Auguste Rodin - Knowledge (XXG)

1679: 890: 650: 414: 54: 800: – having taken a cast from a living model. Rodin vigorously denied the charges, writing to newspapers and having photographs taken of the model to prove how the sculpture differed. He demanded an inquiry and was eventually exonerated by a committee of sculptors. Leaving aside the false charges, the piece polarized critics. It had barely won acceptance for display at the Paris Salon, and criticism likened it to "a statue of a sleepwalker" and called it "an astonishingly accurate copy of a low type". Others rallied to defend the piece and Rodin's integrity. The government minister Turquet admired the piece, and 1873: 1602: 690: 1086: 812: 1214: 1885: 528:. Misfortune surrounded Rodin: his mother, who had wanted to see her son marry, was dead, and his father was blind and senile, cared for by Rodin's sister-in-law, Aunt Thérèse. Rodin's eleven-year-old son Auguste, possibly developmentally delayed, was also in the ever-helpful Thérèse's care. Rodin had essentially abandoned his son for six years, and would have a very limited relationship with him throughout his life. Father and son joined the couple in their flat, with Rose as caretaker. Charges of fakery surrounding 5317: 2148: 2116: 1164: 1549:

attitudes toward finish, and lacks any attempt to hide the arbitrary fusion of these two components. It was the freedom and creativity with which Rodin used these practices – along with his activation surfaces of sculptures through traces of his own touch and with his more open attitude toward bodily pose, sensual subject matter, and non-naturalistic surface – that marked Rodin's re-making of traditional 19th century sculptural techniques into the prototype for modern sculpture.

725: 1310: 5292: 1577: 777:. Attempting to combine Michelangelo's mastery of the human form with his own sense of human nature, Rodin studied his model from all angles, at rest and in motion; he mounted a ladder for additional perspective, and made clay models, which he studied by candlelight. The result was a life-size, well-proportioned nude figure, posed unconventionally with his right hand atop his head, and his left arm held out at his side, forearm parallel to the body. 1139:, heroic piece centered on Eustache de Saint-Pierre, the eldest of the six men, Rodin conceived the sculpture as a study in the varied and complex emotions under which all six men were laboring. One year into the commission, the Calais committee was not impressed with Rodin's progress. Rodin indicated his willingness to end the project rather than change his design to meet the committee's conservative expectations, but Calais said to continue. 1556: 510: 6473: 6250: 1025: 1759:(1840–1924) of Boston, all arranged by Sarah Hallowell. In appreciation for her efforts at unlocking the American market, Rodin eventually presented Hallowell with a bronze, a marble and a terra cotta. When Hallowell moved to Paris in 1893, she and Rodin continued their warm friendship and correspondence, which lasted to the end of the sculptor's life. After Hallowell's death, her niece, the painter 1928:, and was widely recognized as the greatest artist of the era. In the three decades following his death, his popularity waned with changing aesthetic values. Since the 1950s, Rodin's reputation has re-ascended; he is recognized as the most important sculptor of the modern era, and has been the subject of much scholarly work. The sense of incompletion offered by some of his sculpture, such as 563: 2133: 5324: 1403: 479:, Rodin was called to serve in the French National Guard, but his service was brief due to his near-sightedness. Decorators' work had dwindled because of the war, yet Rodin needed to support his family, as poverty was a continual difficulty for him until about the age of 30. Carrier-Belleuse soon asked him to join him in Belgium, where they worked on ornamentation for the 753:, but instead the head was "broken off" at the neck, the nose was flattened and crooked, and the back of the head was absent, having fallen off the clay model in an accident. The work emphasized texture and the emotional state of the subject; it illustrated the "unfinishedness" that would characterize many of Rodin's later sculptures. The Salon rejected the piece. 6260: 1703:(1846–1924), a curator from Chicago who visited Paris to arrange exhibitions at the large Interstate Expositions of the 1870s and 1880s. Hallowell was not only a curator but an adviser and a facilitator who was trusted by a number of prominent American collectors to suggest works for their collections, the most prominent of these being the Chicago hotelier 2099: 501:, a life-size male figure whose naturalism brought Rodin attention but led to accusations of sculptural cheating – its naturalism and scale was such that critics alleged he had cast the work from a living model. Much of Rodin's later work was explicitly larger or smaller than life, in part to demonstrate the folly of such accusations. 1147:

struggling with his expected fate. Rodin soon proposed that the monument's high pedestal be eliminated, wanting to move the sculpture to ground level so that viewers could "penetrate to the heart of the subject". At ground level, the figures' positions lead the viewer around the work, and subtly suggest their common movement forward.

1620:) in Paris, he received requests to make busts of prominent people internationally, while his assistants at the atelier produced duplicates of his works. His income from portrait commissions alone totaled probably 200,000 francs a year. As Rodin's fame grew, he attracted many followers, including the German poet 351:. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increasing favor from the government and the artistic community. 306:; 12 November 1840 – 17 November 1917) was a French sculptor generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in 1935:

Rodin restored an ancient role of sculpture – to capture the physical and intellectual force of the human subject – and he freed sculpture from the repetition of traditional patterns, providing the foundation for greater experimentation in the 20th century. His popularity is ascribed to his

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immediately after his death in 1850. The society commissioned Rodin to create the memorial in 1891, and Rodin spent years developing the concept for his sculpture. Challenged in finding an appropriate representation of Balzac given the author's rotund physique, Rodin produced many studies: portraits,

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gestures and seems to move toward the viewer. The effect of walking is achieved despite the figure having both feet firmly on the ground – a technical achievement that was lost on most contemporary critics. Rodin chose this contradictory position to, in his words, "display simultaneously...views

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Since clay deteriorates rapidly if not kept wet or fired into a terra-cotta, sculptors used plaster casts as a means of securing the composition they would make from the fugitive material that is clay. This was common practice amongst Rodin's contemporaries, and sculptors would exhibit plaster casts

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George Bernard Shaw sat for a portrait and gave an idea of Rodin's technique: "While he worked, he achieved a number of miracles. At the end of the first fifteen minutes, after having given a simple idea of the human form to the block of clay, he produced by the action of his thumb a bust so living

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movements. His sculpture emphasized the individual and the concreteness of flesh, and suggested emotion through detailed, textured surfaces, and the interplay of light and shadow. To a greater degree than his contemporaries, Rodin believed that an individual's character was revealed by his physical

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Without finessing the join between upper and lower, between torso and legs, Rodin created a work that many sculptors at the time and subsequently have seen as one of his strongest and most singular works. This is despite the fact that the object conveys two different styles, exhibits two different

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Instead of copying traditional academic postures, Rodin preferred his models to move naturally around his studio (despite their nakedness). The sculptor often made quick sketches in clay that were later fine-tuned, cast in plaster, and cast in bronze or carved from marble. Rodin's focus was on the

1210: – a replica of which Rodin had requested. The realized sculpture displays Balzac cloaked in the drapery, looking forcefully into the distance with deeply gouged features. Rodin's intent had been to show Balzac at the moment of conceiving a work – to express courage, labor, and struggle. 685:

at a small old castle (the Château de l'Islette in the Loire), but Rodin refused to relinquish his ties to Beuret, his loyal companion during the lean years, and mother of his son. During one absence, Rodin wrote to Beuret, "I think of how much you must have loved me to put up with my caprices...I

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displayed in their preferred form: the work was placed in front of a public garden on a high platform, surrounded by a cast-iron railing. Rodin had wanted it located near the town hall, where it would engage the public. Only after damage during the First World War, subsequent storage, and Rodin's

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Rodin planned to stay in Belgium a few months, but he spent the next six years outside of France. It was a pivotal time in his life. He had acquired skill and experience as a craftsman, but no one had yet seen his art, which sat in his workshop since he could not afford castings. His relationship

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From the unexpected naturalism of Rodin's first major figure – inspired by his 1875 trip to Italy – to the unconventional memorials whose commissions he later sought, his reputation grew, and Rodin became the preeminent French sculptor of his time. By 1900, he was a world-renowned artist. Wealthy

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Sculptural fragments to Rodin were autonomous works, and he considered them the essence of his artistic statement. His fragments – perhaps lacking arms, legs, or a head – took sculpture further from its traditional role of portraying likenesses, and into a realm where forms existed for

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The town of Calais had contemplated a historical monument for decades when Rodin learned of the project. He pursued the commission, interested in the medieval motif and patriotic theme. The mayor of Calais was tempted to hire Rodin on the spot upon visiting his studio, and soon the memorial was

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factory – offered Rodin a part-time position as a designer. The offer was in part a gesture of reconciliation, and Rodin accepted. That part of Rodin which appreciated 18th-century tastes was aroused, and he immersed himself in designs for vases and table ornaments that brought the factory

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The relative ease of making reproductions has also encouraged many forgeries: a survey of expert opinion placed Rodin in the top ten most-faked artists. Rodin fought against forgeries of his works as early as 1901, and since his death, many cases of organized, large-scale forgeries have been

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was first displayed to general acclaim. It is a bronze sculpture weighing two short tons (1,814 kg), and its figures are 6.6 ft (2.0 m) tall. The six men portrayed do not display a united, heroic front; rather, each is isolated from his brothers, individually deliberating and

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In 1877, the work debuted in Brussels and then was shown at the Paris Salon. The statue's apparent lack of a theme was troubling to critics – commemorating neither mythology nor a noble historical event – and it is not clear whether Rodin intended a theme. He first titled the work

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Portraiture was an important component of Rodin's oeuvre, helping him to win acceptance and financial independence. His first sculpture was a bust of his father in 1860, and he produced at least 56 portraits between 1877 and his death in 1917. Early subjects included fellow sculptor

716:. John had a fervent attachment to Rodin and would write to him thousands of times over the next ten years. As their relationship came to a close, despite his genuine feeling for her, Rodin eventually resorted to the use of concièrges and secretaries to keep her at a distance. 677:, Rodin was chosen in 1891. His execution of both sculptures clashed with traditional tastes and met with varying degrees of disapproval from the organizations that sponsored the commissions. Still, Rodin was gaining support from diverse sources that propelled him toward fame. 487:

with Carrier-Belleuse had deteriorated, but he found other employment in Brussels, displaying some works at salons, and his companion Rose soon joined him there. Having saved enough money to travel, Rodin visited Italy for two months in 1875, where he was drawn to the work of

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with the hopes that they would be commissioned to have the works made in a more permanent material. Rodin, however, would have multiple plasters made and treat them as the raw material of sculpture, recombining their parts and figures into new compositions, and new names.

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To deal with the complexity of bronze reproduction, France has promulgated several laws since 1956 which limit reproduction to twelve casts – the maximum number that can be made from an artist's plasters and still be considered his work. As a result of this limit,

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were on display in the official French pavilion at the fair and so between the works that were on display and those that were not, he was noticed. However, the works he gave Hallowell to sell found no takers, but she soon brought the controversial Quaker-born financier

5327: 1437:, Rodin illuminated his aesthetic: "What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes." 253: 4467: 1722:

but impossible, outside the rules. Instead, she suggested he send a number of works for her loan exhibition of French art from American collections and she told him she would list them as being part of an American collection. Rodin sent Hallowell three works,

1662:. A British journalist who visited the property noted in 1902 that in its complete isolation, there was "a striking analogy between its situation and the personality of the man who lives in it". Rodin moved to the city in 1908, renting the main floor of the 700:

Claudel and Rodin parted in 1898. Claudel suffered an alleged nervous breakdown several years later and was confined to an institution for 30 years by her family, until her death in 1943, despite numerous attempts by doctors to explain to her mother and

640:. The two formed a passionate but stormy relationship and influenced each other artistically. Claudel inspired Rodin as a model for many of his figures, and she was a talented sculptor, assisting him on commissions as well as creating her own works. Her 392:

Rodin was born in 1840 into a working-class family in Paris, the second child of Marie Cheffer and Jean-Baptiste Rodin, who was a police department clerk. He was largely self-educated, and began to draw at age 10. Between ages 14 and 17, he attended the

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As Rodin's practice developed into the 1890s, he became more and more radical in his pursuit of fragmentation, the combination of figures at different scales, and the making of new compositions from his earlier work. A prime example of this is the bold

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in 1909 expressed that "there is some show of reason in the complaint that conceptions are sometimes unsuited to his medium, and that in such cases they overstrain his vast technical powers". The 1897 plaster model was not cast in bronze until 1964.

456:, founder and head of the congregation, recognized Rodin's talent and sensed his lack of suitability for the order, so he encouraged Rodin to continue with his sculpture. Rodin returned to work as a decorator while taking classes with animal sculptor 379:, in the last year of both their lives. His sculptures suffered a decline in popularity after his death in 1917, but within a few decades his legacy solidified. Rodin remains one of the few sculptors widely known outside the visual arts community. 1830:

in 1900, attempted to seduce her, and the next year sketched studies of her and her students. In July 1906, Rodin was also enchanted by dancers from the Royal Ballet of Cambodia and produced some of his most famous drawings from the experience.

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believed in first developing the personality of his students so that they observed with their own eyes and drew from their recollections, and Rodin expressed appreciation for his teacher much later in life. It was at Petite École that he met

467:(born in June 1844), with whom he stayed for the rest of his life, with varying commitment. The couple had a son named Auguste-Eugène Beuret (1866–1934). That year, Rodin offered his first sculpture for exhibition and entered the studio of 1118:. He agreed to spare them if six of the principal citizens would come to him prepared to die, bareheaded and barefooted and with ropes around their necks. When they came, he ordered that they be executed, but pardoned them when his queen, 939:

to refute , but it only partially succeeded. To prove completely that I could model from life as well as other sculptors, I determined...to make the sculpture on the door of figures smaller than life." Laws of composition gave way to the

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and carried that association into the title of the work. In 1880, Rodin submitted the sculpture to the Paris Salon. Critics were still mostly dismissive of his work, but the piece finished third in the Salon's sculpture category.

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In the market for sculpture, plagued by fakes, the value of a piece increases significantly when its provenance can be established. A Rodin work with a verified history sold for US$ 4.8 million in 1999, and Rodin's bronze

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Rodin willed to the French state his studio and the right to make casts from his plasters. Because he encouraged the edition of his sculpted work, Rodin's sculptures are represented in many public and private collections. The

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In 1889, the Paris Salon invited Rodin to be a judge on its artistic jury. Though Rodin's career was on the rise, Claudel and Beuret were becoming increasingly impatient with Rodin's "double life". Claudel and Rodin shared an

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After the start of the 20th century, Rodin was a regular visitor to Great Britain, where he developed a loyal following by the beginning of the First World War. He first visited England in 1881, where his friend, the artist

1527:), to cast the clay compositions into plaster or bronze, and to carve his marbles. Rodin's major innovation was to capitalize on such multi-staged processes of 19th century sculpture and their reliance on plaster casting. 4459: 1323:

The popularity of Rodin's most famous sculptures tends to obscure his total creative output. A prolific artist, he created thousands of busts, figures, and sculptural fragments over more than five decades. He painted in

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Rodin was a naturalist, less concerned with monumental expression than with character and emotion. Departing with centuries of tradition, he turned away from the idealism of the Greeks, and the decorative beauty of the

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auction in New York. Art critics concerned about authenticity have argued that taking a cast does not equal reproducing a Rodin sculpture – especially given the importance of surface treatment in Rodin's work.

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Fifty-three years into their relationship, Rodin married Rose Beuret. They married on 29 January 1917, and Beuret died two weeks later, on 16 February. Rodin was ill that year; in January, he suffered weakness from

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did not have an obviously religious theme. The model, an Italian peasant who presented himself at Rodin's studio, possessed an idiosyncratic sense of movement that Rodin felt compelled to capture. Rodin thought of

3688: 1699:, he had not yet conquered the American market. Because of his technique and the frankness of some of his work, he did not have an easy time selling his work to American industrialists. However, he came to know 2612: 596:. During his early appearances at these social events, Rodin seemed shy; in his later years, as his fame grew, he displayed the loquaciousness and temperament for which he is better known. French statesman 1821:

During his later creative years, Rodin's work turned increasingly toward the female form, and themes of more overt masculinity and femininity. He concentrated on small dance studies, and produced numerous

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Rodin saw suffering and conflict as hallmarks of modern art. "Nothing, really, is more moving than the maddened beast, dying from unfulfilled desire and asking in vain for grace to quell its passion."

1795:, in whom he found further support. Encouraged by the enthusiasm of British artists, students, and high society for his art, Rodin donated a significant selection of his works to the nation in 1914. 629:. With the museum commission came a free studio, granting Rodin a new level of artistic freedom. Soon, he stopped working at the porcelain factory in 1882; his income came from private commissions. 4644: 3635: 4149: 1839:, and on 16 November his physician announced that "congestion of the lungs has caused great weakness. The patient's condition is grave." Rodin died the next day, age 77, at his villa in 1803: 1045:, after Dante) was to become one of the best-known sculptures in the world. The original was a 27.5-inch (700 mm) high bronze piece created between 1879 and 1889, designed for the 4661:

Winship, Frederick M. (16 September 2002). "Bogus bronzes flood market: an estimated 4,000 fake castings have put the market for 19th- and 20th-century bronze sculpture in jeopardy".

3409: 5430: 5272: 4550: 3067: 1763:, inherited the Rodins and after her death, the American heirs could not manage to match their value in order to export them, so they became the property of the French state. 495:. Their work had a profound effect on his artistic direction. Rodin said, "It is Michelangelo who has freed me from academic sculpture." Returning to Belgium, he began work on 785:, in which form the left hand held a spear, but he removed the spear because it obstructed the torso from certain angles. After two more intermediary titles, Rodin settled on 343:

Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly

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to represent a great novelist as a huge comic mask crowning a bathrobe, but even at the present day this statue impresses one as slang." A modern critic, indeed, claims that

2266: 1780:. With his personal connections and enthusiasm for Rodin's art, Henley was most responsible for Rodin's reception in Britain. (Rodin later returned the favor by sculpting a 1523:

After he completed his work in clay, he employed highly skilled assistants to re-sculpt his compositions at larger sizes (including any of his large-scale monuments such as

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expressed a desire to meet Rodin, and the sculptor impressed him when they met at a salon. Gambetta spoke of Rodin in turn to several government ministers, likely including

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in a convent in 1862, and Rodin was anguished with guilt because he had introduced her to an unfaithful suitor. He turned away from art and joined the Catholic order of the

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disordered and untamed depiction of Hell. The figures and groups in this, Rodin's meditation on the condition of man, are physically and morally isolated in their torment.

1678: 4519: 793:, and in Rodin's words, "man arising from nature". Later, however, Rodin said that he had had in mind "just a simple piece of sculpture without reference to subject". 4589: 2604: 6535: 5243: 2244: 1666:, an 18th-century townhouse. He left Beuret in Meudon and began an affair with the American-born Duchesse de Choiseul. From 1910, he mentored the Russian sculptor, 1944:, are widely used outside the fine arts as symbols of human emotion and character. To honor Rodin's artistic legacy, the Google search engine homepage displayed a 4429: 3139: 2853: 3665: 1936:

emotion-laden representations of ordinary men and women – to his ability to find the beauty and pathos in the human animal. His most popular works, such as

4376: 3806: 6545: 475:. Rodin worked as Carrier-Belleuse' chief assistant until 1870, designing roof decorations and staircase and doorway embellishments. With the arrival of the 1884: 437:

in 1857 and earned a living as a craftsman and ornamenter for most of the next two decades, producing decorative objects and architectural embellishments.

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in an attempt to win entrance; he did not succeed, and two further applications were also denied. Entrance requirements were not particularly high at the

4641: 617:, an unfinished portal for a museum that was never built. Many of the portal's figures became sculptures in themselves, including Rodin's most famous, 6296: 4489: 1737:. All nudes, these works provoked great controversy and were ultimately hidden behind a drape with special permission given for viewers to see them. 909:

for Paris' planned Museum of Decorative Arts was awarded to Rodin in 1880. Although the museum was never built, Rodin worked throughout his life on

1752:(1837–1905) into the fold and he purchased two large marbles for his Chicago manse; Yerkes was likely the first American to own a Rodin sculpture. 5459: 889: 1103:

approved, with Rodin as its architect. It would commemorate the six townspeople of Calais who offered their lives to save their fellow citizens.

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his commission and moved the figure to his garden. After this experience, Rodin did not complete another public commission. Only in 1939 was

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whom Rodin once called "the greatest phenomenon amongst sculptors." Other sculptors whose work has been described as owing to Rodin include

6550: 5722: 5381: 5372: 5256: 5168: 1818:, who was private secretary to Rodin for several months in 1906, but the two men parted company after Christmas, "to their mutual relief." 950:

comprised 186 figures in its final form. Many of Rodin's best-known sculptures started as designs of figures for this composition, such as

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in high relief. Often lacking a clear conception of his major works, Rodin compensated with hard work and a striving for perfection.

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is suggested by the grip of his toes on the rock, the rigidness of his back, and the differentiation of his hands. Speaking of

998: 654: 642: 1239:. Criticizing the work, Morey (1918) reflected, "there may come a time, and doubtless will come a time, when it will not seem 6525: 5944: 5587: 5557: 5528: 5058: 4316: 3784: 3377: 2735: 1576: 824: 468: 460:. The teacher's attention to detail and his finely rendered musculature of animals in motion significantly influenced Rodin. 4511: 2741: 2702: 2167:

revealed. A massive forgery was discovered by French authorities in the early 1990s and led to the conviction of art dealer

869:, Rodin had achieved a new degree of fame. Students sought him at his studio, praising his work and scorning the charges of 1612:

By 1900, Rodin's artistic reputation was established. Gaining exposure from a pavilion of his artwork set up near the 1900

6520: 6289: 4573: 1826:, sketched in a loose way, without taking his pencil from the paper or his eyes from the model. Rodin met American dancer 1807: 356: 2433: 1429:

Rodin's talent for surface modeling allowed him to let every part of the body speak for the whole. The male's passion in

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was met with resistance because it did not fit conventional expectations. Commenting on Rodin's monument to Victor Hugo,

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The committee was incensed by the untraditional proposal, but Rodin would not yield. In 1895, Calais succeeded in having

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Rodin earned his living collaborating with more established sculptors on public commissions, primarily memorials and

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He described the evolution of his bust over a month, passing through "all the stages of art's evolution": first, a "

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praised the monument as "the greatest piece of sculpture of the 19th Century, perhaps, indeed, the greatest since

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that was used as the frontispiece to Henley's collected works and, after his death, on his monument in London.)

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Later, with his reputation established, Rodin made busts of prominent contemporaries such as English politician

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death was the sculpture displayed as he had intended. It is one of Rodin's best-known and most acclaimed works.

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continued. Rodin increasingly sought soothing female companionship in Paris, and Rose stayed in the background.

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Rilke stayed with Rodin in 1905 and 1906 and did administrative work for him; he would later write a laudatory

1601: 1270: 1259: 1065:, and Rodin himself have been ascribed to him. Other observers de-emphasize the apparent intellectual theme of 767:, having returned from Italy. Modeled after a Belgian soldier, the figure drew inspiration from Michelangelo's 6375: 6185: 2335:. St. James Press, 1990. Reproduced in Biography Resource Center. Farmington Hills, Mich.: Thomson Gale. 2006. 1955:

Rodin had enormous artistic influence. A whole generation of sculptors studied in his workshop. These include

1213: 2003:, even though Brancusi later rejected his legacy. Rodin also promoted the work of other sculptors, including 1466:

echoed those themes and was among Rodin's favorite poets. Rodin enjoyed music, especially the opera composer

555:, all to no avail. On his own time, he worked on studies leading to the creation of his next important work, 6397: 5698: 5682: 5627: 5619: 5202: 4947: 3466: 1718:. Hallowell wanted to help promote Rodin's work and he suggested a solo exhibition, which she wrote him was 1317: 480: 422: 5227: 4497: 2132: 6495: 6413: 6357: 6253: 6193: 6093: 5865: 5857: 5817: 5714: 5706: 5674: 5611: 5520: 5445: 5341: 3715: 2177: 2060: 1788: 1449: 1124: 1095: 1090: 1085: 1080: 540: 397:, a school specializing in art and mathematics where he studied drawing and painting. His drawing teacher 330: 154: 5213: 5187: 2799: 1912: 669:, Rodin won other commissions. He pursued an opportunity to create a historical monument for the town of 607:

Rodin's relationship with Turquet was rewarding. Through Turquet, he won the 1880 commission to create a

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depicts the men as they are leaving for the king's camp, carrying keys to the town's gates and citadel.

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for a planned museum of decorative arts. Rodin dedicated much of the next four decades to his elaborate

608: 548: 20: 4259: 1163: 1107: 968:, and were only later presented as separate and independent works. Other well-known works derived from 6505: 6500: 6429: 6209: 6101: 6069: 6022: 5913: 4785: 4281: 2547: 2070: 2016: 2008: 1918: 1811: 1781: 1119: 4684: 4347: 1810:, upon Whistler's death. His election to the prestigious position was largely due to the efforts of 796:

Its mastery of form, light, and shadow made the work look so naturalistic that Rodin was accused of

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exhibit, and he kept company with a variety of high-profile intellectuals and artists. His student,

6341: 6325: 6053: 5929: 5905: 5643: 4146:"Rodin, Légion d'honneur, Ministère de la Culture et de la Communication, Léonore, Culture.gouv.fr" 2065: 1629: 1364: 1329: 1198: 899: 674: 517: 476: 457: 453: 4098: 3923: 5968: 5960: 5841: 5651: 5424: 5337: 4231: 4193: 3269: 3121: 3032: 2407: 2058:

Several films have been made featuring Rodin as a prominent character or presence. These include

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in 1890, Rodin served as the body's vice-president. In 1903, Rodin was elected president of the

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Julius, Muriel (January 1987). "Human Emotion Made Tangible – The Work of Auguste Rodin".

6135: 5897: 5544: 5512: 5504: 5412: 5402: 5130: 5112: 5089: 5070: 5054: 5036: 4993: 4974: 4951: 4928: 4881: 4864: 4845: 4825: 4806: 4789: 4766: 4581: 4125: 3383: 3373: 2883: 2826: 2731: 2098: 2032: 1960: 1760: 1733: 1588: 1512: 1298: 920: 911: 894: 884: 763: 729: 497: 364: 336: 126: 4121: 4114: 3540: 6141: 5984: 5881: 5873: 5809: 5746: 5392: 5296: 5151: 4223: 4185: 3455: 3261: 3113: 3024: 2399: 2036: 2004: 1844: 1815: 1688: 1475: 958: 854: 750: 271: 2634: 6305: 6158: 6077: 5738: 5579: 5496: 5276: 5260: 5247: 5221: 4648: 2000: 1992: 1976: 1972: 1968: 1792: 1773: 1659: 1606: 1537: 1443: 1408: 1367:(1906), socialist (and former mistress of the Prince of Wales who became King Edward VII) 1111: 916: 659: 637: 407: 372: 360: 302: 140: 27: 4651:. Le Journal des Arts. n° 126. 27 April 2001. Artclair.com. Retrieved on 2 November 2011. 2221:

FRENCH SCULPTURE CENSUS - French sculpture 1500-1960 in North American public collections

2197:

A number of drawings previously attributed to Rodin are now known to have been forged by

1854:

was placed next to his tomb in Meudon; it was Rodin's wish that the figure served as his

1613: 5397: 3959: 1250:

The monument had its supporters in Rodin's day; a manifesto defending him was signed by

1069:, stressing the figure's rough physicality and the emotional tension emanating from it. 6380: 6349: 6235: 6123: 6119: 5952: 5889: 5730: 5659: 5316: 5105: 4735: 3749: 2307: 2139: 2081: 2020: 1996: 1956: 1906: 1902: 1866:, a museum of his works, but the director of the museum refused to let him stay there. 1827: 1755:

Other collectors soon followed including the tastemaking Potter Palmers of Chicago and

1749: 1663: 1652: 1625: 1360: 1283:." Rather than try to convince skeptics of the merit of the monument, Rodin repaid the 1132: 633: 593: 252: 1495:

that I would have taken it away with me to relieve the sculptor of any further work."

1309: 6489: 5825: 5158:

DelMonico Books – Prestel Publishing, Munich e. a. 2017, ISBN 978-3-7913-5708-9.

3601: 3273: 3125: 2763: 2573: 2190: 2085: 2048: 2040: 1945: 1708: 1704: 1667: 1499: 1372: 1276: 988: 613: 597: 552: 544: 430: 5237: 5182: 5141: 4282:"WAR MEMORIAL IN ALEXANDRA PARK, Non Civil Parish – 1389636 | Historic England" 1510:. "The hand of Rodin worked not as the hand of a sculptor works, but as the work of 724: 433:

tastes, while Rodin had been schooled in light, 18th-century sculpture. He left the

6455: 6437: 6217: 6129: 5778: 5762: 5754: 5563: 5305: 5301: 2198: 2153: 2089: 2076: 2044: 2012: 1925: 1325: 1280: 713: 702: 588:

The artistic community appreciated his work in this vein, and Rodin was invited to

509: 492: 363:, became his associate, lover, and creative rival. Rodin's other students included 344: 31: 5377: 5352: 4360: 4312: 3776: 1024: 5364: 3176:

Stocker, Mark (November 2006). "A simple sculptor or an apostle of perversion?".

2725: 2694: 524:

Rose Beuret and Rodin returned to Paris in 1877, moving into a small flat on the

5571: 5552: 4837: 3460: 2123: 2052: 2028: 1980: 1863: 1683: 1656: 1633: 1353: 1218: 1172: 1136: 1030: 1019: 952: 769: 742: 619: 589: 562: 525: 464: 441: 403: 376: 312: 205: 182: 2088:

artists' cooperative housing in New York City, completed in 1917 to designs by

347:. Rodin's most original work departed from traditional themes of mythology and 5416: 4003:

Kinetz, Erica (27 December 2006). "Rodin Show Visits Home Of Artist's Muses".

3919: 3252:

Schor, Naomi (2001). "Pensive Texts and Thinking Statues: Balzac with Rodin".

2425: 1823: 1345: 1203: 1062: 790: 604:, the Undersecretary of the Ministry of Fine Arts, whom Rodin eventually met. 449: 5232: 4585: 3117: 1932:, influenced the increasingly abstract sculptural forms of the 20th century. 5051:

You Must Change Your Life: the Story of Rainer Maria Rilke and Auguste Rodin

4725: 3387: 1855: 1836: 1640: 1402: 1197:, a Parisian organization of writers, planned a monument to French novelist 1185: 1131:

Rodin began the project in 1884, inspired by the chronicles of the siege by

745:. The subject was an elderly neighborhood street porter. The unconventional 709: 581: 488: 5356:

by Rainer Maria Rilke, trans. from German by Jessie Lemont and Hans Trausil

4512:"Henry Moore talks about Rodin's irresistible influence – from the archive" 577: 2664: 2289:

Early Modern Sculpture: Rodin, Degas, Matisse, Brancusi, Picasso, Gonzalez

682: 5333: 3777:"Who Was Auguste Rodin? Get To Know the Famous Sculptor of 'The Thinker'" 2239: 2168: 1479: 1341: 1337: 1236: 1114:

besieged Calais, and Edward ordered that the town's population be killed

981: 348: 3980:

Ludovici, Anthony M. (1923). "Personal Reminiscences of Auguste Rodin",

3015:

Alhadeff, Albert (1966). "Rodin: A Self-Portrait in the Gates of Hell".

2320:

Rodin was a child of the working class. (His father was a police clerk.)

2216:

Auguste Rodin left many sculptural traces in Brussels | Focus on Belgium

5314:

in American public collections, on the French Sculpture Census website

4235: 3036: 2823:

Scandalous Women: The Lives and Loves of History's Most Notorious Women

2411: 1859: 1583: 1503: 1418: 1255: 4197: 1388:

Study of a Woman Nude, Standing, Arms Raised, Hands Crossed Above Head

712:, who modelled for him and became his lover after being introduced by 1917:

made him a Commander, and he received an honorary doctorate from the

1840: 1644: 1507: 1231:

was exhibited in 1898, the negative reaction was not surprising. The

1050: 774: 746: 670: 97: 5205:, association organizing for its members events around Auguste Rodin 4227: 3028: 2403: 5067:

In Rodin's Studio: A Photographic Record of Sculpture in the Making

4543:"Rodin review – Jacques Doillon sculpts an excruciatingly bad film" 4189: 3632:"Together and apart: Fragmentation and completion in Auguste Rodin" 3265: 1034:(1879–1889) is among the most recognized works in all of sculpture. 6274: 1695:

While Rodin was beginning to be accepted in France by the time of

1677: 1600: 1467: 1401: 1333: 1308: 1251: 1212: 1162: 1084: 1023: 888: 810: 805: 723: 694: 688: 648: 561: 508: 412: 5148:. New York: The Metropolitan Museum of Art, 2000–. (October 2004) 828:, was completed in 1878. Rodin sought to avoid another charge of 5437: 4868: 4829: 4824:(Time-Life Library of Art ed.). New York: Time-Life Books. 4793: 3935:. Vol. 2. London: Smith, Elder & Co. pp. 244, 246. 3855: 3853: 3321:

Varnedoe, Kirk (April 1974). "Early Drawings by Auguste Rodin".

3141:

AUGUSTE RODIN · THE BURGHERS OF CALAIS: A Resource for Educators

2665:"Young Girl with a Sheaf | National Museum of Women in the Arts" 1988: 1207: 1058: 906: 307: 6278: 5441: 2882:. New Haven and London: Yale University Press. pp. 31–33. 2220: 5208: 3299: 3104:: The Career of a Sculpture and its Appeal to Civic Heroism". 1266: 5197: 4051: 3535: 3533: 1643:

on the sculptor. Rodin and Beuret's modest country estate in

1332:. The Musée Rodin holds 7,000 of his drawings and prints, in 836:

stands almost 6 feet 7 inches (2.01 m). While

737:

In 1864, Rodin submitted his first sculpture for exhibition,

5389:

The John G. Johnson Collection: A History and Selected Works

1057:

most obviously characterizes Dante, aspects of the Biblical

421:

In 1857, Rodin submitted a clay model of a companion to the

1804:

International Society of Painters, Sculptors, and Engravers

845:

of an object which in fact can be seen only successively".

463:

In 1864, Rodin began to live with a young seamstress named

277: 19:

This article is about the sculptor. For the racehorse, see

2605:"How Rodin's tragic lover shaped the history of sculpture" 1390:

is one of the works seized in 2012 from the collection of

808: – what it had cost Rodin to have it cast in bronze. 576:

In 1880, Carrier-Belleuse – then art director of the

26:"Rodin" redirects here. For other people named Rodin, see 3349:

Hare, Marion J. (1987). "Rodin and His English Sitters".

1053:, from which the figure would gaze down upon Hell. While 632:

In 1883, Rodin agreed to supervise a course for sculptor

543:. In competitions for commissions he submitted models of 286: 2635:"Camille Claudel | National Museum of Women in the Arts" 1714:

The next opportunity for Rodin in America was the 1893

5027:

Chevillot, Catherine; Marraud, Hélène; Pinet, Hélène;

4214:

Gardner, Albert Ten Eyck (1957). "The Hand of Rodin".

3900:

Newton, Joy (1994). "Rodin Is a British Institution".

3719:. Vol. 27, no. 1 (No. 93). pp. 325–338. 3504:

Werner, Alfred (1960). "The Return of Auguste Rodin".

2392:

The Bulletin of the College Art Association of America

915:, a monumental sculptural group depicting scenes from 761:

In Brussels, Rodin created his first full-scale work,

4899:. Paris: Editions de la Réunion des Musées Nationaux. 4460:"Leaving Rodin behind? Sculpture in Paris, 1905–1914" 1952:

to celebrate his 172nd birthday on 12 November 2012.

1175:

in 1889, Rodin dealt extensively with the subject of

646:

was displayed to critical acclaim at the 1892 Salon.

289: 4642:

Procès Guy Hain, une décision qui fera jurisprudence

3807:"Rodin in the United States: Confronting the Modern" 2055:

acknowledged Rodin's seminal influence on his work.

1221:

at the studio of his assistant Henri Lebossé in 1896

440:

Rodin's sister Maria, two years his senior, died of

283: 274: 6448: 6389: 6368: 6312: 6228: 6167: 6151: 6112: 5475: 1171:Commissioned to create a monument to French writer 708:In 1904, Rodin was introduced to the Welsh artist, 280: 245: 227: 199: 116: 105: 86: 63: 44: 5104: 4113: 2764:"Auguste Rodin | Biography, Art, & Facts" 1647:, purchased in 1897, was a host to such guests as 994:She Who Was Once the Helmet-Maker's Beautiful Wife 5429:: CS1 maint: DOI inactive as of September 2024 ( 4761:Crone, Rainer; Salzmann, Siegfried, eds. (1992). 3713:Anderson, Alder (1902). "Auguste Rodin at Home". 2390:Morey, C. R. (1918). "The Art of Auguste Rodin". 4681:"Monet fetches record price at New York auction" 3602:"Walking Man | All Works | The MFAH Collections" 3541:"Auguste Rodin: production techniques · V&A" 2991:Bell, Millicent (Spring 2005). "Auguste Rodin". 2873: 2871: 4176:Hunisak, John M. (1981). "Rodin Rediscovered". 3870:Robber Baron: The Life of Charles Tyson Yerkes. 3402:"Photo Gallery: Munich Nazi Art Stash Revealed" 4366:, Philadelphia: American Philosophical Society 1905:was founded in 1916 and opened in 1919 at the 1890:Rodin's gravesite at the Musée Rodin de Meudon 1545:he was having re-sculpted at a reduced scale. 935:controversy still in mind: "...I had made the 355:private clients sought Rodin's work after his 6290: 5453: 4859:Jianou, Ionel & Goldscheider, C. (1967). 4803:Rodin: Sex and the Making of Modern Sculpture 3872:Urbana: University of Illinois Press; p. 209. 3523: 3521: 3519: 3228:"Auguste Rodin. His Sculpture And Its Aims". 3060:"Burghers of Calais | Victoria Tower Gardens" 2730:. New York: Harry N. Abrams. pp. 98–99. 1474:. He owned a work by the as-yet-unrecognized 1356:(1883) and companion Camille Claudel (1884). 636:in his absence, where he met the 18-year-old 8: 5378:Portrait of Auguste Rodin by Alphonse Legros 5283:Public Art Fund: Rodin at Rockefeller Center 5228:Auguste Rodin at the National Gallery of Art 4992:. Berkeley: University of California Press. 4967:The Documented Image, Visions in Art History 4016: 4014: 2245:Random House Webster's Unabridged Dictionary 2187:Ève, grand modele – version sans rocher 2181:, for example, is found in fourteen cities. 1910: 231: 187: 173: 159: 145: 131: 5391:. Philadelphia Museum of Art. (cat. 1148). 4844:(3rd ed.). New York: Harry N. Abrams. 4363:Joseph Csaky: A Pioneer of Modern Sculpture 4262:. Grove Art Online, Oxford University Press 4209: 4207: 3690:History of Art and Architecture: Volume Two 3100:Swedberg, Richard (2005). "Auguste Rodin's 3095: 3093: 3091: 3089: 3087: 3085: 3010: 3008: 3006: 2802:. Grove Art Online, Oxford University Press 2578:The Met's Heilbrunn Timeline of Art History 2333:International Dictionary of Art and Artists 1924:During his lifetime, Rodin was compared to 1202:full-length figures in the nude, wearing a 1179:. Like many of Rodin's public commissions, 6297: 6283: 6275: 5460: 5446: 5438: 5315: 4171: 4169: 4167: 4116:Duh!: The Stupid History of the Human Race 2958: 2956: 861:Regardless of the immediate receptions of 52: 41: 5396: 5156:Klimt & Rodin: An Artistic Encounter. 4377:"Solomon R. Guggenheim Museum, New York, 3499: 3497: 3171: 3169: 2970: 2968: 2471: 2469: 2352: 2350: 5387:Thompson, Jennifer A (2018). "Thought". 5302:Works by Rodin in the Simonow Collection 5111:. New York: Metropolitan Museum of Art. 5069:. Ithaca, NY: Cornell University Press. 4338:Ameena Mohammad & Meg Mason (2011). 3572:"The Making of Rodin at the Tate Modern" 3527:Quoted in Jianou & Goldscheider, 62. 3456:"NGA Sculpture Galleries: Auguste Rodin" 3147:. THE METROPOLITAN MUSEUM OF ART. 2000. 2846:Grunfeld, Frederic V. (15 August 2019). 2825:. New York: Penguin Group. p. 279. 1217:Rodin observing work on the monument to 873:. The artistic community knew his name. 686:remain, in all tenderness, your Rodin." 5365:Newspaper clippings about Auguste Rodin 4906:Personal Reminiscences of Auguste Rodin 4706:Gibson, Eric (2005). "The real Rodin". 4574:"Living Spaces Tailor-Made for Artists" 4216:The Metropolitan Museum of Art Bulletin 4120:. Kansas City: Andrews McMeel. p. 3881:Extensive correspondence in Musee Rodin 3372:. Studley, Warwickshire: Brewin Books. 2986: 2984: 2982: 2980: 2512: 2510: 2508: 2385: 2383: 2381: 2379: 2377: 2232: 2189:sold for $ 18.9 million at a 2008 2094: 1868: 1551: 832:by making the statue larger than life: 757:Early figures: the inspiration of Italy 220: 1917; died 1917) 6536:Grand Officers of the Legion of Honour 5977:Balzac in the Robe of a Dominican Monk 5422: 5270:Correspondence with Walter Butterworth 5238:Auguste Rodin: Timeline of Art History 5107:Rodin: the B. Gerald Cantor Collection 5084:Le Normand-Romain, Antoinette (2014). 5053:, New York: W. W. Norton and Company. 4895:Le Normand-Romain, Antoinette (2007). 4152:from the original on 25 September 2015 3890:The indefatigable Miss Hallowell, p. 8 3835:The Indefatigable Miss Hallowell, p. 6 2946: 2944: 2942: 2923: 2921: 2919: 2917: 2533: 2531: 2303:"The Stubborn Genius of Auguste Rodin" 5233:Rodin Collection, Stanford University 5129:, Dey's Publishing Company, Kolkata. 4734:. Series 5. Episode 3. 31 July 2016. 4623:from the original on 16 November 2018 4592:from the original on 20 November 2020 4553:from the original on 11 November 2020 4522:from the original on 18 November 2018 3817:from the original on 18 November 2022 3658:"Shadow: Rodin and the Modern Psyche" 3638:from the original on 9 September 2018 3473:from the original on 30 November 2006 2705:from the original on 10 February 2020 1441:their own sake. Notable examples are 1235:rejected the work, and the press ran 804:was purchased by the state for 2,200 539:architectural pieces in the style of 446:Congregation of the Blessed Sacrament 375:. He married his lifelong companion, 310:. He is known for such sculptures as 301: 7: 6259: 5382:University of Michigan Museum of Art 5288:Video documentary about Rodin's work 4927:. New York: Crown Trade Paperbacks. 4880:. New Haven: Yale University Press. 4805:. New Haven: Yale University Press. 4410:from the original on 8 November 2016 4292:from the original on 11 January 2020 4260:"Rodin, (François-) Auguste (-René)" 3756:from the original on 23 October 2019 3582:from the original on 3 February 2023 3412:from the original on 3 December 2013 2770:from the original on 7 November 2017 2584:from the original on 9 February 2023 1806:. He replaced its former president, 1328:(especially in his thirties) and in 6546:People of the French Third Republic 4400:"German Expressionism: Georg Kolbe" 3984:, Vol. LV, Nos. 325–26, New Series. 3775:Muzdakis, Madeleine (4 June 2023). 2645:from the original on 6 January 2020 2331:"(François) Auguste (René) Rodin." 2211:List of sculptures by Auguste Rodin 1375:(1909), former Argentine president 1122:, begged him to spare their lives. 5218:Shizuoka Prefectural Museum of Art 4990:Art: Conversations with Paul Gsell 3787:from the original on 23 March 2023 3551:from the original on 21 March 2023 3431:"Art Exhibitions: Auguste Rodin". 2675:from the original on 30 April 2020 2436:from the original on 19 March 2020 1720:beaucoup moins beau que l'original 1605:A portrait of Rodin by his friend 773:, which Rodin had observed at the 673:. For a monument to French author 14: 5279:held at the University of Salford 5146:Heilbrunn Timeline of Art History 5033:Rodin: The Laboratory of Creation 4572:Gray, Christopher (14 May 2006). 4470:from the original on 4 March 2016 4319:from the original on 4 March 2016 4062:from the original on 9 April 2011 3213:"M. Rodin and French Sculpture". 3154:from the original on 29 July 2020 2615:from the original on 14 July 2017 2269:from the original on 14 July 2019 1776:, had introduced him to the poet 1293:cast in bronze and placed on the 693:A photograph of Rodin in 1891 by 6472: 6471: 6461:Auguste Rodin (associate, lover) 6258: 6249: 6248: 5322: 5014:. London: Royal Academy of Arts. 4915:The Indefatigable Miss Hallowell 4863:. Paris: Arted, Editions d'Art. 3931:Dictionary of National Biography 3687:Lacey, Joann (23 January 2021). 3668:from the original on 6 July 2019 3612:from the original on 1 July 2023 2856:from the original on 1 July 2023 2744:from the original on 1 July 2023 2357:"Rodin, Famous Sculptor, Dead". 2146: 2131: 2114: 2097: 1883: 1871: 1814:, father of English philosopher 1800:Société Nationale des Beaux-Arts 1798:After the revitalization of the 1575: 1554: 1247:is one of Rodin's masterpieces. 1135:. Though the town envisioned an 471:, a successful mass producer of 270: 251: 6046:Illusions Received by the Earth 5398:10.29075/9780876332764/101812/1 5293:Works by or about Auguste Rodin 4541:Bradshaw, Peter (23 May 2017). 4097:. 24 March 1923. Archived from 4025:. 17 November 1917. p. 13. 3232:. 19 November 1917. p. 11. 3070:from the original on 9 May 2023 2821:Kerri Mahon, Elizabeth (2011). 2603:Akbar, Arifa (11 August 2012). 2361:. 18 November 1917. p. E3. 1506:intermingled", then an elegant 303:[fʁɑ̃swaoɡystʁəneʁɔdɛ̃] 217: 5850:Head of Saint John the Baptist 5529:The Maiden Kissed by the Ghost 5401:(inactive 11 September 2024). 4820:Hale, William Harlan (1973) . 3925:"Henley, William Ernest" 3570:ArtMuseLondon (20 June 2021). 2974:Jianou & Goldscheider, 41. 2475:Jianou & Goldscheider, 35. 2463:Jianou & Goldscheider, 34. 2454:Date of death from Elsen, 206. 2344:Jianou & Goldscheider, 31. 1543:St. John the Baptist Preaching 850:St. John the Baptist Preaching 825:St. John the Baptist Preaching 816:St. John the Baptist Preaching 557:St. John the Baptist Preaching 469:Albert-Ernest Carrier-Belleuse 1: 6516:20th-century French sculptors 6511:19th-century French sculptors 6027: 6012: 5989: 5934: 5799: 5664: 4878:Rodin: Sculpture and Drawings 4611:Esterow, Milton (June 2005). 4040:. 30 January 1917. p. 3. 4021:"Auguste Rodin Gravely Ill". 3958:. Musée Rodin. Archived from 3217:. 4 October 1909. p. 12. 3106:Theory, Culture & Society 2259:"Auguste Rodin – Art History" 1847:, on the outskirts of Paris. 1808:James Abbott McNeill Whistler 567: 6038:The Spirit of Eternal Repose 5188:Resources in other libraries 4344:Syracuse University Archives 2724:Ayral-Clause, Odile (2002). 2156:, Philadelphia, Pennsylvania 1344:. He also produced a single 1265:, among many others. In the 1195:Société des Gens des Lettres 1159:Commissions and controversy 749:piece was not a traditional 739:The Man with the Broken Nose 6551:People of the July Monarchy 6008:Iris, Messenger of the Gods 5369:20th Century Press Archives 5332:public domain audiobook at 5142:"Auguste Rodin (1840–1917)" 4913:Morseburg, Jeffrey (2010). 4876:Lampert, Catherine (1986). 4613:"The 10 Most Faked Artists" 4434:Peggy Guggenheim Collection 3859:The Documented Image, p. 97 3693:. Sugar Creek. p. 413. 3435:. 14 July 1931. p. 12. 2426:"Auguste Rodin – Biography" 2084:as Rodin. Furthermore, the 1456:Iris, Messenger of the Gods 399:Horace Lecoq de Boisbaudran 266:François Auguste René Rodin 68:François Auguste René Rodin 16:French sculptor (1840–1917) 6572: 5795:Young Woman with a Serpent 5787:Young Mother in the Grotto 5265:Victoria and Albert Museum 5240:Metropolitan Museum of Art 5209:Rodin Museum, Philadelphia 5103:Miller, Joan Vita (1986). 4965:Weisberg, Gabriel (1987). 4923:Taillandier, Yvon (1977). 4904:Ludovici, Anthony (1926). 4763:Rodin: Eros and Creativity 4036:"Auguste Rodin Has Grip". 3845:Rodin: The Shape of Genius 3545:Victoria and Albert Museum 2695:"Camille Claudel | artnet" 2548:"Auguste Rodin, Céramiste" 1787:Through Henley, Rodin met 1478:and admired the forgotten 1377:Domingo Faustino Sarmiento 1371:(1908), Austrian composer 1078: 1017: 882: 592:by such friends as writer 25: 18: 6469: 6244: 5183:Resources in your library 5035:. Dijon: Éditions Faton. 4971:Syracuse University Press 4822:World of Rodin, 1840–1917 4780:Elsen, Albert E. (1963). 4313:"Rodin's Approach to Art" 2878:Langdale, Cecily (1987). 2572:Vincent, Authors: Clare. 2092:, was named after Rodin. 1687:, 1881 – c. 1899 bronze, 1470:, and wrote a book about 1363:(1905), Irish playwright 1297:at the intersection with 1295:Boulevard du Montparnasse 905:A commission to create a 259: 250: 241: 51: 30:. For the 2017 film, see 5723:Eustache de Saint Pierre 5636:Bust of Maurice Haquette 5489:Man with the Broken Nose 5125:Sanyal, Narayan (1984). 5049:Corbett, Rachel (2016). 4942:Tucker, William (1974). 3118:10.1177/0263276405051665 3049:Taillandier, 42, 46, 48. 1757:Isabella Stewart Gardner 1340:, and thirteen vigorous 81:Paris, Kingdom of France 6541:French modern sculptors 6398:Head of Camille Claudel 5699:Mask of a Weeping Woman 5683:Head of Camille Claudel 5259:6 November 2011 at the 5088:. New York: Abbeville. 4988:Rodin, Auguste (1984). 4948:Oxford University Press 4340:"Ivan Meštrović Papers" 4052:"Accueil – Musée Rodin" 3902:The Burlington Magazine 3662:Ahlstrom Appraisals LLC 3467:National Gallery of Art 3368:David, Buttery (1988). 3351:The Burlington Magazine 3323:The Burlington Magazine 2852:. Plunkett Lake Press. 2727:Camille Claudel: A Life 2552:Smithsonian Institution 2080:, a 2017 film starring 2064:, a 1988 film in which 1597:Later years (1900–1917) 1450:Meditation without Arms 1318:National Museum, Warsaw 1181:Monument to Victor Hugo 481:Brussels Stock Exchange 161:Les Bourgeois de Calais 100:, French Third Republic 6456:Paul Claudel (brother) 6409:(1889 sculpture model) 6358:Perseus and the Gorgon 5715:Psyche Looking at Love 5675:The Burghers of Calais 5588:Saint John the Baptist 5154:, Max Hollein (Eds.): 5065:Elsen, Albert (1980). 4944:Early Modern Sculpture 4908:. London: John Murray. 4286:historicengland.org.uk 3716:The Pall Mall Magazine 3102:The Burghers of Calais 2798:Ward-Jackson, Philip. 2178:The Burghers of Calais 1911: 1789:Robert Louis Stevenson 1697:The Burghers of Calais 1692: 1618:Exposition Universelle 1609: 1413: 1320: 1222: 1168: 1144:The Burghers of Calais 1125:The Burghers of Calais 1099: 1096:Victoria Tower Gardens 1091:The Burghers of Calais 1081:The Burghers of Calais 1074:The Burghers of Calais 1035: 902: 819: 734: 697: 662: 585:renown across Europe. 573: 521: 418: 331:The Burghers of Calais 232: 188: 174: 160: 155:The Burghers of Calais 146: 132: 6526:French male sculptors 6401:(1884/1911 sculpture) 6376:Musée Camille Claudel 6334:Bust of Auguste Rodin 5360:. Sunwise turn. 1919. 5008:Royal Academy of Arts 4801:Getsy, David (2010). 4683:. AFP. Archived from 4490:"Rodin and Modernism" 4398:Heather Hess (2011). 4387:on 20 September 2015. 4311:Hans de Roos (2004). 4112:Fenster, Bob (2000). 3868:Franch, John (2006). 2263:Oxford Bibliographies 2121:Rodin's signature on 2025:Henri Gaudier-Brzeska 1778:William Ernest Henley 1701:Sarah Tyson Hallowell 1681: 1604: 1406:A famous "fragment": 1405: 1379:and French statesman 1312: 1216: 1166: 1088: 1027: 892: 840:is statically posed, 814: 727: 692: 652: 565: 549:Jean-Jacques Rousseau 512: 505:Artistic independence 416: 21:Auguste Rodin (horse) 6521:Sculptors from Paris 6430:Camille Claudel 1915 6210:Camille Claudel 1915 6175:1888–89 Claudel bust 6102:Standing Female Faun 6023:Bacchantes Embracing 5914:Kneeling Female Faun 5834:Ovid's Metamorphoses 5596:Ugolino and His Sons 4897:The Bronzes of Rodin 4786:Museum of Modern Art 4647:4 March 2016 at the 4404:Museum of Modern Art 4381:, Collection Online" 4350:on 6 September 2015. 4258:Lampert, Catherine. 4091:"Art: Rodin's Death" 3408:. 17 November 2013. 2071:Camille Claudel 1915 2017:Alexander Archipenko 1919:University of Oxford 1716:Chicago World's Fair 1689:Jardin des Tuileries 1502:masterpiece", then " 1386:His undated drawing 1120:Philippa of Hainault 822:A second male nude, 423:École des Beaux-Arts 6186:Rodin — The Thinker 6180:1909 Bourdelle bust 6062:The Death of Adonis 5771:Paolo and Francesca 5644:Bust of Victor Hugo 5275:10 May 2010 at the 5250:Nov 1987 – Jan 1988 4765:. Munich: Prestel. 4663:Insight on the News 4361:Edith Balas, 1998, 4101:on 6 November 2007. 3811:Clark Art Institute 3732:Contemporary Review 3469:, Washington, D.C. 3370:Portraits of a lady 2301:Schjeldahl, Peter. 1965:Constantin Brâncuși 1630:Joris-Karl Huysmans 1369:Countess of Warwick 1365:George Bernard Shaw 1167:Rodin in mid-career 1094:(1884–ca. 1889) in 1061:, the mythological 1041:(originally titled 848:Despite the title, 705:that she was sane. 665:Although busy with 518:John Singer Sargent 477:Franco-Prussian War 458:Antoine-Louis Barye 454:Peter Julian Eymard 369:Constantin Brâncuși 6531:French printmakers 6320:List of sculptures 5969:Monument to Balzac 5945:Brother and Sister 5842:Pierre de Wiessant 5652:Eternal Springtime 5483:List of sculptures 5338:Ranier Maria Rilke 5214:Rodin Wing - Guide 5198:Musée Rodin, Paris 5031:(transl.) (2014). 4578:The New York Times 4038:The New York Times 4023:The New York Times 4005:The New York Times 3962:on 7 December 2011 3664:. 1 October 2015. 2849:Rodin: A Biography 2359:The New York Times 1693: 1622:Rainer Maria Rilke 1610: 1568:High Museum of Art 1520:is his own hand." 1491:handling of clay. 1464:Charles Baudelaire 1414: 1381:Georges Clemenceau 1321: 1290:Monument to Balzac 1263:Georges Clemenceau 1228:Monument to Balzac 1223: 1169: 1108:Hundred Years' War 1100: 1036: 984:Carrying her Stone 903: 820: 735: 698: 663: 574: 522: 419: 319:Monument to Balzac 147:L'homme qui marche 6483: 6482: 6272: 6271: 6189:(1902 photograph) 6136:Museu Rodin Bahia 5545:The Gates of Hell 5513:The Age of Bronze 5169:Library resources 5135:978-81-295-1331-1 4812:978-0-300-16725-2 4518:. 23 March 2013. 3982:Cornhill Magazine 3634:. 25 April 2018. 2800:"Camille Claudel" 2766:. 19 April 2023. 2033:Wilhelm Lehmbruck 1961:Antoine Bourdelle 1761:Harriet Hallowell 1745:Burgher of Calais 1589:The Age of Bronze 1472:French cathedrals 1392:Cornelius Gurlitt 1299:Boulevard Raspail 1098:, London, England 948:The Gates of Hell 912:The Gates of Hell 895:The Gates of Hell 885:The Gates of Hell 878:The Gates of Hell 867:The Age of Bronze 838:The Age of Bronze 802:The Age of Bronze 789:, suggesting the 787:The Age of Bronze 764:The Age of Bronze 730:The Age of Bronze 667:The Gates of Hell 530:The Age of Bronze 498:The Age of Bronze 365:Antoine Bourdelle 337:The Gates of Hell 263: 262: 127:The Age of Bronze 6563: 6475: 6474: 6299: 6292: 6285: 6276: 6262: 6261: 6252: 6251: 6032: 6029: 6017: 6014: 5994: 5991: 5985:Youth Triumphant 5939: 5936: 5882:The Kneeling Man 5874:Standing Mercury 5810:The Three Shades 5804: 5801: 5747:Avarice and Lust 5691:The Prodigal Son 5669: 5666: 5462: 5455: 5448: 5439: 5434: 5428: 5420: 5400: 5361: 5326: 5325: 5319: 5306:Abbaye de Flaran 5297:Internet Archive 5244:Rodin Exhibition 5203:Friends of Rodin 5152:Tobias G. Natter 5140:Vincent, Clare. 5122: 5110: 5099: 5080: 5046: 5015: 5003: 4984: 4961: 4938: 4918: 4909: 4900: 4891: 4872: 4855: 4833: 4816: 4797: 4784:. New York: The 4776: 4747: 4746: 4744: 4742: 4731:Fake or Fortune? 4722: 4716: 4715: 4703: 4697: 4696: 4694: 4692: 4677: 4671: 4670: 4658: 4652: 4639: 4633: 4632: 4630: 4628: 4608: 4602: 4601: 4599: 4597: 4569: 4563: 4562: 4560: 4558: 4538: 4532: 4531: 4529: 4527: 4508: 4502: 4501: 4500:on 21 June 2015. 4496:. Archived from 4486: 4480: 4479: 4477: 4475: 4456: 4450: 4449: 4447: 4445: 4436:. Archived from 4426: 4420: 4419: 4417: 4415: 4395: 4389: 4388: 4383:. Archived from 4373: 4367: 4358: 4352: 4351: 4346:. Archived from 4335: 4329: 4328: 4326: 4324: 4308: 4302: 4301: 4299: 4297: 4278: 4272: 4271: 4269: 4267: 4255: 4249: 4248:Taillandier, 23. 4246: 4240: 4239: 4211: 4202: 4201: 4173: 4162: 4161: 4159: 4157: 4142: 4136: 4135: 4119: 4109: 4103: 4102: 4087: 4081: 4078: 4072: 4071: 4069: 4067: 4048: 4042: 4041: 4033: 4027: 4026: 4018: 4009: 4008: 4000: 3994: 3991: 3985: 3978: 3972: 3971: 3969: 3967: 3952: 3946: 3943: 3937: 3936: 3933:(2nd supplement) 3927: 3916: 3910: 3909: 3897: 3891: 3888: 3882: 3879: 3873: 3866: 3860: 3857: 3848: 3842: 3836: 3833: 3827: 3826: 3824: 3822: 3803: 3797: 3796: 3794: 3792: 3772: 3766: 3765: 3763: 3761: 3746: 3740: 3739: 3727: 3721: 3720: 3710: 3704: 3701: 3695: 3694: 3684: 3678: 3677: 3675: 3673: 3654: 3648: 3647: 3645: 3643: 3628: 3622: 3621: 3619: 3617: 3606:emuseum.mfah.org 3598: 3592: 3591: 3589: 3587: 3567: 3561: 3560: 3558: 3556: 3537: 3528: 3525: 3514: 3513: 3501: 3492: 3489: 3483: 3482: 3480: 3478: 3464: 3452: 3446: 3443: 3437: 3436: 3428: 3422: 3421: 3419: 3417: 3398: 3392: 3391: 3365: 3359: 3358: 3346: 3340: 3337: 3331: 3330: 3318: 3312: 3309: 3303: 3293: 3287: 3284: 3278: 3277: 3254:Critical Inquiry 3249: 3243: 3240: 3234: 3233: 3225: 3219: 3218: 3210: 3204: 3201: 3195: 3192: 3186: 3185: 3173: 3164: 3163: 3161: 3159: 3153: 3146: 3136: 3130: 3129: 3097: 3080: 3079: 3077: 3075: 3056: 3050: 3047: 3041: 3040: 3017:The Art Bulletin 3012: 3001: 3000: 2988: 2975: 2972: 2963: 2960: 2951: 2948: 2937: 2934: 2928: 2925: 2912: 2909: 2903: 2900: 2894: 2893: 2875: 2866: 2865: 2863: 2861: 2843: 2837: 2836: 2818: 2812: 2811: 2809: 2807: 2795: 2789: 2786: 2780: 2779: 2777: 2775: 2760: 2754: 2753: 2751: 2749: 2721: 2715: 2714: 2712: 2710: 2691: 2685: 2684: 2682: 2680: 2661: 2655: 2654: 2652: 2650: 2631: 2625: 2624: 2622: 2620: 2600: 2594: 2593: 2591: 2589: 2569: 2563: 2562: 2560: 2558: 2544: 2538: 2535: 2526: 2523: 2517: 2514: 2503: 2500: 2494: 2493:Taillandier, 91. 2491: 2485: 2482: 2476: 2473: 2464: 2461: 2455: 2452: 2446: 2445: 2443: 2441: 2422: 2416: 2415: 2387: 2372: 2369: 2363: 2362: 2354: 2345: 2342: 2336: 2329: 2323: 2322: 2317: 2315: 2298: 2292: 2287:William Tucker, 2285: 2279: 2278: 2276: 2274: 2255: 2249: 2237: 2150: 2135: 2118: 2101: 2068:portrays Rodin, 2066:Gérard Depardieu 2037:Jacques Lipchitz 2005:Aristide Maillol 1916: 1913:Légion d'honneur 1887: 1875: 1816:Anthony Ludovici 1725:Cupid and Psyche 1579: 1558: 1275:, art historian 1199:Honoré de Balzac 1005:The Prodigal Son 959:The Three Shades 900:Kunsthaus Zürich 855:John the Baptist 675:Honoré de Balzac 572: 569: 305: 300: 296: 295: 292: 291: 288: 285: 282: 279: 276: 255: 237: 234:Légion d'Honneur 221: 219: 191: 177: 163: 149: 135: 119: 93: 90:17 November 1917 78:12 November 1840 77: 75: 56: 42: 6571: 6570: 6566: 6565: 6564: 6562: 6561: 6560: 6556:Camille Claudel 6486: 6485: 6484: 6479: 6465: 6444: 6422:Camille Claudel 6414:Camille Claudel 6385: 6364: 6308: 6306:Camille Claudel 6303: 6273: 6268: 6240: 6224: 6202:Camille Claudel 6194:Camille Claudel 6163: 6159:Camille Claudel 6147: 6108: 6078:The Walking Man 6030: 6015: 5992: 5937: 5802: 5739:Jean de Fiennes 5667: 5620:The Falling Man 5580:Crouching Woman 5497:Alsatian Orphan 5471: 5466: 5421: 5409: 5386: 5354:Auguste Rodin, 5351: 5323: 5277:Wayback Machine 5261:Wayback Machine 5248:Brooklyn Museum 5194: 5193: 5192: 5177: 5176: 5172: 5165: 5119: 5102: 5096: 5083: 5077: 5064: 5043: 5026: 5023: 5021:Further reading 5018: 5006: 5000: 4987: 4981: 4964: 4958: 4941: 4935: 4922: 4912: 4903: 4894: 4888: 4875: 4858: 4852: 4836: 4819: 4813: 4800: 4779: 4773: 4760: 4756: 4751: 4750: 4740: 4738: 4724: 4723: 4719: 4705: 4704: 4700: 4690: 4688: 4679: 4678: 4674: 4660: 4659: 4655: 4649:Wayback Machine 4640: 4636: 4626: 4624: 4610: 4609: 4605: 4595: 4593: 4571: 4570: 4566: 4556: 4554: 4540: 4539: 4535: 4525: 4523: 4510: 4509: 4505: 4488: 4487: 4483: 4473: 4471: 4458: 4457: 4453: 4443: 4441: 4440:on 8 March 2020 4428: 4427: 4423: 4413: 4411: 4397: 4396: 4392: 4375: 4374: 4370: 4359: 4355: 4337: 4336: 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408:Alphonse Legros 390: 388:Formative years 385: 373:Charles Despiau 361:Camille Claudel 298: 273: 269: 223: 215: 211: 208: 195: 141:The Walking Man 117: 101: 95: 91: 82: 79: 73: 71: 70: 69: 59: 58:1902 photograph 47: 38: 28:Rodin (surname) 24: 17: 12: 11: 5: 6569: 6567: 6559: 6558: 6553: 6548: 6543: 6538: 6533: 6528: 6523: 6518: 6513: 6508: 6503: 6498: 6488: 6487: 6481: 6480: 6470: 6467: 6466: 6464: 6463: 6458: 6452: 6450: 6446: 6445: 6443: 6442: 6434: 6426: 6425:(2003 musical) 6418: 6410: 6402: 6393: 6391: 6387: 6386: 6384: 6383: 6378: 6372: 6370: 6366: 6365: 6363: 6362: 6354: 6350:The Mature Age 6346: 6338: 6330: 6322: 6316: 6314: 6310: 6309: 6304: 6302: 6301: 6294: 6287: 6279: 6270: 6269: 6267: 6266: 6256: 6245: 6242: 6241: 6239: 6238: 6236:Rodin (crater) 6232: 6230: 6226: 6225: 6223: 6222: 6214: 6206: 6205:(2003 musical) 6198: 6190: 6182: 6177: 6171: 6169: 6165: 6164: 6162: 6161: 6155: 6153: 6149: 6148: 6146: 6145: 6139: 6133: 6132:, Philadelphia 6127: 6116: 6114: 6110: 6109: 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1707:and his wife, 1675: 1672: 1657:harpsichordist 1653:Isadora Duncan 1626:Octave Mirbeau 1624:, and authors 1598: 1595: 1594: 1593: 1581: 1574: 1572: 1560: 1553: 1487: 1484: 1399: 1396: 1361:George Wyndham 1306: 1303: 1160: 1157: 1133:Jean Froissart 1110:, the army of 1079:Main article: 1076: 1071: 1018:Main article: 1015: 1010: 898:(unfinished), 883:Main article: 880: 875: 783:The Vanquished 758: 755: 721: 718: 634:Alfred Boucher 602:Edmund Turquet 571: 1875–80 506: 503: 389: 386: 384: 381: 261: 260: 257: 256: 248: 247: 243: 242: 239: 238: 229: 225: 224: 213: 209: 204: 203: 201: 197: 196: 194: 193: 179: 165: 151: 137: 133:L'age d'airain 122: 120: 114: 113: 107: 106:Known for 103: 102: 96: 94:(aged 77) 88: 84: 83: 80: 67: 65: 61: 60: 57: 49: 48: 45: 15: 13: 10: 9: 6: 4: 3: 2: 6568: 6557: 6554: 6552: 6549: 6547: 6544: 6542: 6539: 6537: 6534: 6532: 6529: 6527: 6524: 6522: 6519: 6517: 6514: 6512: 6509: 6507: 6504: 6502: 6499: 6497: 6496:Auguste Rodin 6494: 6493: 6491: 6478: 6468: 6462: 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5494: 5491: 5490: 5486: 5484: 5481: 5480: 5478: 5474: 5470: 5469:Auguste Rodin 5463: 5458: 5456: 5451: 5449: 5444: 5443: 5440: 5432: 5426: 5418: 5414: 5410: 5408:9780876332764 5404: 5399: 5394: 5390: 5385: 5383: 5379: 5376: 5374: 5370: 5366: 5363: 5359: 5358: 5355: 5350: 5347: 5343: 5342:Jessie Lemont 5339: 5335: 5331: 5330: 5329:Auguste Rodin 5321: 5318: 5313: 5312:Auguste Rodin 5310: 5307: 5303: 5300: 5298: 5294: 5291: 5289: 5286: 5284: 5281: 5278: 5274: 5271: 5268: 5266: 5262: 5258: 5255: 5252: 5249: 5245: 5242: 5239: 5236: 5234: 5231: 5229: 5226: 5223: 5222:Shizuoka City 5219: 5215: 5212: 5210: 5207: 5204: 5201: 5199: 5196: 5195: 5189: 5186: 5184: 5181: 5180: 5175: 5174:Auguste Rodin 5170: 5162: 5157: 5153: 5150: 5147: 5143: 5139: 5136: 5132: 5128: 5124: 5120: 5114: 5109: 5108: 5101: 5097: 5091: 5087: 5082: 5078: 5076:9780801413292 5072: 5068: 5063: 5060: 5056: 5052: 5048: 5044: 5038: 5034: 5030: 5029:Adamson, John 5025: 5024: 5020: 5013: 5009: 5005: 5001: 4999:0-520-05887-9 4995: 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1304: 1302: 1300: 1296: 1292: 1291: 1286: 1282: 1278: 1277:Kenneth Clark 1274: 1273: 1268: 1264: 1261: 1258:, and future 1257: 1253: 1248: 1246: 1242: 1238: 1234: 1230: 1229: 1220: 1215: 1211: 1209: 1205: 1200: 1196: 1191: 1188: 1187: 1182: 1178: 1174: 1165: 1158: 1156: 1153: 1148: 1145: 1140: 1138: 1134: 1129: 1127: 1126: 1121: 1117: 1113: 1109: 1104: 1097: 1093: 1092: 1087: 1082: 1075: 1072: 1070: 1068: 1064: 1060: 1056: 1052: 1048: 1044: 1040: 1033: 1032: 1026: 1021: 1014: 1011: 1009: 1007: 1006: 1001: 1000: 995: 991: 990: 985: 983: 977: 976: 971: 967: 966: 961: 960: 955: 954: 949: 945: 943: 938: 934: 930: 927:He conceived 925: 923: 922: 918: 914: 913: 908: 901: 897: 896: 891: 886: 879: 876: 874: 872: 868: 864: 859: 856: 851: 846: 843: 839: 835: 831: 827: 826: 817: 813: 809: 807: 803: 799: 794: 792: 788: 784: 778: 776: 772: 771: 766: 765: 756: 754: 752: 748: 744: 740: 732: 731: 726: 719: 717: 715: 711: 706: 704: 696: 691: 687: 684: 678: 676: 672: 668: 661: 658:(1888–89) by 657: 656: 655:Bust of Rodin 651: 647: 645: 644: 643:Bust of Rodin 639: 635: 630: 628: 627: 622: 621: 616: 615: 614:Gates of Hell 610: 605: 603: 599: 598:Leon Gambetta 595: 591: 586: 583: 579: 564: 560: 558: 554: 553:Lazare Carnot 550: 546: 545:Denis Diderot 542: 538: 533: 531: 527: 519: 515: 514:Auguste Rodin 511: 504: 502: 500: 499: 494: 490: 484: 482: 478: 474: 470: 466: 461: 459: 455: 451: 447: 443: 438: 436: 432: 428: 424: 417:Rodin c. 1862 415: 411: 409: 405: 400: 396: 387: 382: 380: 378: 374: 370: 366: 362: 358: 352: 350: 346: 341: 339: 338: 333: 332: 327: 326: 321: 320: 315: 314: 309: 304: 294: 267: 258: 254: 249: 244: 240: 236: 235: 230: 226: 207: 202: 198: 190: 185: 184: 180: 176: 171: 170: 166: 162: 157: 156: 152: 148: 143: 142: 138: 134: 129: 128: 124: 123: 121: 115: 111: 108: 104: 99: 89: 85: 66: 62: 55: 50: 46:Auguste Rodin 43: 40: 36: 34: 29: 22: 6460: 6436: 6428: 6420: 6412: 6406:The Succubus 6404: 6396: 6356: 6348: 6340: 6332: 6324: 6216: 6208: 6200: 6192: 6184: 6130:Rodin Museum 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New York: 4966: 4946:. New York: 4943: 4924: 4914: 4905: 4896: 4877: 4860: 4841: 4838:Janson, H.W. 4821: 4802: 4781: 4762: 4739:. Retrieved 4730: 4720: 4711: 4707: 4701: 4689:. Retrieved 4685:the original 4675: 4666: 4662: 4656: 4637: 4625:. Retrieved 4616: 4606: 4594:. Retrieved 4577: 4567: 4555:. Retrieved 4547:The Guardian 4546: 4536: 4524:. Retrieved 4516:The Guardian 4515: 4506: 4498:the original 4493: 4484: 4472:. Retrieved 4463: 4454: 4442:. Retrieved 4438:the original 4433: 4424: 4412:. Retrieved 4403: 4393: 4385:the original 4379:Joseph Csáky 4378: 4371: 4362: 4356: 4348:the original 4343: 4333: 4321:. Retrieved 4306: 4294:. Retrieved 4285: 4276: 4264:. Retrieved 4253: 4244: 4219: 4215: 4181: 4177: 4154:. Retrieved 4140: 4115: 4107: 4099:the original 4094: 4085: 4076: 4064:. Retrieved 4055: 4046: 4037: 4031: 4022: 4004: 3998: 3989: 3981: 3976: 3964:. Retrieved 3960:the original 3950: 3941: 3929: 3914: 3905: 3901: 3895: 3886: 3877: 3869: 3864: 3844: 3840: 3831: 3819:. 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Retrieved 2262: 2253: 2243: 2235: 2199:Ernest Durig 2196: 2186: 2183: 2176: 2173: 2165: 2154:Rodin Museum 2122: 2104: 2090:Cass Gilbert 2075: 2069: 2059: 2057: 2045:Adolfo Wildt 2013:Joseph Csaky 1954: 1949: 1941: 1937: 1934: 1929: 1926:Michelangelo 1923: 1899: 1851: 1849: 1833: 1820: 1797: 1786: 1770: 1754: 1744: 1740: 1739: 1732: 1728: 1724: 1719: 1713: 1696: 1694: 1682: 1638: 1617: 1614:World's Fair 1611: 1587: 1561: 1547: 1542: 1536: 1533: 1529: 1524: 1522: 1517: 1511: 1497: 1493: 1489: 1461: 1454: 1448: 1442: 1439: 1434: 1430: 1428: 1415: 1407: 1387: 1385: 1358: 1350: 1322: 1313: 1288: 1284: 1281:Michelangelo 1272:Civilisation 1271: 1249: 1244: 1240: 1232: 1226: 1224: 1194: 1192: 1184: 1180: 1176: 1170: 1151: 1149: 1143: 1141: 1130: 1123: 1115: 1105: 1101: 1089: 1073: 1066: 1054: 1046: 1042: 1038: 1037: 1029: 1012: 1003: 997: 993: 987: 979: 973: 969: 963: 957: 951: 947: 946: 941: 936: 932: 928: 926: 919: 910: 904: 893: 877: 870: 866: 862: 860: 849: 847: 841: 837: 833: 829: 823: 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