of Louise-Madeleine Bertin, Countess of Montchal
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In 1686, Largillière produced a portrait of the painter
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André François Alloys de Theys d'Herculais (1692–1779)
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Portrait of a lady with a dog and a monkey (1700–1710)
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Saint Fare Garnot, Nicolas; Brême, Dominique (2003).
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Portrait of Catherine Coustard with her son Léonor,
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109:Learn how and when to remove this message
1211:. Getty Research Institute. p. 352.
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1052:Portrait of Barthélemy-Jean-Claude Pupil
856:Portrait of Pierre-Joseph Titon de Cogny
1224:Académie Royale: A History in Portraits
1109:(in French). Les Beaux-Arts. p. 1.
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611:The Study of Different Types of Hands
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47:adding citations to reliable sources
515:Louis, Duke of Brittany (1707–1712)
1663:Nicolas de Largillière (1738–1742)
1346:Nicolas de Largillierre, 1656–1746
770:Portrait of a Man in a Purple Robe
731:Portrait of Elizabeth Throckmorton
670:Musée des Beaux-Arts de Strasbourg
620:The Entry of Christ into Jerusalem
601:In 1714, Largillière painted King
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912:Art Gallery of New South Wales
811:Portrait of Marguerite de Sève
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1660:Guillaume Coustou (1735–1738)
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682:Museu Nacional de Arte Antiga
668:(Kansas City, Missouri), the
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1832:17th-century French painters
1306:Rosenfeld, Myra Nan (1982).
648:(University of Oxford), the
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1501:Louis Du Guernier the Elder
666:Nelson-Atkins Museum of Art
474:James Francis Edward Stuart
384:[nikɔladəlaʁʒijiɛʁ]
249:Marguerite Élisabeth Forest
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1756:Académie Royale de Musique
1721:Jean-Baptiste Marie Pierre
1454:Michel Corneille the Elder
1226:. Routledge. p. 294.
1207:Michel, Christian (2018).
1132:Princeton University Press
678:Calouste Gulbenkian Museum
472:, and the prince of Wales
402:Church of Saint-Barthélemy
16:French painter (1656–1746)
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1222:Williams, Hannah (2016).
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58:"Nicolas de Largillière"
1292:Encyclopædia Britannica
995:, 1703, oil on canvas,
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897:Jean-Baptiste Tavernier
664:(Washington D.C.), the
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523:Louis, Duke of Burgundy
507:The Family of Louis XIV
137:Self-portrait from 1707
1746:French Academy in Rome
1679:Charles-Antoine Coypel
1644:Nicolas de Largillière
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1715:Jean-Baptiste Lemoyne
1246:Williams 2016, p. 45.
603:Augustus II of Poland
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187:Church of Saint-Merri
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1739:Related Institutions
1673:Pierre-Jacques Cazes
1287:Largillière, Nicolas
1176:. 2006. p. 467.
1134:. pp. 292–293.
1130:. Washington, D.C.:
1057:Timken Museum of Art
993:An Alderman of Paris
936:–1700, 63 × 45 in.,
519:Louis, Grand Dauphin
43:improve this article
1857:Painters from Paris
1612:Corneille Van Clève
1588:Charles de La Fosse
1522:Hans van der Burcht
979:Madame de Ventadour
927:Jean-Baptiste Belin
708:Jean-Baptiste Oudry
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32:This article
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1750:Prix de Rome
1691:Jean Restout
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444:Early career
421:Anton Goubau
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220:Notable work
197:Anton Goubau
172:(1746-03-20)
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41:Please help
36:verification
33:
1872:Draughtsmen
1827:1746 deaths
1822:1656 births
1729:(1789–1793)
1723:(1770–1789)
1717:(1768–1770)
1711:(1765–1768)
1705:(1763–1765)
1693:(1760–1763)
1687:(1752–1760)
1681:(1747–1752)
1675:(1744–1747)
1669:(1742–1744)
1667:René Frémin
1633:took turns
1626:(1722–1733)
1620:(1714–1722)
1614:(1711–1714)
1608:(1708–1711)
1602:(1705–1708)
1596:(1702–1705)
1590:(1699–1702)
1584:(1695–1699)
1582:Noël Coypel
1578:(1690–1695)
1572:(1683–1690)
1566:(1675–1683)
1560:(1655–1670)
1493:académistes
1365:2003-506011
1264:Attribution
1059:, San Diego
934: 1696
929:(flowers),
405: [
356:René Frémin
341:Preceded by
294:Preceded by
1816:Categories
1547:Directeurs
1373:1036784565
1065:References
702:Louisville
684:(Lisbon),
450:Charles II
396:Early life
201:Peter Lely
69:newspapers
1629:The four
1491:Founding
1418:Founding
1336:929870400
1328:84-230175
1090:Citations
676:(Milan),
544:directeur
391:Biography
335:1738–1742
331:In office
278:1733–1735
274:In office
193:Education
1779:Category
1631:recteurs
1422:(elders)
1126:(2010).
1055:, 1729,
957:Louis XV
951:Infanta
784:Voltaire
692:), the
465:James II
456:against
287:Louis XV
236:Movement
159:Baptised
1420:anciens
1280::
718:Gallery
579:(1715).
417:Antwerp
380:French:
283:Monarch
240:Baroque
214:Painter
83:scholar
1699:(1763)
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832:(1703)
690:Zwolle
660:, the
658:Louvre
656:, the
640:Legacy
535:(1686)
246:Spouse
231:(1703)
85:
78:
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1070:Notes
632:Death
413:Paris
409:]
148:Paris
90:JSTOR
76:books
1369:OCLC
1361:LCCN
1351:ISBN
1332:OCLC
1324:LCCN
1314:ISBN
1228:ISBN
1136:ISBN
710:and
672:and
644:The
521:and
167:Died
143:Born
62:news
1289:".
411:in
45:by
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