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His first major work was a portrait of the Bishop, which brought requests for more portraits by other prelates in the area and launched him on a career as a portrait painter. He also did a painting of
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Despite his fame as a portraitist, he never abandoned religious themes and was known as the "painter of beautiful
Madonnas". One of his last works was a depiction of
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from a local artist named
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who offered to take him under his protection and helped him to continue his studies.
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In 1782, after establishing his reputation, he went to Venice and joined the
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He displayed artistic talent at an early age, taking his first lessons in
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to do several portraits, restore others, and create a gallery in the
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collecting money for orphans was left unfinished and completed by
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and the Elders, painted as part of a competition organized by
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and became a member of the "Accademia
Clementina" (now the
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Academic staff of the
Accademia di Belle Arti di Venezia
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55:Relevant discussion may be found on the
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251:. Ten years later, he relocated to
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232:. His sitters there included the
136:Provveditore Generale di Dalmazia
30:(1646-1725) the Italian sculptor.
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48:relies largely or entirely on a
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132:Portrait of Francesco Falier,
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377:19th-century Italian painters
367:18th-century Italian painters
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177:Paolo Francesco Giustiniani
16:Italian painter (1750–1810)
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191:Saint Lorenzo Giustiniani
19:Not to be confused with
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76:"Bernardino Castelli"
382:Painters from Venice
151:- 24 February 1810,
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337:Bernardino Castelli
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