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in
Florence is the best known and there are several copies by studio and other hands. There is one copy painted in 1613 in the Vatican Pinacoteca and one in the Gemäldegalerie in Berlin. Strangely, the caption for this copy in Berlin says it may have been painted in 1610 or 1615. Then this copy was
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His pictures are distinguished by their close adherence to nature and the delicacy and technical perfection of their execution. His technical skill is shown by the fact that several copies he made of
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82:'s works were thought to be duplicates by Correggio himself. His extreme fastidiousness limited the number of his works. Several examples are to be seen at Florence and elsewhere.
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396:, a fully digitized exhibition catalog from The Metropolitan Museum of Art Libraries, which contains material on Cristofano Allori (see index)
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When still young he became a court portraitist for the
Medicis, though many of his commissions were replicas of portraits by his predecessor
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https://www.blindbild.com/berlin-gemaeldegalerie-august-2019/gemaeldegalerie_2019_allori-caravaggio/
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painted before the so-called prime version painted in 1613 in the
British Royal Collection. (
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was his former mistress, the beautiful "La
Mazzafirra" (who is also represented in his
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with the
Florentine attention to drawing. Allori also appears to have worked under
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36:(17 October 1577 – 1 April 1621) was an Italian painter of the late Florentine
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335:. Vol. 1 (11th ed.). Cambridge University Press. p. 699.
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is a self-portrait, and the maid is the mother of "La
Mazzafirra."
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Italian painter of the late
Florentine Mannerist school (1577–1621)
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This article incorporates text from a publication now in the
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The Art of Italy in the Royal
Collection; Renaissance and Baroque
89:. It exists in at least two versions by Allori, of which the
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and received his first lessons in painting from his father,
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school, painting mostly portraits and religious subjects.
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110:) According to the near-contemporary biography by
85:His most famous work, in his own day and now, is
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345:. London: National Portrait Gallery. p. 96.
342:Self Portrait: Renaissance to Contemporary
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327:Allori, Alessandro s.v. Cristofano Allori
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374:, Royal Collection Publications, 2007,
350:"Letters: Cristofano Allori's 'Judith'"
339:Bond, Anthony; Woodall, Joanna (2005).
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143:Francesco and Caterina Medici, c. 1598
370:Whitaker, Lucy, and Clayton, Martin.
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232:Judith with the Head of Holofernes
87:Judith with the Head of Holofernes
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295:Whitaker and Clayton 2007, p. 270
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23:Detail of Holofernes' head from
93:is perhaps that in the British
361:"Cristofano Allori's 'Judith'"
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430:17th-century Italian painters
420:16th-century Italian painters
268:Bond and Woodall 2005, p. 96.
217:Musée départemental de l'Oise
101:. A version of 1620 in the
250:Judith beheading Holofernes
97:, dated 1613, with various
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440:Italian Mannerist painters
445:Italian portrait painters
213:Saint Catherine of Siena
365:The Burlington Magazine
354:The Burlington Magazine
332:Encyclopædia Britannica
435:Painters from Florence
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425:Italian male painters
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114:, the model for the
348:Schupbach, Willam.
155:Self-portrait, 1606
48:Allori was born at
112:Filippo Baldinucci
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200:Virgin and saints
172:Pistoia Cathedral
54:Alessandro Allori
34:Cristofano Allori
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359:Shearman, John.
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415:1621 deaths
410:1577 births
404:Categories
124:Holofernes
99:pentimenti
120:Magdalene
80:Correggio
62:Venetians
44:Biography
38:Mannerist
244:See also
73:Bronzino
50:Florence
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303:Sources
130:Gallery
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116:Judith
66:Cigoli
256:Notes
186:Pieta
376:ISBN
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
