196:. They pursued literary and literary interests often linked with the goal of civil emancipation; at the same time, they were loyal and patriotic to the State of Prussia. The union of the civil enlightenment with the state of Prussia and its king bespoke their underlying national goals, and they also sought to advance German language and literature. Although Rode did not belong to the innermost core of this intellectual circle, he counted many of its members among his close friends, and among them he developed the goals and basis of his artistic work.
22:
102:
157:
153:. In the course of the project, Rode painted several historical depictions of the Soldier King, Frederick the Great. These were displayed in a special exhibit in 1795. Under the patronage of Frederick William II, Chodowiecki himself took over the important post of the Academy director after Rode's death in 1797.
113:
Through a life-long annuity from the estate of his father, Rode was financially independent, especially important in the years when was he establishing himself professionally and artistically. Thanks to this annuity, Rode was able to explore techniques, themes and formats on his own time, rather than
144:
Beginning in 1756, Rode belonged to the Berlin
Academy of the Arts, and in 1783 he succeeded Le Sueur as its director. His long-time friend, Daniel Chodowiecki, also a member of the Academy, supported the appointment. He and his colleagues at the Academy hoped to take the Academy in a new direction
72:
Christian
Bernhard Rode and his wife, Anna Sophie. The copper engraver Johann Heinrich Rode and the sculptor Philipp Rode were his brothers. He received his earliest artistic training from his father and his earliest training in drawing from a painter, N. Müller. His four-year education at the
77:, an influential painter in Berlin and Brandenburg, was important to his professional development. During his apprenticeship, he learned to paint portraits. In 1748, Rode began a study trip of several years. He spent 18 months in the studio of
93:. In Venice and Rome, he studied the old masters. In 1755 or 1756, he returned to Berlin, and he married Sophie Luise, but the earliest years of their marriage remained childless. Of his earliest years in Berlin, not much more is known.
137:. Beginning in 1785, he developed health problems, although he remained active until shortly before his death. Upon his death in 1797, he was buried in the cemetery of the Saint Nicholas and Saint Mara parishes, in Berlin's
52:, and the philosophical and political discussions of the Berlin Philosophs informed much of the subject matter of his artistic work. His paintings include several works depicting, in various guises, the King of Prussia
342:
347:
322:
317:
169:
Central to the Berlin
Enlightenment, Rode was by 1750 part of a learned society of friends, including the publisher and bookseller
26:
337:
150:
205:
114:
be constrained by the demands of a patron. He painted and donated the Altar pictures still on view in his parish church, the
332:
327:
115:
86:
106:
126:
57:
270:
189:
130:
82:
21:
279:
312:
307:
181:
174:
53:
289:
138:
134:
44:
scenes and allegorical works. He knew most of the central figures in the Berlin
Enlightenment as
37:
193:
170:
45:
257:
Berlin Art
Academy, "Friedrich der Große und der Feldscher um 1793–94, von Bernhard Rohde."
119:
90:
49:
41:
233:
Berlin Art
Academy, "Friedrich der Große und der Feldscher um 1793–94, von Bernhard Rode."
101:
78:
301:
74:
56:, who ruled the Prussia during much of Rode's lifetime. Rode was director of the
185:
156:
252:
China and Europe: images and influences in sixteenth to eighteenth centuries
69:
85:(sometimes known as Carle van Loo or Vanloo). He became acquainted with
145:
and suggested a ten-year project entitled "The
Soldier King" (German:
149:). The project received support from Frederick II's nephew and heir,
100:
20:
118:
in Berlin-Mitte. He also portrayed a fictional version of the
89:
and developed his talent and interest in the medium of
36:(25 July 1725 – 28 June 1797) was a
141:, to which he had donated much of the artwork.
343:Academic staff of the Prussian Academy of Arts
129:, he received instruction from its directors,
40:artist and engraver well known for portraying
8:
25:Bernhard Rode, painted by his contemporary
264:
259:Katalog der Akademieausstellung von 1795.
235:Katalog der Akademieausstellung von 1795.
160:Rode's depiction of the Emperor of China
155:
217:
254:. University of Hong Kong Press, 1991.
7:
348:Painters from the Kingdom of Prussia
60:from 1783 until his death in 1797.
14:
165:Place in the Berlin Enlightenment
323:18th-century German male artists
206:War of the Bavarian Succession
1:
318:18th-century German painters
73:studio of the court painter
173:, the poet and philosopher
87:Jean-Baptiste-Henri Deshays
27:Henriette-Félicité Tassaert
364:
127:Berlin Academy of the Arts
125:Because he studied at the
122:in a series of paintings.
58:Berlin Academy of the Arts
286:
275:
267:
64:Family and early training
271:Blaise Nicholas Le Sueur
190:Gotthold Ephraim Lessing
131:Blaise Nicholas Le Sueur
68:Rode was the son of the
338:German history painters
161:
110:
30:
280:Berlin Academy of Art
159:
104:
83:Charles André van Loo
24:
333:Painters from Berlin
328:German male painters
151:Frederick William II
182:Johann Georg Sulzer
175:Karl Wilhelm Ramler
54:Frederick the Great
290:Daniel Chodowiecki
250:Lee, Thomas H. C.
162:
135:Daniel Chodowiecki
111:
31:
296:
295:
287:Succeeded by
194:Moses Mendelssohn
171:Friedrich Nicolai
147:Der Soldatenkönig
46:Friedrich Nicolai
355:
268:Preceded by
265:
238:
231:
225:
222:
120:Emperor of China
91:history painting
50:Gotthold Lessing
363:
362:
358:
357:
356:
354:
353:
352:
298:
297:
292:
283:
278:
273:
247:
242:
241:
232:
228:
223:
219:
214:
202:
167:
105:Altar pictures
99:
66:
17:
12:
11:
5:
361:
359:
351:
350:
345:
340:
335:
330:
325:
320:
315:
310:
300:
299:
294:
293:
288:
285:
274:
269:
263:
262:
255:
246:
243:
240:
239:
226:
216:
215:
213:
210:
209:
208:
201:
198:
166:
163:
98:
95:
65:
62:
16:German painter
15:
13:
10:
9:
6:
4:
3:
2:
360:
349:
346:
344:
341:
339:
336:
334:
331:
329:
326:
324:
321:
319:
316:
314:
311:
309:
306:
305:
303:
291:
282:
281:
272:
266:
261:Berlin, 1795.
260:
256:
253:
249:
248:
244:
237:Berlin, 1795.
236:
230:
227:
221:
218:
211:
207:
204:
203:
199:
197:
195:
191:
187:
183:
180:
176:
172:
164:
158:
154:
152:
148:
142:
140:
136:
132:
128:
123:
121:
117:
108:
103:
96:
94:
92:
88:
84:
80:
76:
75:Antoine Pesne
71:
63:
61:
59:
55:
51:
47:
43:
39:
35:
34:Bernhard Rode
28:
23:
19:
276:
258:
251:
245:Bibliography
234:
229:
220:
178:
168:
146:
143:
124:
116:Marienkirche
112:
107:Marienkirche
79:Jean Restout
67:
33:
32:
18:
313:1797 deaths
308:1725 births
188:, and also
186:Thomas Abbt
179:philosophes
139:Königsstadt
302:Categories
284:1785–1797
212:References
42:historical
224:Lee p.231
70:goldsmith
277:Director
200:See also
38:Prussian
177:, the
109:Berlin
97:Career
192:and
184:and
133:and
81:and
48:and
304::
29:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
