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Cataloge van schoone copere platen, bevonden ten sterf-huyse van jouffrouwe Maria Anna Vander Wee, weduwe van wijlen sr. Cornelius
Vermeulen, in sijn leven plaet-snyder, ... Alle welcke platen vercocht zullen worden binnen Antwerpen ten huyse van Andreas Rysbrack ... in de Huydevetters-straet bij de
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as a 'stoffeerder' ('decorator'). Cornelis was registered as an apprentice with Peeter Clouet (Clouwet) in the
Antwerp guild in the guild year 1668–1669. In 1681 he joined the Confraternity of the Bachelors (Sodaliteit van de Bejaerde Jongmans), a fraternity for bachelors established in Antwerp by
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De
Liggeren en andere Historische Archieven der Antwerpsche Sint Lucasgilde, onder Zinkspreuk: "Wy Jonsten Versaemt" afgeschreven en bemerkt door Ph. Rombouts en Th. Van Lerius, Advokaet, onder de bescherming van den raed van bestuer der koninklyke Akademie van beeldende Kunsten, van gezegde
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He married Maria Anna van de Wee before 18 December 1706. The exact time of his death is not known but he must have died in
Antwerp between 18 September 1708 and 18 September 1709, as his death duties were paid to the Guild during that period. After his death his widow married the painter
70:. He was registered as a 'wijnmeester' (i.e. son of a master) in the Guild of St. Luke in Antwerp between 18 September 1682 and 18 September 1683. He maintained contact with Paris to which he often returned and where he was connected with the workshop of the Flemish printmaker
179:(History of the Inquisition in Goa) (Paris, Chez Daniel Horthemels, 1688). The book recounts the ordeal of Gabriel Dellon, a French Roman Catholic physician who had traveled in the East Indies, where he was arrested, tortured and convicted to the galleys by the
205:. The three folding plates show the following scenes: the procession of the Inquisition into a church, the Inquisition in session within a church and penitents being led from a church to be burned at the stake. The designs for the prints were made by
197:, which is covered simply with flames pointing downwards, signifying that the heretic who became penitent after being condemned was not to be burnt alive at the stake, but was to have the mercy of being strangled before the fire was lit, and the
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50:– 1708/09 in Antwerp) was a Flemish printmaker who is mainly known for his portraits, reproductive prints, frontispieces and illustrations. He trained in Antwerp and worked a number of years in Paris.
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In the years 1682 to 1683 he was active in Paris, where he moved in the circle of
Flemish artists, amongst them the Antwerp battle and portrait painter
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from this series shows Lady Jane Grey in an oval which is held by two crying putti. Under her portrait there is an ax which refers to her execution.
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175:(Travels of the Jesuits in Siam)(Paris, 1686). He also contributed six engraved plates (of which three folding plates) to Gabriel Dellon's
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He was born in
Antwerp in 1654 or 1655 as the son of Geeraert Vermeulen and Christina de Gande. His father was registered in the Antwerp
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published in 1697. It consists of 11 portraits of
English kings, queens and nobles made after designs by Adriaen van der Werff. The
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He engraved frontispieces for publications such as the frontispiece for Hugo de Groot and
Antoine de Courtin's,
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158:(The law of war and peace)(Arnould Seneuze, Paris, 1687) and the frontispiece to Isaac de Larrey's
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Vermeulen was a printmaker who mainly made portrait prints. He made portrait prints after works of
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in Goa. The three full-page plates depict heretics accused of different crimes wearing
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Frontispiece to Isaac de Larrey's "Histoire d'Angleterre" (Rotterdam, 1697-1713)
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He also made reproductive prints after works of the old masters such as Rubens,
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The three
Sanbenitos engraved by Cornelis Vermeulen for Gabriel Dellon's
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and others. He made themed series of portraits, such as the series of
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He provided illustrations to various publications. These include the
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Meir, op den 7. october 1721, ende de naervolghende daghen
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Bernard Picart and the First Global Vision of
Religion
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201:featured red saltires, whose wearer was only to do
494:17th-century engravers from the Holy Roman Empire
421:Lynn Hunt, Margaret C. Jacob, W. W. Mijnhardt,
162:(History of England) (Rotterdam: 1697-1713).
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425:, Getty Publications, 2010, pp. 292-293
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499:Printmakers from the Holy Roman Empire
375:Hugo de Groot and Antoine de Courtin,
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121:Eleven portraits from English history
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377:Le droit de la guerre et de la paix
156:Le droit de la guerre et de la paix
138:Le droit de la guerre et de la paix
33:The Queen fleeing the city of Bloy
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311:Ph. Rombouts and Th. van Lerius,
173:Voyage de Siam des Peres Jesuites
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437:Relation de l'inquisition de Goa
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177:Relation de l'inquisition de Goa
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404:Cornelis Martinus Vermeulen,
344:Joannes Paulus Robyns, 1721,
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362:Portrait of Lady Jane Grey
126:Portrait of Lady Jane Grey
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211:Index of Forbidden Books
93:Pieter Andreas Rijsbrack
19:Not to be confused with
171:made for Guy Tachard's
21:Cornelis van der Meulen
489:18th-century engravers
484:17th-century engravers
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105:Nicolas de Largillière
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461:at Wikimedia Commons
160:Histoire d'Angleterre
145:Adriaen van der Werff
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117:Adriaen van der Werff
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514:Artists from Antwerp
440:at Bauman Rare Books
406:Snake in a landscape
168:Snake in a landscape
68:Constantijn Francken
509:Flemish printmakers
149:Francesco Trevisani
60:Guild of Saint Luke
459:Cornelis Vermeulen
365:at the Rijksmuseum
330:Cornelis Vermeulen
293:Cornelis Vermeulen
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63:the Jesuit order.
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136:Frontispiece for
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46:(1654/55 in
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181:Inquisition
468:Categories
350:(in Dutch)
319:(in Dutch)
271:References
186:sanbenitos
264:Sambenito
213:in 1690.
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409:at the
391:at the
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234:Samarra
203:penance
191:Samarra
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221:, 1688
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54:Life
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