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Barnaba was a prolific artist who left about 50 works. He was successful in Genoa thanks to his adherence to the older style of
Byzantine painting that was still very popular in the city. This explains his compositional schemes and the use of gold highlights and golden backgrounds, which are
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An eclectic artist who did not follow the new trends that had developed in the 14th century, Barnaba was able to achieve a debt of feeling in his early works through his refined technique. Barnaba dominated painting in later 14th-century Genoa and possibly even in Pisa. His follower
64:(Emilia). The first records regarding Barnaba date to 1361 and 1362 when he had already become a Genoese citizen and was hiring Tuscan assistants. His earliest dated paintings relate to his activities in Genoa. He produced paintings for the
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John
Richards, "Barnaba da Modena." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 17 March 2016
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Masterpieces of
Western Art: A History of Art in 900 Individual Studies from the Gothic to the Present Day
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80:, Genoa), which combines the Gothic style of Tuscan polyptychs with Emilian design. Another work, a
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101:. A painting (1377) by Barnaba was documented by Tiraboschi in the church of San Francesco in
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in the rounded faces and the gold-striated highlights on Mary's mantle.
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who painted in the style of
Byzantine art. He is considered the first
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A New
History of Painting in Italy: From the II to the XVI Century
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continued in his imagery and style in
Liguria until c. 1420.
160:, Springer Science & Business Media, 2012, p. 382-383
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Biographical catalogue of the principal
Italian painters
68:in Genoa in 1364. His earliest known painting is a
158:The Development of the Italian Schools of Painting
60:As his name indicates, the artist was a native of
116:Barnaba likely spent time in Pisa around 1380.
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44:painter of note and was active in Lombardy,
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36:(c. 1328-c.1386) was a mid-14th-century
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112:Christ with Apostles and Saints
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277:14th-century Italian painters
74:Virgin and Child with Saints
88:Museum of Fine Arts, Boston
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90:), shows the influence of
180:, Volume 2, page 164-167.
97:He was active in 1370 in
190:Farquhar, Maria (1855).
287:Painters from Lombardy
238:, Taschen, 2002, p. 47
192:Ralph Nicholson Wornum
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282:Italian male painters
259:at Wikimedia Commons
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170:Joseph Archer Crowe
156:Raimond Van Marle,
127:Byzantine painting
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272:Trecento painters
257:Barnaba da Modena
255:Media related to
230:Ingo F. Walther,
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194:(ed.).
72:of the
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62:Modena
48:, and
28:Städel
99:Turin
172:and
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103:Alba
56:Life
50:Pisa
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