156:
216:
188:
92:
174:
202:
20:
341:
83:, and could sometimes execute almost as well. He did not hesitate to describe himself as the author of a clock worthy to be placed in the very finest cabinets, the most distinguished bronzes, or pieces of the most elegant form adorned with bronzes of extra richness. He worked much in marqueterie, both in tortoiseshell and in brilliant colored woods. He was indeed an artist to whom colour appealed with especial force. The very type and exemplar of the feeling of the regency.
293:
155:
142:
132:
102:
215:
187:
78:
The work of identification is rendered comparatively easy in his case by the fact that he published catalogues of three sales of his work. These catalogues are highly characteristic of the man, who shared in no small degree the personal bravura of
53:
As
Geoffrey Bellaigue suggests, "Cressent was in his opinion and in that of his contemporaries more than just a skilled cabinet maker and sculptor...he was a collector of refined taste and a talented designer".
201:
173:
42:, who also became a sculptor, he inherited tastes, skills and aptitudes which contributed to his success as an artist. Even more important, perhaps, was the fact that he was a pupil of
313:
308:
58:
401:
261:
Furniture, clocks and gilt bronzes in two volumes : published for the
National Trust (for places of historic interest or natural beauty, London)
19:
112:
371:
71:. Cressent's bronze mounts were executed with a sharpness of finish and a grace and vigour of outline which were excelled by his contemporary
91:
335:
391:
65:, for whom Cressent had made one of the finest examples of French furniture of the 18th century the famous medaillier now in the
62:
376:
268:
386:
381:
46:. Cressent's distinction is closely connected with the regency, but his earlier work had affinities with the school of
126:
38:. As the second son of François Cressent, sculpteur du roi, and grandson of Charles Cressent, a furniture-maker of
67:
396:
43:
222:
Charles
Cressent, cantoniera (da una coppia), parigi 1757-65 ca., con un vaso celadon parigino del 1720-30
366:
361:
146:
136:
106:
274:
264:
80:
72:
35:
163:
122:
116:
96:
340:
346:
355:
304:
299:
162:
Chest of drawers by
Charles Cressent, Paris, c. 1730, with Sèvres porcelain -
47:
278:
31:
194:
Charles
Cressent, coppia di mobili con scaffali da biblioteca, parigi, 1735
63:
Philippe d'Orléans, Duke of Orléans (later Regent of France for Louis XV)
338:
in
American public collections, on the French Sculpture Census website
317:. Vol. 7 (11th ed.). Cambridge University Press. p. 413.
57:
Cressent was also a sculptor, and among his work is a bronze bust of
39:
298:
This article incorporates text from a publication now in the
90:
18:
347:
Charles
Cressent's chest of drawers at Waddesdon Manor
242:
240:
238:
95:
Charles
Cressent, Chest of drawers, c. 1730 at
208:
Charles
Cressent, tavolo da segreteria, parigi 1750
180:
Charles
Cressent, coppia di medaglieri, parigi 1750
50:, while his later pieces were full of originality.
325:(Office du Livre for the National Trust: Fribourg)
8:
133:Filing-Cabinet and clock, c. 1740-1745
23:Writing desk by Charles Cressent, 1730–1735
339:
30:(1685–1768) was a French furniture-maker,
246:
234:
151:
7:
323:Furniture, Clocks and Gilt Bronzes.
14:
59:Louis d'Orléans, Duke of Chartres
402:18th-century French male artists
291:
214:
200:
186:
172:
154:
259:De Bellaigue, Geoffrey (1974).
1:
372:18th-century French sculptors
321:Geoffrey Bellaigue. (1974),
34:and fondeur-ciseleur of the
103:Writing-table, c. 1725
418:
166:- Buckinghamshire, England
143:Cartel clock, c. 1747
127:Metropolitan Museum of Art
392:French furniture makers
314:Encyclopædia Britannica
99:
68:Bibliothèque Nationale
24:
377:French male sculptors
113:Commode, c. 1730
94:
22:
387:French cabinetmakers
123:Commode, ca. 1745-49
44:André Charles Boulle
382:Artists from Amiens
263:. Office du livre.
147:Wallace Collection
137:Wallace Collection
107:Wallace Collection
100:
25:
309:Cressent, Charles
409:
343:
336:Charles Cressent
318:
297:
295:
294:
283:
282:
256:
250:
244:
218:
204:
190:
176:
158:
87:Examples of work
73:Jacques Caffieri
28:Charles Cressent
417:
416:
412:
411:
410:
408:
407:
406:
397:Waddesdon Manor
352:
351:
332:
307:, ed. (1911). "
303:
292:
290:
287:
286:
271:
258:
257:
253:
245:
236:
231:
224:
219:
210:
205:
196:
191:
182:
177:
168:
164:Waddesdon Manor
159:
117:Waddesdon Manor
97:Waddesdon Manor
89:
17:
16:French sculptor
12:
11:
5:
415:
413:
405:
404:
399:
394:
389:
384:
379:
374:
369:
364:
354:
353:
350:
349:
344:
331:
330:External links
328:
327:
326:
319:
305:Chisholm, Hugh
285:
284:
269:
251:
233:
232:
230:
227:
226:
225:
220:
213:
211:
206:
199:
197:
192:
185:
183:
178:
171:
169:
160:
153:
88:
85:
15:
13:
10:
9:
6:
4:
3:
2:
414:
403:
400:
398:
395:
393:
390:
388:
385:
383:
380:
378:
375:
373:
370:
368:
365:
363:
360:
359:
357:
348:
345:
342:
337:
334:
333:
329:
324:
320:
316:
315:
310:
306:
301:
300:public domain
289:
288:
280:
276:
272:
266:
262:
255:
252:
248:
247:Chisholm 1911
243:
241:
239:
235:
228:
223:
217:
212:
209:
203:
198:
195:
189:
184:
181:
175:
170:
167:
165:
157:
152:
150:
148:
144:
140:
138:
134:
130:
128:
124:
120:
118:
114:
110:
108:
104:
98:
93:
86:
84:
82:
76:
74:
70:
69:
64:
61:, the son of
60:
55:
51:
49:
45:
41:
37:
36:régence style
33:
29:
21:
322:
312:
260:
254:
221:
207:
193:
179:
161:
141:
131:
121:
111:
101:
77:
66:
56:
52:
27:
26:
367:1768 deaths
362:1685 births
356:Categories
270:0707800102
229:References
279:728116780
32:sculptor
302::
81:Cellini
296:
277:
267:
129:, USA
48:Boulle
40:Amiens
149:, UK
139:, UK
119:, UK
109:, UK
275:OCLC
265:ISBN
311:".
358::
273:.
237:^
145:,
135:,
125:,
115:,
105:,
75:.
281:.
249:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.