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Her talent for portrait painting soon became obvious and she quickly outgrew
Pfyffer's studio. Her opportunity came when her sister Johanna married a businessman from Berlin. Johanna and her husband agreed to let her live with them there, and she found a place as a student in a special women's class
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She was first attracted to painting when the now-forgotten Swiss painter Eduard
Pfyffer (1836–1899) came to their home to do family portraits. This interest grew with visits to local museums. For a woman, training as a painter would have gone against contemporary social conventions. Her mother was
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65:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge.
238:. In 1882, she had her first exhibition with an art dealer in ZĂĽrich and it was well received. That same year, she followed a friend to Paris, where she found a position in the studios of
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to be with her friend, Elisabeth
Winterhalter; although she travelled widely (including a trip to Africa in 1913). She never lost track of her Swiss roots, however, and became an
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especially opposed to her wishes, but persistence eventually won over her father and, in 1876, she was allowed to study with
Pfyffer, so she would be close to home.
300:, Frankfurt's first school for girls. After the war she did a number of portraits of women widowed by the war. She continued to exhibit regularly until 1931.
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who was intrigued that
Roederstein wore a shirt, jacket and a fob watch. Roederstein's painting of her as "The Letter" was exhibited at the salon of the
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing German
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Senckenburglische
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393:"Foreign Artists and Communities in Modern Paris, 1870-1914 ": Strangers in Paradise
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Ottilie W. Roederstein (1859–1937). Eine Künstlerin zwischen
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in 1908. That same year
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to the source of your translation. A model attribution edit summary is
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of ZĂĽrich in 1902. Five years later, she and
Elisabeth settled in
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The Aesthetics of Loss: German Women's Art of the First World War
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431:. Magistrat und Kunstverein, Hofheim 1980. Exhibition catalog.
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Roederstein died on 26 November 1937 in Hofheim am Taunus.
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Ida Gerhardi – Deutsche Künstlerinnen in Paris um 1900.
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464:Literature by and about Ottilie Roederstein
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513:Lexicon on art in Switzerland
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347:. OUP Oxford. pp. 161–.
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565:20th-century German painters
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104:For more guidance, see
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