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126:. The details of Clarissa's early education are not known, but it has been suggested that she studied at the Franklin Academy, the first incorporated school in Massachusetts to admit women and the institution attended by her sister Emily from 1836 to 1838. Early in her professional life she is believed to have taught at the Blue Hill Academy in
188:, has been called by one writer "highly finished though somewhat defective in drawing"; another has spoken of her "penchant for realism in combination with decorative fabric". She appears to have specialized in portraits of children, given the numbers of these from her hand which have survived.
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gave her a favorable notice. She and her husband worked closely together, and their styles are similar enough that it is difficult to tell their work apart; furthermore, her paintings, which are often either unsigned or bear her husband's name, have sometimes been mistaken for those of
224:. An album of watercolors of flowers and plants, likely her earliest surviving work, is currently owned by the North Andover Historical Society. Her paintings are sometimes described as having "primitive vestiges", and her work is highly sought after by collectors of
220:, as are another portrait of a baby and a painting of the three Starbird children of Charlestown, Massachusetts; this last is the only one of the three whose attribution to her is secure. Another miniature of a child is in the
122:, also became a miniaturist. Their parents were Elizabeth Farrington Davis and John Peters; the Peters family had long been prominent in local affairs, and her father served as chairman of the town's
134:. She is known to have been in that town in 1831, and it is thought that she may have received some instruction in watercolor painting from Jonathan Fisher, a local polymath and graduate of
173:, in 1842 and 1843, and at the Art and Mechanics Associations. Her first exhibition was in 1841, at the Third Exhibition of the Massachusetts Charitable Mechanic Association; the
199:, also in North Andover; one of the markers is a cenotaph, but it is not known which. The latter marker honors her husband and son as well. Such was her stature that the
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523:"Baby with Rattle and Dog – Attributed to Mrs. Moses B. Russell – 1999.6 – Work of Art – Heilbrunn Timeline of Art History – The Metropolitan Museum of Art"
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Russell remained actively sought after as a portraitist until her death. She was buried either in the Second
Burying Ground in
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The
Russells were active in Boston from around 1842 to 1854, living on School Street and exhibiting work at the
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American
Paintings at Harvard: Volume 1: Paintings, Watercolors, and Pastels by Artists Born Before 1826
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A self-portrait by
Russell, dating to around 1850, was included in the inaugural exhibition of the
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memorialized her with a front-page obituary, and notices were published in other papers as well.
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Jonathan Fisher of Blue Hill, Maine: Commerce, Culture, and
Community on the Eastern Frontier
103:(February 1, 1809 – August 12, 1854) was an American miniaturist. Her name is often given as
298:; National Museum of Women in the Arts (U.S.); International Exhibitions Foundation (1987).
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365:"Russell, Mrs. Moses B. (nee Clarissa Peters) – American Artist – Internet Antique Gazette"
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Perfect
Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum
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481:"Attributed to Mrs. Moses B. Russell (Clarissa Peters) – Portrait of a Baby – The Met"
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304:. International Exhibitions Foundation for the National Museum of Women in the Arts.
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184:. Her style, which is reminiscent of that of her New England contemporaries such as
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Theodore E. Stebbins, Jr.; Melissa Renn; Virginia
Anderson (11 January 2014).
502:"Mrs. Moses B. Russell (Clarissa Peters) – The Starbird Children – The Met"
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266:"Mrs. Moses B. Russell (Clarissa Peters) – David Wheatcroft Antiques"
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Cincinnati Art Museum; Julie
Aronson; Marjorie E. Wieseman (2006).
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Peters of New
England: a genealogy, and family history
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American
Portrait Miniatures in the Manney Collection
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549:. Yale University Press. pp. 385–.
425:. Yale University Press. pp. 278–.
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391:. University of Massachusetts Press.
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606:19th-century American women painters
210:National Museum of Women in the Arts
169:; Clarissa also showed work at the
38:by Clarissa Peters Russell, c. 1850
586:People from Andover, Massachusetts
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301:American women artists, 1830–1930
250:. Knickerbocker Press. pp.
214:American Women Artists 1830–1930
244:Eleanor Bradley Peters (1903).
601:19th-century American painters
596:American portrait miniaturists
339:"SA Portrait Miniature – Baby"
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193:North Andover, Massachusetts
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218:Metropolitan Museum of Art
171:Boston Artists Association
176:Boston Evening Transcript
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453:Dale T. Johnson (1990).
385:Kevin D. Murphy (2010).
101:Clarissa Peters Russell
23:Clarissa Peters Russell
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186:William Matthew Prior
138:. By 1835 she was in
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105:Mrs. Moses B. Russell
91:Sara Peters Grozelier
591:Painters from Boston
182:Joseph Whiting Stock
156:Albert Cuyp Russell
197:Ridgewood Cemetery
136:Harvard University
124:board of selectmen
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64:(1854-08-12)
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581:1854 deaths
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71:Nationality
570:Categories
232:References
148:Providence
82:miniatures
50:1809-01-01
528:3 January
507:3 January
486:3 January
370:3 January
344:3 January
271:3 January
128:Blue Hill
87:Relatives
226:folk art
195:, or in
93:(sister)
74:American
112:Andover
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132:Maine
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59:Died
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
